<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262365">
    <dcterms:title><![CDATA[New Images of Women: Essays Toward a Cultural Anthropology]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various hands.]]></dcterms:description>
    <dcterms:description><![CDATA[For individual essays that pertain to Chaucer,  of this volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269774">
    <dcterms:title><![CDATA[New Impersonal Verbs in Some Late Fourteenth-Century English Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies and tabulates &quot;new&quot; impersonal verbs used by Chaucer, Gower, Langland, and  the Gawain-poet, describing factors that affected their usage, especially imitation of Old French forms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265817">
    <dcterms:title><![CDATA[New Light on John Purvey]]></dcterms:title>
    <dcterms:description><![CDATA[Prints the inventory of books found in Purvey&#039;s residence upon his arrest in 1414, which were assessed at £12-18s-8d, and analyzes what the titles and their value imply.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264573">
    <dcterms:title><![CDATA[New Light on Judoc the Obscure]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces reports that St. Joce&#039;s relics were brought to Winchester (Hyde Abbey) in 901.  The abbot of Hyde lived next to the real Tabard Inn and Chaucer may have introduced St. Joce into WBP as a bit of local lore.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272692">
    <dcterms:title><![CDATA[New Light on the Origin of the Griselda Story]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the sources of Boccaccio&#039;s version of the Griselda story, assessing international oral and literary versions and commenting occasionally on features of ClT. Includes as an appendix summaries of nine Greek and Turkish analogues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265747">
    <dcterms:title><![CDATA[New Light on the Provenance of a Copy of &#039;The Canterbury Tales,&#039; John Rylands MS Eng. 113]]></dcterms:title>
    <dcterms:description><![CDATA[Notes the existence of a nineteenth-century transcript of the Rylands manuscript made by William James Pynwell, now Schoyn Collection MS 1580, and the implications that the transcript may have for the provenance of the Rylands manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273498">
    <dcterms:title><![CDATA[New Medievalisms.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays that provides various approaches to the study and teaching of the Middle Ages. For an essay that pertains to Chaucer, search for New Medievalisms under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267924">
    <dcterms:title><![CDATA[New Methods of Editing, Exploring, and Reading &#039;The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the history, goals, and methods of The Canterbury Tales Project, explaining how the electronic data have been organized and how the data can be accessed. Focuses on WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264341">
    <dcterms:title><![CDATA[New Perspectives in Chaucer Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Commissioned originally to be read at the Second International Congress of the New Chaucer Society, these thirteen essays demonstrate the validity of recent critical trends in Chaucer.  Several essays on historical approaches to Chaucer suggest new strategies; others cover Chaucer and Langland, twentieth-century critical theories applied to Chaucer, the arts and Chaucer, textual analyses, and French influence. For thirteen essays that pertain to Chaucer search for New Perspectives in Chaucer Criticism under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269114">
    <dcterms:title><![CDATA[New Perspectives on &#039;The Chaucer Ascription in Trinity College, Dublin MS D.2.8&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Trinity College, Dublin, MS 389 (formerly D.2.8) includes three alchemical texts that are Chaucerian apocrypha. Timmerman corrects Gareth W. Dunleavy&#039;s 1965 discussion of this manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268738">
    <dcterms:title><![CDATA[New Perspectives on Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors assess Criseyde in historical context, consider issues of gender and power, and apply postmodern approaches. Several essays revisit earlier scholarship on Criseyde (including the editors&#039; own) and comment on current views. For individual essays, search for New Perspectives on Criseyde under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267662">
    <dcterms:title><![CDATA[New Perspectives on Lydgate&#039;s Courtly Verse]]></dcterms:title>
    <dcterms:description><![CDATA[Critical reception of Lydgate has been prejudiced by negative comparisons with Chaucer. Fuller appreciation of Lydgate&#039;s poetry depends on recognizing that, while moral and political issues in Chaucer are largely exemplary, Lydgate writes to effect moral and political change-reflecting a &quot;new and distinct fifteenth-century poetics.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267426">
    <dcterms:title><![CDATA[New Perspectives on Middle English Texts : A Festschrift for R. A. Waldron]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors: seven interpretations of alliterative poems and six textual analyses of Middle English works. Includes a memoir by Derek Pearsall. For two essays that pertain to Chaucer, search for New Perspectives on Middle English Texts under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274653">
    <dcterms:title><![CDATA[New Poet, Old Words: Glossing the &quot;Shepheardes Calender.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts Immerito&#039;s and E. K.&#039;s attitudes toward language and archaism in Edmund Spenser&#039;s &quot;Shepheardes Calender,&quot; with particular attention to how the &quot;overly generous glossing&quot; of the text presumes a &quot;reader&#039;s familiarity with medieval verse, particularly that of Chaucer.&quot; Comments on Thomas Speght&#039;s approach to &quot;hard words&quot; in his 1598 edition of Chaucer&#039;s works, and includes illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268268">
    <dcterms:title><![CDATA[New Readings of Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors and a descriptive introduction by Derek Brewer. The papers were originally delivered at the Sewanee Medieval Colloquium at the University of the South in April 2000; the colloquium was devoted to Chaucer&#039;s work on the 600th anniversary of his death.  For individual essays, search for New Readings of Chaucer&#039;s Poetry under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265317">
    <dcterms:title><![CDATA[New Readings of Late Medieval Love Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Seven essays by various authors, plus an introduction by the editor that surveys the tradition of Chaucerian love poetry.  One essay is on Lydgate&#039;s &quot;Temple of Glas&quot;; one is on &quot;Kingis Quair&quot;; four are on Chaucerian apocrypha; and one is on the imagery of thorns and the hawthorn tree. All seven essays pertain to Chaucer; search for New Readings of Late Medieval Love Poems under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271417">
    <dcterms:title><![CDATA[New References to Chaucer, 1641-1660]]></dcterms:title>
    <dcterms:description><![CDATA[Adding to the work both of Spurgeon in &quot;Five Hundred Years of Chaucer Criticism and Allusion&quot; and of the author and Holton in &quot;Chaucer&#039;s Fame in England,&quot; this annotated bibliography presents forty-five new citations, including one to a hitherto unnoted seventeenth-century portrait]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266331">
    <dcterms:title><![CDATA[New Science out of Old Books: Studies in Manuscripts and Early Printed Books in honour of A. I. Doyle]]></dcterms:title>
    <dcterms:description><![CDATA[Fifteen essays by various authors on topics in book production from the twelfth to the seventeenth centuries, including discussion of Gower manuscripts (M. B. Parkes), a Wyclif manuscript (Anne Hudson), Wynkyn de Worde (Lotte Hellinga), codicological terminology (Kathleen L. Scott), book division (George R. Keiser), and other issues related to Chaucer Study.]]></dcterms:description>
    <dcterms:description><![CDATA[None of the essays focuses primarily on Chaucer or Chaucerian manuscripts, although several mention Chaucerian material.]]></dcterms:description>
    <dcterms:description><![CDATA[Includes a bibliography of Doyle&#039;s publications.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270162">
    <dcterms:title><![CDATA[New Science, Old Dance: The Clerk and the Wife of Bath at Philology]]></dcterms:title>
    <dcterms:description><![CDATA[Observing that threshold between the Wife of Bath and the Clerk and between their tales, Stillinger explores how Chaucer stands at the &quot;threshold between the Middle Ages and the Renaissance&quot; (224): &quot;If the Clerk imports the new science of the Renaissance&quot; into CT, the Wife of Bath &quot;seems to stand for the old dance of the Middle Ages&quot; (232).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276979">
    <dcterms:title><![CDATA[New Solutions for Words in Thomas Speght&#039;s Chaucer Glossaries.]]></dcterms:title>
    <dcterms:description><![CDATA[Accounts for seventeen words found in the glossaries of Speght&#039;s 1598 and 1602 editions of Chaucer&#039;s works that are labeled &quot;unidentified&quot; in Jürgen Schäfer&#039;s &quot;Early Modern English Lexicography&quot; (1989), tracing them &quot;to manuscript variants and corruptions or misprints in the text of Chaucer&quot; and assessing attestations of these g&quot;host words&quot; in later dictionaries and elsewhere.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269115">
    <dcterms:title><![CDATA[New Terminology for Sources and Analogues : Or, Let&#039;s Forget the Lost French Source for The Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Beidler proposes a refined taxonomy of terms to designate the relationships between a work and its sources (hard source, soft source, hard analogue, soft analogue, and lost source) and argues that--for lack of evidenc--criticism should dispense with the notion of a lost French source for MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268332">
    <dcterms:title><![CDATA[New Troy: Fantasies of Empire in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Federico combines historicism and psychoanalysis to explore the &quot;fascination with Troy&quot; in late-medieval England as a &quot;symbolic appropriation&quot; and a means of establishing English identity. Examines the gendered representations of Troy in Gower&#039;s &quot;Vox Clamantis&quot; and in Richard Maidstone&#039;s &quot;Concordia facta inter regem Riccardum II et civitatem Londoniae&quot;; assesses how the protagonists of &quot;Sir Gawain and the Green Knight&quot; and HF reflect the notion of a flawed Aeneas.]]></dcterms:description>
    <dcterms:description><![CDATA[In TC, Criseyde&#039;s innocence &quot;figures the contemporary cultural nostalgia&quot; for a &quot;new Troy made clean.&quot; In Gower&#039;s &quot;Confessio Amantis&quot; and Lydgate&#039;s &quot;Troy Book,&quot; the &quot;Lancastrian empire&quot; rethinks its Ricardian past. Throughout, the female characters of Troy are used to create the masculinist illusion that some versions of history are true and others false.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272055">
    <dcterms:title><![CDATA[New Views on Chaucer: Essays in Generative Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Includes six newly published essays. For individual essays, search for New Views on Chaucer under Alternative Title. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265637">
    <dcterms:title><![CDATA[Newer Currents in Psychoanalytic Criticism and the Difference &#039;It&#039; Makes: Gender and Desire in the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[With its richness subverting fabliau conventions, MilT glitters with multiple significations.  Alison, the central figure, is both sexy and presexual, both Medusa and &quot;bryd&quot; (in multiple and homonymous senses).  Unlike the traditional old cuckold, John is trustful, caring, almost parental.  Absolon, like the Miller in loving music and drama, combines the vindictive and the childlike.  The Miller works his audience to achieve a discharge of laughter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268564">
    <dcterms:title><![CDATA[Newly Identified Quotations in Chaucer&#039;s Tale of Melibee and the Parson&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Mann identifies sources for Mel 7.1178-79, 1184, and 1186-88; and for ParsT 10.144, 261-63, 274, 331-32, 382-84, 630, 657, 694, and 822.]]></dcterms:description>
    <dcterms:date><![CDATA[2004]]></dcterms:date>
</rdf:Description></rdf:RDF>