<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271804">
    <dcterms:title><![CDATA[Neomedieval Trauma: The Cinematic Hyperreality of Geoffrey Chaucer&#039;s The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Essay on adaptations of CT, focusing on Powell and Pressburger&#039;s &quot;A Canterbury Tale (1944), Piero Pasolini&#039;s &quot;I racconti di Canterbury&quot; (1972), and Brian Helgeland&#039;s &quot;A Knight&#039;s Tale&quot; (2001), which treat CT in a &quot;neomedievalist fashion&quot; and also provide &quot;Chaucerian commentary&quot; on the time periods of these films.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271776">
    <dcterms:title><![CDATA[Neomedievalism in the Media: Essays on Film, Television, and Electronic Games]]></dcterms:title>
    <dcterms:description><![CDATA[Series of essays by members of the Medieval Electronic Multimedia Organization (MEMO) related to differing interpretations of neomedievalism in various forms of media. For an essay related to Chaucer, search for Neomedievalism in the Media under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271868">
    <dcterms:title><![CDATA[Neomedievalism Unplugged]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief discussion of ways in which teachers have integrated medievalist material into curricula of their undergraduate Chaucer classes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271356">
    <dcterms:title><![CDATA[Neoplatonic Consolation in Chaucer&#039;s &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Biblical and Neoplatonic number symbolism conveys the message of BD:  that souls return to heavenly happiness. Considers Chaucer&#039;s summary of Scipio&#039;s dream, traces references to Pythagoras in BD, and identifies places where it capitalizes on numerological tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274226">
    <dcterms:title><![CDATA[Neoplatonic Theodicy in Chaucer&#039;s &quot;Legend of Philomela.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses how the invocation to the &quot;yevere of the formes&quot; (2228ff.) that opens the &quot;Legend of Philomela&quot; in LGW contributes to the &quot;primary rhetorical effect&quot; of the legend, i.e.,&quot;secondary pathos.&quot; As an appeal to an absent god, the invocation, like the legend itself, evokes &quot;ineffectual sympathy&quot; for the female protagonists and &quot;outrage against the men, gods, and universe that would not respond.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271500">
    <dcterms:title><![CDATA[Neoplatonismo o Chaucerismo o Cómo Chaucer Utiliza los Mitos Clásicos]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s use of classical mythology from the perspective of how it is reinterpreted, sometimes following Neoplatonism (through St Augustine), and sometimes through other allegorical and moralizing reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265101">
    <dcterms:title><![CDATA[Nero and Jack Straw in Chaucer&#039;s &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer refers to popular uprisings in the Monk&#039;s legend of Nero and in NPT.  Jack Straw was a title used in springtime games in England, and the rebellion he reputedly led may have stemmed largely from popular ritual.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265704">
    <dcterms:title><![CDATA[Nero&#039;s Nets and Seneca&#039;s Veins: A New Source for the &#039;Monk&#039;s Tale&#039;?]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the source for Nero&#039;s fishing nets of golden thread and for the cutting of both Seneca&#039;s arms as he lies in the bathtub come from the unedited &quot;Alphabetum narrationum,&quot; ca. 1308.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274190">
    <dcterms:title><![CDATA[Networks of Exchange in &quot;The Franklin&#039;s Tale.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the narrator and the characters of FranT pursue an ideal of social harmony based on &quot;trouthe,&quot; but they produce a &quot;collective fiction&quot; in which &quot;competing forms of exchange&quot;--marriage, promises, and money--disclose tensions that must remain hidden in order to function.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270616">
    <dcterms:title><![CDATA[New Approaches in Textual Editing: A Selection of Electronic Editions Under Analysis]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews several online editions of Old and Middle English texts, including some editions and websites that pertain to CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268291">
    <dcterms:title><![CDATA[New Approaches to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Dinshaw contemplates recent critical trends in medieval studies in light of the events of September 11, 2001, tracing the developments of feminist, queer, and postcolonial approaches to Chaucer&#039;s works by focusing on MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271778">
    <dcterms:title><![CDATA[New Carols and Songs for Chaucer&#039;s Pilgrims]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen new pieces of music written by David Yardley, set to medieval writings that reflect &quot;all walks of medieval life.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277714">
    <dcterms:title><![CDATA[New Century Cyclopedia of Names.]]></dcterms:title>
    <dcterms:description><![CDATA[Capacious encyclopedia of international names--people, places, books, fictional characters, etc., with various appendices. Includes an entry for Chaucer (1:917), who is also cited in more than 100 other entries. Entries are unsigned, but Robert R. Pratt is cited in the front matter as “Special Consultant” on the subject of Chaucer. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272987">
    <dcterms:title><![CDATA[New Challenges to the Editing of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Considers that editing the &quot;multilayered text&quot; of CT requires a combination of different methodologies, including codicology, textual evidence, and computer-based evidence, in order to restructure and represent Chaucer&#039;s true authorial intentions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269437">
    <dcterms:title><![CDATA[New Chaucer Topographies]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on twenty-first century adaptations of CT on stage and screen, in rap performance, and in imitative fiction, e.g., Peter Ackroyd&#039;s &quot;&quot;Clerkenwell Tales,&quot; Baba Brinkman&#039;s &quot;Rap Canterbury Tales,&quot; RSC and BBC productions, David Dabydeen&#039;s &quot;The Intended,&quot; and Marilyn Nelson&#039;s &quot;The Cachoeira Tales.&quot; These and other renditions reflect the adaptability of CT to new, global places and spaces. Nelson&#039;s version, in particular, successfully re-imagines Chaucer&#039;s idea of cultural fellowship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267406">
    <dcterms:title><![CDATA[New Chivalric Ideology and The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Reads KnT as a satiric exposure of the historical contingency of various views of honor and the &quot;chivalric ideal,&quot; examining the gap between what the Knight intends to tell and what he does tell.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270830">
    <dcterms:title><![CDATA[New Contexts for the Classics: Wanderers and Revolutionaries in the Tales of the Franklin and the Clerk]]></dcterms:title>
    <dcterms:description><![CDATA[From a feminist perspective, Fernández Rodríguez compares FranT and ClT with Fanny Burney&#039;s &quot;The Wanderer&quot; (1814) and Maria Edgeworth&#039;s &quot;The Modern Griselda&quot; (1805). Dorigen&#039;s and Griselda&#039;s domestic constraints contrast the ones depicted by eighteenth- and nineteenth-century British female writers who lived surrounded by conduct books and the cult of sensibility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263161">
    <dcterms:title><![CDATA[New Corn, New Science: Some Recent Chaucer Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Review article.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267192">
    <dcterms:title><![CDATA[New Directions in Critical Editing]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the advent of electronic editions with the revolution in editing effected by Aldus Manutius in c.1495-1515. Surveys the growing utility of digital photography, the difficulties of machine-readable transcriptions, and the potential for electronic analysis of the data. Focuses on the Canterbury Tales Project and the CD-ROM version of WBP (SAC 20 [1998]), no. 11)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267552">
    <dcterms:title><![CDATA[New Directions in Later Medieval Manuscript Studies: Essays from the 1998 Harvard Conference]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors that pertain to the use of manuscripts in understanding medieval texts and/or to the use of computers in manuscript analysis and study. For four essays that pertain to Chaucer, search for New Directions in Later Medieval Manuscript Studies under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273414">
    <dcterms:title><![CDATA[New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall.]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of interdisciplinary manuscript studies and critical essays presented at the &quot;New Directions in Medieval Manuscript Studies and Reading Practices in Honour of the 80th Birthday of Derek Pearsall&quot; conference on October 21-22, 2011. Includes index of manuscripts and incunabula. For three essays that pertain to Chaucer, search for New Directions in Medieval Manuscript Studies and Reading Practices under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277480">
    <dcterms:title><![CDATA[New Directions in Medieval Mystical and Devotional Literature: Essays in Honor of Denise N. Baker.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects ten essays by various authors on topics in mystical and devotional texts in Middle English, with an introduction by Amy N. Vines, a list of publications by Denise N. Baker, and a comprehensive index. For three essays that pertain to Chaucer, search for New Directions in Medieval Mystical and Devotional Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262069">
    <dcterms:title><![CDATA[New Ellesmere Chaucer Facsimile Project]]></dcterms:title>
    <dcterms:description><![CDATA[A report on plans to publish a facsimile volume of Huntington MS El 26 C9 and an accompanying volume of essays on the Ellesmere, both volumes to be edited by Daniel Woodward, librarian at the Huntington.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275609">
    <dcterms:title><![CDATA[New Feminist Approaches to Chaucer: Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces a special issue of Chaucer Review focused on feminism and Chaucer that surveys the state of the field of current feminist approaches to Chaucer, offering a view of scholarship defined by interdisciplinarity and intersectionality. Articles present &quot;new theoretical realms while also challenging the idea&quot; of the &quot;object and historical period of study for a Chaucerian.&quot; For articles included in this special issue, search for Chaucer Review 54.3 (2019) under Journal by Volume Number.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271443">
    <dcterms:title><![CDATA[New Formalism and the Forms of Middle English Literary Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Explores intersections between the &quot;new formalism&quot; and the close study of the formal features of late-medieval manuscripts, surveying recent scholarship and focusing on analyses of Chaucer&#039;s Adam and the scribe Adam Pinkhurst. These analyses exemplify the &quot;possibilities and problems&quot; of formalist study and manuscript study.]]></dcterms:description>
</rdf:Description></rdf:RDF>