<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262644">
    <dcterms:title><![CDATA[Medieval Science and Technology: A Selected, Annotated Bibliography]]></dcterms:title>
    <dcterms:description><![CDATA[Includes primary and secondary material from the fifth through the fifteenth centuries, with four Chaucer items.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274045">
    <dcterms:title><![CDATA[Medieval Science Fiction: An Impossible Fantasy.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues for a consideration of texts as &quot;science fiction,&quot; even if they were produced before the Enlightenment, and further defines the genre to include any text that combines interests in science and fiction. Includes comparison of CYT to Shelley&#039;s &quot;Frankenstein,&quot; exploring shared concerns with alchemy&#039;s effects upon the body.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274043">
    <dcterms:title><![CDATA[Medieval Science Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes essays that seek to redefine science fiction as literature that combines interests in both science and literature. Also examines the use of the medieval in modern fantasy texts. For three essays that pertain to Chaucer, search for Medieval Science Fiction under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263359">
    <dcterms:title><![CDATA[Medieval Scientific and Medical Views of Sexuality: Questions of Propriety]]></dcterms:title>
    <dcterms:description><![CDATA[Medical and scientific authors discussed sexual matters with clinical frankness.  Chaucer&#039;s Merchant sees Constantinus Africanus as &quot;a pander, a peddler of love potions.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270662">
    <dcterms:title><![CDATA[Medieval Secular Allegory: French and English]]></dcterms:title>
    <dcterms:description><![CDATA[Kamath and Copeland survey the legacy of philosophical allegory and secular allegory--largely inspired by the &quot;Roman de la Rose&quot;--in late medieval France and, by extension, England. They focus on Machaut, Froissart, and Deschamps and their relative impact on Chaucer, Gower, and Christine de Pizan. In BD, HF, and LGW, Chaucer consistently uses strategies that embed &quot;new and always productive ambiguities about the capacities and limitations of allegory as a literary form.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272494">
    <dcterms:title><![CDATA[Medieval Sensation and Modern Aesthetics: Aquinas, Adorno, Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes two medieval explorations of sensation--one by Thomas Aquinas, the other by Chaucer--and locates them within Theodor Adorno&#039;s account of aesthetics. Views Chaucer&#039;s poetry as a hinge between Aquinas&#039; explanation of sensory perception and Adorno&#039;s formulation of aesthetic change over time, referring to Chaucer&#039;s portrayal of the Prioress in GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262243">
    <dcterms:title><![CDATA[Medieval Sexuality: A Research Guide]]></dcterms:title>
    <dcterms:description><![CDATA[Interdisciplinary (covering religion, medicine, history, literature, and philosophy from early Christian times through the late Middle Ages), this annotated and indexed guide to medieval sexuality and attitudes toward sex and the body contains numerous references to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262864">
    <dcterms:title><![CDATA[Medieval Sign Theory and &quot;Sir Gawain and the Green Knight&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Educated English audiences of the fourteenth century would have been familiar with the &quot;formal theory of signs&quot; from sermons, poetry, and heraldic practice and would have appreciated the pentangle, green girdle, and wound in Gawain&#039;s neck.  The &quot;Gawain&quot;-poet controls ambiguity to direct the audience toward a profitable interpretation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261703">
    <dcterms:title><![CDATA[Medieval Sign Theory and Chaucer&#039;s &#039;Summoner&#039;s Tale&#039;: Modes of Reading and Manipulation&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Placed in the context of medieval sign theory, SumT becomes a satire on reading and interpretation.  The humor of the friar in the Tale depends upon seeing him as an interpreter who overlooks the literal sense of signs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272052">
    <dcterms:title><![CDATA[Medieval Songs of Innocence and Experience: The Adult Writer and Literature for Children]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;sentimental reverence for the child&#039;s innocence&quot; in a variety of medieval texts, including the account of Hugolino in MkT, compared with the version in Dante&#039;s &quot;Inferno&quot; 33, In both versions, the children have &quot;precocious knowledge&quot; but no &quot;adult discernment.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268192">
    <dcterms:title><![CDATA[Medieval Sources for Keatsian Creation in &#039;La Belle Dame sans Merci&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A major source of Keats&#039;s poem is the Middle English &quot;La Belle Dame sans Mercy,&quot; mistakenly attributed to Chaucer in the 1782 edition of &quot;The Poetical Works of Geoffrey Chaucer,&quot; which Keats owned.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264485">
    <dcterms:title><![CDATA[Medieval Structuralism: &#039;Dulcarnoun&#039; and the Five-Book Design of Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Numerology is an aesthetic basis for TC.  The architectural metaphor of Geoffrey of Vinsauf and Euclid&#039;s theorem on proportion in triangles can be used to demostrate proportions (involving line numbers) in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262397">
    <dcterms:title><![CDATA[Medieval Studies After Derrida After Heidegger]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the anxiety caused by the &quot;instability and arbitrariness&quot; of language as a &quot;transcendental medium...between phenomena and ideas.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276603">
    <dcterms:title><![CDATA[Medieval Studies and Medievalism: Choosing Good Texts for ESL and General Education Students in Taiwan.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers pedagogical justification for using Brian Helgeland&#039;s movie &quot;A Knight&#039;s Tale&quot; in multicultural teaching, with attention to the movie&#039;s brief mention of BD and discussion of the poem&#039;s usefulness in broadening student awareness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263643">
    <dcterms:title><![CDATA[Medieval Studies Conference Aachen 1983: Language and Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Seventeen essays on Old and Middle language and literature.  For five essays that pertain to Chaucer, search for Medieval Studies Conference Aachen 1983 under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264314">
    <dcterms:title><![CDATA[Medieval Studies for J. A. W. Bennett]]></dcterms:title>
    <dcterms:description><![CDATA[The festschrift includes fifteen essays on medieval topics:  Langland, medieval music, Gower, poetry and art, drama, punctuation, the &quot;arbor caritatis,&quot; Thomas More, Sir John Fastolf, and articles on Chaucer and related matters. For six essays that pertain to Chaucer, search for Medieval Studies for J. A. W. Bennett under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265183">
    <dcterms:title><![CDATA[Medieval Studies in Honor of Lillian Herlands Hornstein]]></dcterms:title>
    <dcterms:description><![CDATA[Fifteen essays by various authors, commemmorating Hornstein&#039;s retirement. For four essays that pertain to Chaucer, search for Medieval Studies in Honor of Lillian Herlands Hornstein under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276556">
    <dcterms:title><![CDATA[Medieval Studies in Troubled Times: The 1930s.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses pre-World War II state of medieval studies, its pro-Germanic/Nordic focus, and the academy&#039;s anti-Mediterraneanism. Argues that this period saw significant changes in the field, including a shift toward more interdisciplinary approaches and a renewed interest in the social and political contexts of medieval texts. Illustrates hostility toward Italian literature with references to C. S. Lewis&#039;s essay &quot;What Chaucer Really Did to Il Filostrato.&quot; Brief reference to SqT (Chaucer&#039;s description of the Squire as an expert in &quot;chyvachie&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262641">
    <dcterms:title><![CDATA[Medieval Studies Presented to George Kane]]></dcterms:title>
    <dcterms:description><![CDATA[Contains twenty-one articles and notes on Old and Middle English literature and language (including seven on &quot;Piers Plowman,&quot; three on Chaucer), reflecting Kane&#039;s interests:  source study related to literary analysis, textual criticism, paleography, orthography, philology, language, metrics, and the relevance of philosophy, history, and law to literary criticism.]]></dcterms:description>
    <dcterms:description><![CDATA[For individual essays that pertain to Chaucer,  of this volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266137">
    <dcterms:title><![CDATA[Medieval Studies: Proceedings of the IIIrd International Conference of the Spanish Society for Medieval English Language and Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Includes seven essays that pertain to Chaucer; texts in English and Spanish variously.]]></dcterms:description>
    <dcterms:description><![CDATA[For individual essays that pertain to Chaucer,  of this volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274413">
    <dcterms:title><![CDATA[Medieval Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteen stories from medieval French and English literature, adapted for juvenile readers. Includes NPT, WBT, PardT, CYT (Part 2), and FrT, and comments briefly on Chaucer&#039;s life and on CT, crediting the poet with the idea of suiting tales to tellers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262892">
    <dcterms:title><![CDATA[Medieval Texts and Contemporary Readers]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of essays that question &quot;traditional perceptions of medieval texts and the fictions and ideologies that structure these perceptions&quot; (introduction). For five essays that pertain to Chaucer, search for Medieval Texts and Contemporary Readers under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263936">
    <dcterms:title><![CDATA[Medieval Theory of Authorship: Scholastic Literary Attitudes in the Later Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Despite opinions to the contrary, literal theory was practiced in the later Middle Ages.  It appears in glosses and prologues of the Latin &quot;auctores&quot; studied in schools and universities and in biblical glosses, exegeses, and commentaries.  This complex heritage informed the works of Gower and Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269923">
    <dcterms:title><![CDATA[Medieval Things: Materiality, Historicism, and the Premodern Object]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys materialist &quot;thing theory&quot; as background on how objectivities and subjectivities interacted in medieval and early modern cultures. Summarizes work to date on the topic and considers how the accoutrements of the Merchant (especially his hat) in GP point to &quot;things as events whose signified is their own interiority&quot;--not simply indications of human subjects, but subjects in their own right.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263417">
    <dcterms:title><![CDATA[Medieval to Renaissance in English Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Rewriting literary history from Chaucer to Spenser, Spearing challenges C. S. Lewis&#039;s view that Chaucer &quot;medievalized&quot; his Renaissance-oriented sources, especially Boccaccio and Dante. ]]></dcterms:description>
    <dcterms:description><![CDATA[Directed by his experience of Italian culture, Chaucer himself originated the &quot;Renaissance&quot; in England--in his sense of the exalted nature of poetry and of English as a modern European vernacular and in his awareness of the autonomy of the past,his relationship to it, and the possibility of recreating it in poetic fiction.]]></dcterms:description>
    <dcterms:description><![CDATA[Chaucer can be seen as a Renaissance poet whose work was &quot;medievalized&quot; by admiring but uncomprehending successors.  Chapter 2 develops the idea of medieval and Renaissance in Chaucer, centering on HF, TC, Th, KnT, WBT, SqT, FranT; chap. 3, the Chaucerian tradition in Lydgate and Hoccleve; chaps. 5 and 6, the Scottish Chaucerians, Henryson and Dunbar, and other writers influenced by Chaucer.]]></dcterms:description>
    <dcterms:description><![CDATA[Asection enttitled &quot;Father Chaucer&quot; (pp. 88-110) reprinted in Daniel J. Pinti, &quot;Writings After Chaucer&quot; (New York and London: Garland, 1998), pp. 145-66.]]></dcterms:description>
</rdf:Description></rdf:RDF>