<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270634">
    <dcterms:title><![CDATA[Manuscripts and Scribes]]></dcterms:title>
    <dcterms:description><![CDATA[Horobin describes recent advances in understanding &quot;late medieval textual culture&quot;--reading habits, book ownership, institutional affiliations, etc.--focusing on the œuvres of several Chaucerian scribes, discussions of locale and provenance, relationships between Chaucerian and non-Chaucerian contents, and the utility of electronic databases.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262834">
    <dcterms:title><![CDATA[Manuscripts and Texts: Editorial Problems in Later Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Essays from the 1985 Conference at the University of York.]]></dcterms:description>
    <dcterms:description><![CDATA[Twelve essays by various hands on manuscripts and editing.]]></dcterms:description>
    <dcterms:description><![CDATA[For individual essays that pertain to Chaucer, search under a short title of this volume, i.e., Manuscripts and Texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262329">
    <dcterms:title><![CDATA[Manuscripts of English Courtly Love in the Later Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses manuscripts containing Chaucer&#039;s love lyrics, apocryphal and authentic, including poems extracted from longer works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275252">
    <dcterms:title><![CDATA[Manuscripts of the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the &quot;textual world&quot; of the late-medieval England  and describes the international development of the printing press. Comments on references to literacy and literate materials in Chaucer&#039;s works, explores the implications of Adam, remarks on the complexity of CT manuscripts (&quot;a mess&quot;), and argues that in CT Chaucer investigates the truth-value of &quot;bokes&quot; and bookish learning. Designed for pedagogical use.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273000">
    <dcterms:title><![CDATA[Manuscripts, Facsimiles, Approaches to Editing]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews Derek Brewer&#039;s editorial work on Malory and Chaucer. Mentions Brewer&#039;s unpublished projects, including  the &quot;Nelson Chaucer,&quot; that affected the &quot;textual authority&quot; of Middle English scholarship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275980">
    <dcterms:title><![CDATA[Manuscripts, Scribes, Circulation.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys extant manuscripts of CT, including collections that include standalone tales. Discusses the difference in manuscript presentation and frequency of the tales, arguing that earlier manuscript production and circulation often privileged those tales, which modern editors do not. Includes sections on scribes and readers and owners of manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277421">
    <dcterms:title><![CDATA[Manuscripts: The Textual Record of Middle English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the specifics of the material form and transmission of Middle English poetry, touching on the idea of the anthology, along with examples. Concludes by tracing the dearth of evidence for pre-1400 transmission of Chaucer&#039;s works (along with Gower&#039;s and Langland&#039;s).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261799">
    <dcterms:title><![CDATA[Many a Song and Many a Leccherous Lay : Tradition and Individuality in Chaucer&#039;s Lyric Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s lyrics have been neglected not because Chaucer was an incompetent lyric poet but because they have been overshadowed by his narrative poetry.  Ruud introduces the lyrics to those not familiar with them, providing a separate &quot;reading&quot; of each poem.  Notes summarize critical debates and interpretive cruces for each poem, and the arrangement of chapters enables the reader to trace Chaucer&#039;s development as a lyric poet.  The final chapter deals ]]></dcterms:description>
    <dcterms:description><![CDATA[  with the place and importance of Chaucer&#039;s lyrics in the Chaucer canon.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267858">
    <dcterms:title><![CDATA[Mapping a History of Sexuality in Melibee]]></dcterms:title>
    <dcterms:description><![CDATA[Burger follows Gilles Deleuze and Féliz Guattari in associating &quot;mapping&quot; with modernity, resistance, and queerness and associating &quot;tracing&quot; with medieval times, hegemony, and heterosexuality. Explores how Mel can be seen to &quot;map&quot; Melibee&#039;s submission to Prudence as a process of feminization and a means to help its original audiences imagine ways to escape traditional categories and boundaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270070">
    <dcterms:title><![CDATA[Mapping Chaucer: John Speed and the Later Portraits]]></dcterms:title>
    <dcterms:description><![CDATA[Driver examines John Speed&#039;s portrait of Chaucer (first printed version, Speght 1598) as a representation of &quot;Elizabethan nationalism&quot; and an emblem of Chaucer&#039;s reception. She also discusses Speed&#039;s career as a cartographer and historian and comments on the impact of his portrait of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275726">
    <dcterms:title><![CDATA[Mapping Desire in Chaucer&#039;s &quot;To Rosemounde,&quot; Shakespeare&#039;s &quot;Rape of Lucrece,&quot; and Donne&#039;s &quot;A Valediction: Of Weeping.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;thematic sexualization of the mappaemundi&quot; in Ros, Shakespeare&#039;s &quot;Lucrece,&quot; and Donne&#039;s &quot;Weeping,&quot; providing interpretive background for the imagery, explaining the poets&#039; familiarity with T-O maps, and exploring the range of implications in each of the poems, including comparison of Chaucer&#039;s treatment with that in Ranulf Higden&#039;s &quot;Polychronicon.&quot; Three color illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276232">
    <dcterms:title><![CDATA[Mapping Human Virtue and the Ethics of Desire: The Ludic(rous) as Umpire.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes discussion of TC, arguing that the &quot;ironies and games&quot; in the poem &quot;show how closely amorous pursuits may tread to modern conceptions of rape&quot; and depict courtship as a &quot;zero sum game in which each winning move is a loss.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276106">
    <dcterms:title><![CDATA[Marcus Boxhorn&#039;s Misattribution of Verses from Chaucer&#039;s &quot;Canterbury Tales&quot; to John Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines sources that Boxhorn drew upon for quoting GP and for (mis)identifying its author to show that, contrary to what scholars have believed, this seventeenth-century Dutch professor of history and rhetoric &quot;was acquainted with neither Chaucer nor Gower.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275905">
    <dcterms:title><![CDATA[Margaret Atwood and Chaucer: Truth and Lies.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between CT and Margaret Atwood&#039;s &quot;The Handmaid&#039;s Tale,&quot; found particularly in the fictional &quot;Historical Notes&quot; that follow the main text of the novel. Notes the echo of Chaucer in Atwood&#039;s title and a single reference to Chaucer in her work, but focuses on textual complexity and &quot;the problem of language as a vehicle for meaning&quot; in both texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270395">
    <dcterms:title><![CDATA[Margery and Alison: Women on Top]]></dcterms:title>
    <dcterms:description><![CDATA[Treats Margery Kempe and the Wife of Bath as carnivalesque female figures, although each is &quot;mediated and hence vindicated by a masculine consciousness&quot;--Margery&#039;s scribe and Chaucer. Both narrators are characterized by &quot;grotesque realism,&quot; exaggeration, and the habitation of liminal states, but Chaucer seeks to reaffirm the status quo that he disturbs while Margery remains disturbing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263490">
    <dcterms:title><![CDATA[Margery Kempe and The Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Considering the life of Margery Kempe, Takamiya tries to confirm the possibility of existence of such a woman as the Wife of Bath. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263986">
    <dcterms:title><![CDATA[Margery Kempe and the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Margery has much in common with Alisoun:  middle-class status, outspokenness, avid interest in or obsession with sex, devotion to Christianity, and passion for pilgrimages.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261540">
    <dcterms:title><![CDATA[Margery Kempe: Social Critic]]></dcterms:title>
    <dcterms:description><![CDATA[Like Chaucer, Margery Kempe constructs a narrative context for the self she creates.  Kempe uses autobiographical details to shape &quot;Margery&quot; into a representative type and to analyze communal values and practices.  Kempe employs Chaucer&#039;s strategy of making pointed criticisms through negative constructions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269222">
    <dcterms:title><![CDATA[Marges/Seuils: Le liminal dans la littérature médiévale anglaise. Actes des journées d&#039;étude de mai 2002, juin 2003, juin 2004]]></dcterms:title>
    <dcterms:description><![CDATA[Includes seven essays that pertain to Chaucer. For these essays, search for Marges/Seuils under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269276">
    <dcterms:title><![CDATA[Marginación y opresión en Los Cuentos de Canterbury y en Pedro el Labriego]]></dcterms:title>
    <dcterms:description><![CDATA[Guardia Massó examines ecclesiastical and sexual suppression in Lollardy, &quot;Piers Plowman,&quot; and CT (especially in WBP).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268479">
    <dcterms:title><![CDATA[Marginal Portraits and the Fiction of Orality]]></dcterms:title>
    <dcterms:description><![CDATA[Olson describes the visual features of the Ellesmere manuscript and assesses its illustrations as schematic, metonymic, and stereotypic-representations of character types rather than realizations of fictional individuals. The juxtaposition of Th and Mel produces a tension analogous to the oral/literate tension of the manuscript. A version of this essay appears in the author&#039;s book-length study, &quot;Fair and Varied Forms&quot; (Routledge, 2003).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268415">
    <dcterms:title><![CDATA[Marginal Presence, Lyric Resonance, Epic Absence: Troilus and Criseyde and/in The Shepheardes Calender]]></dcterms:title>
    <dcterms:description><![CDATA[Using numerous small allusions to TC, Spenser situates himself within the English literary canon through a strategy of association with an &quot;uncouthe, unkiste&quot; Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277457">
    <dcterms:title><![CDATA[Marian Maternity in Late-Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how &quot;latent Marian maternal elements&quot; inform a range of late medieval texts, focusing on how the devotional ideal of &quot;imitatio Mariae&quot;--rooted in Mary&#039;s &quot;inimitable biology&quot; as virgin and mother--informs Marian imagery and echoes in Margery Kempe, Middle English lives of mystics and saints&#039; legendaries, and Chaucer&#039;s Marian works. Chapter 5 addresses how the presence of ABC and PrT in manuscripts containing other Marian texts encourages &quot;matricentric&quot; reading of Chaucer&#039;s works, while Chapter 6 considers how Marian material in SNT helps to make Cecilia a &quot;metaphorical mother.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261949">
    <dcterms:title><![CDATA[Marian Overtones in Chaucer&#039;s &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;sponsa&quot; of the &quot;Song of Songs&quot; is traditionally interpreted as Mary, and thus through January&#039;s aubade (4.2138-48) May becomes an ironic echo of the Virgin.  The deep ironies of this association reflect the more straightforward presentations of Mary-figures by the Clerk and the Man of Law.  They also help to reveal the extreme bitterness of the Merchant.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274622">
    <dcterms:title><![CDATA[Marie de France: Poetry, New Translations, Backgrounds and Contexts, Criticism.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes Th and a selection from MerT in the section called &quot;Backgrounds and Context.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>