<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271566">
    <dcterms:title><![CDATA[Living Death in Medieval French and English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[In the chapter &quot;Becoming Woman in Chaucer: &#039;On ne naît pas femme, on le devient en mourant&#039;,&quot; Gilbert reads BD and LGW through the lenses of Robert Hertz&#039;s and Jacques Lacan&#039;s theories, respectively. BD represents a response to death that follows a Hertzian anthropological pattern; the Duchess is first mourned and then transmuted from a singular woman whose death has disrupted the social order into a socio-politically acceptable archetype in service of that order. In contrast, Alceste in LGW exists in a liminal &quot;entre-deux-morts&quot; that allows for opposition to the &quot;masculinist cycle of normal life and consummated death.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277514">
    <dcterms:title><![CDATA[Living in a Mercantile World: The Wife of Bath and Fifteenth-Century Women Authors.]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the &quot;[f]inancial discourse&quot; of WBP with those of &quot;The Book of Margery Kempe&quot; and of &quot;Paston women&#039;s papers,&quot; showing that fictional and historical women share a mutual mercantile &quot;understanding of life&quot; that unites their &quot;spiritual, marital, sexual, and economic&quot; roles as medieval women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274737">
    <dcterms:title><![CDATA[Living in the Future: Sovereignty and Internationalism in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the views that accept Chaucer&#039;s nationalism as a given and those that focus on his international or European identity and vision. Draws on concepts of sovereignty and domesticity appearing &quot;primarily in romantic and household contexts,&quot; and finds the interdependence between nationalism and internationalism evident in CT, in which &quot;England emerges as a community grounded in the ethical demands of inclusivity.&quot; Claims &quot;that CT must be included in serious discussions concerning sovereignty and internationalism in both English literature and late medieval political thought.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270612">
    <dcterms:title><![CDATA[Living with Neomedievalism]]></dcterms:title>
    <dcterms:description><![CDATA[Notes (on pp. 65-67) a BBC One production of six tales in CT that aims to present the Wife of Bath as &quot;a wonderful, feisty, bawdy, independent woman who is very much alive and living in the 21st century&quot;; a Canadian (Baba Brinkman) who has &quot;retrofitted&quot; CT to rap music; and a Wife of Bath restaurant in Wye, Kent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274868">
    <dcterms:title><![CDATA[Livy and Augustine as Negative Models in the &quot;Legend of Lucrece.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer employs Livy&#039;s and Augustine&#039;s stories of Lucretia as a way to hold up feminine virtue, rather than repeating their negative attributes exhibited in the source material.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265154">
    <dcterms:title><![CDATA[Livy in Gower&#039;s and Chaucer&#039;s Lucrece Stories]]></dcterms:title>
    <dcterms:description><![CDATA[Ovid is an important source for Gower&#039;s &quot;Confessio&quot; and for LGW.  However, there is evidence that both authors also made first-hand use of Livy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268640">
    <dcterms:title><![CDATA[Lo solemne y lo festivo: Contrastes y paralelismos en le primer ciclo de historias Los cuentos de Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts the plots, characters, and themes of KnT and MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277515">
    <dcterms:title><![CDATA[Loathly Ladies&#039; Lessons: Negotiating Structures of Gender in &quot;The Tale of Florent,&quot; &quot;The Wife of Bath&#039;s Tale&quot; and &quot;The Wedding of Sir Gawain and Dame Ragnelle.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines female desire and sovereignty in WBT and its analogues, arguing that &quot;the texts reveal the tensions among the various ideologies of women&#039;s (and men&#039;s) positions which the[ir] culture sustains,&quot; and suggests that they, paradoxically, &quot;deflect&quot; and affirm the &quot;centrality of gender as a conceptual tool&quot; in treating &quot;problems  of power.&quot; Includes an abstract in Czech and in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267565">
    <dcterms:title><![CDATA[Local Histories : Characteristic Worlds in the Decameron and the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Studies two ways CT borrows from Boccaccio: first, in transforming exemplary narratives into &quot;novelles&quot; and, second, in the use of narrative detail to create local history. MilT, RvT, and ShT are examples.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268840">
    <dcterms:title><![CDATA[Locality, Patriotism and Nationalism : Historical Imagination and G. K. Chesterton&#039;s Literary Works]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chesterton&#039;s literary criticism of Chaucer as a means to understanding Chesterton&#039;s conception of locality as part of his philosophy of history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271859">
    <dcterms:title><![CDATA[Locating Authorial Ethics: The Idea of the &#039;Male&#039; or Book-Bag in the &#039;Canterbury Tales&#039; and Other Middle English Poems]]></dcterms:title>
    <dcterms:description><![CDATA[In the five instances in which &quot;male,&quot; meaning &quot;bag or pouch&quot; or &quot;holder of writing,&quot; appears in CT, the word can also mean &quot;man, male gender, or genitals,&quot; &quot;stomach,&quot; and &quot;wrongdoing.&quot; Through this wordplay, Chaucer reveals his anxieties about the type of author he might be, and about the relationships between authorship and sinfulness and spirituality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274249">
    <dcterms:title><![CDATA[Loci of Solitude: The Idea of &quot;Pryvetee&quot; in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;the practice of privacy in reclusive spaces&quot; in TC and MilT, focusing on the physical surroundings, behaviors, and interactions with other characters of Criseyde and Nicholas, and identifying aspects of &quot;personal privacy&quot; within the dominant &quot;collective privacy&quot; of the household in the late medieval world. Includes an abstract in English and in Chinese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275929">
    <dcterms:title><![CDATA[Logic and Mathematics: The Oxford Calculators.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the work and influence of the &quot;Oxford Calculators&quot; (William Heytesbury, Thomas Bradwardine, Walter Burley, Richard Kilvington, Roger and Richard Swineshead, and John Dumbleton), demonstrating how Chaucer &quot;might have picked up some of their ideas.&quot; Discusses theological and logical issues of HF and CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277640">
    <dcterms:title><![CDATA[Loke who, what, how, when.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the basic meaning and history of the Middle English collocation &quot;look who,&quot; meaning &quot;whoever,&quot; analyzing the usage at WBT 1113 and discussing similar usages elsewhere in Chaucer, with two instances in Gower. Explains how scribal and editorial distortions of the phrase (and related ones) have been misleading, helping to account for the paucity of such phrases in NED, the predecessor of the OED.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268498">
    <dcterms:title><![CDATA[Lollards and Their Influence in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors on topics such as the conceptualization of Lollardy as a movement, its underlying thought, its book culture, and its relationships with other movements. Includes an extensive bibliography of Lollard study, with a section on &quot;Langland and Chaucer.&quot;  For an essay that pertains to Chaucer, search for Lollards and Their Influence in Late Medieval England under Alternative Title..]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276302">
    <dcterms:title><![CDATA[Lollardy and the Reformation: Survival or Revival?]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the legacy of Lollard and Wycliffite writings in early modern print, including works incorrectly attributed to Chaucer (such as &quot;The Plowman&#039;s Tale,&quot; &quot;Jack Upland,&quot; and &quot;The Testament of Love&quot;) and led to him being regarded as a proto-Reformer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263876">
    <dcterms:title><![CDATA[Lollardy: The English Heresy?]]></dcterms:title>
    <dcterms:description><![CDATA[Refers to a heresy trial of 1464 in which ownership of a copy of CT was used as evidence of Lollardy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269375">
    <dcterms:title><![CDATA[London and Money: Chaucer&#039;s &#039;Complaint to His Purse&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s begging poem reflects his anxieties about money within the complex moneyed economy of fourteenth-century London. Reprinted in Scattergood&#039;s Occasions for Writing: Essays on Medieval and Renaissance Literature, Politics, and Society (Portland, Ore.: Four Courts, 2010).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269231">
    <dcterms:title><![CDATA[London and Southwark Poetic Companies: &#039;Si tost c&#039;amis&#039; and the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Cooper discusses the poetic confraternities called &quot;puys,&quot; devoted to competitive writing of poetry. An edition and translation of Renaud de Hoiland&#039;s &quot;Si tost c&#039;amis&quot; serves as an example of the kind of civil performance being rejected by the storytellers of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272145">
    <dcterms:title><![CDATA[London in the Age of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Topographical and social history of late-medieval London and its environs, cast as a description of what a visitor might experience, enlivened by incidents drawn from legal and political records, and including descriptions of various political, social, ecclesiastical, legal, and economic institutions and activities. Recurrent references to Chaucer&#039;s life and family; includes an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268783">
    <dcterms:title><![CDATA[London Literature, 1300-1380]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the cultural conditions of literary production and the books produced in England, 1300-1380, focusing on English vernacular works but also attending to Latin and French ones, seeking to understand the textual communities defined by such texts. Hanna considers linguistic features (the transition from Type II to Type III English, Anglo-Norman, etc.), as well as literary genres such as romance, biblical commentary, history, and legal discourse, with extended attention to the Auchinleck Manuscript, Laud miscellaneous 622, Pepys 2498, the Chandos Herald, and Langland&#039;s &quot;Piers Plowman.&quot; Comments on ways that Chaucer helped to displace earlier traditions, with attention to Th, the GP description of the Parson, and Chaucer&#039;s status as a court poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273950">
    <dcterms:title><![CDATA[London, Southwark, Westminster.]]></dcterms:title>
    <dcterms:description><![CDATA[Treats London, Southwark, and Westminster as a single &quot;conurbation,&quot; summarizing its cultural interweaving of mercantile, courtly, political, and linguistic threads, and describing its literary production and legacy. Includes discussion of Chaucer, Gower, Langland, Hoccleve, and Usk, among others, emphasizing the ways that each negotiated and represented their increasingly literate and bureaucratic world, the responsibilities of political and public poetry, and the pressures of the nascent &quot;canonization&quot; of English-language literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271787">
    <dcterms:title><![CDATA[London: A History in Verse]]></dcterms:title>
    <dcterms:description><![CDATA[Anthology of poetry of London that includes GP and CkPT in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271114">
    <dcterms:title><![CDATA[London: A Short History]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief account (pp. 20-24) of &quot;Chaucer&#039;s London&quot; that summarizes the poet&#039;s life and describes several social and political events of his time. Published in the U.S. as &quot;London: A History&quot; (New York: Modern Library, 2004).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271160">
    <dcterms:title><![CDATA[London: A Short History of the Greatest City in the Western World. 2 Parts]]></dcterms:title>
    <dcterms:description><![CDATA[A series of twenty-four lectures (each 30 minutes) about the topography and social conditions of London. Lectures 4 and 5, entitled &quot;Economic Life in Chaucer&#039;s London&quot; and &quot;Politics and Religion in Chaucer&#039;s London&quot; describe the physical, economic, religious, and political conditions of the late-medieval London, with occasional comments about what Chaucer and Dick Whittington may have seen or known.]]></dcterms:description>
</rdf:Description></rdf:RDF>