<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262558">
    <dcterms:title><![CDATA[Literarischer Nominalismus im Spatmittelalter: Eine Untersuchung von Sprache, Charakterzeichnung und Struktur in Chaucers &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Utz&#039;s interdisciplinary study parallels the tenets of late-medieval nominalism and the main features of Chaucer&#039;s TC.]]></dcterms:description>
    <dcterms:description><![CDATA[The poet&#039;s critical inquiry into the universal &quot;proverb,&quot; his breaking away from allegory, his creation of a Criseyde motivated by her own free will, his warning against radical idealism/&quot;realism&quot; in the depiction of Troilus, and finally his structural separation of two kinds of truth are typical late-medieval literary reactions to the main philosophical conflicts of the fourteenth century.]]></dcterms:description>
    <dcterms:description><![CDATA[The author&#039;s 1989 Universitat Regensburg dissertation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266014">
    <dcterms:title><![CDATA[Literary Allusion in Chaucer&#039;s Ballade, &#039;Hyd, Absalon, Thy Gilte Tresses Clere&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s catalog of women in LGWP contains attributes specifically chosen to reflect both the themes of the work itself and allusions to other literary works on the respective characters.  Chaucer thus demonstrates his knowledge of previous treatments of the themes in earlier writers and books.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264472">
    <dcterms:title><![CDATA[Literary and Historical Perspectives of the Middle Ages: Proceedings of the 1981 SEMA Meeting]]></dcterms:title>
    <dcterms:description><![CDATA[Essays by various hands.  For two essays that pertain to Chaucer, search for Literary and Historical Perspectives of the Middle Ages under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272522">
    <dcterms:title><![CDATA[Literary and Historical Researches Respecting Chaucer&#039;s Knight and Squire]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the historical underpinnings of the GP descriptions of the Knight and Squire and discusses KnT and SqT for the ways they reflect the development of the Squire&#039;s &quot;Romantic Chivalry&quot; out of the Knight&#039;s &quot;Religious Chivalry,&quot; questioning the idealization of the Knight and asserting the Squire&#039;s considerable knowledge and skill.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262602">
    <dcterms:title><![CDATA[Literary and Other Languages in Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[Almost all studies of Middle English language and style are flawed in method or lacking in comprehensiveness.  The reaction of the medieval audience to dialectal differences is hard to gauge; e.g., sociolinguistic implications of the Northern dialect in RvT. ]]></dcterms:description>
    <dcterms:description><![CDATA[Several approaches may be valuable:  printers&#039; prologues that comment on language, scribal presentation in manuscripts, and comments of Chaucer&#039;s followers and early editors such as Caxton.  Blake studies scribal glosses in various manuscripts of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271474">
    <dcterms:title><![CDATA[Literary and Political Governance in Scottish Reception of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Scottish poets&#039; uses of Chaucer, both to deepen their own works and to establish their own independent literary tradition. Instances include &quot;Kingis Quair,&quot; which incorporates motifs from TC and KnT; Henryson&#039;s work; and Gavin Douglas&#039;s drawing upon HF and LGW. Argues that William Dunbar implies a Scottish-English political relationship not unlike that of the Scots poets to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266542">
    <dcterms:title><![CDATA[Literary and Symbolic Inspiration in the Pardoner&#039;s Prologue 1924]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Harry Mileham&#039;s painting of the Canterbury pilgrims, depicted in a tavern during the telling of PardPT. Mileham is sensitive to literary and historical detail, derived especially from GP and the Ellesmere illustrations. The painting reflects subtler implications in its similarities to depictions of the Marriage at Cana and especially of the Last Supper.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267316">
    <dcterms:title><![CDATA[Literary Appropriation and Social Observation : Fourteenth-Century Middle English Poets and Their Twelfth-Century Old French Sources]]></dcterms:title>
    <dcterms:description><![CDATA[Source study of &quot;Ywain and Gawain,&quot; &quot;Sir Launfal,&quot; and NPT that explores how the process of appropriation reflects social, economic, political, and ideological continuities and transformations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264082">
    <dcterms:title><![CDATA[Literary Appropriation as &#039;Translatio&#039; in Chaucer and the &#039;Roman de la Rose&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The medieval understanding of &quot;translatio&quot; comprises not only recasting in another language but also literary interpretation.  In drawing on the &quot;Roman&quot; (already richly allusive), Chaucer adapts Jean de Meun&#039;s &quot;mirouer&quot; technique for works of various main sources: LGWP, BD, TC, and FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265567">
    <dcterms:title><![CDATA[Literary Aspects of Courtly Culture: Selected Papers from the Seventh Triennial Congress of the International Courtly Literature Society, Unviersity of Massachusetts, Amherst,]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-four essays in English and French by various hands, arranged under five categories:  (1) Configuring the Feminine; (2) Lyric Voice, Poetic Style: From Troubadours to Rhetoriqueurs; (3) Amor: Ethos and Affect; (4) Fictions of Identity and Alterity; and (5) Culture and Historiography: Perspectives and Appraisals. For five essays that pertain to Chaucer, search for Literary Aspects of Courtly Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265392">
    <dcterms:title><![CDATA[Literary Authority and the Lists of Chaucer&#039;s &#039;House of Fame&#039;: Destruction and Definition through Proliferation]]></dcterms:title>
    <dcterms:description><![CDATA[HF contains an inordinate number of lists of seemingly disparate materials in random order.  Chaucer challenges the concept of authority by suggesting that the lists themselves provide the &quot;authority&quot;--not any one central force.  Readers authorize a poem through their own &quot;lists&quot;:  the experiences they bring to it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267974">
    <dcterms:title><![CDATA[Literary Authority as Cultural Criticism in Aemilia Lanyer&#039;s The Author&#039;s Dreame]]></dcterms:title>
    <dcterms:description><![CDATA[In her poem &quot;The Author&#039;s Dreame,&quot; Lanyer uses the medieval dream vision, allusions to Chaucer (HF) and other poets, and Renaissance and biblical tropes to criticize as well as praise her patrons; however, her authority is threatened by the use of these very sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268321">
    <dcterms:title><![CDATA[Literary Character: The Human Figure in Early English Writing]]></dcterms:title>
    <dcterms:description><![CDATA[Fowler explores literary character and characterization as processes of the reader&#039;s engagement with &quot;social persons&quot; posited by a given text through various habituated devices and understood in light of various historical contexts-psychological, political, economic, and philosophical.]]></dcterms:description>
    <dcterms:description><![CDATA[She focuses on Chaucer&#039;s Pardoner (particularly in light of three constructions of intentionality--confessional, ministerial, and poetic), Langland&#039;s Lady Meed, Skelton&#039;s Elynour Rummynge, and figures from Spenser&#039;s &quot;Faerie Queene.&quot; Includes commentary on ParsT and Ret, ShT, WBP, and the GP descriptions of the Knight and Prioress.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269263">
    <dcterms:title><![CDATA[Literary Contests and London Records in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Significantly, the setting of GP is located outside the limits of London proper, and most of the pilgrims are not Londoners. CkT offers a clear vision of fourteenth-century London and reflects what is both good and appalling about the city.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276366">
    <dcterms:title><![CDATA[Literary Conventions of Courtly Love.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the conventions of English and French courtly literature, emphasizing backgrounds, setting, plot structure, the contributions of Machaut and Froissart, and the influence of the &quot;Pearl.&quot; A closing chapter on BD explores how and in what ways Chaucer reacted to &quot;didactic courtly love poetry&quot; that has &quot;lost touch with reality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262879">
    <dcterms:title><![CDATA[Literary Criticism in the &#039;Liber Catonianus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The distinctive form of literary criticism in the medieval canon of classics in the thirteenth and fourteenth centuries is evidenced by an examination of one of the characteristic types of treatise that resulted from the association of poetry with grammar.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264206">
    <dcterms:title><![CDATA[Literary Criticism in William Godwin&#039;s &#039;Life of Chaucer&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Godwin&#039;s literary criticism of Chaucer&#039;s poetry contributed to the Romantic conception of Chaucer the man.  His &quot;Life&quot; gives insight into the idea of the Middle Ages in early-nineteenth-century England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270452">
    <dcterms:title><![CDATA[Literary Culture at the Court of Richard II]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer and Gower were &quot;hardly essential reading &quot; at the court of Richard II, although some evidence indicates that they were being read.  Such evidence includes comments on Sted, TC, LGW, Scog, and works by Gower.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262305">
    <dcterms:title><![CDATA[Literary Dialect in Chaucer, Hardy, and Alan Garner]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer created a literary dialect that influenced writers centuries later.  Elliott focuses on Chaucer&#039;s dialect, pronunciation, and grammar; Hardy&#039;s words and syntax; and Garner&#039;s rythms and cadences.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264288">
    <dcterms:title><![CDATA[Literary Genres in a Medieval Textbook]]></dcterms:title>
    <dcterms:description><![CDATA[The pedagogic techniques in &quot;Liber Catonianus,&quot; a standard textbook used by Chaucer, show the combination of grammar and morality, the study of the &quot;artes&quot; as a study of ethics,and the integration of the ethical in the &quot;Septennium&quot; of the liberal arts in the thirteenth and fourteenth centuries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270681">
    <dcterms:title><![CDATA[Literary Histories]]></dcterms:title>
    <dcterms:description><![CDATA[Lerer assesses the mid-sixteenth-century versions of Truth and TC in Tottel&#039;s &quot;Miscellany&quot; (among other texts) as evidence of Renaissance reception of medieval literary history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270740">
    <dcterms:title><![CDATA[Literary History]]></dcterms:title>
    <dcterms:description><![CDATA[Justice explores &quot;historicism&#039;s liabilities&quot; and their consequences for the prospects of an aesthetic &quot;turn.&quot; Traces the interactions between historicism and &quot;theory&quot; in debunking formalism and comments on this process in medieval studies, particularly Chaucer studies. Calls for a &quot;fully literary history,&quot; one attentive to &quot;what is made and received as &#039;the literary&#039; in a given historical moment,&quot; anchored in a substantial &quot;conception of poetic form,&quot; and capable of adjudicating between a specifically literary history and those histories that subordinate literature to politics, economics, or institutional change.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262844">
    <dcterms:title><![CDATA[Literary Influence in Medieval Literature: Chaucer and the &#039;Roman de la Rose&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval literary influence should be understood through borrowing not only of phrasing but also of literary devices. Chaucer&#039;s grasp of the totality of Jean de Meun&#039;s technique pervades Chaucer&#039;s handling of allegorical conventions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270290">
    <dcterms:title><![CDATA[Literary Landscapes of the British Isles: A Narrative Atlas]]></dcterms:title>
    <dcterms:description><![CDATA[Explains topographical references in the works of various British writers, from Chaucer to Robert Louis Stevenson and James Joyce, and explores how various locales contributed to various works of literature, including works by Shakespeare, Dr. Johnson, Dickens, Woolf, the Lake poets, the Brontës, Hardy, and more. Includes illustrations contemporary with the writers, as well as atlases and gazetteers.  The Chaucer section (pp. 9-29) focuses on medieval London, the topographical allusions in GP (especially the descriptions of the Knight and the Wife of Bath), and the broader fictional worlds of TC, KnT, and SqT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270539">
    <dcterms:title><![CDATA[Literary Laughter: Being a Treasury of Comic Writings by Chaucer, Shakespeare, Twain, and Dickens]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of comic selections, including (pp. 9-17) the Nevill Coghill translation the GP description of the Wife of Bath and selections from WBP, with a brief introduction. The volume includes a commentary on literary humor, illustrations by Quinn Hawkesworth, and culinary recipes from the &quot;literary time period&quot; of each of the four authors, including &quot;Chaucer&#039;s Madrigal Dinner&quot; (pp. 59-66).]]></dcterms:description>
</rdf:Description></rdf:RDF>