<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274435">
    <dcterms:title><![CDATA[Landscape and Dialogue: A Study of Allegorical Tradition in Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the uses and functions of allegory, dialogue, and symbolism in Boethius&#039;s &quot;Consolation,&quot; Alan of Lille&#039;s &quot;De Planctu Naturae,&quot; landscapes in twelfth-century literature, and PF, arguing that the latter is a &quot;triumph of allegorical technique made possible by Chaucer&#039;s mastery&quot; of the &quot;ideas and methods&quot; of his predecessors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277041">
    <dcterms:title><![CDATA[Landscape in Middle English Romance: The Medieval Imagination and the Modern World.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies &quot;ways in which medieval British romances conceived of ecological contexts&quot; and identifies a &quot;range of economic, religious, and social values attached to landscape&quot;--hills and mines; seashores and beaches; and foreign, domestic, and fantastic territories--in a wide variety of popular romances and in &quot;Sir Gawain and the Green Knight.&quot; Includes ecocritical comments on the &quot;seashore as a space for play and false narrative&quot; in FranT and a space of economic possibility and exploitation in MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264539">
    <dcterms:title><![CDATA[Landscapes of Love and Poetry: Chaucerian Dream Allegory in England through the Renaissance]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer was famous in the 15th and 16th centuries not as a love poet but as a visionary poet, a dreamer of dream allegories, and as such influenced Lydgate (&quot;Temple of Glas&quot;), Skelton (&quot;Garland of Laurel&quot;), Cowley (&quot;Dream of Elysium&quot;), Douglas, Dunbar, Green, and Breton.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269544">
    <dcterms:title><![CDATA[Langland and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Watson summarizes the theocentrism of the late Middle Ages, examines Langland&#039;s critique of formal theology in &quot;Piers Plowman,&quot; and discusses how CT disclaims theological authority in exploring truth and moral utility. Argues that Mel may be the &quot;theological centre&quot; of CT, and reads ClT as an &quot;antonym&quot; to Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264315">
    <dcterms:title><![CDATA[Langland and Chaucer: An Obligatory Conjunction]]></dcterms:title>
    <dcterms:description><![CDATA[Comparisons of Chaucer and Langland may rescue CT from the Bradleian fallacy (i.e., treatment of Chaucer&#039;s literary characters as historically actual).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270282">
    <dcterms:title><![CDATA[Langland--Gower--Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes &quot;Ricardian Literature&quot; and discusses the major works of William Langland, John Gower, and Chaucer (pp. 246-69), focusing on social criticism and genre.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266136">
    <dcterms:title><![CDATA[Langland, Chaucer, Fortescue: Force of Law and Popular Voice, 1377-1471]]></dcterms:title>
    <dcterms:description><![CDATA[The complicated matrix of late-medieval law, with its efforts to seek truth (even by torture), sheds light on the historical dynamics of various works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266818">
    <dcterms:title><![CDATA[Langland, Kempe, and Chaucer, and the &#039;Makynges&#039; of Authority]]></dcterms:title>
    <dcterms:description><![CDATA[Fourteenth-century English dialogue between Wycliffite heresy and religious orthodoxy brought a redefinition of authorship and authority. ]]></dcterms:description>
    <dcterms:description><![CDATA[Langland and Chaucer developed their own &quot;authorial identities, or bibliographic egos,&quot; and sometimes altered their works to avoid being claimed by heretical groups. ]]></dcterms:description>
    <dcterms:description><![CDATA[Kempe, writing later, absents herself as author. All represent their works as divinely inspired.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261481">
    <dcterms:title><![CDATA[Langland, the Mystics, and the English Religious Tradition: Essays in Honour of S. S. Hussey]]></dcterms:title>
    <dcterms:description><![CDATA[Includes nineteen essays, an intoduction, a list of Hussey&#039;s publications, and a tabula gratulatoria.  Topics of the essays include Langland, various mystics, religious lyrics, religious drama, and handbooks of religious instruction.<br />
For two essays that pertain to Chaucer, search for Langland, the Mystics, and the English Religious Tradition under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269890">
    <dcterms:title><![CDATA[Langland, Wittgenstein, and the Language Game]]></dcterms:title>
    <dcterms:description><![CDATA[Tolmie notes &quot;an anti-Augustinian semiotic moment&quot; (111) in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261370">
    <dcterms:title><![CDATA[Langland&#039;s and Chaucer&#039;s Prologues]]></dcterms:title>
    <dcterms:description><![CDATA[GP was inspired by the A text of Piers Plowman, echoing its concern with estates satire, its concern with social and moral cohesion, and many of its details.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275421">
    <dcterms:title><![CDATA[Langland&#039;s and Chaucer&#039;s Treatment of Monks, Friars, and Priests.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts Chaucer&#039;s and Langland&#039;s views of the &quot;lower clergy&quot; (monks, friars, and parish priests) in light of the &quot;religious backgrounds&quot; of their age, arguing that despite their stylistic differences their views are very similar in this regard, and largely conservative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269897">
    <dcterms:title><![CDATA[Langland&#039;s Ars Grammatica]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife of Bath and Langland draw on similar &quot;schoolroom texts&quot; such as Matthew of Vendôme&#039;s &quot;Tobias.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270618">
    <dcterms:title><![CDATA[Langland&#039;s Early Modern Identities]]></dcterms:title>
    <dcterms:description><![CDATA[Kelen studies the reception of William Langland and &quot;Piers Plowman&quot; from the early modern period to the early twentieth century. She focuses on editions of the work and the works it inspired, efforts to identify Langland and construct his biography, and early appreciative criticism. The study includes frequent comparisons with Chaucer&#039;s status in literary history and in anthologies of English literature, references to Chaucerian apocrypha (especially &quot;The Plowman&#039;s Tale&quot;), and descriptions of biographies and fictional reconstructions of the poets&#039; lives, especially efforts to explore their possible meetings and the lines of influence. See also no. 361.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265761">
    <dcterms:title><![CDATA[Langland&#039;s Learning]]></dcterms:title>
    <dcterms:description><![CDATA[Alford avers that comparisons with Chaucer have falsely made Langland appear unlearned.  There are no specific references to Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267680">
    <dcterms:title><![CDATA[Langland&#039;s Mighty Line]]></dcterms:title>
    <dcterms:description><![CDATA[Compares paired samples of Langland&#039;s and Chaucer&#039;s verse to argue that Langland&#039;s are superior in both sound and sense.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267129">
    <dcterms:title><![CDATA[Langland&#039;s Musical Reader : Liturgy, Law, and the Constraints of Performance]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the alliterative &quot;Choristers&#039; Lament&quot; is &quot;a sophisticated but hitherto unrecognized response&quot; to Langland&#039;s Piers Plowman. Details of the sketch of the Sergeant at Law in GP and the use of &quot;rote&quot; in PrT may indicate that Chaucer conceived of law proceedings as &quot;performance,&quot; similar to liturgy and sermon in this respect.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262261">
    <dcterms:title><![CDATA[Langland&#039;s Plowman and the Recreation of Fourteenth-Century Religious Metaphor]]></dcterms:title>
    <dcterms:description><![CDATA[Against the sociopolitical background of the fourteenth century, Kirk examines the Plowman as worker and religious symbol in &quot;Piers Plowman&quot; and Chaucer&#039;s GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276133">
    <dcterms:title><![CDATA[Langlandian Personification.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;emphasis on sound and voice&quot; rather than visual detail characterizes &quot;Langlandian&quot; personifications,   opening with commentary on these qualities as they are found in verse interpolations in the &quot;unique version&quot; of CkT &quot;preserved in Oxford, Bodleian Library, MS Bodley 686.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266799">
    <dcterms:title><![CDATA[Langlandian Reading Circles and the Civil Service in London and Dublin, 1380-1427]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that William Langland&#039;s readership may have been more like Chaucer&#039;s (and John Gower&#039;s) than has been assumed in the past, presenting evidence that readers of these authors included scribes and bureaucratic clerks such as Thomas Usk, Thomas Hoccleve, James le Palmer, John But, James Yonge, and others. These clerks make up the coteries of the poets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261640">
    <dcterms:title><![CDATA[Language and Civilization: A Concerted Profusion of Essays and Studies in Honour of Otto Hietsch. 2 Volumes]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of 100 essays on linguistic topics categorized as diachronic linguistics, linguistics and cultural studies, computer linguistics, varieties of English, and synchronic linguistics. For individual essays that pertain to Chaucer, search for Language and Civilization under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270086">
    <dcterms:title><![CDATA[Language and Culture in Medieval Britain: The French of England c.1100-c.1500]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-four essays by various authors (and an introduction by the editor) on a variety of linguistic and literary topics. Essays are arranged in four categories: (1) Language and Socio-Linguistics; (2) Crossing the Conquest: New Linguistic and Literary Histories; (3) After Lateran IV: Francophone Devotions and Histories; and (4) England and France in the Late Fourteenth and Fifteenth Centuries. The volume includes extensive notes, bibliography, and several indices, including an Index of Primary Authors with fifteen references to Chaucer. For an essay that pertains to Chaucer, search for Language and Culture in Medieval Britain under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263639">
    <dcterms:title><![CDATA[Language and Law in the Middle Ages: A Bibliography of Scholarship]]></dcterms:title>
    <dcterms:description><![CDATA[Useful in researching legal themes in medieval literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266797">
    <dcterms:title><![CDATA[Language and Literary Expression]]></dcterms:title>
    <dcterms:description><![CDATA[A survey of genres and topics in Middle English literature, including Chaucer&#039;s &quot;diversity of literary forms and [the] strategies he took to negotiate literary authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266817">
    <dcterms:title><![CDATA[Language and Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys English language and literature from the Anglo-Saxon invasions to Thomas Malory, briefly discussing Chaucer as a court poet and as the one who brought &quot;England fully into the stream of contemporary French and Italian poetry,&quot; making English &quot;part of the whole medieval Latin and vernacular tradition.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>