<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265313">
    <dcterms:title><![CDATA[Interpreting Guillaume de Lorris&#039;s &#039;Oiseuse&#039;: Geoffrey Chaucer as Witness]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s translation of &quot;Roman de la Rose&quot; and his indirect references to Oiseuse (Idleness) in his own poetry illuminate her significance, normally explained by critics as having exegetical or courtly meaning.  LGWP, KNT, SNT, and ParsT reinforce the exegetical view, and BD reinforces the courtly view, suggesting that &quot;medieval readers found in the &#039;Roman&#039; an authority on love from which each could draw a lesson suitable to his or her own needs.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266337">
    <dcterms:title><![CDATA[Interpreting the Incomplete Scheme of Illustration in Cambridge, Corpus Christi College MS 61]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the blanks left for illustration in Corpus Christi College MS 61, suggesting a possible strategy for prospective illustrations, including initials:  the illustration would have emphasized choice as an aspect of narrative structure.  The illustrations may not have been completed for a number of reasons, or there may not have been a program for completion, but the section on TC seems to indicate one.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270153">
    <dcterms:title><![CDATA[Interpreting The Wife of Bath&#039;s Prologue and Tale in a Contemporary Note to Thynne&#039;s 1532 Edition]]></dcterms:title>
    <dcterms:description><![CDATA[An inscription at the end of ParsT in a copy of Thynne&#039;s edition at Beinecke Library, Osborn Collection, Yale University, reveals something of the general reception of the Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275658">
    <dcterms:title><![CDATA[Interpretive Reading and Medieval Hunting Treatises in &quot;The Once &amp; Future King.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;interpretive reading&quot; underlying T. H. White&#039;s uses of William Twiti&#039;s &quot;The Art of Hunting&quot; as a source in &quot;The Once and Future King&quot; is similar to medieval rhetorical techniques of amplification. Exemplifies similar kinds of creative interpretation in Bernard of Clairvaux&#039;s Sermons, Thomas Malory&#039;s &quot;Le Morte Darthur,&quot; and ClT, where the narrator&#039;s &quot;exclamatory interjections are a means of amplification to address a perceived absence or fault in the affective qualities of the source material.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271259">
    <dcterms:title><![CDATA[Intersecting the Ideal and the Real, Chivalry and Rape, Respect and Dishonor: The Problematics of Sexual Relationships in &#039;Troilus and Criseyde,&#039; &#039;Athelston,&#039; and &#039;Sir Tristrem&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts Chaucer&#039;s Troilus and the title character of &quot;Sir Tristrem,&quot; with comments on brutality and violence in &quot;Athelston,&quot; exploring the &quot;nobility&quot; or lack of nobility of masculine protagonists in courtly romance. Devotion and affection dominate &quot;Sir Tristrem,&quot; while nobility is undermined in TC by Pandarus&#039;s manipulations and the scenes prefatory to Troilus&#039;s falling in love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271483">
    <dcterms:title><![CDATA[Intersections of Gender, Religion and Ethnicity in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of case studies exploring ways in which medieval gender intersected with other categories of difference, including religion and ethnicity. For an essay that pertains to Chaucer, search for Juliette Dor, &quot;Chaucer&#039;s Viragos: A Postcolonial Engagement?&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275169">
    <dcterms:title><![CDATA[Intersex and the Pardoner&#039;s Body.]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets the Pardoner as an intersex person, taking his sexuality literally rather than figuratively, a matter of variation rather than lack. Clarifies these concepts in the history of science and the history of Chaucer criticism, and compares the Pardoner, Death, and the Old Man of PardT with the family of Sin and Death in John Gower&#039;s &quot;Mirour de l&#039;omme.&quot; Includes concern with teaching PardPT, its motifs of shame and castration, modern-day intersexuality, and the term &quot;hermaphrodite.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271200">
    <dcterms:title><![CDATA[Interspecies Mimicry: Birdsong in Chaucer&#039;s &#039;Manciple&#039;s Tale&#039; and &#039;The Parlement of Fowles&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the speaking birds in ManT and PF for the ways they suggest the &quot;destabilization of human identity,&quot; also considering the topic in the late-fourteenth-century tale, &quot;The Woman and the Three Parrots.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268597">
    <dcterms:title><![CDATA[Interstices: Studies in Late Middle English and Anglo-Latin Texts in Honour of A. G. Rigg]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors, a forward and an introduction, a bibliography of Rigg&#039;s publications, and a subject index. For three essays that pertain to Chaucer; search for Interstices under Alternative Title..]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271041">
    <dcterms:title><![CDATA[Intertextuality and Renaissance Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Defines and anatomizes &quot;intertextuality,&quot; and proceeds to examine aspects of Thomas More&#039;s &quot;Utopia&quot; in this light.  Uses examples from Chaucer to help clarify the varieties of the concept:  from NPT, Chauntecleer&#039;s Latin misquotation as an example of a &quot;comic use of intertextuality which plays more than one level&quot;; the repetition of &quot;pite renneth soone in gentil herte&quot; as internal intertextuality; in PF, reference to the French &quot;note&quot; as &quot;non-verbal intertextuality&quot;; use of academic language in non-academic contexts in MerT, ParsT, and elsewhere; etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277076">
    <dcterms:title><![CDATA[Intervals of Grace: Shakespeare and Chaucer&#039;s Existential Romances and the Repair of the Past.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &#039;Augustine&#039;s theology allows us to see providence in romance as a doubled perspective that recognizes the existential smallness of individuals and their collective participatory power in a plural world,&quot; addressing KnT, ClT, and Shakespeare&#039;s &quot;Cymbeline&quot; and &quot;The Winter&#039;s Tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272990">
    <dcterms:title><![CDATA[Interview with Robert D. Fulk]]></dcterms:title>
    <dcterms:description><![CDATA[Fulk extols two collaborative editions of Chaucer for their excellent textual editing: The Variorum  Chaucer by Ruggiers and Ransom, and Benson&#039;s Riverside Chaucer; additionally, praises Peter Robinson&#039;s digital  Canterbury Tales Project. Warns against &quot;complacency&quot; in the face of increasing manuscript digitization, and recommends the Middle  English Grammar Corpus, by Merja Stenroos et al., as a worthy instance of such encoding for scholarly use.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273960">
    <dcterms:title><![CDATA[Intervisual Texts, Intertextual Images: Chaucer and the Luttrell Psalter.]]></dcterms:title>
    <dcterms:description><![CDATA[Establishes the linked &quot;material, domestic, and spiritual economies&quot; apparent in the Luttrell Psalter as a creative analogue of CT since both texts emphasize &quot;meta-artistic play,&quot; hybridity, and multiple frames of reference. Reading images in the Psalter horizontally, rather than in a hierarchical relation to text, shapes a new framework for the relevance of visual culture in assessing Chaucer&#039;s poetics. Briefly discusses heraldic representation in the Scrope–Grosvenor case as well as imagery in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266823">
    <dcterms:title><![CDATA[Into the Woods: Wilderness Imagery as Representation of Spiritual and Emotional Transition in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Neo-Platonism is the root of medieval depictions of wilderness as a metaphoric landscape of psychological transition and spiritual conversion. ]]></dcterms:description>
    <dcterms:description><![CDATA[Examines select medieval works, including Dante&#039;s &quot;Divine Comedy&quot;, &quot;Beowulf&quot;, &quot;Pearl&quot;, &quot;Sir Gawain and the Green Knight&quot;, BD, PF, and TC, comparing them with depictions in the visual arts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271858">
    <dcterms:title><![CDATA[Intoxicated with Words: The Colours of Rhetoric]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer is aware of poetic or aureate diction but seldom uses it. He is &quot;essentially a poet of &#039;occupatio&#039;.&quot; Language change rapidly made Chaucer&#039;s meter difficult to imitate, even for Lydgate. Like other writers, Chaucer introduces new Latinate vocabulary, especially in prose, even as he tries to write simply. This essay, edited from Frye&#039;s holograph, apparently notes toward a history of English literature, in the Victoria University Library, University of Toronto. Refers to Astr and Bo.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268334">
    <dcterms:title><![CDATA[Introducing Christine de Pizan into the Chaucer Course: Tales of Griselda as Textual Context]]></dcterms:title>
    <dcterms:description><![CDATA[Describes a pedagogy for teaching ClT in comparison to the Griselda story in Christine de Pizan&#039;s The Book of the City of Ladies--as part of a course that treats &quot;Chaucer in context&quot; as a means to encourage students to engage actively in their reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274692">
    <dcterms:title><![CDATA[Introducing the &quot;Corpus of the Canon of Western Literature&quot;: A Corpus for Culturomics and Stylistics.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces a &quot;Corpus of the Canon of Western Literature&quot; (CCWL) based on Harold Bloom&#039;s &quot;The Western Canon&quot; and utilizes corpus stylistics to &quot;operationalize&quot; the argued coherence of the western canon. Using CT as an example, illustrates how tagging was less accurate with texts written before 1800. Also reveals that TC was found to have one of the shortest mean word lengths and narrowest vocabulary ranges in the poetry analyzed in the CCWL, while CT had one of the longest mean sentence lengths.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262227">
    <dcterms:title><![CDATA[Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[Darwinian, Freudian, and Marxist approaches to CT have &quot;obscure(d) the historical and intellectual context of the religious tales&quot; (Mel, ParsT, ClT, MLT, PrT, SNT), making them the &quot;most marginalized&quot; of Chaucer&#039;s works.  Articles in the Benson-Robertson collection call for a reevaluation of the religious tales, focusing on their critical reception and &quot;Christian feminism.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272071">
    <dcterms:title><![CDATA[Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys criticism that, in various ways, treats Chaucer as a love poet, commenting on the strengths and weaknesses of individual approaches.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272404">
    <dcterms:title><![CDATA[Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief biography of Alan Gaylord and summary of his teaching career at Michigan and Dartmouth. Among the hallmarks of Gaylord&#039;s work are interdisciplinarity, a sense of playfulness, and the value of performance both within and outside the traditional classroom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269118">
    <dcterms:title><![CDATA[Introduction [Colloquium : The Afterlife of Origins].]]></dcterms:title>
    <dcterms:description><![CDATA[Cites Chaucer&#039;s self-awareness in attention to his sources, comments on the role of &quot;source study&quot; in Chaucer criticism, and introduces eight brief essays first presented at the 2004 congress of The New Chaucer Society in Glasgow. For the eight essays that pertain to Chaucer, search for Colloquium: The Afterlife of Origins under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277175">
    <dcterms:title><![CDATA[Introduction [Colloquium: Historizing Consent: Bodies, Wills, Desires]]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies Criseyde&#039;s comment to Troilus about consent in TC, 3.1210–11 as evidence of her awareness of difference between &quot;survival strategy&quot; and &quot;affirmative consent.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273984">
    <dcterms:title><![CDATA[Introduction [Colloquium: John Shirley&#039;s Cambridge, Trinity College, MS R.3.20 and the Culture of the Anthology in Late Medieval England].]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly describes Shirley&#039;s manuscript and the six essays included in the Colloquium. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276090">
    <dcterms:title><![CDATA[Introduction [Colloquium: Women&#039;s Literary Culture and the Medieval English Canon: Gender and Genre]]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the six essays in this cluster, clarifying distinctions between literary canon formation and literary archive, with particular attention to women&#039;s devotional writing and reading in Middle English. For an essay that pertains to Chaucer, search for Women&#039;s Literary Culture and the Medieval English Canon: Gender and Genre under Alternative Title.<br />
Chaucer,]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275494">
    <dcterms:title><![CDATA[Introduction [to &quot;Chaucer&#039;s Langland&quot;].]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies several differences and similarities between Chaucer&#039;s and Langland&#039;s works and worlds, comments on the relative prominence of Chaucer studies, and introduces the seven essays in a special section of YLS entitled &quot;Chaucer&#039;s Langland.&quot; For these essays, search for Yearbook of Langland Studies 32 (2018) under Journal by Volume Number.]]></dcterms:description>
</rdf:Description></rdf:RDF>