<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267575">
    <dcterms:title><![CDATA[Infantilizing the Father : Chaucer Translations and Moral Regulation]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys translations and bowdlerizations of The Canterbury Tales from ca. 1870 to the present, identifying variations on the tendency to present the work as morally regulatory or innocent. Focuses on adaptations by Mary (Mrs. H. R.) Haweis, Charles Cowden Clarke, Frank Ernest Hill, and Eleanor Farjeon.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275167">
    <dcterms:title><![CDATA[Infectious Fear: The Rhetoric of Pestilence in Middle English Didactic Texts on Death.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;rhetoric of pestilence&quot; as a &quot;powerful contemplative tool&quot; that urges readers to &quot;self-examination, penitence, and a more active, strategic approach to death&quot; in five texts: PardT, John Lydgate&#039;s &quot;Danse Macabre,&quot; &quot;The Castle of Perseverance,&quot; and &quot;A Disputation between the Body and Worms.&quot; Argues that PardT is didactic; despite the Pardoner&#039;s questionable morality, the tale warns against immoral recklessness and encourages a &quot;proactive, strategic approach to mortality.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277079">
    <dcterms:title><![CDATA[Infinite Sorrows: Catastrophic Forms in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses trauma theory to read KnT as a &quot;meditation on catastrophe and survival.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270707">
    <dcterms:title><![CDATA[Infinitival Complementation in Chaucer: The Case of Command]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies uses of &quot;that&quot; clauses and &quot;to&quot; clauses after the verb &quot;command&quot; in Chaucer&#039;s works, documenting their frequencies in various syntactic contexts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264090">
    <dcterms:title><![CDATA[Inflexion in Chaucer&#039;s Adjectives]]></dcterms:title>
    <dcterms:description><![CDATA[Inflexional final -&quot;e&quot; is well preserved in earliest Chaucer MSS. Hengwrt is conservative; Ellesmere is less correct and thus probably later.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275037">
    <dcterms:title><![CDATA[Influences de Deschamps sur ses contemporains anglais, Chaucer et Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of Eustache Deschamps on the development of non-musical fixed forms in the English lyric tradition, commenting on poems from Oxford, Bodleian Library, MS Rawlinson D. 913; the poems of &quot;Ch&quot;; and works by Chaucer and John Gower, including Adam, Truth, and Purse, provided in appendices.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270213">
    <dcterms:title><![CDATA[Inherent Meaning from Homer, to Benoît, to Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Anastasopoulos argues for mediated influence of Benoît&#039;s &quot;Le Roman de Troie&quot; on characterization, didactic message, and acknowledgement of sources in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271836">
    <dcterms:title><![CDATA[Inheriting the Legacy: Dekker Reading Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that playwright Thomas Dekker, influenced by John Stow, refashioned the Chaucer legacy in the theater.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274609">
    <dcterms:title><![CDATA[Initial Position in the Middle English Verse Line.]]></dcterms:title>
    <dcterms:description><![CDATA[Establishes that scribes are less likely than otherwise to introduce their own spellings of words that occur in initial position in verse lines, exploring why in psycholinguistic terms, and suggesting several implications for manuscript study. The discussion is based on data derived from ten manuscripts of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268395">
    <dcterms:title><![CDATA[Injustice and Chaucer&#039;s Man of Law]]></dcterms:title>
    <dcterms:description><![CDATA[Chancery highlighted problems posed in the medieval common law courts by failures in jurisprudence. MLT raises questions about injustice that reflect critically on the Sergeant of Law. Though he is shown to be an expert in jurisprudence, he is satirized by language--specifically the word &quot;termes,&quot; used elsewhere in Chaucer to suggest technical or deceptive language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275440">
    <dcterms:title><![CDATA[Inmyddes: The Place of Form in Middle English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies the &quot;sense of middleness&quot; found in Middle English verse that rejects &quot;received concepts of poetic form and offers alternatives.&quot; Includes a reading of HF &quot;in which Chaucer presents a radically unconventional definition of &#039;poetic voice&#039; in order to forge a new basis for the vernacular poetry he proposes to begin.&quot; Also treats &quot;Pearl&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270121">
    <dcterms:title><![CDATA[Innocence and Innocents in Middle English Literature and Its Reception]]></dcterms:title>
    <dcterms:description><![CDATA[Knutson examines medieval ideas of innocence associated with penitential forgiveness in CT, &quot;Pearl,&quot; and medieval pageant plays, suggesting that a later concept of innocence--a lack of &quot;knowledge or experience&quot;--shaped William Godwin&#039;s and Mary Eliza Haweis&#039;s representations of Chaucer as an innocent primitive with &quot;authoritative&quot; talent.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263697">
    <dcterms:title><![CDATA[Innocence, Suffering, and Sensibility: The Narrative Function of the Pathetic in Chaucer&#039;s Tales of the Clerk, Prioress, and Physician]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval literature uses pathos of innocent suffering to relate physical to spiritual.  The humanization of Griselda highlights her Christian virtues; the Prioress emphasizes the spiritual; the Physician stimulates audience self-awareness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267068">
    <dcterms:title><![CDATA[Innocent III&#039;s De Miseria as a Gloss on The Man of Law&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The extensive and apparently authorial glosses that accompany MLT often underscore contradictions-spiritual against material, internal against external, ascetic against monetary-between Innocent&#039;s treatise and the narrator&#039;s perspective; these glosses may be a cue for readers&#039; disapproval of the Man of Law.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263273">
    <dcterms:title><![CDATA[Innovative Language in Chaucer&#039;s &#039;Boece&#039;: The Extension of English for the Exposition of Philosophy]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer was not an inept translator in Bo, as some contend, but an innovator who expanded the vocabulary of English ideological writing by some 500 constructions, anglicizing new Latin and Romance terms and extending the meanings of existing English and Romance loan words to express the philosophical nuances of Boethius&#039;s &quot;Consolatione philosophiae.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272460">
    <dcterms:title><![CDATA[Inquisityf of Goddes Pryvetee and a Wyf: Curiositas in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the vice of curiosity, arguing that Chaucer both expands its application from the realm of the intellectual to the realm of the physical, and suggests that poetry may be a cause and a remedy for the desire to inquire into private matters. Discusses MilT, RvT, WBPT, FrT, SumT, and ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267477">
    <dcterms:title><![CDATA[Inscribing the Hundred Years&#039; War in French and English Cultures]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays examining the reciprocity between literature and history in the fourteenth and fifteenth centuries. For two essays that pertain to Chaucer, search for Inscribing the Hundred Years&#039; War under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271197">
    <dcterms:title><![CDATA[Inseparable: Desire Between Women in Literature]]></dcterms:title>
    <dcterms:description><![CDATA[A topically arranged survey of female same-sex desire in Western literature, with a brief discussion (p. 6) of MLT as &quot;perhaps the earliest example in English&quot; where &quot;mutual passion between two women . . . moves the story along.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271442">
    <dcterms:title><![CDATA[Inserting &#039;A grete tente, a thrifty, and a long&#039;: Sexual Obscenity and Scribal Innovation in Fifteenth-Century Manuscripts of &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines fifteenth-century scribal responses to sexual language in the CT, noting that some manuscripts either replaced obscenities or added to sexual language. Observing that female narrators in the CT are restricted in their use of vernacular sexual language, Harris argues that the fifteenth-century revisions, such as those found in Oxford, New College, MS D. 314, allow these speakers a fuller use of sexual obscenity, thus &quot;privileging female sexual subjectivity and mutual erotic pleasure.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272170">
    <dcterms:title><![CDATA[Inside Chaucer&#039;s Pardoner?]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the Pardoner as a &quot;puzzle&quot; posed by Chaucer to challenge his audience to consider the relationship between morality and story-telling. The Pardoner&#039;s dazzling rhetoric, his relics, and the tensions between his immoral prologue and moral tale imply that there is no inner meaning within superficial reality. The Pardoner poses &quot;language without morality,&quot; but through his adaptation of the &quot;Roman de la Rose&quot; in the Host&#039;s rejection of the churchman, Chaucer subverts the Pardoner&#039;s stance and affirms inner meaning and truth.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276161">
    <dcterms:title><![CDATA[Insistent, Persistent, Resilient: The Negative Poetics of Patient Griselda.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses &quot;lessons from trauma studies concerning silence, as well as new materialist and ecocritical approaches,&quot; to explore the resistance of Griselda&#039;s patient silence. &quot;[T]hrough a preponderant use of negative words&quot;--a &quot;poetics of negation&quot;--Griselda enacts agency and &quot;undermines&quot; her vow not to &quot;grucche&quot; against Walter&#039;s treatment of her. She reinforces her &quot;covert silence&quot; with body language, and her &quot;naying [of] Walter&#039;s ye&quot; resonates in the figure of Echo in the Envoy to ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275059">
    <dcterms:title><![CDATA[Inspir&#039;d Bards: An Unidentified Quotation in Pope&#039;s &quot;Dunciad&quot; Variorum.]]></dcterms:title>
    <dcterms:description><![CDATA[Asserts without explanation that a reference to Chaucer in &quot;To Mr. Creech on His Translation of Lucretius&quot; by &quot;J. A.&quot; derives from RvT 1.3992 and that it may help to clarify a crux in Alexander Pope&#039;s &quot;Dunciad&quot; Variorum.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274064">
    <dcterms:title><![CDATA[Inspiring Children to Read and Write for Pleasure: Using Literature to Inspire Literacy Learning for Ages 8-12.]]></dcterms:title>
    <dcterms:description><![CDATA[Practical handbook to literacy training, with exercises that include using lines from GP to inspire literacy, from a chapter titled &quot;Exploring Geoffrey Chaucer: A Start&quot; (pp. 181-84).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265363">
    <dcterms:title><![CDATA[Instructional Poetry for Medieval Children]]></dcterms:title>
    <dcterms:description><![CDATA[Late-medieval instructional poetry presents children as adults saw them and with adults&#039; worries about them.  In late-medieval narrative poetry, children are almost entirely absent, apart from a few exceptions such as the Pearl-maiden, the clergeon of PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263125">
    <dcterms:title><![CDATA[Insular Romance: Politics, Faith, and Culture in Anglo-Norman and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that romances produced in England, whether in Anglo-Norman or Middle English, share a consistent series of concerns that distinguishes them from French romances.]]></dcterms:description>
</rdf:Description></rdf:RDF>