<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267641">
    <dcterms:title><![CDATA[Humphrey Newton and Bodleian Library, MS Lat. Misc. C.66]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the &quot;household book&quot; of Humphrey Newton and its relation to &quot;central literary culture.&quot; MS Lat. Misc. C.66 includes a section of ParsT (10.601-29), a section of KnT (1.3047-56), and a letter imitating Troilus upon seeing Criseyde.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275410">
    <dcterms:title><![CDATA[Hunter and Prey: Functional Imagery in Chaucer&#039;s &quot;Friar&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s use of conventional hunter and prey images in FrT &quot;serves an organic function within the aesthetic whole of the work.&quot; Rather than &quot;functioning as mere decoration&quot; it reinforces and deepens &quot;the comic irony both inherent and explicit within the framework of the story.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275524">
    <dcterms:title><![CDATA[Hunting and Fortune in the &quot;Book of the Duchess&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies associations between hunting and Fortune in various Middle English romances, exploring the &quot;shared formal and thematic ambitions&quot; of BD and &quot;Sir Gawain and the Green Knight&quot; as &quot;two members of this hunting-and-Fortune group.&quot; Shows how the two &quot;strategically&quot; deploy &quot;paratactic, non-moralising juxtaposition of hunting scenes and &#039;de casibus&#039; rhetoric&quot; to present their aristocratic protagonists as victims of the &quot;struggle between noble designs and Fortune&#039;s utterly predictable (if always untimely) predations.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268178">
    <dcterms:title><![CDATA[Hunting for the Hurt in Chaucer&#039;s Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[Focusing on orthography, rhyme, &quot;near-rhyme,&quot; and meaning, Vaughan suggests that &quot;hunting for the hurt&quot; in BD, and not just the hart, gives prominence to the narrator&#039;s unresolved emotional and physical pain. The hert(e)/hart/heart word-play in BD is a &quot;critical commonplace,&quot; but the hert(e)/hurt associations (cf. BD 883-84) are equally important.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265332">
    <dcterms:title><![CDATA[Hunting Imagery in &#039;The Friar&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s subtle manipulation of the language and imagery of hunting in FrT.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Kanno&#039;s Studies in Chaucer&#039;s Words (Tokyo: Eihosho, 1996), pp. 45-55.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265254">
    <dcterms:title><![CDATA[Hunting in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Explores historical and literary traditions of the noble hunt,addressing Christian and classical backgrounds, hunting manuals, narrative motifs, a variety of Middle English romances, and the figures of Sir Tristrem and Christ as hunters.  Middle English treatments of hunting focus on the courtliness of the activity rather than on pursuit or flight, emphasizing that heroes must balance hunting with other social and moral activities.  Includes separate studies of &quot;Sir Gawain and the Green Knight&quot; and BD. For the essay that pertains to Chaucer, search for Hunting in Middle English Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276903">
    <dcterms:title><![CDATA[Hunting the Corpus &quot;Troilus&quot;: Illuminating Textura.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues from &quot;codicological and paleographical evidence&quot; that the copy of TC found in Cambridge, Corpus Christi College, MS 61, was commissioned by a &quot;high-level clerical, Lancastrian patron.&quot; Examines the &quot;ornate textura&quot; (&quot;textualis&quot;) script ofth e work, the dog-heads within letter forms (perhaps rebuses), the frontispiece illumination, and other commonalities that link the manuscript with &quot;fine liturgical and religious manuscripts of the first half of the fifteenth century&quot; produced in a network or networks of scribes, artists, and patrons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266350">
    <dcterms:title><![CDATA[Huntington 140: Chaucer, Lydgate, and the Politics of Retelling]]></dcterms:title>
    <dcterms:description><![CDATA[Manuscript environment (in the case of Huntington 140, the copying of ClT alongside several pious poems by Lydgate and circulation with a paraphrase of Job, the &quot;Libelle of Englyshe Polycye,&quot; and several edifying narratives), combined with the interests of specific readerships and larger political forces, may alter, complicate, or enrich the ways a particular poem is understood, both by its original audiences and by scholars.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271640">
    <dcterms:title><![CDATA[Hyapatia Lee&#039;s The Ribald Tales of Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Erotic film adaptation of CT; loosely adapted. Screenplay by Hyapatia Lee.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269855">
    <dcterms:title><![CDATA[Hybrid Discourse in the General Prologue Portraits]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the &quot;range of  discourses&quot; in several GP descriptions, particularly those of the Monk, Friar, Parson, Clerk, Sergeant at Law, and Prioress.  In various ways, Chaucer combines estates satire, free indirect discourse, the opinions of the narrator, and voice and &quot;character zone&quot; as theorized by Bakhtin to produce clear satire, approbation, and unresolved ambiguity in individual descriptions. Chaucer anticipates narrative techniques of the novel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275631">
    <dcterms:title><![CDATA[Hybridity and Mimicry in Geoffrey Chaucer&#039;s The Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Builds on Homi K. Bhabha&#039;s definition of hybridity and studies the pilgrims as &quot;the hybrids and/or mimics of medieval borderline society.&quot; Contextualizes these hybrid identities within economic and social changes, and concentrates on the Knight in Chapter 1, the Monk in  Chapter 2, and the Franklin and Miller in Chapter 3.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277633">
    <dcterms:title><![CDATA[Hybridity in Geoffrey Chaucer&#039;s &quot;The Canterbury Tales&quot;: Reconstructing Estate Boundaries.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;large scale social mobility&quot; of late medieval England and argues that its modifications of traditional estates categories are reflected in CT. Uses Homi Bhabha&#039;s &quot;postcolonial concepts of hybridity, in-betweenness, third space and mimicry&quot; to explore the flexibility of the social estates of the Knight, Monk, Prioress, Franklin, and Miller. In English, with an abstract in Turkish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274756">
    <dcterms:title><![CDATA[Hylomorphic Recursion and Non-Decisional Poetics in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer is indecisive in CT when it comes to his relation to nominalism and realism, maintaining a grey area between the two through love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268703">
    <dcterms:title><![CDATA[Hymeneal Alogic: Debating Political Community in The Parliament of Fowls]]></dcterms:title>
    <dcterms:description><![CDATA[Parallels between the sex/gender system and establishing medieval English identity indicate that the perceived doubleness of woman echoes that of the nation. PF does not fantasize about a unified nation, but it does produce &quot;England&quot; as a site of social contestation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271521">
    <dcterms:title><![CDATA[Hyperbole in English: A Corpus-based Study of Exaggeration]]></dcterms:title>
    <dcterms:description><![CDATA[Uses CT as a source of data for a linguistic study of hyperbole, particularly for diachronic case studies in Chapter Six. Charts Chaucer&#039;s hyperbolic use of a few, selected words. In Chapter Seven, suggests that Chaucer uses hyperbole in GP to portray pilgrims as &quot;ideal &#039;types&#039;&quot; rather than &quot;individuals.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271403">
    <dcterms:title><![CDATA[Hyperion]]></dcterms:title>
    <dcterms:description><![CDATA[Frame-tale science-fiction novel. Among a number of literary allusions, the titles of its several parts recall the CT: &quot;The Priest&#039;s Tale,&quot; &quot;The Soldier&#039;s Tale,&quot; &quot;The Poet&#039;s Tale,&quot; etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266806">
    <dcterms:title><![CDATA[Hyperion and the Hobbyhorse: Studies in Carnivalesque Subversion]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses how select literary works &quot;encode subversive possibilities within orthodox gestures.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[An opening essay explores the possibilities of the carnivalesque within an Augustinian framework, and subsequent essays examine such possibilities in WBT (revised reprint of SAC 16 [1994], no. 193); &quot;Sir Gawain and the Green Knight&quot;; Marlowe&#039;s works, especially &quot;Tamburlaine&quot; and &quot;Dr. Faustus&quot;; Elizabethan tragedy, especially &quot;Hamlet&quot; and &quot;The Revenger&#039;s Tragedy&quot;; and &quot;Antony and Cleopatra&quot;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274728">
    <dcterms:title><![CDATA[Hyperprint Texts and the Teaching of Early Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the utilities of &quot;hyperprint&quot; texts for teaching medieval literature, offering an extended example of the first twenty-five lines of MilT, augmented by five &quot;fiducial markers&quot; (QR-coded) that enable a reader/user, without leaving the primary text, to link (via a smartphone or similar device) to subsidiary illustrative or pedagogical material such as audio, video, and internet sites.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271937">
    <dcterms:title><![CDATA[Hyperreal Blessings: Simulated Relics in The Pardoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Viewed in light of Jean Baudrillard&#039;s &quot;Simulacra and Simulation,&quot; the Pardoner&#039;s relics are simulacra, which allows Chaucer to question their &quot;realness.&quot; The textuality of PardT (and CT as a whole) is to be read as a hyperreality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266155">
    <dcterms:title><![CDATA[Hypertextuality and Chaucer, or Re-ordering &#039;The Canterbury Tales&#039; and Other Reader Prerogatives]]></dcterms:title>
    <dcterms:description><![CDATA[The selectivity of oral performance and scribal practice parallels the selectivity of hypertext presentation, raising questions about the order of the tales in CT.  In MilP, the narrator enjoins readers to arrange the tales as they wish, adumbrating options potentially available in hypertext editions.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Stephanie B. Gibson and Ollie O. Oviedo, eds. The Emerging Cyberculture: Literacy, Paradigm, and Paradox (Cresskill, N.J.: Hampton Press, 2000), pp. 45-60.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262836">
    <dcterms:title><![CDATA[Hypothesis, Hyperbole, and the Hengwrt Manuscript of the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[N. F. Blake&#039;s various arguments for the authenticity of the text of Hengwrt are not persuasive, though his thesis regarding a single developing author&#039;s copy for CT remains valuable.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276109">
    <dcterms:title><![CDATA[Hysteria, Perversion, and Paranoia in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses psychoanalysis as a &quot;pedagogical tool&quot; to understand Chaucer&#039;s pilgrims in CT. Begins with the &quot;spectacle of hysteria&quot; to explore &quot;ways that conflicts with the Oedipal law erupt on the body and in language&quot; in CT. Discusses &quot;perversions of festishism, masochism, and sadism&quot; in GP, WBPT, PrT, PardT, MLT, ClT, and PhyT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264364">
    <dcterms:title><![CDATA[I &quot;Fabliaux&quot; di Chaucer: Tradicione e innovazione nella narrativa comica chauceriana]]></dcterms:title>
    <dcterms:description><![CDATA[MilT, RvT, FrT, SumT, ShT, MerT can be called fabliaux if this term is taken in a typological, rather than strictly historical, acception.  Their homogeneity is, however, only apparent.  The six tales from CT are divided into three categories--students and bourgeois, religion and the religious, and monks and merchants.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266272">
    <dcterms:title><![CDATA[I Demed Hym Som Chanoun for to Be]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the office of canon and the science of alchemy as background to the Canon, who chooses not to join the Canterbury pilgrimage.  The history of corruption and reform among canons is a &quot;touchstone&quot; for understanding the character Chaucer creates, and the development of alchemy helps clarify Chaucer&#039;s association of the science and religion.  Chism also raises questions about similarities between alchemy and poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268775">
    <dcterms:title><![CDATA[I do not wish to be called auctour, but the pore compilatour : The Plight of the Medieval Vernacular Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Caie describes features of manuscript ordinatio, material, glossing, etc. to show how late medieval English vernacular manuscripts (especially those of Chaucer and Gower) lay claim to authority even while their authors assert that they are only compilers. Clarifies &quot;scribe,&quot; &quot;compiler,&quot; &quot;author,&quot; and related terms as they are used by the poets.]]></dcterms:description>
</rdf:Description></rdf:RDF>