<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263848">
    <dcterms:title><![CDATA[&#039;The Wife of Bath&#039;s Prologue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Translation into Japanese with notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271232">
    <dcterms:title><![CDATA[&#039;The Wife of Bath&#039;s Tale&#039; (Geoffrey Chaucer)]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how WBT &quot;ironizes the quest motif at the heart&quot; of the romance genre and assesses the extent to which the loathly lady, the knight, and the Wife of Bath may be considered to be tricksters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270514">
    <dcterms:title><![CDATA[&#039;The Wife of Bath&#039;s Tale&#039; as a Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on romance conventions in WBT and its concern with &quot;soveraynetee&quot; and &quot;maistrye.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269505">
    <dcterms:title><![CDATA[&#039;The wondres that they myghte seen or heere&#039;: Designing and Using Web-based Resources to Teach Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Describes efforts at the University of Birmingham (between 2000 and 2005) to incorporate web-based materials (computer-mediated materials and virtual learning environments) into teaching Chaucer and Middle English. Also considers methods of assessing such efforts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263248">
    <dcterms:title><![CDATA[&#039;The Wordes of the Frankeleyn to the Squier&#039;: An Interruption]]></dcterms:title>
    <dcterms:description><![CDATA[The common assumption by critics that the Franklin purposely interrupts the Squire&#039;s tale is justified neither by context nor by rubric.  Critics often attribute to CT a state of completion it does not have.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263878">
    <dcterms:title><![CDATA[&#039;Ther is noon oother incubus but he&#039;: &#039;The Canterbury Tales,&#039; &#039;Merry Wives of Windsor&#039; and Falstaff]]></dcterms:title>
    <dcterms:description><![CDATA[Direct indebtedness of &quot;Merry Wives&quot; to GP, WBT, and FranT cannot be established, but &quot;circumstantial evidence is considerable.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262529">
    <dcterms:title><![CDATA[&#039;Ther It Was First&#039;: Dream Poetics in the &#039;Parliament of Fowls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[PF arranges its source materials in the dream narrative to repeat the fall from unity represented schematically by the universal disequilibrium in Cicero&#039;s &quot;Dream of Scipio&quot;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262952">
    <dcterms:title><![CDATA[&#039;Ther Nis Namoore to Seye&#039;: Closure in the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[KnT&#039;s structure is paratactic, and the end is repeatedly called for but not brought into being.  As a result, the ending is merely a ceasing of action, not closure, which would satisfy our need for aesthetic and philosophical completeness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264010">
    <dcterms:title><![CDATA[&#039;They shul desiren to dye, and deeth shal flee fro hem&#039;: A Reconsideration of the Pardoner&#039;s Old Man]]></dcterms:title>
    <dcterms:description><![CDATA[The Old Man&#039;s significance depends on audience reaction, not on learned traditions; readers and pilgrims might easily associate him with the Green Yeoman of the FrT, for he too &quot;seems to be a devil wandering the earth in search of prey.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273100">
    <dcterms:title><![CDATA[&#039;Thir they Byen Thralls . . .&#039; Chaucer&#039;s Boethian Poems and Usk&#039;s &#039;Testament of Love&#039;: Foundations of English Prison Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the titular writings as early examples of English prison writing, with an eye toward political implications of the texts and the establishment of a relationship between social status and &quot;carceral experience&quot; in these works. Includes discussion of Chaucer&#039;s legal expertise and many works of his works, with extended commentary on SNT and KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270228">
    <dcterms:title><![CDATA[&#039;Thirled with the Poynt of Remembraunce&#039;: Memory and Modernity in Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s Anel explores the &quot;dilemma of the modern poet in the late Middle Ages.&quot; The &quot;Thebanness&quot; of the text engages its Boethianism as a competing and fatalistic view of memory and history. Allusions to Statius, Corinna, Virgil, Ovid, Dante, and others reflect Chaucer&#039;s anxieties about literary origins and history. Patterson also comments on SqT, ManT, and Mars.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263055">
    <dcterms:title><![CDATA[&#039;This Is, and Is Not, Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Compared to Boccaccio&#039;s &quot;Il Filostrato,&quot; TC is characterized by ambivalence in language, imagery, dialogue, theme, structure, and character, seen particularly in Criseyde as she follows her own sense of reality and social code while Troilus obeys the conventions of love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267069">
    <dcterms:title><![CDATA[&#039;This Was a Thrifty Tale for the Nones&#039;: Chaucer&#039;s Man of Law]]></dcterms:title>
    <dcterms:description><![CDATA[Examines several glosses to MLT to argue that the &quot;glossator&#039;s aim is to show the reader how the narrator manipulates texts,&quot; helping us to realize that the Man of Law is too interested in &quot;things of this world and is spiritually lacking.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262466">
    <dcterms:title><![CDATA[&#039;This Werk Unresonable&#039;: Narrative Frustration and Generic Redistribution in Chaucer&#039;s &#039;Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[By skewing their narrative deployment, Chaucer simultaneously undermines the viability of heroic and courtly romance themes in FranT and reevaluates their relationship to lived human experience.  He does so through narrative pacing, repression and substitution, and generic redistribution.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263198">
    <dcterms:title><![CDATA[&#039;This Worthy Limitour Was Cleped Huberd&#039;: A Note on the Friar&#039;s Name]]></dcterms:title>
    <dcterms:description><![CDATA[Though evidence is inconclusive, it seems likely that Chaucer&#039;s Friar was named for Saint Hubert, whose legend and confusion with Saint Eustace give characteristic resonances to the name and its bearer, particularly in his relationship with the Monk and other pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273163">
    <dcterms:title><![CDATA[&#039;This wyde world, which that men seye is round&#039;: Movement and Meaning in&#039;The Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how kinds of motion, opposition, and directions create meaning in FranT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273062">
    <dcterms:title><![CDATA[&#039;This&#039; as a Pragmatic Marker and the Social Classes of Narrators in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the frequency and function of &quot;this&quot; as a pragmatic marker in MilT, RvT, FranT, KnT, PrT, and MerT, in relation to each narrator&#039;s social class and narrative genre. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269447">
    <dcterms:title><![CDATA[&#039;Thou art so loothly and so oold also&#039;: The Use of Ye and Thou in Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[The choices between ye and thou in CT are governed by the &quot;interactional status of the characters,&quot; a set of principles differing &quot;considerably from modern address systems.&quot; Jucker surveys previous criticism on the topic and assesses exchanges and their conditions in WBT, SNT, FrT, and NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273037">
    <dcterms:title><![CDATA[&#039;Thou Wolt Make . . .Thyn Hed to Ake&#039;: A Post-Chaucerian Treatment for Madness in Christine de Pizan&#039;s &#039;Chemin de long estude&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Christine de Pizan&#039;s &quot;isopathic  mode of treatment (cure by similarities)&quot; to deal with the melancholy expressed in &quot;Chemin  de long estude.&quot; Compares Pizan&#039;s treatment to the &quot;allopathic mode of treatment (cure by contraries)&quot; Chaucer displays in &quot;curing&quot;  Geffrey&#039;s melancholia in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264408">
    <dcterms:title><![CDATA[&#039;Thou&#039; and &#039;Ye&#039; in Chaucer&#039;s Clerk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The Marquis in ClT addresses Janicola with the formal &quot;ye&quot; and, at certain points, Griselda as &quot;thou,&quot; the intimate or insulting form.  In keeping with her unfailing humility, Griselda never deviates from the formal &quot;ye&quot; when addressing Walter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269448">
    <dcterms:title><![CDATA[&#039;Thou&#039; and &#039;Ye&#039;: a Collocational-Phraseological Approach to Pronoun Change in Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s use of thou and ye usually follows the standard pattern of his day. Some pronoun switching does appear, sometimes because of rhyme or textual variants but often because Chaucer uses a common formula, quotation, or other habitual lexical combination.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264248">
    <dcterms:title><![CDATA[&#039;Three Faces of Cecilia: Chaucer&#039;s &#039;Second Nun&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s revision of the Saint Cecilia legend emphasizes her desire to act as a free agent.  Her virginity and her aggressive activity on behalf of Christ assert a &quot;freedom of action to do her work&quot; that parallels the Wife of Bath&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269371">
    <dcterms:title><![CDATA[&#039;Thus gan he make a mirour of his mynde&#039; . . . Marges, marginalité, et jeux optiques dans le Livre I du Troilus and Criseyde de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Yvernault explores the relationships among marginal spaces, architectural frames, sense, and self-assertion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270210">
    <dcterms:title><![CDATA[&#039;Thus Gan He Make a Mirour of His Mynde&#039;: Fragmented Memories and Anxious Desire in Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Lim traces &quot;anxiety [as] the definitive characteristic of Troilus&#039;s desire&quot; in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263443">
    <dcterms:title><![CDATA[&#039;Thy Verray Lewednesse&#039;: From the &#039;Canterbury Tales&#039; Toward a Theory of Comedy]]></dcterms:title>
    <dcterms:description><![CDATA[Comedy arises from various methods of breaking paradigms in NPT, Th, MilP and MilT, and WBP.]]></dcterms:description>
</rdf:Description></rdf:RDF>