<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276850">
    <dcterms:title><![CDATA[On Servant Women, Rape Culture, and Endurance.]]></dcterms:title>
    <dcterms:description><![CDATA[In light of newly discovered documents surrounding Cecily Chaumpaigne, calls for more attention to the servant women depicted in Chaucer&#039;s texts and the use of the word &quot;endure&quot; in his corpus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276849">
    <dcterms:title><![CDATA[The Case for the Defence: New Evidence Suggests that Geoffrey Chaucer May Be Innocent of Rape.]]></dcterms:title>
    <dcterms:description><![CDATA[Reports on reactions to the release of new documentary evidence about the &quot;relationship between Chaucer and Cecily Chaumpaigne,&quot; suggesting how these reactions reveal &quot;how much our own perspectives and feelings shape the stories we tell about the past.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276848">
    <dcterms:title><![CDATA[The Case of Geoffrey Chaucer and Cecily Chaumpaigne: New Evidence.]]></dcterms:title>
    <dcterms:description><![CDATA[Situates and introduces a special issue devoted to new evidence concerning Chaucer and Cecily Chaumpaigne..]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276841">
    <dcterms:title><![CDATA[Chaucer the Page: A Winter&#039;s Tale of Courtly Entertainment.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconstructs from documentary evidence aspects of Elizabeth de Burgh&#039;s holiday entertainment at Hatfield House in 1357-58, when Chaucer was her page, positing that Chaucer&#039;s mature recollections of performative readings can be found in BD, 349-61, and TC 2;78-84. Suggests that experiences in Elizabeth&#039;s court &quot;became the basis of [Chaucer&#039;s] understanding of the setting, tastes, and pragmatics of courtly literary performance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276840">
    <dcterms:title><![CDATA[Teaching Chaucer from the Perspective of a Troubadour and Using Music in the Classroom to Further Explain Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts the composition of a &quot;troubadour-style&quot; version of WBPT set to music (lyrics and link to audio recording included), describing its usefulness in teaching of Chaucer&#039;s work and various other benefits of using music in teaching English literature at the high school level.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276839">
    <dcterms:title><![CDATA[Canterbury Tales: An Opera in Four Acts.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. YouTube demo (accessed May 21, 2024) indicates that this opera includes an overture and adaptations of four portions of CT: FranT (&quot;For All the Rocks Off Brittany&quot;), PardT (&quot;Une Danse Macabre&quot;), WBT (&quot;What All Women Want&quot;), and MerT (&quot;That Pesky Itch&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276838">
    <dcterms:title><![CDATA[Theory [Section 2 of &quot;Middle English&quot;]]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Middle English studies with various theoretical emphases; includes studies of Chaucer and his works]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276837">
    <dcterms:title><![CDATA[Chaucer&#039;s Fame in Britannia, 1641–1700.]]></dcterms:title>
    <dcterms:description><![CDATA[Tallies 1,060 entries that identify references to, allusions to, and echoes of Chaucer and his works in books published from 1641 through 1700, with an appendix of 131 references and allusions from 1475 through 1640, all in addition to or expansions of Caroline Spurgeon&#039;s venerable bibliography, already extended by Boswell and Sylvia Wallace Holton in &quot;Chaucer&#039;s Fame in England&quot; (2004). Entries are arranged chronologically by date of publication and, within years, alphabetically. They provide, where appropriate, quotations from the sources, original STC numbers, Wing&#039;s STC numbers, and UMI references; headnotes indicate who discovered the references. The volume includes an introduction by Gordon Braden on Chaucer&#039;s reception; a list of STC books cited; and indexes of Chaucer&#039;s works, his life and literary reputation, and authors and topics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276836">
    <dcterms:title><![CDATA[A New Companion to Critical Thinking on Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects twenty essays about thematic terms and concepts in Chaucer&#039;s works, arranged in groups of four, each group including an additional response essay. Opens with a foreword by Christopher Cannon, followed by an explanatory introduction by the editors, with four appendices (Summaries of Chaucer&#039;s Works, Additional Terms, Coverage by Term, and Coverage by Work) and a comprehensive index. Part 1: &quot;Consent/Assent&quot; by Fiona Somerset; &quot;Entente&quot; by Candace Barrington; &quot;Pite&quot; by Glenn D. Burger; &quot;Slider&quot; by David Raybin; Response by Ardis Butterfield. Part 2: &quot;Merveille&quot; by Tara Williams; &quot;Virginite&quot; by Sarah Salih; &quot;Swiven&quot; by Helen Barr; &quot;Craft&quot; by Bruce Holsinger; Response by Simon Horobin. Part 3: &quot;Vertuby Holly A. Crocker; &quot;Wal&quot; by Marion Turner; &quot;Thing&quot; by Steele Nowlin; &quot;Blak&quot; by Cord J. Whitaker; Response by Carolyn Dinshaw. Part 4: &quot;Auctorite / Auctour&quot; by R. D. Perry; &quot;Seculere&quot; by Catherine Sanok; &quot;Flesh&quot; by Richard H. Godden;<br />
&quot;Memorie&quot; by Ruth Evans; Response by Andrew Cole.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276835">
    <dcterms:title><![CDATA[Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive bibliography of Chaucer studies for 2020, divided into four subcategories: general, CT, other works, and reception and reputation. Augmented by the bibliographies on &quot;Middle English&quot; in this volume of YWES.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276834">
    <dcterms:title><![CDATA[Middle English.]]></dcterms:title>
    <dcterms:description><![CDATA[Discursive bibliography, divided into fourteen subsections: Early Middle English; Theory; Manuscript and Technical Studies; Religious Writing; Secular Prose; Secular Verse; &quot;Piers Plowman&quot;; Gower; Old Scots; Drama; &quot;Sir Gawain and the Green Knight&quot;; &quot;Pearl,&quot; &quot;Patience,&quot; and &quot;Cleanness&quot;; Romance: Metrical, Alliterative, Prose; and Hoccleve and Lydgate. Multiple references augment the bibliography dedicated to Chaucer in  Year&#039;s Work in English Studies 101 (2022): 283-315.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276833">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2020.]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 326 items, plus a listing of reviews for 47 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276832">
    <dcterms:title><![CDATA[Two Notes on Chaucer&#039;s Friars.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides context for the references to a cope in the GP description of the Friar (1.259-63) and to Elijah and Elisha in SumT 3.2117-7, connecting both with Richard Maidstone&#039;s polemical responses to John Ashwardby&#039;s attacks on mendicant friars.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276831">
    <dcterms:title><![CDATA[Chaucer&#039;s Lisping Friar.]]></dcterms:title>
    <dcterms:description><![CDATA[Links the use of &quot;ferthyng&quot; and the lisping of the Friar in GP 1.255 and 1.264 with the friar of SumT and his use of &quot;ferthyng&quot; (3.1967), suggesting that if that latter had a lisp like the former, his pronunciation may have inspired the &quot;crude practical joke&quot; Thomas plays at the end of the Summoner&#039;s retributive tale--evidence of Chaucer&#039;s &quot;dramatic skill in tying together descriptive items in the Prologue with events in the tales themselves.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276830">
    <dcterms:title><![CDATA[Allusions to Chaucer in Stow&#039;s &quot;Summarye of the Chronicles of England,&quot; 1570. ]]></dcterms:title>
    <dcterms:description><![CDATA[Locates three references to Chaucer in Stow&#039;s 1570 &quot;Summarye,&quot; not found in the 1565 edition and not included in Caroline Spurgeon compendium of Chaucer&#039;s allusions. Points out that death dates given for Chaucer vary in two of the reference (1400 and 1402).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276829">
    <dcterms:title><![CDATA[A Treasury of Ribaldry.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes (with commentary) a wide variety of ribald texts and excerpts from the &quot;Ancients&quot; to the &quot;Moderns,&quot; including among &quot;Renaissance&quot; works MilT, RvT, and WBP in Theodore Morrison&#039;s translations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276828">
    <dcterms:title><![CDATA[The Religious View of Chaucer in His Italian Period (1).]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on TC as an example of Chaucer&#039;s outlook during his &quot;Italian period,&quot; charting his borrowings and &quot;digressions&quot; from Boccaccio&#039;s &quot;Il Filostrato.&quot; the influence of Boethius, and courtly love. Describes the attitudes toward Fortune of the major characters, especially Criseyde&#039;s &quot;tenderhearted&quot; blindness to it, and suggests Chaucer views Fortune as the &quot;agent of Destiny.&quot; Also comments on KnT and LGW, suggesting the latter is a throwback to Chaucer &quot;French period.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276827">
    <dcterms:title><![CDATA[Convention and Individuality in Chaucer&#039;s &quot;Complaint of Mars.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Mars with the &quot;Ovide moralisé&quot; and examines its adaptations of the &quot;aubade, the complaint, the Valentine-tradition (Gower and Graunson), and the conventions of courtly love&quot;--as inflected by Chaucer&#039;s own concerns and &quot;personality,&quot; and &quot;expressing an attitude toward young lovers&quot;: &quot;now joy, now sorrow, always fascination to see their &#039;busynesse&#039; . . . amusing or pathetic or both together in basing their lives on so unstable a foundation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276826">
    <dcterms:title><![CDATA[The Prioress&#039; Dogs and Benedictine Discipline.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the implications of the Prioress keeping dogs as pets and feeding them meat (GP 1.146ff.), explaining that such behavior bends or breaks at least four &quot;Benedictine strictures&quot;--ones that restrict pet owning (especially dogs) and eating meat, and others that mandate proper charity, or pity, and performance of duties.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276825">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Whelp&#039;: A Symbol of Marital Fidelity?]]></dcterms:title>
    <dcterms:description><![CDATA[Offers support for the notion that the whelp episode in BD (387-96)--likely derived from Machaut&#039;s &quot;Dit dou Lyon&quot;--serves as a &quot;symbol of fidelity,&quot; adducing instances of Renaissance &quot;canine symbolism&quot; and the appearance of dogs &quot;on medieval tombs.&quot; Suggests that the symbol may relate to Chaucer&#039;s loyalty to John of Gaunt and his deceased wife, to Gaunt&#039;s own loyalty to his wife, or to &quot;Blanche&#039;s &#039;fides uxoria&#039; s evinced in the course of her life.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276824">
    <dcterms:title><![CDATA[Dryden&#039;s Translation of Chaucer: A Problem of Neo-Classical Diction.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares and contrasts examples of diction in Dryden&#039;s translations of CT to explain why Dryden did not translate the low-style fabliaux and to show that Dryden&#039;s translations of Chaucer&#039;s humorous passages evince metaphysical wit rather than the natural humor of the originals, recurrently regarded as &quot;crude to modern taste.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276823">
    <dcterms:title><![CDATA[The Domestic Background of &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reconstructs the layout and functions of the rooms and gardens of the households in TC, drawing on details in the poem and evidence from fourteenth-century English architecture, with connections to correlative structures and scenes elsewhere in Chaucer&#039;s works. Attends closely to arrangements in Pandarus&#039;s house where Troilus and Criseyde consummate their love, and to the diction of architecture and domestic practice. Comments on the recurrent presence of household retainers in the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276822">
    <dcterms:title><![CDATA[The Seventh Sphere: A Note on &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a &quot;third suggestion&quot; to the discussions of what &quot;seventhe spere&quot; refers to in TC 5.1809, suggesting that Chaucer altered Boccaccio&#039;s eighth sphere (also a variant in TC manuscripts) and, counting inwards from the sphere of the fixed stars, locates Troilus in the sphere of Mercury.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276821">
    <dcterms:title><![CDATA[&quot;The Parlement of Foules&quot; and Lionel of Clarence.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that complex acrostic anagrams in PF reveal that it was written on the occasion of negotiations for a marriage between Lionel of Clarence and Violanta Visconti; identifies French analogues to this intricate practice, and helping to date Chaucer&#039;s poem. Also finds the names &quot;Henry Bolingbroke&quot; and &quot;Mary Bohun&quot; embedded in &quot;Chaucer&#039;s Complaint to His Purse.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276820">
    <dcterms:title><![CDATA[The Form of &quot;The Canterbury Tales&quot;: &quot;Respice Fines.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Seeks to illuminate &quot;the kind of order that Chaucer was in the process of imposing&quot; on the CT, focusing on the &quot;definite beginning&quot; and &quot;definite end&quot; rather than the &quot;great middle.&quot; Treats GP, where Chaucer sets his topic (&quot;variety of the created world&quot;), and KnT and MLT as, respectively, philosophical and religious guides to the world, with ParsT serving as a necessary penitential alterative to the limitations of such perspectives.]]></dcterms:description>
</rdf:Description></rdf:RDF>