<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266399">
    <dcterms:title><![CDATA[Hier et aujourd&#039;hui: Points de vue sur le moyen age anglais]]></dcterms:title>
    <dcterms:description><![CDATA[For two individual essays that pertain to Chaucer, search for Hier et aujourd&#039;hui under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272282">
    <dcterms:title><![CDATA[Hierarchical Modes of Love in Chaucer&#039;s &#039;The Parliament of Fowls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the unity of PF is anchored in the principle of the hierarchy of love, an aspect of the Great Chain of Being. By exploring a wide and interconnected range of kinds of love, Chaucer achieves humor and thematic richness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267331">
    <dcterms:title><![CDATA[High Tides and The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Correlates the disappearance of the rocks in FranT to an extremely high tide that occurred on December 19, 1340, perhaps the year of Chaucer&#039;s birth. Calculates the date using the Toledan or Alfonsine Tables known to Chaucer. The clerk in FranT knows of the astrological explanation but in no way causes the disappearance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271320">
    <dcterms:title><![CDATA[Hikayat Kantirbiri]]></dcterms:title>
    <dcterms:description><![CDATA[Arabic prose translation of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274679">
    <dcterms:title><![CDATA[Hindsight: A Novel.]]></dcterms:title>
    <dcterms:description><![CDATA[First-person fiction featuring Eugenia Panisporchi, who teaches Chaucer, and who remembers all of her past lives, which connect with her present one. Includes trans-temporal recollections of when she met &quot;Mr. Chaucer&quot; and encountered models for several of his Canterbury pilgrims and the characters in their Tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277545">
    <dcterms:title><![CDATA[Hinged, Bound, Covered: The Signifying Potential of the Material Codex.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the material book is a &quot;metaphorically rich signifier&quot; in contemporary culture and in a selection of English narratives, including BD and PF--where the narrators&#039; books, serving as portals to the dream experience, result in &quot;poetic output&quot; and reveal how books Aallow such creative thinking&quot; as a &quot;byproduct of physically grounded reading.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263496">
    <dcterms:title><![CDATA[His Mother&#039;s Curse: Kinship in &#039;The Friar&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses ironies of brotherhood and motherhood in FrT, especially the damnation of the Summoner by his &quot;owene mooder deere.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266273">
    <dcterms:title><![CDATA[His Yeman Eek Was Ful of Curteisye]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the Canon&#039;s Yeoman as a &quot;personal servant of a religious officer,&quot; although details of CYP indicate that he might more accurately be described as an alchemist&#039;s fire-tender or &quot;puffer.&quot;  The essay examines the importance of fire and temperature control in alchemical practice and reads details of CYPT as evidence that the Canon&#039;s Yeoman is in the process of reformation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266782">
    <dcterms:title><![CDATA[Histoire de la litterature anglaise du Moyen Age]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to literature written in England from Gildas&#039;s Latin chronicle to Sir Thomas Malory, including, among others, separate chapters on Chaucer (pp. 148-61) and Chaucer&#039;s influence and apocrypha (pp. 187-201).]]></dcterms:description>
    <dcterms:description><![CDATA[The chapter on Chaucer emphasizes his relations with Continental literature and his modernity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277247">
    <dcterms:title><![CDATA[Histoire et Poésie: La Femme de Bath de Geoffrey Chaucer et la Comédie de l&#039;Allégorie Eschatologique.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges D.W. Robertson&#039;s approach to allegory and to the WBP, arguing that the medieval outlook was more flexible than Robertson asserted, more capable of varied attitudes toward present times, the historical past, the eschatological future, and the impact of the Resurrection. Argues that the Wife&#039;s view of her own sexuality and morality embodies a comic, positive view of accepting one&#039;s own worldly estate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273116">
    <dcterms:title><![CDATA[Historians on Chaucer: The &quot;General Prologue&quot; to the &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Interdisciplinary collection of essays by medieval historians showcasing how application of social, economic, political, religious, and historical frameworks illuminates interpretation of CT. Surveys current debates over social meaning of Chaucer&#039;s work.  Each chapter discusses one of Chaucer&#039;s pilgrims. For the twenty-six individual essays, search for Historians on Chaucer under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275928">
    <dcterms:title><![CDATA[Historians on John Gower.]]></dcterms:title>
    <dcterms:description><![CDATA[Consists of fourteen essays and a calendar of life records by various authors, clarifying Gower&#039;s life and works in relation to the &quot;intellectual culture of the social, religious, and political controversies of his day.&quot; No single essay focuses on Chaucer, but the index cites him numerous times, often referencing comparisons between the two poets (along with Langland), most often having to do<br />
with estates satire.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270935">
    <dcterms:title><![CDATA[Historias de Cornudos: Relatos y Cuentos Eróticos Recogidos y Adaptados de la Literatura Universal]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of four tales of cuckoldry, with a brief Introduction. Includes a version of ShT in Spanish, here titled &quot;Vestida de Pecado: Versión Libre Sobre un Cuento de Geoffrey Chaucer&quot; (pp. 37-65).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263382">
    <dcterms:title><![CDATA[Historical and Editorial Studies in Medieval and Early Modern English: Festschrift for Johan Gerritsen]]></dcterms:title>
    <dcterms:description><![CDATA[Fifteen essays by various hands. For three essays that pertain to Chaucer, search for Historical and Editorial Studies in Medieval and Early Modern English under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265451">
    <dcterms:title><![CDATA[Historical and Methodological Considerations for Adopting &#039;Best Text&#039; or &#039;Usus Scribendi&#039; for Textual Criticism of Chaucer&#039;s Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Since no authorial text of CT or TC is available for a best-text edition, a combination of the habits or &quot;uses&quot; of the earliest scribes, with spelling normalized to accord with Equat, should be used to produce an edition.  Fisher exemplifies such an editorial process for a brief section of WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269782">
    <dcterms:title><![CDATA[Historical Englishes in Varieties of Texts and Contexts: The Global COE Programme, International Conference 2007]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-eight essays by various authors on linguistic aspects of Old and  Middle English. For three that pertain to Chaucer; search for Historical Englishes in Varieties of Texts and Contexts under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274200">
    <dcterms:title><![CDATA[Historical Trauma, the Critic, and the Work of Mourning in Chaucer&#039;s &quot;Prioress&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts the ending of PrT with Latin analogues to argue that the Tale is less concerned with miracles than with martyrdom--Jewish martyrdom as well as Christian--whereby Chaucer suggests the need for mourning human death.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276929">
    <dcterms:title><![CDATA[Historicising Hoccleve&#039;s Metre.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;because Hoccleve&#039;s metre cannot persuasively be reconciled with any known metrical system, it must be allowed its own category.&quot; Details Chaucer&#039;s metrical &quot;template&quot; and shows how Hoccleve varies it to create his own, although influenced by that of John Walton in his verse translation of Boethius. Hoccleve&#039;s and Walton&#039;s verse &quot;prefigure modern iambic pentameter&quot; more clearly than does Chaucers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268448">
    <dcterms:title><![CDATA[Historicists and Their Discontents: Reading Psychoanalytically in Medieval Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the debate between psychoanalytic and historicist critics, arguing that psychoanalytic assumptions and interpretations are embedded in historicist analysis, despite historicist claims of rejecting psychoanalysis. Considers works by major Chaucerians: Louise Fradenburg, Anne Middleton, David Aers, and Lee Patterson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265511">
    <dcterms:title><![CDATA[Historicity, Femininity, and Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reprinted in Gayle Margherita. The Romance of Origins: Language and Sexual Difference in Middle English Literature (Philadelaphia: University of Pennsylvania Press, 1994), pp. 100-28.]]></dcterms:description>
    <dcterms:description><![CDATA[Challenges historicist criticism on the grounds that it is caught between reality and representation, and argues that TC explores this problem in the tension between history and romance.]]></dcterms:description>
    <dcterms:description><![CDATA[The poem &quot;begins as a drama of loss, and then proceeds to show how this essentially historicist problem becomes, through displacement, a problem of sexual difference.&quot;  Troilus &quot;is a victim of feminine and material instability&quot;; Criseyde is &quot;victimized by male fantasies.&quot;  Knowing &quot;more than the courtly system can or will allow,&quot; Criseyde is a figure of feminine historicism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268445">
    <dcterms:title><![CDATA[Historicizing &#039;Wrastlynge&#039; in The Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Members of the aristocracy and the middle class engaged in wrestling. Thus, Chaucer&#039;s reference to the Miller as a wrestler cannot be dismissed as a reference to the lower class.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274795">
    <dcterms:title><![CDATA[Histories of the Devil: From Marlowe to Mann and the Manichees.]]></dcterms:title>
    <dcterms:description><![CDATA[In a chapter entitled &quot;Medieval and Early Modern Devils: Names and Images&quot; (pp. 45–74), assesses the devil-dressed-in-green of FrT and its associations with the fairies in WBT; also comments on the characters in PardT and CYT &quot;who are already devils,&quot; whose souls have &quot;gone before their bodies died.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275917">
    <dcterms:title><![CDATA[Historiography: Nicholas Trevet&#039;s Transnational History.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Nicholas Trevet&#039;s Anglo-Norman chronicle and discusses &quot;the ways in which Trevet&#039;s larger vision of history is reflected in Chaucer&#039;s writing.&quot; Catalogues the various models for history available to and used by Chaucer, including Geoffrey of Monmouth, Ranulf Higden, and Orosius, before moving on to &quot;moments of intensification in Chaucer that correspond to moments of intensification . . . in Trevet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273774">
    <dcterms:title><![CDATA[Historisches Präsens und Vergegenwärtigung des Epischen Geschehens: Ein Erzähltechnischer Kunstgriff Chaucers.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the functions and nuances of the historical present verb tense, focusing on epic scenes in CT (especially KnT and MLT), TC, LGW, and Anel, and assessing how Chaucer&#039;s uses of the tense help with vividness, immediacy, and  &quot;visualization&quot; of events. Includes comments on Gower&#039;s uses of the verb tense in &quot;Confessio Amantis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265002">
    <dcterms:title><![CDATA[History and Form in the General Prologue to the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The form of GP is descended from the genre of the rhetorical catalogue of types, represented in simpler form by the lists of trees and birds in PF.  In PF, the garden represents the world of timeless values and the catalogs the earth-bound realities; in GP the pilgrims are dressed according to their callings but located by class and wealth.]]></dcterms:description>
</rdf:Description></rdf:RDF>