<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267303">
    <dcterms:title><![CDATA[Her Father&#039;s Daughter : The Re-Alignment of Father-Daughter Kinship in Three Romance Tales]]></dcterms:title>
    <dcterms:description><![CDATA[In MLT, Gower&#039;s tale of Constance, and Émaré, the role of daughter--the woman cast adrift--is ambiguous, entailing both helplessness and independence, subversion and female power. Such tales reflect the notion of the daughter moving from temporary resident of her father&#039;s house to her husband&#039;s family unit as a &quot;foreigner.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269671">
    <dcterms:title><![CDATA[Her Life Historical: Exemplarity and Female Saints&#039; Lives in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the creation of female audiences, examining LGW and other works (including WBT) to explore how saints&#039; lives shaped literary history, thus making women &quot;visible participants&quot; in vernacular literary culture. Alceste is a metonym for a broader audience and a &quot;distinctively &#039;feminine&#039; response.&quot; SNT offers new perspectives on the limits and meaning of hagiographic exemplarity through the public performance of an imitation of a virgin martyr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261672">
    <dcterms:title><![CDATA[Heraldry and the Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer weaves heraldic allusions into the portraits of Lygurge and Emetreus, the two kings who support Palamon and Arcite in the tournament.  These allusions indicate the contemporaneity of KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269190">
    <dcterms:title><![CDATA[Heralds and Heraldry in English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relationships between heralds and poets as reflected in works by Chaucer (including HF and KnT), Malory, Skelton, and Spenser. These works &quot;reveal complex concerns about literary and political authority, the public status of the poet, and the stability of both visual and written discourses of fame and reputation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264565">
    <dcterms:title><![CDATA[Herbal Imagery in Chaucer&#039;s &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Licorice, according to medieval herbals, quenched thirst (thus allowing Nicholas to stay in his room for a long time?).  Cetewale, as zedoary, dispels gas (Nicholas&#039; fart?).  It is also an aphrodisiac and the &quot;nardus&quot; of Canticles, a symbol for the Lord&#039;s passion.  Commentaries on Nardus encourage us to see Nicholas as a parody of Christ the Lover.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269545">
    <dcterms:title><![CDATA[Here Bygynneth Chaucer&#039;s Canterbury Tales, Retold and Illustrated by Marcia Williams]]></dcterms:title>
    <dcterms:description><![CDATA[GP, KnT, MilT, RvT, WBT, SumT, ClT, FranT, PardT, and NPT in comic-book style, with watercolor-and-ink drawings and synoptic modern English text. Middle English phrases included in illustrations. Designed for children / early readers (grades 3-7).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268499">
    <dcterms:title><![CDATA[Here, There, and Everywhere? Wycliffite Conceptions of the Eucharist and Chaucer&#039;s &#039;Other&#039; Lollard Joke]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that details of SumT gain dimension in light of the contemporary debate concerning the Eucharist and transubstantiation as recorded in the &quot;Upland Series.&quot; Division of the indivisible fart is a blasphemous joke on questions of divisibility in the Eucharistic debate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267978">
    <dcterms:title><![CDATA[Here&#039;s Unfortunate Revels : War and Chivalry in Plays and Shows at the Time of Prince Henry Stuart]]></dcterms:title>
    <dcterms:description><![CDATA[Mulryne assesses attitudes toward chivalry in early seventeenth-century shows and plays, including discussion of how Shakespeare and Fletcher&#039;s Two Noble Kinsmen reflects the magnificence and human pain of KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264995">
    <dcterms:title><![CDATA[Heresy and Springtime Ritual: Biblical and Classical Allusions in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The imitation in GP&#039;s opening of Virgil&#039;s Second &quot;Georgic&quot; suggests a sexual motivation for the pilgrimage and some of the stories.  This allusive effect is seen in MerT but it affects other tales and portraits, e.g. the Prioress&#039;s.  Similarly Horace relates to the springtime ritual particularly in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277263">
    <dcterms:title><![CDATA[Herman Melville&#039;s &quot;Clarel&quot;: The Repudiation of Myth.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that CT is &quot;the source&quot; of Part II of Melville&#039;s &quot;Clarel,&quot; comparing the behaviors of the characters of the two works for the ways they reflect a &quot;single perspective&quot; among Chaucer&#039;s pilgrims and &quot;totally different perspectives&quot; among Melville&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262373">
    <dcterms:title><![CDATA[Hermeneutics and Medieval Culture]]></dcterms:title>
    <dcterms:description><![CDATA[Essays began as papers read at the sixty-first annual meeting of the Medieval Academy of America, April 1986. For three essays that pertain to Chaucer, search under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265536">
    <dcterms:title><![CDATA[Heroes and Heroines in Medieval English Literature: A Festschrift Presented to Andre Crepin on the Occasion of His Sixty-Fifth Birthday]]></dcterms:title>
    <dcterms:description><![CDATA[Fourteen essays on heroism and anti-heroes in &quot;Beowulf&quot; and other Old English poetry, &quot;Sir Gawain and the Green Knight,&quot; and the works of Dunbar, Malory, and others. For four essays that pertain to Chaucer, search for Heroes and Heroines in Medieval English Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268709">
    <dcterms:title><![CDATA[Heroic Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Far from viewing herself as a &quot;passive pawn,&quot; Criseyde sees herself as actively fleeing from an unhealthy relationship with Troilus to a healthy one with Diomedes. At the end of TC, she is no longer the cynical widow of Book 2, but instead a more &quot;interesting&quot; individual who has learned to liberate her own desires and hopes to do so once again with a more worthy partner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268974">
    <dcterms:title><![CDATA[Heroic Destruction : Shame and Guilt Cultures in Medieval Heroic Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Boehler employs the concept of &quot;shame culture&quot; (which emphasizes satisfaction and honor over personal happiness, or even survival) as a means to examine medieval heroes (including those in KnT.) Ultimately, shame culture contributes not only to the death of heroes but also to the death of their societies; it is eventually supplanted by &quot;guilt culture,&quot; as seen in &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262802">
    <dcterms:title><![CDATA[Heroic Ethical Philosophy and Philosophical Consolation in Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Pandarus exhibits absolute loyalty to his lord--one of the values of Indo-European heroic philosophy--while at the same time betraying his own sister.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265900">
    <dcterms:title><![CDATA[Heroic Worlds: &#039;The Knight&#039;s Tale&#039; and &#039;Beowulf&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A comparison of &quot;Beowulf&quot; and KnT reveals that the latter has epic elements such as death, mortality, and the struggle with the chaos inherent in an epic universe.]]></dcterms:description>
    <dcterms:description><![CDATA[  These parallel themes &quot;help us to better see a dark traditional dimension in Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272179">
    <dcterms:title><![CDATA[Hesitant Wolf &amp; Scrupulous Fox: Fables Selected from World Literature]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of brief fables and fable-like poems, narratives, and literary selections from various cultures and epochs. Includes John Dryden&#039;s &quot;The Cock and the Fox Or, The Tale of the Nun&#039;s Priest, from Chaucer&quot; (pp. 191-217) as an example of a &quot;long tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274374">
    <dcterms:title><![CDATA[Het Boek van de Hertogin; Het Vogelparlement: Twee Vroege Bedichten van Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that this is comprised of Dutch translations of BD and PF, with notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261763">
    <dcterms:title><![CDATA[Het vogelparlement van Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[In PF, personal happiness and community service result when proper choices are made.  Lovers must be aware of their individual roles in society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276702">
    <dcterms:title><![CDATA[Het Vogelparlement--The Parliament of Fowls.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this translation of PF into Dutch is translated and illustrated by Bert Osnabrug, in a dual-language edition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265920">
    <dcterms:title><![CDATA[Heteroglossia and Chaucer&#039;s Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;ideological markers&quot; that indicate the various &quot;languages&quot; of MLT, arguing that they cannot be resolved into unity by recourse to a supposed personality of the teller.]]></dcterms:description>
    <dcterms:description><![CDATA[MLT comprises several literary languages, and unlike the post-medieval novels examined by Mikhael Bakhtin, it does not include social or professional languages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269220">
    <dcterms:title><![CDATA[Heterosexuality as a Threat to Medieval Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Schultz critiques uses of &quot;heterosexual&quot; as a term and as an ahistorical concept in queer studies of medieval literature. Chaucerian critics (and others) use the term in ways that &quot;distort the very object&quot; of their studies, &quot;thwart&quot; history, and project modern sensibilities &quot;backward&quot; on the past. &quot;Heterosexual&quot; is as much a recent concept as is &quot;homosexual.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269495">
    <dcterms:title><![CDATA[Heterosyncrasies: Female Sexuality When Normal Wasn&#039;t]]></dcterms:title>
    <dcterms:description><![CDATA[Lochrie theorizes what sexualities, particularly female sexuality, might &quot;have looked like before heterosexuality and the normal&quot; were constructed in the nineteenth and twentieth centuries by statistical practices, exploring various medieval texts, Latin and vernacular, to disclose &quot;preheteronormative&quot; sexuality. Examines the &quot;Virginity Group&quot; of CT (KnT, ClT, PhyT, PrT, and SNT) in the context of &quot;Lollard anxieties&quot; about female chastity and orthodox critiques of affective female spirituality, also considering the Prioress in this light. Considers the close attention to female clitoral desire in WBPT and argues for thematic connections among the Wife, the Pardoner, and SNT. Like other medieval representations of Amazons, Hippolyta and Emily of KnT link violence, chastity, and female masculinity, which are also linked in MilT and elsewhere in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271389">
    <dcterms:title><![CDATA[Hi&#039;ninsho yoho no shusoku katei ni okeru ichi danmen]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in the MLA International Bibliography as a comparative linguistic treatment of dreams in Chaucer, Gower, and Langland. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264050">
    <dcterms:title><![CDATA[Hidden Depths: Dialogue and Characterization in Chaucer and Malory]]></dcterms:title>
    <dcterms:description><![CDATA[With Chaucer&#039;s Criseyde (as with Malory&#039;s Guinevere), readers are forced to construct her character from the &quot;implicature&quot; of her acts and words rather than deduce it from explicit and consistent statements.]]></dcterms:description>
</rdf:Description></rdf:RDF>