<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270091">
    <dcterms:title><![CDATA[Griselda in Siena]]></dcterms:title>
    <dcterms:description><![CDATA[Details of the tale of Griselda indicate that the &quot;key to the tale&#039;s power&quot; in the late Middle Ages is its &quot;startling role reversal, from marchioness to chambermaid, and the fundamental questions about the marital relationship it so dramatically raises.&quot; Explores details from the many sources and analogues of ClT (providing a chart of their relations and a note on relative chronology), including comments on the Tuscan &quot;veglia&quot; (evening storytelling around the hearth), a sequence of three painted panels from 1494, and painted marriage coffers. Traces changes in the status of dowries and the social independence of married women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267838">
    <dcterms:title><![CDATA[Griselda Reads Philippa de Coucy]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies &quot;uncanny&quot; resemblances between Griselda of ClT and Philippa de Coucy, wife of Robert de Vere. Similarities between the women and their treatment at the hands of their husbands (divorces) would have prompted Chaucer&#039;s immediate audience to &quot;reflect on the political situation&quot; in England. Events in Philippa&#039;s life may have influenced Chaucer&#039;s translation of his sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273744">
    <dcterms:title><![CDATA[Griselda: Aarne-Thompson Tale Type 887: Analogues of Chaucer&#039;s &quot;Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Studies fourteenth- and fifteenth-century versions of the Griselda story, including ClT, arguing that it does not derive from the Cupid and Psyche myth and that several versions thought to be analogues are not in fact so.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266905">
    <dcterms:title><![CDATA[Griselda&#039;s &#039;Olde Coote&#039; and Textual Variance]]></dcterms:title>
    <dcterms:description><![CDATA[Examines ClT 911-17 and concludes that, because of textual ambiguities, it is difficult to know whether Griselda has physically changed upon returning to her former home or, as Harding seems to believe, her &quot;olde coote&quot; is no longer fit to be worn.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266906">
    <dcterms:title><![CDATA[Griselda&#039;s &#039;Translation&#039; in the Clerk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s transformation of ClT in his process of translating his sources, focusing on the imagery of clothing. Through his alterations of the clothing motif, Chaucer disclaims the traditional notion that translation is merely superficial change and makes the story his own.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261705">
    <dcterms:title><![CDATA[Griselda&#039;s Abrahamic Test: Covenants and Clothing]]></dcterms:title>
    <dcterms:description><![CDATA[Like Abraham, Griselda is justified or made perfect by works, evidenced by her willingness to sacrifice her children.  Through three clothing changes, she becomes an emblem of salvation: the first change symbolizes baptism; the second, the trial of the apparently forsaken soul; and the third, the figurative death of the soul tested and found worthy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277101">
    <dcterms:title><![CDATA[Griselda&#039;s Afterlife, or the Relationship between Shakespeare&#039;s &quot;The Winter&#039;s Tale, Chaucer&#039;s &quot;The Clerk&#039;s Tale&quot; and the &quot;Tale of Magic.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Offers &quot;folkloric analysis&quot; of several motifs--slaughtered wives, lost and restored children, and incest--in ClT and in &quot;The Winter&#039;s Tale&quot; (and other Shakespearean plays), arguing that such analysis allows us &quot;to see these texts in connection with particular archetypal patterns that make certain crucial elements of their plots stand out in relief.&quot; The female protagonist in each plot &quot;may . . . be said to have saved&quot; her husband from himself.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269910">
    <dcterms:title><![CDATA[Griselda&#039;s Body and Labor in Chaucer&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Although Griselda is &quot;translated&quot; in three different ways in ClT (language, place,and social class), her labor is constant throughout. Her labors (domestic, wifely, and public) define her essential selfhood and grant her a kind of power that Walter fails to achieve.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265340">
    <dcterms:title><![CDATA[Griselda&#039;s Constancy in &#039;The Clerk&#039;s Tale&#039;--A Type of Medieval Woman]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates through word study that Griselda is &quot;the personification of the virtues of meekness, humility, fortitude, and modesty,&quot; a figure of medieval love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268943">
    <dcterms:title><![CDATA[Griselda&#039;s Heritage : Ancestral Family Bonds in The Clerk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Hernández Pérez explores kinship models implicit in the cultural &quot;memory&quot; of ClT, especially those that involve Walter&#039;s sister and the sending of children to a relative&#039;s household. Griselda&#039;s class and deference may reflect vestiges of marriage to a &quot;strange woman&quot; of the wild. Told by the Clerk, the Tale may also include vestiges of the Church&#039;s opposition to endogamy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270164">
    <dcterms:title><![CDATA[Griselda&#039;s Pagan Virtue]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer modifies his sources for ClT in a way that emphasizes Griselda&#039;s virtue as specifically &quot;feminine&quot; and exclusively &quot;wifely.&quot; The reflections of her wifely virtue in the pagan wives of LGW, who &quot;view devotion to their husbands as their highest ideal,&quot; provoke a consideration of &quot;the degree to which a married woman can and should be fully devoted to her husband.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267834">
    <dcterms:title><![CDATA[Griselda&#039;s Sisters : Wifely Patience and Sisterly Rivalry in English Tales and Ballads]]></dcterms:title>
    <dcterms:description><![CDATA[Explores two folkloric motifs in ClT and &quot;Lay le Freine&quot;: the patient wife and twin sisters who are rivals in love. Rooted in the same myth, the stories imagine alternatives to patriarchal culture as well as dramatizing wifely obedience and female rivalry. Long surviving as popular ballads, they show how little sensibility changed with the rise of the Renaissance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270060">
    <dcterms:title><![CDATA[Griselde Before Chaucer : Love Between Men, Women, and Farewell Art]]></dcterms:title>
    <dcterms:description><![CDATA[Wallace reviews letters between Boccaccio and Petrarch, suggesting that it is not unreasonable to &quot;consider Petrarch and Boccaccio toiling, sparring, and loving one another in bonds suggestive of matrimony&quot; (210). Aligns events of the Griselda tales with events discussed in Petrarch&#039;s &quot;Seniles&quot; XVII and XVIII; &quot;Chaucer found his truest imaginative kinship with poets outside of England&quot; (215).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262298">
    <dcterms:title><![CDATA[Griseldis in Deutschland: Studien zu Steinhowel und Arigo]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the fifteenth-century production of German translations of Petrarch&#039;s &quot;Griseldis&quot; and audience reception of those translations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277719">
    <dcterms:title><![CDATA[Grisilda Ŋutinya.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat record indicates this is a translation of ClT into Ewe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263240">
    <dcterms:title><![CDATA[Grisilde--Women in Chaucer (3)]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the meaning of &quot;woe that is in marriage&quot; and the antifeminist attitude of the Clerk in ClT, juxtaposed to the Wife of Bath, and shows that the Clerk preaches skillfully about the abnormal relationship between man and wife.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274156">
    <dcterms:title><![CDATA[Grosseteste, Wyclif, and Chaucer on Universals.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Grosseteste&#039;s notion of universals and Wyclif&#039;s treatment of it; then argues that KnT and MilT are, respectively, philosophically realist and antirealist, focusing on the First Mover speech in KnT as an example of Grosseteste&#039;s epistemological scale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274125">
    <dcterms:title><![CDATA[Grotesquely Articulate Bodies: Medicine, Hermeneutics and Writing in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies in medieval medicine a concern with organs and features of the human body that are &quot;grotesquely&quot; able to speak, and associates the concept with Cecilia&#039;s neck in SNT and the clergeon&#039;s throat in PrT. Through their depictions of human bodies speaking through wounds, these tales engage ideas of verbal propriety and authority, and subversively point toward the &quot;materiality of language&quot; and the &quot;sheer impossibility of proper signification.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275338">
    <dcterms:title><![CDATA[Grouping of Pilgrims in the General Prologue to &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies patterns that indicate Chaucer&#039;s &quot;careful planning&quot; of a sequence of groupings of pilgrims in GP, focusing on audience expectations, points of views, tones, satirical targets, and the traditional three estates.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265233">
    <dcterms:title><![CDATA[Growing Up in Medieval London: The Experience of Childhood in History]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the biological and sociological understanding of childhood and adolescence in late-medieval London, demonstrating that the late Middle Ages &quot;did recognize stages of life that corresponded to childhood and adolescence.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Examines archival records and some literature for evidence of the activities of youth and of adults&#039; attitudes toward them, considering such topics as child mortality and disease, education, religious and social rituals, orphanhood, apprenticeship and court service, puberty, and passage from adolescence to adulthood.  No specific discussion of Chaucer&#039;s life or works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276030">
    <dcterms:title><![CDATA[Grumbly Grimblies, Frozen Dogs, and Other Boojums: Eccentricity from Chaucer to Carroll in English Psychedelia]]></dcterms:title>
    <dcterms:description><![CDATA[Traces a tradition of nonsense and humor in English psychedelic rock music, mentioning Chaucer&#039;s influence (specifically NPT as a mock epic) and a few allusions to Chaucer in the lyrics of psychedelic songs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275404">
    <dcterms:title><![CDATA[Guide to English Literature from Beowulf through Chaucer and Medieval Drama. With Bibliographies Provided by Stanley B. Greenfield.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys English literature and critical responses to this literature; designed for classroom use. Summarizes historical backgrounds and provides annotated bibliographies, linked with the discussions of individual works, authors, and topics, including Chaucer (pp. 190-259) and, more briefly, the &quot;Fifteenth-century Chaucerians&quot; (pp. 260-66; Lydgate, Hoccleve, &quot;The Kingis Quair,&quot; Henryson, and Dunbar). The Chaucer section describes Chaucer&#039;s Life, the &quot;minor works,&quot; TC, and each of the CT. The volume includes maps, illustrations, and a comprehensive index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265168">
    <dcterms:title><![CDATA[Guidelines for Transcription of the Manuscripts of the Wife of Bath&#039;s Prologue]]></dcterms:title>
    <dcterms:description><![CDATA[Articulates the principles of manuscript transcription for the &quot;Canterbury Tales&quot; Project, theorizing about the potential and limitations of transcribing for machine-readable publication and explaining why &quot;graphemic&quot; transcription (rather than &quot;graphic,&quot; &quot;graphetic,&quot; or &quot;regularized&quot; transcription) is the aim of the project.  Describes and illustrates the practice of transcription, including treatment of individual characters, flourishes, abbreviations, capitals, and punctuation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274238">
    <dcterms:title><![CDATA[Guido Cavalcanti&#039;s Theory of Love and Chaucer&#039;s &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests how Chaucer may have become familiar with the work of Guido Cavalcanti, and argues that TC records philosophical and poetical perspectives and several poetic devices that are similar to those found in Cavalcanti&#039;s &quot;Donna me prega.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261760">
    <dcterms:title><![CDATA[Guido, the Middle English Troy Books, and Chaucer: The English Connection]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s tale of Hypsipyle and Medea (LGW 4) shares verbal features with the &quot;Gest Historyale of the Destruction of Troy&quot; and the &quot;Laud Troy Book.&quot;  Not derived from one another, they may go back to an earlier Middle English translation.]]></dcterms:description>
</rdf:Description></rdf:RDF>