<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273001">
    <dcterms:title><![CDATA[Gowerian Laughter]]></dcterms:title>
    <dcterms:description><![CDATA[Primarily discusses medieval humor in Gower, yet addresses how Gower&#039;s  and Chaucer&#039;s humorous characters are female.  Looks at Criseyde in TC, Alison in WBT, the merchant&#039;s wife in ShT, and Alisoun in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272411">
    <dcterms:title><![CDATA[Grace and Place in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The key rhyming pair place and grace appears several times in TC, notably at the center of the poem. Up to the moment of the lovers&#039; consummation, both words have a positive, sometimes spiritual connotation and intensity, but after that passage each term becomes associated with materiality rather than the ideal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273088">
    <dcterms:title><![CDATA[Graftings, Reweavings and Interpretation: The Auchinleck Middle English Breton Lays in Manuscript and Edition]]></dcterms:title>
    <dcterms:description><![CDATA[Includes the argument that the material context of FranT must be considered as a relevant framework for reading Middle English Breton lays.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265764">
    <dcterms:title><![CDATA[Grammar, Genre, and Gender in Geoffrey Chaucer and Murasaki Shikibu]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer and Murasaki Shikibu, author of &quot;Genji Monogatari,&quot; share a number of literary features:  a commitment to vernacular expression, grammatically and stylistically open texts, celebration of generic variety, and preoccupation with the female gender and its relations with power.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265080">
    <dcterms:title><![CDATA[Grammar, Manhood, and Tears: The Curiosity of Chaucer&#039;s Monk]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s hedonist monk tells unexpectedly conservative tales.  But his &quot;accessus&quot; and first four tales betray him as a &quot;grammaticus&quot; bent on &quot;curiositas,&quot; evoked by hunting (Augustine) and &quot;vagatio&quot; (Peter Damian).  The rest define &quot;what is man&quot; by an inverted Boethian progress through tearful spectacles satisfying &quot;curiositas.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273209">
    <dcterms:title><![CDATA[Grammatica Anglicana, 1594]]></dcterms:title>
    <dcterms:description><![CDATA[Facsimile reproduction of Greaves&#039; grammar (1594), which was the second grammar of English to be printed; includes as an appendix a six-page &quot;Vocabula Chauceriana,&quot; the first glossary of Chaucer&#039;s lexicon.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267470">
    <dcterms:title><![CDATA[Grammaticalization in Early English]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys words (e.g., &quot;very&quot;) that shift from lexical to grammatical function. Includes several citations of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275505">
    <dcterms:title><![CDATA[Grandson in the World: From the Pays de Vaud to Edward III&#039;s Court.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the biography of Oton de Grandson (here &quot;Othon&quot;), particularly his role as &quot;one of the leading knight-poets of his time,&quot; exploring how his status inflected his influence on other writers, including Chaucer. Chaucer&#039;s lower social status disallowed direct imitation of the suffering &quot;I-voice&quot; of courtly knight-poets, affecting the narratorial stance in BD, PF, and Ven (a &quot;loose translation&quot; of Oton&#039;s &quot;Cinq balades ensuyvans&quot;). Also explores relations between the Valentine&#039;s Day tradition in Oton and in Mars and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274676">
    <dcterms:title><![CDATA[Great Anna&#039;s Chaucer: Pope&#039;s &quot;January and May&quot; and the Logic of Settlement.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Alexander Pope&#039;s &quot;transformation&quot; of MerT in his &quot;January and May,&quot; focusing on his &quot;reading of Chaucer,&quot; and his poem&#039;s &quot;consonance with the time of Queen Anne.&quot; Also comments more generally on Pope&#039;s reception and uses of Chaucer&#039;s narratives, including instances where he can be seen to be &quot;out-Chaucering Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271348">
    <dcterms:title><![CDATA[Great Authors of the Western Literary Tradition. Part III: Literature of the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Includes two thirty-minute audio-visual recordings of lectures (nos. 35 and 36) on &quot;Geoffrey Chaucer--Life and Works&quot; and &quot;Geoffrey Chaucer--&#039;The Canterbury Tales&#039;.&quot; The first surveys Chaucer&#039;s life and works; the second describes CT, with attention to variety of genres and unanswered questions. The booklet that accompanies the discs includes an outline of the lectures and several &quot;Questions to Consider&quot; (pp. 56-64).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274253">
    <dcterms:title><![CDATA[Great Poetry of the English Language: Geoffrey Chaucer to Emily Dickinson.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a modernization of GP (pp. 3-34) in regularized rhymed iambic pentameter.<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273245">
    <dcterms:title><![CDATA[Great Poets]]></dcterms:title>
    <dcterms:description><![CDATA[Reproduces portraits or busts of twenty-four English poets, from Chaucer to T. S. Eliot, held in England&#039;s National Portrait Gallery, with a very brief biography and short selection of poetry for each. The portrait of Chaucer is labeled as &quot;By an unknown artist, after Occleve,&quot; accompanied by a paragraph about Chaucer&#039;s life, and a quotation of TC 5.1835-48. Also describes Thomas Hoccleve&#039;s portrait of Chaucer as &quot;the only authentic image of the poet&quot; and quotes the section of Hoccleve&#039;s &quot;De Regimine Principum&quot; where his portrait of Chaucer appears in the British Museum manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270526">
    <dcterms:title><![CDATA[Great Poets: Geoffrey Chaucer, William Shakespeare, The Romantic Poets, The War Poets]]></dcterms:title>
    <dcterms:description><![CDATA[The section on Chaucer (pp. 5-28) includes a biographical introduction, a reader&#039;s guide to CT, brief summaries of PF and TC, and discussion of the literary and historical contexts in which Chaucer wrote.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269312">
    <dcterms:title><![CDATA[Greater London]]></dcterms:title>
    <dcterms:description><![CDATA[In Mel, Chaucer depicts space reflecting the split interests and antagonisms that dominated contemporary London.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269603">
    <dcterms:title><![CDATA[Greed and Anti-Fraternalism in Chaucer&#039;s &#039;Summoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Pitard comments on William of St. Amour&#039;s &quot;Tractatus brevis&quot; and assesses SumT as a vernacularized adaptation of it--one in which fraternal pretenses are satirized for their Latinate elitism. The satire occurs because &quot;it is hilarious that the friar is not insulted by the fart.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275633">
    <dcterms:title><![CDATA[Greek and Roman Myths in Geoffrey Chaucer&#039;s &quot;The Knight&#039;s Tale.:]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the Greco-Roman mythological material in KnT, suggesting that its presence deepens the tale&#039;s themes and broadens its impact.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275722">
    <dcterms:title><![CDATA[Green May in &quot;Against Women Unconstant.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a new interpretation of Wom Unc, a lyric attributed to Chaucer. Argues for different punctuation in the poem, and claims that the lady and subject of the poem is green herself rather than dressed in green, thus symbolizing May. The poem, then, contrasts green and blue throughout as the speaker settles into the stable love symbolized by blue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269557">
    <dcterms:title><![CDATA[Greenery: Ecocritical Readings of Late Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relationships between humankind and natural landscapes through critical readings that combine ecological emphases with literary analysis. In a chapter titled &quot;Trees,&quot; Rudd suggests that the eventual fate of the forest in KnT illuminates the anxieties of &quot;humanity&#039;s relation to the non-human world.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274074">
    <dcterms:title><![CDATA[Greetings and Farewells in Chaucer&#039;s &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the pragmatic complexities of greetings and farewells and the limitations of using edited literary examples to explore their history. Tabulates and analyzes 140 instances of greetings and farewells in CT, attending to concerns of social class and function, the latter including well-wishes, identification, blessing, health inquiries, leave-taking, and dismissal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266501">
    <dcterms:title><![CDATA[Greimas, Bremond, and the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Applying A. J. Greimas&#039;s systems to MilT leaves Alison in the role of passive object.  Claude Bremond&#039;s model discloses a more active Alison as she learns about seduction and dissimulation, which are overvalued in the world of MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265945">
    <dcterms:title><![CDATA[Gridelda Speaks: The Scriptural Challenge to Patriarchal Authority in &#039;The Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Scriptural allusions in ClT challenge the patriarchal views traditionally found in it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271565">
    <dcterms:title><![CDATA[Grieving American Civil War Dead: General Hitchcock&#039;s Hermetic Interpretation of Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses General Ethan Allen Hitchcock&#039;s 1865 published explication of Chaucer&#039;s BD. Argues that this study of Chaucer&#039;s dream visions offers new insights into &quot;Chaucer&#039;s reception in the nineteenth-century United States.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276635">
    <dcterms:title><![CDATA[Griselda and Her Virtues.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares nine versions of the Griselda narrative (including ClT), exploring what virtues in addition to patience are emphasized in each and arguing that shifts in emphasis account for the story&#039;s medieval and early modern popularity. ClT emphasizes pathos, Griselda&#039;s &quot;status as wife&quot; (recurrent uses of &quot;wifely&quot;), and her constancy (recurrent uses of &quot;sad&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275994">
    <dcterms:title><![CDATA[Griselda and the Problem of the Human in the &quot;Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that ClT offers a view of what it means to be human, and that Chaucer&#039;s view differs significantly from Petrarch&#039;s presentation, in his translation of Boccaccio&#039;s Griselda story in the &quot;Decameron,&quot; of Walter&#039;s cruelty and Griselda&#039;s patience in the face of that suffering.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276547">
    <dcterms:title><![CDATA[Griselda as Mary: Chaucer&#039;s &quot;Clerk&#039;s Tale&quot; and Alanus de Rupe&#039;s Marian Exemplum.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that allusions to Mary in ClT &quot;disturb a reception of Grisildis as Stoic heroine and Chistian saint.&quot; Claims Griselda is a &quot;failed Pietá and that the tale is &quot;caught between two worlds, critical of its own sacrificial gestures.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>