<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268068">
    <dcterms:title><![CDATA[&#039;Al is for to selle&#039;: Money, Language, and Gender in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Language, money, and gender are &quot;signifying systems&quot; that underlie notions of law and order in medieval tradition. Cady examines how Chaucer presents the interactions of these systems in WBPT, MerT, and PardT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266791">
    <dcterms:title><![CDATA[&#039;Al Nys but Conseil&#039;: The Medieval Idea of Counsel and the Poetry of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes classical, biblical, and patristic notions of &quot;counsel&quot; as background to Chaucer&#039;s &quot;transcendentalizing notion of counsel.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Considers counsel in BD, PF, Mel, TC, KnT, NPT, WBPT, MerT, ManT, and ParsT, arguing that Chaucer aligns human counsel with &quot;consilium Dei&quot; and that he indicates human inability to achieve this ideal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266600">
    <dcterms:title><![CDATA[&#039;Al That Which Chargeth Nought to Seye&#039;: The Theme of Incest in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Readers who refuse to recognize Pandarus&#039;s incestuous desire risk participating in the denial of such desire in patriarchal societies; they also risk colluding in society&#039;s invocation of the incest taboo, which underlies traffic in women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265641">
    <dcterms:title><![CDATA[&#039;Al the Revers Seyn of This Sentence&#039;: The Enigma of Dream Interpretation in Chaucer&#039;s &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The fact that Chauntecleer defies his dream and still escapes harm &quot;raises serious questions about the validity of dream interpretation, leaving the reader with a sense that dreams mean whatever we want them to.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268153">
    <dcterms:title><![CDATA[&#039;Al This Peynted Process&#039;: Chaucer and the Psychology of Courtly Love]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Troilus as a courtly lover in TC, as seen through the perspective of Augustine&#039;s Confessions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263474">
    <dcterms:title><![CDATA[&#039;Al was this land fulfild of fayerye&#039;: The Thematic Employment of Force, Willfulness, and Legal Conventions in Chaucer&#039;s &#039;Wife of Bath&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife&#039;s portrayal of the rape, the judgment, and punishment of the knight reflect wish fulfillment, legal anachronism, and the inversion of the natural order of legitimate authority, though the tale ends in &quot;true freedom and order.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265575">
    <dcterms:title><![CDATA[&#039;Alas, Alas, That Ever Love was Sin!&#039;: Marriages Moral and Immoral in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;host of moral issues for high school readers to consider&quot; in MilT and WBPT and argues for an ethic of inclusion rather than exclusion in selecting books.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266203">
    <dcterms:title><![CDATA[&#039;All Is for to Selle&#039;: Breeding Capital in the Wife of Bath&#039;s Prologue and Tale]]></dcterms:title>
    <dcterms:description><![CDATA[A Marxist reading of WBPT that regards the &quot;link between sexuality and monetary gain&quot; as the &quot;key to the sexual economy of the Wife&#039;s performance.&quot;  WBP reflects the violence potential in &quot;primitive accumulation,&quot; an early stage of capitalism defined by Karl Marx.  Through the pillow lecture on gentility in WBT, the violence is transformed into a &quot;political idyll&quot; of socioeconomic leveling and marital bliss.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271070">
    <dcterms:title><![CDATA[&#039;All other Maisters ben wicked or fals&#039;: Chaucer, &#039;The Plowman&#039;s Tale,&#039; and the Pristine English Church]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how, increasingly identified with Chaucer in early editions, &quot;The Plowman&#039;s Tale&quot; advanced &quot;Chaucer&#039;s status as an early Protestant figure,&quot; noting in particular the association of them in Milton&#039;s &quot;Of Reformation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269277">
    <dcterms:title><![CDATA[&#039;All was this land full fill&#039;d of faerie&#039;, or Magic and the Past in Early Modern England]]></dcterms:title>
    <dcterms:description><![CDATA[Following a methodology outlined in Gabriel Naud&#039;s seventeenth-century history of magic, the essay examines early modern historical accounts of magic to understand how magic came to be defined and debated. The title derives from WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269894">
    <dcterms:title><![CDATA[&#039;Allas, Allas! That evere love was synne!&#039;: John Bromyard v. Alice of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Bromyard&#039;s denunciation of &quot;popular views on sex&quot; in the Luxuria section of his &quot;Summa Predicantium&quot; resonates verbally and structurally with WBP, suggesting that the Wife&#039;s performance functions in part as a counterattack to such sermonizing by  Bromyard and others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269579">
    <dcterms:title><![CDATA[&#039;Allas, allas! That evere love was synne&#039;: Excuses for Sin and the Wife of Bath&#039;s Stars]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the Wife&#039;s comments on her constellation (WBP 3.609-23) in light of late medieval pastoral commentary on astral determinism as an excuse for sin. The Wife mocks male-authored confessional speech but embraces male-authored astrological discourse uncritically, indicating that her agency is limited.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269940">
    <dcterms:title><![CDATA[&#039;Allas, the shorte throte, the tendre mouth&#039;: The Sins of the Mouth in The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[PardT shows the polysemous aspects of gluttony as a sin, suggesting that gluttons are similar to heretics, who use the mouth to deny sacred truths. In contrast to the Parson, the Pardoner embodies the idea that &quot;peccata oris&quot; are not confined to overindulgence in food and drink but extend to other vices related to the mouth, such as swearing and perjury.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265297">
    <dcterms:title><![CDATA[&#039;Allone Withouten Any Compaignye&#039;: Privacy in the First Fragment of the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A brief history of private rooms in fourteenth-century England and an explanation of the significance of Nicholas&#039;s desire for privacy in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261375">
    <dcterms:title><![CDATA[&#039;Allone, Withouten Any Compaigne&#039;--The Mayings in Chaucer&#039;s Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Comparison of traditional rites to the feelings and actions of the characters shows that lack of structure does not mean disorder.  Moore contends that there is no correlation between ritual and the outcome of KnT; in fact, a ritualistic beginning leads to destruction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264888">
    <dcterms:title><![CDATA[&#039;Alma Redemptoris Mater&#039;: The Little Clergeon&#039;s Song]]></dcterms:title>
    <dcterms:description><![CDATA[The text of the &quot;Alma Redemptoris Mater&quot; in PrT may have been written by Hermannus Contractus.  A reconstruction of its tune must depend on the Use of Sarum.  This particular text and this tune are especially appropriate to the themes of the tale.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Aspects of Early Music and Performance (New York: AMS Press, 2008), pp. 61-73.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267231">
    <dcterms:title><![CDATA[&#039;Almighty and Al Merciable Queene&#039; : Marian Titles and Marian Lyrics]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how the epithets and titles applied to Mary disperse and fictionalize her powerful humanity. Discusses various Marian lyrics, including ABC, in which Chaucer subtly but significantly alters the theology of Marian praise.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268698">
    <dcterms:title><![CDATA[&#039;Alum de glas&#039; or &#039;Alymed glass&#039;? Manuscript Reading in Book III of The House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Cawsey suggests an emendation to HF 1124 and argues that the image of an &quot;ice mountain limned in light, illuminated with gold, covered with melting writing&quot; indicates Chaucer&#039;s concerns about literary transmission.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265176">
    <dcterms:title><![CDATA[&#039;Amonges Othere Wordes Wyse&#039;: The Medieval Seneca and the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s references to Seneca in CT outnumber those to any other philosopher save Solomon.  Except for the references in ParsT and Mel, the use of Seneca generally serves as an amusing way of condemning characters who quote him.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272094">
    <dcterms:title><![CDATA[&#039;Amor Gloriae&#039; in Chaucer&#039;s &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the ambivalent treatment of fame in HF: as a sinful desire, as a goal for poets, and as an &quot;amoral record of the past.&quot; Argues that this ambivalence is rooted in Boethius&#039;s &quot;Consolation of Philosophy&quot; and that it reflects Chaucer&#039;s contemplations about his poetic career, perhaps in anticipation of writing TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261573">
    <dcterms:title><![CDATA[&#039;Amor hereos&#039; als medizinischer Terminus technicus in der Antike und im Mittelalter]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;amor hereos&quot; as a medical phrase, identifying its roots in classical tradition and tracing its development in the humoural tradition of the Mid-East and Western Europe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263761">
    <dcterms:title><![CDATA[&#039;Amor Vincit Omnia&#039; and the Prioress&#039;s Brooch]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Chaucer&#039;s use of Virgil for portrait of the Prioress,suggesting that her brooch has magical properties as well as a religious function.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267519">
    <dcterms:title><![CDATA[&#039;An Elusive Rhythm&#039; : The Great Gatsby Reclaims Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Fitzgerald&#039;s The Great Gatsby rehabilitates the Chaucerian treatment of the love story of Troilus and Criseyde (TC) and counters the less positive depictions of Henryson and Shakespeare.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267081">
    <dcterms:title><![CDATA[&#039;And countrefete the speche of every man / He koude, whan he sholde telle a tale&#039; : Toward a Lapsarian Poetics for The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses how MLH and MLP reflect the anxiety of Chaucer&#039;s poetics-how they indicate Chaucer&#039;s awareness that he is both following and improving upon the poetic model of Giovanni Boccaccio&#039;s Decameron and the &quot;penitential&quot; poetics of John Gower&#039;s works. Chaucer appropriates Gower&#039;s confessional mode in ParsT, while WBP and PardP combat traditional discourse by being &quot;lapsarian&quot; confessions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263308">
    <dcterms:title><![CDATA[&#039;And Don Thyn Hood&#039; and Other Hoods in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Hood&quot; is used both literally and figuratively by Chaucer.  The problematic occurrence in TC 2.954 probably means &quot;Don&#039;t be deferential.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>