<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273397">
    <dcterms:title><![CDATA[Global Chaucers.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides a survey of translations and appropriations of CT. Examines four translations of CT--Afrikaans, Turkish, Brazilian Portuguese, and Mandarin Chinese--and argues how these global Chaucers enhance understanding of CT. Also examines works, including Luk Bey&#039;s comic book adaptation of MilT, that blur the line between translation and appropriation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273955">
    <dcterms:title><![CDATA[Global Medievalism and Translation.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses how spatial, temporal, and linguistic global medievalisms shaped the reception of CT translations. Discusses global translations, including &quot;Wahala Dey O!,&quot; an Icelandic translation of MilT, and translations of CT in Turkish, Brazilian, and Portuguese. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269818">
    <dcterms:title><![CDATA[Global Perspectives on Medieval English Literature, Language, and Culture]]></dcterms:title>
    <dcterms:description><![CDATA[A festschrift for Paul Szarmach, celebrating the internationalization of medieval studies. Twelve essays by various authors, on topics ranging from Old and Middle English language and literature to the Narnia Chronicles of C. S. Lewis and the Mayan epic  &quot;Popol Vuh.&quot; For two essays that pertain to Chaucer, search for Global Perspectives on Medieval English Literature, Language, and Culture under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269942">
    <dcterms:title><![CDATA[Globalizing Jewish Communities: Mapping a Jewish Geography in Fragment VII of the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[A significant Jewish presence echoes in the wide-ranging geographies of PrT (Asia),Th (fairyland), and the Monk&#039;s stories of Peter of Spain and Antiochus (Judea). Chaucer evokes a sophisticated awareness of Jewishness that mitigates the Prioress&#039;s anti-Judaic paranoia.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268005">
    <dcterms:title><![CDATA[Glorie of Spayne&#039;: Juan Ruiz Through the Eyes of an Englishman]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews scholarship concerning Chaucer&#039;s visits to Spain and considers ways he may have encountered Juan Ruiz&#039;s Libro de buen amor, orally and/or in manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262765">
    <dcterms:title><![CDATA[Glosses in the Manuscripts of Chaucer&#039;s &#039;Boece&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The glosses accompanying the Bo manuscripts vary in number and style, but the abundance of glosses, some shared, reveals that Bo was read with &quot;interest throughout the fifteenth century.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261493">
    <dcterms:title><![CDATA[Glosses in the Manuscripts of Chaucer&#039;s &#039;Canterbury Tales&#039;: An Edition and Commentary]]></dcterms:title>
    <dcterms:description><![CDATA[A comprehensive study of CT glosses (except Mel and MkT), indicating that Chaucer himself provided many of them; summary of previous scholarship and descriptions of the glosses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273658">
    <dcterms:title><![CDATA[Glosses to &quot;The Man of Law&#039;s Tale&quot; from Pope Innocent III&#039;s &quot;De Miseria Humane Conditionis.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the glosses from Pope Innocent III&#039;s &quot;De Miseria&quot; in manuscripts of MLT &quot;were written either by Chaucer from his own manuscript of the &#039;De Miseria&#039; or by a scribe copying from that same manuscript, either under Chaucer&#039;s supervision or shortly after his death,&quot; The glosses were probably introduced by Chaucer himelf.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274356">
    <dcterms:title><![CDATA[Glosses to the &quot;Canterbury Tales&quot; from St. Jerome&#039;s &quot;Epistola Adversus Jovinianum.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer himself is the &quot;most reasonable choice&quot; for author of the glosses to CT manuscripts that derive from St. Jerome&#039;s &quot;Epistola Adversus Jovinianum.&quot; Discusses how the glosses to WBP indicate &quot;Chaucer as glossator&quot; and how two &quot;special problems&quot; of glosses to FranT &quot;can be solved only if Chaucer is recognized as the one who placed them opposite his own text.&quot; Considers Chaucer&#039;s sequence and process of composition in these Tales as crucial evidence, clues to Chaucer&#039;s activities as a &quot;working poet.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267106">
    <dcterms:title><![CDATA[Glossing as a Mode of Literary Production: Post-Modernism in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s uses of the word &quot;gloss&quot; to argue that he followed the model of the Roman de la Rose and included glosses in his own texts-marginal glosses at times, but also glosses incorporated into his texts to guide interpretation. Draws examples from a variety of Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273076">
    <dcterms:title><![CDATA[Glossing over the Lamb: Phonaesthetic &#039;GL&#039;- in Middle English and Aural Scepticism in &#039;Pearl&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s use of ME &quot;glareth&quot; in HF and &quot;glose&quot; in ParsP supports Williams&#039;s larger argument that the central theme of &quot;ocular scepticism&quot; in &quot;Pearl&quot; is extended into its formal alliterative structures, especially in polysemous ME &quot;gl&quot;- words.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266659">
    <dcterms:title><![CDATA[Glosynge Is a Glorious Thyng, Certayn]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on theories that underlie the practice of editing Middle English texts, using Chaucer&#039;s Summoner as an extended analogue for such a commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271050">
    <dcterms:title><![CDATA[Gluttony: The Seven Deadly Sins]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys understandings of and attitudes toward gluttony (especially drunkenness and overeating) from Church fathers to M. F. K. Fisher in theology, literature, art, and popular culture, including a summary of PardT (pp. 15-19).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275583">
    <dcterms:title><![CDATA[Go Ask Alisoun: Geoffrey Chaucer and Deafland (Deafness as Authority).]]></dcterms:title>
    <dcterms:description><![CDATA[Questions the assumptions underlying critical commentary on the Wife of Bath&#039;s deafness, exploring potential parallels between authority and experience, literacy and orality, and hearing and deafness. Indicts the &quot;audism&quot; of much of the commentary, and prefers the approach of Edna Edith Sayers. See the &quot;Response&quot; by a group of scholars in Literature Compass 16.1 (2019)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275293">
    <dcterms:title><![CDATA[God and Man in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces references to Christian, pagan, courtly, and Boethian love throughout TC, aligning them references to fate, Providence, and Fortune, and arguing that they lead in progressive fashion to the realization that Troilus&#039;s constancy mirrors divine love, even though Fortune is &quot;the way the world goes,&quot; connecting and counterpointing felicity and vanity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270955">
    <dcterms:title><![CDATA[God and the Goddesses: Vision, Poetry, and Belief in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Considers PF (pp. 111-15) as part of an expansive discussion of medieval depictions of Nature as a goddess, observing Chaucer&#039;s modifications of Jean de Meun&#039;s Natura and commenting on the political implications of the later poem. Also comments on Chaucer&#039;s use of the personified Nature elsewhere.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266609">
    <dcterms:title><![CDATA[God-Denying Fools and the Medieval &#039;Religion of Love&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Documents the pictorial (24 b&amp;w illus.) and intellectual traditions of the &quot;fool...who says in his heart, There is no God,&quot; using the traditions as backdrop for analyzing &quot;Folie de Tristan&quot; and TC.  In his love of Criseyde, Troilus is similar to the God-denying fool.  In the tensions between Troilus&#039;s apotheosis and the Palinode of TC, Chaucer explores the limits of paganism and courtly passion, both of which lack Christian deity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262888">
    <dcterms:title><![CDATA[God&#039;s Ear: The Confessor in the Theology, Art, and Literature of the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Fanale examines pertinent materials to construct a portrait of the confessor figure in fourteenth-century English literature, including the God of Love in LGWP, Pilgrim Parson, Gower&#039;s Genius, and the Green Knight.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267950">
    <dcterms:title><![CDATA[God&#039;s House at Ewelme: Life, Devotion, and Architecture in a Fifteenth-Century Almshouse]]></dcterms:title>
    <dcterms:description><![CDATA[A visual and verbal history of the institution, community, and architecture of the almshouse attached to St. Mary&#039;s Church, Ewelme. Thomas Chaucer, who patronized one of two building campaigns of the church, is buried in the church with his wife, Maud, and his daughter, Alice de la Pole, who founded the almshouse with her husband, William, earl of Suffolk. Goodall includes descriptions of the Chaucer funerary monuments and discussion of their roles in the church&#039;s history. .]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275585">
    <dcterms:title><![CDATA[God&#039;s Patients: Chaucer, Agency, and the Nature of Laws.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the concept of &quot;cooperative&quot; or &quot;conjoint&quot; agency in Chaucer&#039;s works to examine ideas &quot;about the transition from the Middle Ages to modernity.&quot; Examines the notion of passivity in the works of Chaucer and Bernard of Clairvaux, as well as themes of &quot;action-and-passion&quot; and &quot;will-and-law&quot; in CT. Focuses on MLT, ClT, NPT, KnT, SNT, FranT, PhyT, and PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269838">
    <dcterms:title><![CDATA[God&#039;s Patients: Suffering and the Divine in The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Applies the thought of Bernard of Clairvaux to issues of human action and subjection to God and law, as seen in ClT, MLT, KnT, FrT, and PhyT. Argues that a fuller understanding of Chaucer&#039;s &quot;religious background&quot; is essential to interpretation of his work.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264799">
    <dcterms:title><![CDATA[God&#039;s Plenty]]></dcterms:title>
    <dcterms:description><![CDATA[Dryden&#039;s use of the term in the Preface to the &quot;Fables&quot; echoes Chaucer&#039;s use in CT I, 3162, &quot;Goddes foyson.&quot;  Chaucer&#039;s use has sexual overtones.  Immediately after using it, Dryden explains that he will not translate Chaucer&#039;s indecent tales; so he may have caught the Chaucerian leer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263641">
    <dcterms:title><![CDATA[God&#039;s Plenty: Chaucer&#039;s Christian Humanism]]></dcterms:title>
    <dcterms:description><![CDATA[Written without footnotes for the nonspecialist, the book deals with Chaucer&#039;s Catholic-catholic Christian humanism, treating Chaucer as a Christian courtier whose comments on the church and the laity; sex, love, and marriage; the Old Testament and the Jews; faith and feminism; paganism and the problem of evil are informed by the poet&#039;s awareness of eternity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267800">
    <dcterms:title><![CDATA[Gods, Heroes, and Kings : The Battle for Mythic Britain]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the multicultural nature of medieval British literature, which combines Celtic, Roman, Anglo-Saxon, Norse, and Christian influences. Introduces the myths and heroic figures of pre-Christian cultures through synopses of various narratives and accompanying commentaries. A commentary on a synopsis of WBT suggests that the latter weaves folkloric motifs into a penitential pattern.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265443">
    <dcterms:title><![CDATA[Godwin&#039;s &#039;Life of Chaucer&#039;: Making Virtue of Necessity]]></dcterms:title>
    <dcterms:description><![CDATA[Yatzeck reads Godwin&#039;s &quot;Life of Chaucer&quot; as an extension of Godwin&#039;s social philosophy, which combines necessity and human perfectibility.  Godwin reconstructs Chaucer&#039;s life and makes generalizations about medieval life to encourage readers to recognize the process of social formulation.]]></dcterms:description>
</rdf:Description></rdf:RDF>