<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271279">
    <dcterms:title><![CDATA[Geoffrey Chaucerin Canterburyn Tarinoiden Anekauppias: Pervo Myöhäiskeskiajan Sukupuolittuneessa Todellisuudessa [ Queer in Late Medieval Gendered Reality: The Example of the Pardoner in Chaucer&#039;s &#039;Canterbury Tales&#039; ]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; WorldCat cites this essay in its entry for the edited volume, without page numbers. In Finnish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277148">
    <dcterms:title><![CDATA[Geoffrey Chaucers &quot;Carrenare&quot;: Zum Verhältnis von Poesie und Geographie im 14. Jahrhundert.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines geographical and literary backgrounds to Chaucer&#039;s use of &quot;Carrenare&quot; in BD, 1029, identifying it with &quot;Caramoran&quot; (especially as found in Marco Polo and Mandeville), and suggesting it helps to separate Blanche from the vanities of the courtly world.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263044">
    <dcterms:title><![CDATA[Geoffrey of Monmouth and Chaucer&#039;s &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s line &quot;Betynge with his heles on the grounde&quot; (LGW 863) echoes Geoffrey&#039;s description of Frollo&#039;s death (&quot;Historia regum Britanniae&quot; 9.9) and in turn suggests that Chaucer viewed Geoffrey&#039;s work with skepticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263067">
    <dcterms:title><![CDATA[Geoffrey of Vinsauf, Geoffrey Chaucer and Boccaccio&#039;s &#039;rakel hond&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s insertion of an imitation of a passage from the &quot;Poetria nova,&quot; in place of the proper matter translated from &quot;Il Filostrato,&quot; suggests Chaucer&#039;s disdain for the &quot;rough haste&quot; of Boccaccio&#039;s style and his &quot;impetuosa manus&quot; (TC 1.1067).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266330">
    <dcterms:title><![CDATA[Geoffrey Spirleng (c. 1426-c. 1494): A Scribe of the Canterbury Tales in His Time]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Glasgow, University Library, Hunterian MS U.I.1 (Gl) and its relation to its exemplar-Cambridge University Library Mm.2.5 (Mm).  Spirleng was the sole scribe for the portion of Gl that depends on Mm,and preliminary analysis of variations between the two manuscripts details his habits.                                                             ]]></dcterms:description>
    <dcterms:description><![CDATA[Assesses Knight and His Tale 1.1785-1805 and PrT 7.488-508.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268073">
    <dcterms:title><![CDATA[Geoffrey the Unbarbarous: Chaucerian &#039;Genius&#039; and Eighteenth-Century Antimedievalism]]></dcterms:title>
    <dcterms:description><![CDATA[Questions why Chaucer was not more popular with late-eighteenth-century &quot;antiquarians and pseudomedieval dabblers,&quot; arguing that Chaucer had already been &quot;co-opted&quot; by earlier Enlightenment culture, &quot;de-coupled&quot; from his age, and valued for his satire rather than for Gothic genius.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273182">
    <dcterms:title><![CDATA[Geoffrey&#039;s Credo: &#039;House of Fame,&#039; Lines 1873-82]]></dcterms:title>
    <dcterms:description><![CDATA[Details two meanings of Chaucer&#039;s idea of &quot;fame&quot; in lines 1873-82 of HF: either living a &quot;private, unnoticed life,&quot; or not looking for &quot;glory as a poet.&quot;  Compares Book II  to Alexander&#039;s Pope&#039;s &quot;The Temple of Fame.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264749">
    <dcterms:title><![CDATA[Geoffroi Chaucier, poete francais, Father of English Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[In his apprentice years as a poet Chaucer must have spoken and written in French, the language of the court; hence he was commissioned to write BD on the reputation of this (now lost) French poetry.  Possibly the memorial was written in English for a small household gathering after the mass.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268427">
    <dcterms:title><![CDATA[Geoffroi de Charny&#039;s Book of Chivalry and Violence in The Man of Law&#039;s Tale and The Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Nachtwey applies the &quot;vertical&quot; social relations of chivalry as understood by Geoffroi de Charny to MLT and FranT. As a perfect Christian, Constance &quot;muddles&quot; the chivalric ideal of a wife, and Dorigen&#039;s rashness makes her somewhat inconsistent with the ideal as well. The male figures are more consistent with chivalric standards.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275939">
    <dcterms:title><![CDATA[Geographesis, or the Afterlife of Britain.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses space and Chaucer&#039;s connections to Britain, suggesting first that FranT is central to &quot;Chaucer&#039;s relation to Britain,&quot; which &quot;can be discerned in a throwaway<br />
line&quot; from the tale. Surveys the landscape of Chaucer&#039;s Britain through readings of both WBT and FranT, suggesting that in these tales there is a &quot;subterranean memory that surfaces, a history inscribed in stone.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261758">
    <dcterms:title><![CDATA[Geographies of Love: Orientalism in Chaucer&#039;s &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines late-fourteenth-century English attitudes toward crusading as background for Chaucer&#039;s view of the Orient as a form of the &quot;Other.&quot;  Evident in LGW, Chaucer&#039;s views reflect the prejudices of his age, which regarded Orientals as irredeemable.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277434">
    <dcterms:title><![CDATA[George Colvile&#039;s Translation of the &quot;Consolation of Philosophy.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explains how George Colvile&#039;s 1556 translation of Boethius&#039;s &quot;Consolatio&quot; is a &quot;medieval throwback,&quot; tracing its marginal explanatory notes to medieval commentary and finding similar commentary &quot;intercalated&quot; with Boethius&#039;s poems, tentatively suggesting that some locutions recall Bo, and showing how &quot;Colvile&#039;s procedures are closer to those of Chaucer than to subsequent English translators of this text,&quot; although his translation is not a &quot;redaction&quot; of Bo, nor did he use it in a systematic way.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273177">
    <dcterms:title><![CDATA[George Eliot&#039;s Boy Martyr]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that PrT is the source of George Eliot&#039;s reference in &quot;Middlemarch&quot; to a &quot;legend&quot; that Ladislaw believes to have influenced Dorothea.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276898">
    <dcterms:title><![CDATA[George Eliot&#039;s Reception of Chaucer&#039;s &quot;Knight&#039;s Tale&quot;: An Essay.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that George Eliot inherits the way of communicating sorrows from KnT. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273069">
    <dcterms:title><![CDATA[George Eliot&#039;s Version of Chaucer&#039;s &#039;Book of the Duchess&#039;: A Reception of the Knight in Black]]></dcterms:title>
    <dcterms:description><![CDATA[Drawing on the fact that George Eliot read BD when she faced the death of her partner, George  Henry Lewes, this essay reflects on how  Eliot receives the deep sorrow and &quot;pathetic sympathy&quot;  of the knight in black in BD. In Japanese]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275300">
    <dcterms:title><![CDATA[George Lyman Kittredge: Teacher and Scholar.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the life and professional career of George Lyman Kittredge, prominent critic of Chaucer, editor of Shakespeare&#039;s plays, and scholar of ballads, folklore, and more. Quotes from a number of personal and professional letters as well as recollections of friends and colleagues, and includes appreciative commentary on the production and influence of Kittredge&#039;s Chaucer criticism and other publications.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274505">
    <dcterms:title><![CDATA[George Wither and Chaucer&#039;s &quot;Troilus and Criseyde&quot;, I. 813ff.]]></dcterms:title>
    <dcterms:description><![CDATA[Locates echoes of TC 1.813-19 in George Wither&#039;s &quot;Sonnet&quot; 4 in &quot;Faire-Virtue, the Mistress of Philarete&quot; (1622).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262259">
    <dcterms:title><![CDATA[Georgic and Christian Reform]]></dcterms:title>
    <dcterms:description><![CDATA[Two subsections of chapter 5 examine political and philosophical attitudes toward work in the Middle Ages and later eras, specifically the relationships among the revolution in agricultural technology, &quot;the Protestant work ethic,&quot; and &quot;modern industrial capitalism.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Technological advances in industry and agriculture underlay the &quot;great cultural and artistic accomplishments of the twelfth and thirteenth centuries,&quot; but war, plague, and crop failure weakened the technological revolution in the fourteenth century.]]></dcterms:description>
    <dcterms:description><![CDATA[In the section &quot;Work in the Middle Ages,&quot; Low demonstrates that critics of Catholicism defined it by its abuses, the convents and monasteries being seen as &quot;hotbeds of vice,...laziness and economic parasitism.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[In &quot;Chaucer and Langland,&quot; Low argues that Chaucer&#039;s proud Monk, with his aristocratic pretensions and contempt for work, served as a negative exemplum; the Plowman&#039;s &quot;love of God and love of neighbor&quot; make him the Monk&#039;s opposite.  The fullest argument for manual labor is found in &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277322">
    <dcterms:title><![CDATA[Gerard Legh, Herald.]]></dcterms:title>
    <dcterms:description><![CDATA[Lends authority to Gerard Legh&#039;s claims about Chaucer&#039;s status at the Inner Temple (and writing HF for a ceremony there) by adducing Legh&#039;s &quot;standing as a heraldist.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268508">
    <dcterms:title><![CDATA[Gerveys Joins the Fun: A Note on &#039;Viritoot&#039; in the Miller&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[In MilT, &quot;viritoot&quot; can best be deciphered as a slang pun on &quot;virtutis,&quot; ridiculing Absolon&#039;s manhood]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271210">
    <dcterms:title><![CDATA[Geschlechter-Lektüren: Emotion und Intimität in Chaucers &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;relationship between reading, space and emotions&quot; in TC, focusing on the two scenes of book reading in the poem. Criseyde&#039;s reading in the paved parlor links her with &quot;hermeneutical openness,&quot; while Pandarus&#039;s feigned reading of an old romance in the bedroom reduces texts to &quot;mere instruments.&quot;  In German, with English summary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272109">
    <dcterms:title><![CDATA[Gesture and Posture in the &#039;Merchant&#039;s Tale&#039;: A Study of Chaucer&#039;s Narrative Technique]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that gestures and postures of the three main characters in MerT contribute to the realism and harshness of the tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263601">
    <dcterms:title><![CDATA[Gesture and Seduction in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In Pandarus&#039;s seduction of Criseyde in book 2 of TC and in Diomede&#039;s seduction of her in book 5, the gestures invite plural interpretations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264825">
    <dcterms:title><![CDATA[Gesture in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer frequently gives his characters gestures which are not in his sources in order more fully to reflect the inner lives of the actors.  His most frequent gestures center on eyes and faces.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272027">
    <dcterms:title><![CDATA[Gesture in Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the uses of gestures in Chaucer&#039;s poetry: &quot;simplistic&quot; uses in HF and PF, broad variety in CT, and the complex characterization of Pandarus in TC. Focuses on expressive movements and postures of body and face, along with laughing, moaning, and the like.]]></dcterms:description>
</rdf:Description></rdf:RDF>
