<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270589">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Summary description of CT, commenting (in the Ellesmere order) on each of the fragments, source materials of the tales, and the ways that Chaucer combines traditional and innovative concerns.  The CT is a &quot;work held together by contrast.&quot; Includes a bibliography of basic resources for study of CT. Includes modern translation of quotations in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269540">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s The Canterbury Tales : A Casebook. Casebooks in Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Ten previously published essays or excerpts from longer works by various authors, with an introduction and a brief bibliography of suggested readings. Topics include GP and estates literature (Jill Mann); design and chaos in KnT (Robert W. Hanning); religion and cycle drama in MilT (V. A. Kolve); public and private feminism in WBT (H. Marshall Leicester, Jr.); structure and imagery in MerT (Karl Wentersdorf); pleasure and responsibility in FranT (Harry Berger, Jr.); the Pardoner&#039;s sexuality (Lee Patterson); love and intolerance in PrT (Stephen Spector); and NPT and mockery (Derek Pearsall) and theological discourse (Jim Rhodes).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264586">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s The Merchant&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[A reading of MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271025">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s The Pardoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Modern prose adaptation of PardPT, designed for children, with illustrations by Chris Mould.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270926">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s The Parson&#039;s Tale from The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Modern translation of ParsPT, Ret, and the GP description of the Parson, accompanied by brief notes and a glossary, Farrell&#039;s pen-and-ink illustrations, and her introduction (pp. 15-29) that comments on the structure and outlook of ParsT and what we can learn from it about Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267890">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s Translation Strategies]]></dcterms:title>
    <dcterms:description><![CDATA[Malaczkov assesses Chaucer&#039;s techniques of translation in Bo, focusing on his glosses and arguing that Chaucer chose to translate for meaning or content rather than for form.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269979">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s Treatise on the Astrolabe]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys critical responses to Astr, highlighting recent discussions that emphasize patterns of readership, pedagogical strategies, and the status of science in late fourteenth-century England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271279">
    <dcterms:title><![CDATA[Geoffrey Chaucerin Canterburyn Tarinoiden Anekauppias: Pervo Myöhäiskeskiajan Sukupuolittuneessa Todellisuudessa [ Queer in Late Medieval Gendered Reality: The Example of the Pardoner in Chaucer&#039;s &#039;Canterbury Tales&#039; ]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; WorldCat cites this essay in its entry for the edited volume, without page numbers. In Finnish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277148">
    <dcterms:title><![CDATA[Geoffrey Chaucers &quot;Carrenare&quot;: Zum Verhältnis von Poesie und Geographie im 14. Jahrhundert.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines geographical and literary backgrounds to Chaucer&#039;s use of &quot;Carrenare&quot; in BD, 1029, identifying it with &quot;Caramoran&quot; (especially as found in Marco Polo and Mandeville), and suggesting it helps to separate Blanche from the vanities of the courtly world.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263044">
    <dcterms:title><![CDATA[Geoffrey of Monmouth and Chaucer&#039;s &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s line &quot;Betynge with his heles on the grounde&quot; (LGW 863) echoes Geoffrey&#039;s description of Frollo&#039;s death (&quot;Historia regum Britanniae&quot; 9.9) and in turn suggests that Chaucer viewed Geoffrey&#039;s work with skepticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263067">
    <dcterms:title><![CDATA[Geoffrey of Vinsauf, Geoffrey Chaucer and Boccaccio&#039;s &#039;rakel hond&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s insertion of an imitation of a passage from the &quot;Poetria nova,&quot; in place of the proper matter translated from &quot;Il Filostrato,&quot; suggests Chaucer&#039;s disdain for the &quot;rough haste&quot; of Boccaccio&#039;s style and his &quot;impetuosa manus&quot; (TC 1.1067).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266330">
    <dcterms:title><![CDATA[Geoffrey Spirleng (c. 1426-c. 1494): A Scribe of the Canterbury Tales in His Time]]></dcterms:title>
    <dcterms:description><![CDATA[Describes Glasgow, University Library, Hunterian MS U.I.1 (Gl) and its relation to its exemplar-Cambridge University Library Mm.2.5 (Mm).  Spirleng was the sole scribe for the portion of Gl that depends on Mm,and preliminary analysis of variations between the two manuscripts details his habits.                                                             ]]></dcterms:description>
    <dcterms:description><![CDATA[Assesses Knight and His Tale 1.1785-1805 and PrT 7.488-508.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268073">
    <dcterms:title><![CDATA[Geoffrey the Unbarbarous: Chaucerian &#039;Genius&#039; and Eighteenth-Century Antimedievalism]]></dcterms:title>
    <dcterms:description><![CDATA[Questions why Chaucer was not more popular with late-eighteenth-century &quot;antiquarians and pseudomedieval dabblers,&quot; arguing that Chaucer had already been &quot;co-opted&quot; by earlier Enlightenment culture, &quot;de-coupled&quot; from his age, and valued for his satire rather than for Gothic genius.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273182">
    <dcterms:title><![CDATA[Geoffrey&#039;s Credo: &#039;House of Fame,&#039; Lines 1873-82]]></dcterms:title>
    <dcterms:description><![CDATA[Details two meanings of Chaucer&#039;s idea of &quot;fame&quot; in lines 1873-82 of HF: either living a &quot;private, unnoticed life,&quot; or not looking for &quot;glory as a poet.&quot;  Compares Book II  to Alexander&#039;s Pope&#039;s &quot;The Temple of Fame.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264749">
    <dcterms:title><![CDATA[Geoffroi Chaucier, poete francais, Father of English Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[In his apprentice years as a poet Chaucer must have spoken and written in French, the language of the court; hence he was commissioned to write BD on the reputation of this (now lost) French poetry.  Possibly the memorial was written in English for a small household gathering after the mass.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268427">
    <dcterms:title><![CDATA[Geoffroi de Charny&#039;s Book of Chivalry and Violence in The Man of Law&#039;s Tale and The Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Nachtwey applies the &quot;vertical&quot; social relations of chivalry as understood by Geoffroi de Charny to MLT and FranT. As a perfect Christian, Constance &quot;muddles&quot; the chivalric ideal of a wife, and Dorigen&#039;s rashness makes her somewhat inconsistent with the ideal as well. The male figures are more consistent with chivalric standards.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275939">
    <dcterms:title><![CDATA[Geographesis, or the Afterlife of Britain.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses space and Chaucer&#039;s connections to Britain, suggesting first that FranT is central to &quot;Chaucer&#039;s relation to Britain,&quot; which &quot;can be discerned in a throwaway<br />
line&quot; from the tale. Surveys the landscape of Chaucer&#039;s Britain through readings of both WBT and FranT, suggesting that in these tales there is a &quot;subterranean memory that surfaces, a history inscribed in stone.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261758">
    <dcterms:title><![CDATA[Geographies of Love: Orientalism in Chaucer&#039;s &#039;Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines late-fourteenth-century English attitudes toward crusading as background for Chaucer&#039;s view of the Orient as a form of the &quot;Other.&quot;  Evident in LGW, Chaucer&#039;s views reflect the prejudices of his age, which regarded Orientals as irredeemable.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277434">
    <dcterms:title><![CDATA[George Colvile&#039;s Translation of the &quot;Consolation of Philosophy.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explains how George Colvile&#039;s 1556 translation of Boethius&#039;s &quot;Consolatio&quot; is a &quot;medieval throwback,&quot; tracing its marginal explanatory notes to medieval commentary and finding similar commentary &quot;intercalated&quot; with Boethius&#039;s poems, tentatively suggesting that some locutions recall Bo, and showing how &quot;Colvile&#039;s procedures are closer to those of Chaucer than to subsequent English translators of this text,&quot; although his translation is not a &quot;redaction&quot; of Bo, nor did he use it in a systematic way.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273177">
    <dcterms:title><![CDATA[George Eliot&#039;s Boy Martyr]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that PrT is the source of George Eliot&#039;s reference in &quot;Middlemarch&quot; to a &quot;legend&quot; that Ladislaw believes to have influenced Dorothea.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276898">
    <dcterms:title><![CDATA[George Eliot&#039;s Reception of Chaucer&#039;s &quot;Knight&#039;s Tale&quot;: An Essay.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that George Eliot inherits the way of communicating sorrows from KnT. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273069">
    <dcterms:title><![CDATA[George Eliot&#039;s Version of Chaucer&#039;s &#039;Book of the Duchess&#039;: A Reception of the Knight in Black]]></dcterms:title>
    <dcterms:description><![CDATA[Drawing on the fact that George Eliot read BD when she faced the death of her partner, George  Henry Lewes, this essay reflects on how  Eliot receives the deep sorrow and &quot;pathetic sympathy&quot;  of the knight in black in BD. In Japanese]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275300">
    <dcterms:title><![CDATA[George Lyman Kittredge: Teacher and Scholar.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the life and professional career of George Lyman Kittredge, prominent critic of Chaucer, editor of Shakespeare&#039;s plays, and scholar of ballads, folklore, and more. Quotes from a number of personal and professional letters as well as recollections of friends and colleagues, and includes appreciative commentary on the production and influence of Kittredge&#039;s Chaucer criticism and other publications.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274505">
    <dcterms:title><![CDATA[George Wither and Chaucer&#039;s &quot;Troilus and Criseyde&quot;, I. 813ff.]]></dcterms:title>
    <dcterms:description><![CDATA[Locates echoes of TC 1.813-19 in George Wither&#039;s &quot;Sonnet&quot; 4 in &quot;Faire-Virtue, the Mistress of Philarete&quot; (1622).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262259">
    <dcterms:title><![CDATA[Georgic and Christian Reform]]></dcterms:title>
    <dcterms:description><![CDATA[Two subsections of chapter 5 examine political and philosophical attitudes toward work in the Middle Ages and later eras, specifically the relationships among the revolution in agricultural technology, &quot;the Protestant work ethic,&quot; and &quot;modern industrial capitalism.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Technological advances in industry and agriculture underlay the &quot;great cultural and artistic accomplishments of the twelfth and thirteenth centuries,&quot; but war, plague, and crop failure weakened the technological revolution in the fourteenth century.]]></dcterms:description>
    <dcterms:description><![CDATA[In the section &quot;Work in the Middle Ages,&quot; Low demonstrates that critics of Catholicism defined it by its abuses, the convents and monasteries being seen as &quot;hotbeds of vice,...laziness and economic parasitism.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[In &quot;Chaucer and Langland,&quot; Low argues that Chaucer&#039;s proud Monk, with his aristocratic pretensions and contempt for work, served as a negative exemplum; the Plowman&#039;s &quot;love of God and love of neighbor&quot; make him the Monk&#039;s opposite.  The fullest argument for manual labor is found in &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>
