<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276084">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?–1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints eleven examples of Chaucer criticism published between 2001 and 2013 and an excerpt from 1934. The introduction by Krstovic summarizes Chaucer&#039;s biography, major works, and critical reception, updating information supplied in Volume 56 of this series published in 2000. Includes a bibliography of Chaucer&#039;s<br />
principal works and editions, and annotated suggestions for further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265425">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A Collection of Original Articles]]></dcterms:title>
    <dcterms:description><![CDATA[Seven essays and a critical introduction, with a brief chronology of Chaucer&#039;s life and works, and a short selected bibliography. For the Introduction and the seven essays, search for Geoffrey Chaucer: A Collection of Original Articles under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273233">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A Critical Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[A selection of critical responses to Chaucer&#039;s works from his late contemporaries until 1968. Mostly excerpted from longer works, the selections are arranged in three categories: &quot;Contemporaneous Criticism&quot; (Deschamps, Usk, Lydgate, and Hoccleve); &quot;The Developing Debate&quot; (Richard Brathwait to W. P Ker), and &quot;Three Modern Views&quot; (dramatic criticism, rhetorical criticism, and New Criticism).  Each section is introduced by Burrow, and the volume includes a selected bibliography and an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271304">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A Light &amp; Entertaining Look]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274748">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A New Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Chaucer&#039;s &quot;global renaissance&quot; and the importance of Chaucer&#039;s range of writing, which combines poetry, science, tragedy, and astrology to influence writers from Shakespeare to Sylvia Plath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270565">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A Poet&#039;s Pilgrimage]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat reports that it is &quot;a brief introduction to the poet Chaucer and his times, and to the state of the English language (Middle English) in the late fourteenth century.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276254">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A Selection of His Works.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints (generally from Chaucer Society publications) selections from Chaucer&#039;s short poems (MercB, Ros, Sted, Buk, Adam, and Purse) and from CT (GP, WBPT, MerPT, FranT, NPT, ParPT, and Ret), with sidebar glosses and bottom-of-page explanatory notes. The Introduction includes a &quot;Brief Biography,&quot; discussion of Chaucer&#039;s social and literary milieu, the CT generally, and Chaucer&#039;s language, grammar, and versification, accompanied by a short bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275474">
    <dcterms:title><![CDATA[Geoffrey Chaucer: A Very Short Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Sketches out timeline and details of Chaucer&#039;s life and his works in a compelling, accessible narrative. The incorporation of Chaucer&#039;s own texts throughout the chapters is especially useful.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264260">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Amateur Astronomer?]]></dcterms:title>
    <dcterms:description><![CDATA[Astr (and probably Equat) may serve to show that Chaucer was not merely curious about astronomy but was, in the modern sense, an active amateur who made astronomical observations.]]></dcterms:description>
    <dcterms:description><![CDATA[Includes illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267958">
    <dcterms:title><![CDATA[Geoffrey Chaucer: An Exhibition Commemorating the Six Hundredth Anniversary of His Death, 13 September-3 November 2000. Selections from the Library of Robert Raymo]]></dcterms:title>
    <dcterms:description><![CDATA[Brief descriptions of the 93 items in the exhibition, intended to present a &quot;comprehensive view of modern representations of Chaucer and his work&quot; (ii). Also includes a brief chronology of Chaucer&#039;s life, an index of major editions (between 1447 and 1995), and a list of fine and private press books (between 1896 and 1998).]]></dcterms:description>
    <dcterms:description><![CDATA[Items in the exhibition included early editions and facsimiles, limited and illustrated editions, and other Chauceriana.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263144">
    <dcterms:title><![CDATA[Geoffrey Chaucer: An Introduction to His Narrative Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[A revised, expanded translation of &quot;Geoffrey Chaucer: Eine Einfuhrung in seine erzahlenden Dichtungen&quot; (1973), with studies on BD, PF, HF, and CT; an updated bibliography; and an added chapter on LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261656">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Building the Fragments of the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Explores coherence of structure, theme, and character within the fragments of the CT.  Balanced plots, oppositions of themes, and parallels of character unify the paired tales of Fragments IV, VI, VIII, and V.  Rich in thematic and structural coherence, Fragment III is distinguished by complex interpenetration of fictional layers, with pilgrims paralleling characters within the tales.]]></dcterms:description>
    <dcterms:description><![CDATA[Fragment I is the most polished, following several structural patterns of deterioration, and capitalizing on themes established in GP.  Fragment VII reflects chiastic, recapitulative, and sequential structures; it centers on Mel and poses remedies for misfortune.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275855">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Canterbury Bound. A Novel.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel; a prequel to CT and cast as Chaucer&#039;s notebook or journal as he plans and writes his poem, drawing inspiration from his fellow travelers on the current journey. Includes portions of CT in fictional drafts (GP extensively) and various details from Chaucer&#039;s life and other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261201">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Reprint of 1958 edition, with slight revisions in bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266630">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Introduction to the social and cultural milieu of CT, with narration by Roy Cane and discussion by Christiania Whitehead and Peter Mack. Includes selected readings in Middle English (by Vanessa Adye) and historical illustrations.  Produced by Cromwell Productions. Also released in 2005 by Films Media and by Eagle Rock Entertainment in the Film on Demand series.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266639">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Comic and Bawdy Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Revised edition of Cawley&#039;s Everyman text of GP, MilT, RvT, CkT, ShT, and NPT, with a brief descriptive introduction, glosses, and comments on pronunciation, grammar, and versification.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277178">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Complaint to His Purse (Ende 14. Jh).]]></dcterms:title>
    <dcterms:description><![CDATA[Translates Purse into German verse, with notes; Middle English text included.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267948">
    <dcterms:title><![CDATA[Geoffrey Chaucer: De Canterbury-verhalen]]></dcterms:title>
    <dcterms:description><![CDATA[Dutch verse translation of CT, with introduction and notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261204">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Die Canterbury-Erzahlungen: Mittelenglisch und Deutsch, 3 vols]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page German prose translation of the Riverside text of CT.  Original German apparatus includes notes, introductions to Chaucer&#039;s life and to the tales, a guide to pronunciation, a history of criticism, and a bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272658">
    <dcterms:title><![CDATA[Geoffrey Chaucer: E. Talbot Donaldson Highlights the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; the note(s) to the WorldCat record provide the following description: &quot;Dr. E. Talbot Donaldson, a foremost Chaucerian authority, overviews the historical and literary milieu of Geoffrey Chaucer ans [sic] his Canterbury tales, outlines the parodoxical [sic] world view of Chaucer&#039;s story tellers, and explains the irony of their tales.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272182">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Eine Eunführung im Seine Erzählenden Dictungen]]></dcterms:title>
    <dcterms:description><![CDATA[A critical description of Chaucer&#039;s major works (except LGW) that focuses on narrative techniques, genres, treatments of source materials, stylistic registers, varieties of audience, and the engagement of audiences through experimentation and the manipulation of conventions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261327">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Feminist Readings]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer defines &quot;woman&quot; as the norm against which all human behavior is to be measured, representing women in ways that undermine traditional antifeminist categories.  In HF, TC, and LGW, the antifeminist theme of betrayal is recast to reflect human vicissitudes and the necessity of pity.  The overt use of antifeminist authorities in MerT and WBP acknowledges their existence and confronts them.  ]]></dcterms:description>
    <dcterms:description><![CDATA[  The struggle for &quot;maistrye&quot; in WBT reflects the vision of egalitarian courtship in TC and of egalitarian marriage in FranT and Mel.  Female suffering mirrors transcendant suffering in MLT and ClT, while the heroes in TC and KnT are &quot;feminised&quot; in the process of idealization.  NPT epitomizes how Chaucer&#039;s fabliaux comically undermine the &quot;rituals through which male and female roles are constructed.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275833">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Figura Clave en la Transición de la Época Medieval al Renacimiento.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Publisher&#039;s information indicates that the volume includes discussions of two sections of HF, comparison of Chaucer&#039;s (LGW) and Shakespeare&#039;s accounts of the rape of Lucrece, and suggestions for university teaching of Chaucer and Shakespeare.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263724">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Les Contes de Cantorbery:;&#039;Charitas&#039; ou &#039;Cupiditas&#039;? Madam Eglentyne devant la critique]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews scholarship and analyzes ambiguities of the GP characterization of the Prioress.]]></dcterms:description>
    <dcterms:description><![CDATA[In French.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263085">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Les Contes de Cantorbery. Pt. 2. Fascicle 9]]></dcterms:title>
    <dcterms:description><![CDATA[With facing translation from the Fisher edition plus explanatory notes and new interpretations, this second installment of a projected four-volume, line-for-line translation of CT into French prose presents RvT, CkT, MLT, WBT, FrT, and SumT.]]></dcterms:description>
</rdf:Description></rdf:RDF>
