<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276720">
    <dcterms:title><![CDATA[Geoffrey Chaucer Goes to School.]]></dcterms:title>
    <dcterms:description><![CDATA[Excerpts and re-titles a portion of chapter two of Chute&#039;s 1946 &quot;Geoffrey Chaucer on England,&quot; describing the nature of Chaucer&#039;s education and the books he likely encountered in his early studies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270716">
    <dcterms:title><![CDATA[Geoffrey Chaucer Hath a Blog: Medieval Studies and the New Media]]></dcterms:title>
    <dcterms:description><![CDATA[An eclectic collection of materials related to new-media play that focuses on Chaucer, including the following: a faux poem by &quot;John Gower&quot;; an introduction, by Bonnie Wheeler, to play and parody among medievalists at the conferences of the Medieval Institute; Bryant&#039;s brief history of his blog, &quot;Geoffrey Chaucer Hath a Blog&quot;; Jeffrey Jerome Cohen&#039;s description of the playful presence of medieval studies in the new media; and a &quot;comic diary&quot; by Robert W. Hanning of his own parodies, limericks, snipes, etc., written in playful response to academic seriousness. The bulk of the volume is an anthology of the &quot;key 2006-2009 postings&quot; from the Chaucer blog, slightly revised, plus a new expansion of an account of Chaucer&#039;s visit (with Richard II) to the United States.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276082">
    <dcterms:title><![CDATA[Geoffrey Chaucer in Context.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes fifty brief essays that offer &quot;historical and conceptual information and perspectives&quot; to aid in understanding Chaucer&#039;s works: J. A. Burrow, &quot;What Was Chaucer Like?&quot;; Andrew Galloway, &quot;Chaucer&#039;s Life and Literary &#039;Profession&#039;&quot;; Jeremy J. Smith, &quot;Chaucer&#039;s Linguistic Invention&quot; and &quot;Chaucer and London English&quot;; Rhiannon Purdie, &quot;Manuscripts and Manuscript Culture&quot;; Wendy Scase, &quot;Chaucer&#039;s Books&quot; and &quot;Chaucer&#039;s Competitors&quot;; Mishtooni Bose, &quot;Authority&quot;; Ian Johnson, &quot;Literary Theory and Literary Roles&quot;; Ad Putter, &quot;Metre and Versification&quot;; Sarah James, &quot;Dialogue&quot;; Stephen H. A. Shepherd, &quot;Romance&quot;; Corinne Saunders, &quot;Love&quot;; Vincent Gillespie, &quot;Chaucer and the Classics&quot;; Stephanie A. Viereck Gibbs Kamath, &quot;The French Context&quot;; K. P. Clarke, &quot;The Italian Tradition&quot;; Marion Turner, &quot;The English Context&quot;; Tim William Machan, &quot;Boethius&quot;; Ryan Perry, &quot;Chaucer&#039;s God&quot;; Marlene Villalobos Hennessy, &quot;Holiness&quot;; Alastair Minnis, &quot;Secularity&quot;; Valerie Allen, &quot;The Self &quot;; Rosalynn Voaden, &quot;Women&quot;; Bruce Holsinger, &quot;Sex and Lust&quot;; Gillian Rudd, &quot;Animals in Chaucer&quot;; Nicholas Orme, &quot;Childhood and Education&quot;; Stephen Penn, &quot;Philosophy&quot;; Seb Falk, &quot;The Medieval Universe&quot;; Samantha Katz Seal, &quot;Medicine and the Mortal Body&quot;; Richard W. Ireland, &quot;The Law&quot;; Julian Luxford, &quot;Art&quot;; Richard Fawcett, &quot;Architecture&quot;; Katie Stevenson, &quot;Heraldry, Heralds and Chaucer&quot;; John H. Arnold, &quot;Dissent and Orthodoxy&quot;; Rob Lutton, &quot;The Church, Religion and Culture&quot;; Anne Curry, &quot;England at Home and Abroad&quot;; Anthony Bale, &quot;Chaucer&#039;s Borders&quot;; Chris Given-Wilson, &quot;Rank and Social Orders&quot;; Craig Taylor, &quot;Chivalry&quot;; Gwilym Dodd, &quot;Chaucer and the Polity&quot;; Christopher Dyer, &quot;The Economy&quot;; Mark Bailey, &quot;Towns, Villages and the Land&quot;; John J. Thompson, &quot;Chaucer&#039;s London: A Psychogeography&quot;; Wendy Childs, &quot;Everyday Life&quot;; Peter Fleming, &quot;Household and Home&quot;; Sally Dixon-Smith, &quot;Marriage&quot;; Laura F. Hodges, &quot;Dress&quot;; Robert J. Meyer-Lee, &quot;The First Chaucerians: Reception in the 1400s&quot;; Alex Davis, &quot;The Reception of Chaucer in the Renaissance&quot;; Bruce E. Graver, &quot;The Reception of Chaucer from Dryden to Wordsworth&quot;; David Matthews, &quot;The Reception of Chaucer from the Victorians to the Twenty-First Century&quot;; and Stephen Kelly, &quot;Cyber-Chaucer.&quot; The volume includes an index and offers suggestions for further reading for each essay.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273718">
    <dcterms:title><![CDATA[Geoffrey Chaucer on the Subject of Men, Women, Marriage, and &quot;Gentilesse.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers &quot;gentilesse&quot; (the &quot;quality that makes human relationships most proper and ennobling&quot;) to be the main theme of the &quot;Marriage Group&quot; in CT, commenting on the virtue as it is presented in Mel, NPT, WBPT, ClT, MerT, and FranT, and exploring its relations with sovereignty in marriage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271645">
    <dcterms:title><![CDATA[Geoffrey Chaucer Website]]></dcterms:title>
    <dcterms:description><![CDATA[A series of interlinked webpages that provides a variety of texts, translations, glossaries, selected essays and graphics, instructional aids, and supporting information about language, analogues, social conditions, and other backgrounds to Chaucer&#039;s works. Focuses on CT, but involves a wide range of Middle English texts. Originally designed for classroom use at Harvard University and for self-instruction. Includes a link to Derek Pearsall&#039;s &quot;Thirty-Year Working Bibliography for Chaucer and Middle English Literature, 1970-2000.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269804">
    <dcterms:title><![CDATA[Geoffrey Chaucer y el mecenazgo femenino en la corte inglesa bajomedieval]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s works, particularly BD and LGW, in connection to female patronage networks in the late fourteenth century in England, France, and the Iberian Peninsula. Argues that the new cultural and political role of many aristocratic women had an impact on Chaucer&#039;s depiction of female characters and amorous subjects.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263676">
    <dcterms:title><![CDATA[Geoffrey Chaucer--Der Dichter der Liebe]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer explores complex psychology of love in TC and CT, juxtaposing carnal with spiritual, crude with refined, translating the ideal into the everyday, synthesizing French and Italian traditions.]]></dcterms:description>
    <dcterms:description><![CDATA[In German. Also printed in Rita Schober, Realismus und Literarische Kommunikation (Berlin: Akademie-Verlag, 1985), pp. 61-77.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264900">
    <dcterms:title><![CDATA[Geoffrey Chaucer, &#039;Die Erzahlung des Nonnenpriesters&#039;: Zeilenkommentar]]></dcterms:title>
    <dcterms:description><![CDATA[A line-by-line commentary on NPT reveals that the primary difficulties of the poem are not linguistic, but lie rather in the tremendous range of subjects from which Chaucer draws in the work:  medicine, theology, astrology, and music, among others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275660">
    <dcterms:title><![CDATA[Geoffrey Chaucer, &quot;The Merchant&#039;s Tale&quot; et la dialectique de l&#039;élévation.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the implications of ascent and descent in MerT, focusing on the significance of the tale&#039;s vacillations between courtliness and the fabliau genre in comparison with several analogous narratives that include fruit-tree episodes. In French, with an English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263339">
    <dcterms:title><![CDATA[Geoffrey Chaucer, 1343?-1400]]></dcterms:title>
    <dcterms:description><![CDATA[Brief synopsis of Chaucer&#039;s life, listing of his works, and selective review of biographical sources, critical approaches, criticism, dictionaries, and encyclopedias.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264710">
    <dcterms:title><![CDATA[Geoffrey Chaucer, Cecilia Chaumpaigne, and Alice Perrers: A Closer Look]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges Haldeen Braddy&#039;s assertion that Cecilia Chaumpaigne was the stepdaughter of Alice Perrers, since, in fact, Chaumpaigne was not one of Alice&#039;s surnames.  Elsewhere, Braddy&#039;s reading and citing of sources on this issue are suspect.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276864">
    <dcterms:title><![CDATA[Geoffrey Chaucer, Cecily Chaumpaigne, and the Statute of Laborers: New Records and Old Evidence Reconsidered.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines newly discovered documents to argue that Chaucer and Cecily Chaumpaigne were both party to Staundon&#039;s legal maneuvers, and that, because of the Statute of Laborers, Chaumpaigne&#039;s quit claim offered a resolution. Presents a reappraisal of previous allegations against Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261889">
    <dcterms:title><![CDATA[Geoffrey Chaucer, Dramatist]]></dcterms:title>
    <dcterms:description><![CDATA[Though he probably knew nothing of the theatre, Chaucer displays the essence of dramatic technique--the ability to create the persons of his characters objectively in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273351">
    <dcterms:title><![CDATA[Geoffrey Chaucer, Dramatist.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the factors involved in assessing Chaucer&#039;s rank among literary greats, summarizing parts of CT, describing difficulties of teaching the poem, suggesting the use of Nevill Coghill&#039;s translation, and offering other pedagogical comments.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270986">
    <dcterms:title><![CDATA[Geoffrey Chaucer, The Clerk&#039;s Tale: Notes]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to ClT that includes a plot summary and glosses (text not included), and commentary on various subjects:  the patient wife as a literary motif, characterization in ClT, medieval clerks, linguistic and stylistic features of ClT (including tag phrases, use of ye/thou, and the historical present), and suggestions for study and further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270988">
    <dcterms:title><![CDATA[Geoffrey Chaucer, The Miller&#039;s Tale: Notes]]></dcterms:title>
    <dcterms:description><![CDATA[Study guide to MilT that includes a plot synopsis, running commentary, and glosses (text not included). Also includes descriptions of characters and characterization, various themes and devices, stylistic features, and suggestions for further study; designed for students preparing for examinations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274633">
    <dcterms:title><![CDATA[Geoffrey Chaucer, the Wife of Bath (ca. 1395) and Christine de Pizan, from &quot;Legend of the God of Love&quot; (1399) to &quot;City of Ladies&quot; (1405): A New Kind of Encounter between Male and Female.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chaucer and Pizan may have created &quot;female voices to speak in opposition to male misogyny&quot; at about the same time because they shared similar educations and the same &quot;cultural and intellectual universe,&quot; most evident in their familiarity with Ovid, the &quot;Roman de la Rose,&quot; and Boethius&#039;s &quot;Consolation of Philosophy.&quot; Describes the antimisogynist elements of WBPT and Pizan&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269444">
    <dcterms:title><![CDATA[Geoffrey Chaucer: &#039;[T]he firste fyndere of our faire langage&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s works, commenting on their relationships with late medieval linguistic and political conditions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271305">
    <dcterms:title><![CDATA[Geoffrey Chaucer: &#039;The Canterbury Tales&#039; c. 1386-1400]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces CT as a literary classic, and gives advice on how to appreciate it. Includes color illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270617">
    <dcterms:title><![CDATA[Geoffrey Chaucer: &quot;Les contes de Canterbury&quot; et autres œuvres]]></dcterms:title>
    <dcterms:description><![CDATA[Bilingual edition of the works of Chaucer, based on The Riverside Chaucer. Includes CT, Rom, BD, HF, Anel, PF, Bo, TC, LGW, short poems, Astr, Equat, and French poems attributed to Chaucer. Translators include André Crépin, Jean-Jacques Blanchot, Florence Bourgne, Guy Bourquin, Derek S. Brewer, Hélène Dauby, Juliette Dor, Emmanuel Poulle, and James I. Wimsatt. Provides commentary and indexes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268865">
    <dcterms:title><![CDATA[Geoffrey Chaucer: &quot;The Canterbury Tales&quot; in Modern Verse]]></dcterms:title>
    <dcterms:description><![CDATA[Verse translation of CT with several tales abridged or excerpted (KnT, MLT, ClT, SqT, FranT, MkT) and several summarized (Mel, CYT, ManT, ParsT), based on the Riverside edition. Converts Chaucer&#039;s pentameter couplets into octosyllabic couplets to increase the pace but maintains the original verse forms elsewhere. The introduction emphasizes Chaucer&#039;s vitality and social realism, and occasional glosses and notes identify terms, quotations, and unfamiliar concepts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269090">
    <dcterms:title><![CDATA[Geoffrey Chaucer: &quot;Troilus and Criseyde,&quot; with Facing-Page &quot;Il Filostrato&quot;: Authoritative Texts; &quot;The Testament of Cresseid&quot; by Robert Henryson, Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Text of TC based on Riverside edition, with Boccaccio&#039;s &quot;Il Filostrato&quot; on facing pages, in the English translation of Robert P. apRoberts and Anna Bruni Benson. Includes Henryson&#039;s Testament of Cresseid, as edited by Robert L. Kindrick; ten reprinted interpretive essays; and a brief glossary and selective bibliography. Middle English texts include glosses in margins and notes at the bottom of the page.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270597">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?-1400]]></dcterms:title>
    <dcterms:description><![CDATA[Excerpted selections from Chaucer criticism, ranging from 1809 (William Blake) to 1995, prefaced by a brief introduction to his life and works and followed by suggestions for further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275733">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints forty-eight examples of critical commentary on Chaucer and his poetry, from Deschamps, Gower, and Caxton to 1989, some excerpted and some complete essays, with an annotated list of suggestions for further reading. The Introduction (pp. 42-44) comments on Chaucer&#039;s life and principal works, with a chronological listing of editions. For updates and additions, search for Literature Criticism from 1400 to 1800 under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275734">
    <dcterms:title><![CDATA[Geoffrey Chaucer: 1340?-1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes nine critical essays or excerpts from books published between 1970 and 1997 on issues of gender and sexuality in Chaucer&#039;s works, with a brief introduction.]]></dcterms:description>
</rdf:Description></rdf:RDF>