<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267397">
    <dcterms:title><![CDATA[Geoffrey Chaucer : The General Prologue to the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Summary-survey of critical responses to GP. Six chapters focus on particular time periods and the critical emphases that dominated them: (1) 1368-1880, Chaucer&#039;s &quot;greatness&quot; and the early editorial tradition; (2) 1892-1949, later editors and responses to Chaucer by English authors; (3) 1950s and 1960s, academic criticism and Chaucer the Pilgrim; (4) 1970s, sociological approaches; (5) 1980s, structuralism and poststructuralism; (6) 1990s, feminism and gender study. Each section comprises a pastiche of lengthy quotations from a variety of critics, with brief commentary by the editor.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267863">
    <dcterms:title><![CDATA[Geoffrey Chaucer : The Prioress&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Cox examines verse, style, and several cruces (textual and narrative) in PrT to clarify Chaucer&#039;s ironic technique and to argue that the &quot;prioress&#039;s hold on reality is [. . .] weak and her language correspondingly lax, with a concern for decorum far in excess of its representational value.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267627">
    <dcterms:title><![CDATA[Geoffrey Chaucer : Troilo y Criseida]]></dcterms:title>
    <dcterms:description><![CDATA[Spanish prose translation of TC, with a biographical and critical introduction that emphasizes Chaucer&#039;s adaptation of source material.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271204">
    <dcterms:title><![CDATA[Geoffrey Chaucer &#039;The Miller&#039;s Tale&#039; from &#039;The Canterbury Tales (ca. 1390-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the tripartite plot structure of MilT and its &quot;two oppositional&quot; contexts, i.e., the ethical demands of its religious allusions and the subversiveness of its fabliau genre.  The combination produces a &quot;complex event structure full of suspense&quot; and a sense of &quot;poetic justice&quot; guided by reason.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270140">
    <dcterms:title><![CDATA[Geoffrey Chaucer (1340-1400): The Canterbury Tales (1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Encourages approaching Chaucer as &quot;both funny and a little racy,&quot; giving advice on how to read with understanding, opinions on what is &quot;sexy&quot; in CT, and suggestions of what to skip in the work (CkPT, MLT, SqT, FranT, PhyT, PrT, Th, Mel, MkT, NPT, SNT, CYT, and ParsT). Then briefly summarizes the remaining prologues and tales.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270418">
    <dcterms:title><![CDATA[Geoffrey Chaucer (1340?-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Summary description of Chaucer&#039;s life and each of his major works, with a bibliography and a chronology of the works accompanied by manuscript and publication information. Treats CT most extensively, focusing on the &quot;quiting principle&quot; of the tales&#039; interactions and their performative effects.]]></dcterms:description>
    <dcterms:description><![CDATA[First published in the Concise Dictionary of British Literary Biography, Volume One (Detroit: Gale, 1991), pp. 57-77.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268772">
    <dcterms:title><![CDATA[Geoffrey Chaucer (c. 1340-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s reception, life, and works, with recurrent attention to Chaucer&#039;s nascent realism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270645">
    <dcterms:title><![CDATA[Geoffrey Chaucer (c. 1340-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Grosskopf summarizes Chaucer&#039;s life and assesses allusions to King Arthur and Arthurian motifs and characters in CT, commenting on SqT, Th, NPT, WBT, and the lack of Arthurian material in KnT. Surveys related critical commentary and suggests that Chaucer satirizes Arthurian tradition because of his disillusionment with chivalric ideals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271653">
    <dcterms:title><![CDATA[Geoffrey Chaucer (c1343-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[A series of interlinked webpages that pertain to the study of Chaucer, including works, biography, selected quotations, audio clips, images, and a variety of essays and studies, including web-published student essays, external links, and more. Much of the material is reprinted, interspersed with original commentary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267728">
    <dcterms:title><![CDATA[Geoffrey Chaucer (ca. 1342-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[Addressed to high school students. Surveys Chaucer&#039;s life and works, with emphasis on CT, emphasizing Chaucer&#039;s counterpoint between romance and realism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269080">
    <dcterms:title><![CDATA[Geoffrey Chaucer (ca. 1342-1400)]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to Chaucer and his works, with attention to his sources and influences. Includes a brief bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271144">
    <dcterms:title><![CDATA[Geoffrey Chaucer [c. 1340-1400]: The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes Chaucer&#039;s life and the plot and themes of CT; then gives &quot;something of the flavor&quot; of the CT by assessing the theological perspectives of pilgrims from differing social classes, treating KnT, WBP, PardPT, and NPT. Closes with a description of the &quot;critical reception&quot; of Chaucer, focusing on how he has been the &quot;victim&quot; of &quot;ideological criticism,&quot; particularly efforts to &quot;de-Christianize&quot; him by secular humanists.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270120">
    <dcterms:title><![CDATA[Geoffrey Chaucer and &quot;The Canterbury Tales.&quot;<br />
Chaucer: Road to Canterbury.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduction to late medieval social and literary history, focusing on Chaucer. Illustrated with modern footage and reproductions from medieval life and narrated by Peter Morgan Jones. Interspersed with portions of an interview with Terry Jones that emphasizes Chaucer&#039;s biography and the possibility that Chaucer was executed in 1402 by direction of Archbishop Arundel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274997">
    <dcterms:title><![CDATA[Geoffrey Chaucer and Dante Alighieri.]]></dcterms:title>
    <dcterms:description><![CDATA[Audio recording of a lecture that aligns the achievements of Dante and Chaucer, focusing on their attention to individuals and uses of their vernacular languages. The discussion of CT emphasizes Chaucer&#039;s social variety as it contrasts traditional notions of the three estates. An accompanying booklet includes excerpts from the lecture (pp. 127–33).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266626">
    <dcterms:title><![CDATA[Geoffrey Chaucer and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the themes and genres of major works of Middle Engish, with special emphasis on Chaucer and CT.  Narrated by Protase Woodford; produced by Stephen Mantell.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267005">
    <dcterms:title><![CDATA[Geoffrey Chaucer and Other Contributors to the Treatise on the Astrolabe]]></dcterms:title>
    <dcterms:description><![CDATA[The status of Astr as an unfinished scientific treatise encouraged its manuscript compilators to finish or add to it in a number of ways: responding to the descriptive prologue included by Chaucer, adding to or reordering its materials, and placing it in various kinds of assemblage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268643">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Cosmic Text : Rejecting Analogy]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Nicholas&#039;s manipulation of language and signs in MilT as Chaucer&#039;s embedded analysis of typological or analogical thinking. The references to mystery plays in MilT counterpoint the &quot;poetics of a trickster clerk&quot; whose manipulations embody a challenge to analogical thinking.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261441">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Equatorie of the Planetis]]></dcterms:title>
    <dcterms:description><![CDATA[The Cambridge, Peterhouse MS.75.I, containing Equat, is a Chaucer holograph, perhaps the author&#039;s rough draft, since it contains copious revisions, both in content and style.  The manuscript&#039;s notation, &quot;Radix chaucer,&quot; was also written by the poet, referring to the precise date of his calculations.  Spelling and punctuation consistent with Hengwrt and Ellesmere confirm Chaucer&#039;s authorship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266657">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Manuscripts of &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes uncertainties related to the manuscripts of CT and surveys critical efforts to resolve them--uncertainties about the state of Chaucer&#039;s papers at the time of his death and the circulation of tales before his death, the order and authenticity of the tales, and the dates and chronological sequence of the manuscripts.  Argues that Hengwrt and perhaps other manuscripts should be dated before Chaucer&#039;s death in 1400, suggesting that the author may have overseen revision of the works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265239">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Medieval Science: Centered upon &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s use of astrological, alchemical, and physiognomic details as devices of narration and characterization.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269815">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Mother Tongue, 1387]]></dcterms:title>
    <dcterms:description><![CDATA[Appreciative commentary on CT. Chaucer&#039;s &quot;cheery and companionable writing&quot; in the vernacular &quot;sets out the ideas&quot; for the rest of Lacey&#039;s volume of anecdotal history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269821">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Poetics of Disguise]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies how and where Chaucer&#039;s poetry engages contemporary society and politics, as well as how it adjusts to changes in these arenas. As a court poet, Chaucer was knowledgeable about worldly affairs but unwilling to comment or criticize openly. Close reading of BD, HF, and PF shows how Chaucer used the dream-vision form to speak out &quot;without seeming to.&quot; In TC, LGW, and Anel, he used &quot;the distant past as a cover for his reflections on his own time.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Developing &quot;new forms of disguises&quot; in CT, he strove to avoid censure while commenting on courtly imbroglios and general ethical concerns. Quinn discusses several of Chaucer&#039;s short poems (especially Pity, Mars, Purse, and the Boethian poems) and comments on the chronological development of Chaucer&#039;s &quot;poetics of disguise.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271280">
    <dcterms:title><![CDATA[Geoffrey Chaucer and the Prologue to the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273501">
    <dcterms:title><![CDATA[Geoffrey Chaucer av. 1346 –v. 1400.]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews issues of justice in Sted and explores how Chaucer&#039;s irony reveals his bias against medieval judicial practices in ABC. Also, questions the relationship among Church/Rome/nation, political vs. religious law(s), and ascending vs. descending authority in the language of MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275570">
    <dcterms:title><![CDATA[Geoffrey Chaucer et le dédale de Renommée.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s uses of &quot;fama,&quot; perhaps reflecting his ambiguous relationship with the concept. At times, he seems to switch from desire of acknowledgment to a more bitter view.]]></dcterms:description>
</rdf:Description></rdf:RDF>