<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265223">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Historicist introduction to Chaucer&#039;s life, works, literary context, and influence.]]></dcterms:description>
    <dcterms:description><![CDATA[Individual chapters discuss biography, literacy and literary production, contemporary social structures, England&#039;s relations with the Continent, philosophers and philosophical issues, obsession with death and worldly transcience, and Shakespeare&#039;s relation (especially in &quot;A Midsummer Night&#039;s Dream&quot;) to Chaucer as an index to Chaucer&#039;s reception.]]></dcterms:description>
    <dcterms:description><![CDATA[The chapters describe fourteenth-century outlooks and issues and explore their representation in Chaucer&#039;s works, especially TC and CT.  Dillon pays recurrent attention to the contingent relationship between literature and history and acknowledges the time-bound nature of our understanding of Chaucer and his age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265731">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[The 12-volume &quot;Patrimoine litteraire europeen&quot; surveys major European authors and works from the early roots of European literature to the present, providing for each an introduction, a short bibliography, and extracts in French translation--some reprinted, others published here for the first time.]]></dcterms:description>
    <dcterms:description><![CDATA[Texts from Chaucer are &quot;Anelida et Arcite&quot; (trans. Emile Legouis); &quot;Troilus et Criseyde&quot; (&quot;La nuit d&#039;amour,&quot; by Jean-Robert Simon, and &quot;Palinodie,&quot; by Florence Bourgne); &quot;La ballade de bon conseil (By A. Koszul); and &quot;Les contes de Cantorbery&quot; (&quot;Prologue general,&quot; by Le Chevalier de Chatelain, and &quot;La bourgeoise de Bath,&quot; by Juliette Dor&quot;.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267123">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s life and art in light of their cultural contexts, commenting on his status as a court poet, the nature of his audience, his self-consciousness and uses of contemporary literary forms, his relations to his contemporaries, and his attitudes toward the English language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267139">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to Chaucer that surveys critical issues and concentrates on how oppositions are posed in his poetry rather than resolved. Topics include the following: The Chaucer Business; Life, Works, Reputation; Dream, Text, Truth; Society, Sexuality, Spirituality; Readers, Listeners, Audience; Nature, Culture, Carnival; Wives and Husbands; Law and Order; and &quot;The Father of English Poetry,&quot; which emphasizes Chaucer&#039;s internationalism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268039">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Impressionistic praise of Chaucer&#039;s ability to combine human sensitivity with comedy, his refusal to be cowed by Dante, his characterizations, and his irony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268882">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the historical and regional characteristics of Chaucer&#039;s vocabulary, his particular uses of various registers, and how he adapts them to circumstances and contexts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269081">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Treats Chaucer as a &quot;means of entry&quot; into the political and cultural world of late fourteenth-century England, surveying Chaucer&#039;s works (CT most extensively) and summarizing his life and reception. Includes a brief bibliography.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269507">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s life and works, focusing on his narrative timing, depth of characterization, and linguistic subtlety as means to express sympathy for human weakness. Includes three glossed passages from CT and two wood engravings by Barry Moser (portrait of Chaucer and the Tabard Inn).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269527">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief biography, bibliography, and introduction to CT; summaries of GP, KnT, WBPT, and PardPT; and excerpts from critical studies of these sections of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269649">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on implications of the lists of works in Chaucer&#039;s Ret and their relationship to the fragmentary nature of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269789">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of eighty-three responses to Chaucer and his works excerpted from commentaries written from the fourteenth through the twentieth centuries: fourteenth (2), fifteenth (9), sixteenth (20), seventeenth (4), eighteenth (10), nineteenth (35), and twentieth (3). Includes a brief introduction by Bloom (xi-xiii), a biography and  chronology of Chaucer, and an index to the volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270112">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Scanlon introduces Chaucer as the &quot;most monumental of English poets,&quot; summarizes Chaucer&#039;s biography, surveys his works and their reception, and comments on the difficulties of dealing with his legacy: especially in CT, Chaucer is &quot;eager to disavow&quot; the authority that critical tradition attributes to him.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270128">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Whitehead surveys Chaucer&#039;s engagement with the Bible and biblical texts in CT and suggests a parallel between the poem&#039;s dialogic structure and the fourteenth-century debate over Wycliffite ideology. While parts of CT may corroborate certain reformist doctrines, the text as a whole registers ambivalence about lay interpretation of Scripture. A similar ambivalence can be found in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270419">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays on a range of topics that consider Chaucer in light of his contemporary culture and literary tradition. For individual essays, search for Geoffrey Chaucer. Writers and their Background under Alternative Title.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted, Athens: Ohio University Press, 1975. A second edition, entitled Geoffrey Chaucer: The Writer and His Background (Cambridge: D. S. Brewer, 1990), includes the same essays (unrevised), but omits the Bibliography (pp. 352-72 of the first edition).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270601">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Influential biographical discussion of Chaucer as the &quot;first poet&quot; of England &quot;in the high culture of Europe,&quot; and the &quot;most courteous to those who read or listen to him.&quot;  Considers Chaucer&#039;s individual works in light of his life, medieval literary trends, the sources that underlie the works, and reactions from later tradition. Includes a bibliography.]]></dcterms:description>
    <dcterms:description><![CDATA[Recurrently reprinted; with light revisions and updated bibliography in various reference volumes, sometimes under the title &quot;Chaucer, Geoffrey (ca. 1340-1400)&quot;:  British Writers and Their Work, no. 1 (Lincoln: University of Nebraska Press, 1963); British Writers, Volume 1, edited by Ian Scott-Kilvert (New York: Scribner, 1979), pp. 19-47; Poets: American and British, 3 vols., edited by Ian Scott-Kilvert (New York: Scribner, 1998), 1:315-46; Gale Virtual Reference Library (e-book).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270607">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Updateable, annotated bibliography of Chaucer studies, launched in 2010, available by subscription only. Arranges individual studies alphabetically under 23 categories (plus subsections), providing hypertext links to the original material when possible. Each section/subsection is preceded by a brief, synthesizing introduction, with internal links to cited studies. The bibliography provides various options for saving and exporting citations.]]></dcterms:description>
    <dcterms:description><![CDATA[Description based on version viewed January 22, 2011; title from home page.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270924">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[An introductory biography of Chaucer and chronological commentary on all of his major works in light of social and personal history. Includes a time line, brief selections from critical traditions, a bibliography, an index, and illustrations largely drawn from medieval manuscripts and later book illustrations,]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271133">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s career as a translator and the varieties of his &quot;translational practice,&quot; focusing on his literal translations and how his &quot;guise of the slavishly faithful translator&quot; sometimes enables his &quot;transformative adaptation.&quot; Considers Chaucer&#039;s translations from Latin, French, and Italian, with a section on his rhyme royal translation in the CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271600">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Chaucer&#039;s poetic achievement in major and minor works with recurrent attention to relative chronology, the development of Chaucer&#039;s art, sources and analogues, and treatment of genres. Focuses on BD; Ven, Pity, and Mars as complaints; HF; LGW (especially LGWP); CT (structure and genres, narrative technique, KnT, MilT, fables, ManT, and ParsT); TC; and Scog and Buk as envoys. Includes an appendix titled &quot;Moderatio, Moderation and Measure&quot; (pp. 226-60) that addresses the concept of moderation in classical and medieval writers such as Boethius, Macrobius, Alain de Lille, and Jean de Meun, observing Chaucerian parallels. The volume includes a select bibliography and an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271779">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A brief guide to Chaucer&#039;s life, times, and works, with illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271780">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive look at Chaucer&#039;s life and analysis of how cultural, literary, and historical events affected Chaucer&#039;s poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262245">
    <dcterms:title><![CDATA[Geoffrey Chaucer : A Guide Through the Critical Maze]]></dcterms:title>
    <dcterms:description><![CDATA[A research guide that review major lines of Chaucer criticism, which is becoming increasingly diverse.]]></dcterms:description>
    <dcterms:description><![CDATA[Rooney identifies two recent important trends: (1) &quot;a movement away from everything historical and realist,&quot; focusing on &quot;literariness and intertextuality,&quot; poetics, the role of voices, &quot;patterns of Chaaucer&#039;s thought,&quot; and &quot;an awareness of contemporary philosophy, cosmology, theology,&quot; and (2) abandonment of the &quot;search for unity&quot; and closure and &quot;acknowledgement of contingency, plurality, uncertainty and tension.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[More attention is now being given to CT and the dream poems, which lend themselves to current critical methods, while the preeminence of TC is being challenged.  Critics need to examine &quot;Chaucer&#039;s attitude toward fiction-making,&quot; taking care not to bring to his works &quot;philosophies and ideas he never dreamed of.&quot;  Rooney urges critical humility.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267568">
    <dcterms:title><![CDATA[Geoffrey Chaucer : Kantaberi Monogatari Soh-jyoka ( Geoffrey Chaucer: The General Prologue to the Canterbury Tales )]]></dcterms:title>
    <dcterms:description><![CDATA[Translates lines 1-117 of GP into Japanese, based on The Riverside Chaucer (1987).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267199">
    <dcterms:title><![CDATA[Geoffrey Chaucer : La Casa de la Fama]]></dcterms:title>
    <dcterms:description><![CDATA[Spanish translation of HF, with facing-page Middle English. Includes a brief introduction (pp. 1-8) and extensive notes (pp. 195-346), with lists of bibliographical references and proper names.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268634">
    <dcterms:title><![CDATA[Geoffrey Chaucer : The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Re-issue of the 1989 edition, with a revised guide to further reading. See original enrty.]]></dcterms:description>
</rdf:Description></rdf:RDF>