<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266441">
    <dcterms:title><![CDATA[From &#039;Ricardian Poetry&#039; to Ricardian Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the history and reception of J. A. Burrow&#039;s term &quot;Ricardian&quot; as an alternative to &quot;Age of Chaucer,&quot; considering its use and its future in light of the present critical climate.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264732">
    <dcterms:title><![CDATA[From &#039;swutol sang scopes&#039; to &#039;rum, ram, ruf,&#039; or the Problems of Alliteration]]></dcterms:title>
    <dcterms:description><![CDATA[In discussing the standard alliterative line in medieval English poetry, notes Chaucer&#039;s attitude toward alliteration in ParsP and, focussing on TC, shows the diminishing role of alliteration in Chaucer.  Alliterative patterns and phrases provide ornaments for, not the structure of, his poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271444">
    <dcterms:title><![CDATA[From &quot;Beowulf&quot; to Caxton: Studies in Medieval Languages and Literature, Texts and Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[Essays examine influence of classical learning, Germanic and Old Norse cultures, and Romance languages on the development of medieval English literature and language. For essays pertaining to Chaucer, search for From Beowulf to Caxton under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270119">
    <dcterms:title><![CDATA[From Aesop to Reynard: Beast Literature in Medieval Britain]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;how animals mean&quot; in beast fable, beast epic, and related literature in classical and medieval traditions, focusing on the uses of animals in Marie de France, Nigel of Longchamp, &quot;The Owl and the Nightingale,&quot; the Reynard tradition, Chaucer, and Robert Henryson. The power of nature and the &quot;superfluity&quot; of language recur as themes throughout. Chaucer focuses on how nature constrains social hierarchy and sexuality in PF. Sexuality is also a concern in SqT, NPT, and ManT, but each of these Tales also explores the limits and potential of language and signification, deeply inflected by comic awareness that humans are beasts who talk and laugh.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265545">
    <dcterms:title><![CDATA[From Anglo-Saxon to Early Middle English: Studies Presented to E. G. Stanley]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays by various authors, assessing materials from the eighth to the fourteenth century.  Most essays pertain to the development of language and literary forms; Chaucer mentioned &quot;passim.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267487">
    <dcterms:title><![CDATA[From Arabye to Engelond : Medieval Studies in Honour of Mahmoud Manzalaoui on His 75th Birthday. Actexpress]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteen essays by various authors on Eastern and Western medieval literature and medievalism, plus a bibliography of Manzalaoui&#039;s publications. For six essays that pertain to Chaucer, search for From Arabye to Engelond under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264114">
    <dcterms:title><![CDATA[From Bonaventure to Bellini: An Essay in Franciscan Exegesis]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the iconographic and literary traditions of Saint Francis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268495">
    <dcterms:title><![CDATA[From Canterbury to Jerusalem: Interpreting Blake&#039;s Canterbury Pilgrims]]></dcterms:title>
    <dcterms:description><![CDATA[Stevenson interprets William Blake&#039;s depiction of the Canterbury pilgrims (rendered in several manifestations) in light of contemporaneous works and Blakes &quot;Descriptive Catalogue&quot; (1809). Visual symbols, juxtapositions, and contrasts indicate that Blake &quot;invites the viewer to consider the classes of men in the light of eternity and to participate in the human and divine vision of forgiveness.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267027">
    <dcterms:title><![CDATA[From Chanticlere to Richard Tarlton : The Cockerel and the Histriones]]></dcterms:title>
    <dcterms:description><![CDATA[Reads Chauntecleer&#039;s descent from the perch in NPT as evidence that medieval stage entrances were marked by &quot;masculine assertiveness,&quot; useful for clarifying differences among characters in a limited troupe. Compares the narrative scene with dramatic scenes from &quot;Magnificence&quot; and anecdotes about acting from Richard Tarleton&#039;s &quot;Jests.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270582">
    <dcterms:title><![CDATA[From Chaucer to Lessing: Some Intertextual Relations of the &#039;Appius and Virginia&#039; Story]]></dcterms:title>
    <dcterms:description><![CDATA[Explores political and ideological similarities between PhyT and Livy&#039;s version of the story, and traces these similarities in later English and German versions, especially the Tudor interlude &quot;Apius and Virginia&quot; and G. E. Lessing&#039;s bourgeois tragedy &quot;Emilia Galotti&quot; (1722).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264343">
    <dcterms:title><![CDATA[From Chaucer to Whitman and Eliot: Cosmic Union and the Classical/Christian Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[The Virgilian &quot;Iuppiter descendens&quot; in CT combines the sacred and the profane.  Sexual motivation governs the behavior and storytelling of some of the pilgrims.  Medieval man was able to integrate the serious with the comical because he possessed a Christian-Classical vision that embraced both physicality and spirituality.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270188">
    <dcterms:title><![CDATA[From Chaucer&#039;s Pardoner to Shakespeare&#039;s Iago: Aspects of Intermediality in the History of the Vice]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders Harold Bloom&#039;s argument that Shakespeare, when creating Iago, was influenced by Chaucer&#039;s Pardoner. Goth explores the &quot;dramatic&quot; nature of the Pardoner&#039;s character and his relations with Vice figures from late medieval drama as well as Faus Semblant from the &quot;Roman de la Rose.&quot; Common features of Iago and the Pardoner, the book suggests, derive independently from the Vice tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266020">
    <dcterms:title><![CDATA[From Chaucer&#039;s Troilus to Henryson&#039;s Cresseid: Problems of Interpretation in &#039;The Testament of Cresseid&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[While Chaucer approached TC as a &quot;historical&quot; poet, Henryson wrote as a &quot;literary&quot; poet, relying less than Chaucer on rhetorical ornamentation and more on his own invention.]]></dcterms:description>
    <dcterms:description><![CDATA[  Both authors are poets of &quot;doctryne.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263683">
    <dcterms:title><![CDATA[From Childhood to Chivalry: The Education of the English Kings and Aristocracy, 1066-1530]]></dcterms:title>
    <dcterms:description><![CDATA[Relates Chaucer&#039;s references to aristocratic upbringing to contemporary social practice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264467">
    <dcterms:title><![CDATA[From Cleopatra to Alceste: An Iconographic Study of &#039;The Legend of Good Women]]></dcterms:title>
    <dcterms:description><![CDATA[In LGW, Chaucer suppressed most of the Cleopatra tradition (asps, etc.) to make her a medieval &quot;good woman,&quot; who builds a shrine for Anthony and enters a snake pit to dramatize the grave-worm &quot;topos.&quot;  Alceste transcends the grave--the thematic impulse of LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269279">
    <dcterms:title><![CDATA[From Coilles to Bel Chose: Discourses of Obscenity in Jean de Meun and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;connection between dirty words and dirty things,&quot; focusing on the speech of &quot;three outspoken female figures&quot;: Raison and La Vieille from the &quot;Roman de la Rose&quot; and Chaucer&#039;s Wife of Bath. While Raison attacks &quot;linguistic equivocation&quot; and La Vieille speaks explicitly, the Wife&#039;s obscene euphemisms in WBP are &quot;governed by the dictates of bourgeois respectability.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263480">
    <dcterms:title><![CDATA[From Conflict to Harmony--in Case of the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Recognizes the progress from &quot;conflict&quot; to &quot;harmony&quot; of authority and experience seen in both WBP and WBT within the framework of CT.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262396">
    <dcterms:title><![CDATA[From Convergence to Parataxis--Chaucer&#039;s Stance on Love]]></dcterms:title>
    <dcterms:description><![CDATA[From ABC through dream poems to LGW, Chaucer attempts to oppose cupidity to charity by ennobling the latter.  However, he amalgamates various types of love in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267363">
    <dcterms:title><![CDATA[From Doomsday to Romance : Visual Judgment in Old and Middle English Narrative]]></dcterms:title>
    <dcterms:description><![CDATA[From Old English representations of doomsday to medieval romances, &quot;layered narratives&quot; provide audiences with visual judgment. The fair-to-foul transformations of Old English sermons and &quot;Christ III&quot; give way to the foul-to-fair transformations of romance (WBT) and later literature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261308">
    <dcterms:title><![CDATA[From Dorigen to the Vavasour: Reading Backwards]]></dcterms:title>
    <dcterms:description><![CDATA[The controversy regarding &quot;the moral intelligence of the narrator&quot; of FranT maps the &quot;poetic terrain&quot; of the tale., i.e., rhyme, meter, poetic structure, and complex literary plan.  Gaylord examines the tale by two complementary and yet contradictory methods: &quot;reading forwards&quot; (&quot;unscrolling a text as if it were being complacently listened to&quot;) and &quot;reading backwards&quot; (&quot;an activity of resistence: handling the book, releaving the progress of the narrative&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273559">
    <dcterms:title><![CDATA[From Error to Anacoluthon: The Moral of the &quot;Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[In rendering Petrarch&#039;s explanation for why God tests humans in the form of a disjointed sentence (ClT, 1153-61), Chaucer points out its irrationality. Argues how this ploy resonates with the Clerk&#039;s expression of qualms about Petrarch at the beginning of his tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271494">
    <dcterms:title><![CDATA[From Eve to Eve: Women&#039;s Dreaming in the Middle Ages and Renaissance]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses Chaucer&#039;s works in the context of a tradition of depicting women&#039;s dreams as deceiving and women as deceivers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265930">
    <dcterms:title><![CDATA[From Experience to Authority: The Authentication of the Self in &#039;The Book of Margery Kempe&#039; and &#039;The Wife of Bath&#039;s Prologue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Margery Kempe and Alison of Bath represent a basic conflict:  as representatives of the nascent bourgeoisie, they seek to inscribe themselves in a tradition that, since they are women, silences them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268002">
    <dcterms:title><![CDATA[From Festivity to Spectacle: The Canterbury Tales, Fragment I and A Midsummer Night&#039;s Dream]]></dcterms:title>
    <dcterms:description><![CDATA[Andreas explores the &quot;interplay of serious and comic materials&quot; in the &quot;best work&quot; of Chaucer and Shakespeare, commenting on the use of KnT in A Midsummer Night&#039;s Dream and on Shakespeare&#039;s adaptations of Chaucer&#039;s comic figures in his mechanicals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267553">
    <dcterms:title><![CDATA[From French &#039;Fabliau Manuscripts&#039; and MS Harley 2253 to the Decameron and the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the contents and provenance of MS Digby 86 (Bodleian); MS Harley 2253 (British Library); MSS fr. 837 and 19182 (Bibliothque Nationale); and Carmina Burana MS (Munich), Bayerische Staatsbibliothek CLM 4460 and 4460a. The literary techniques displayed in these manuscripts anticipate the Decameron and The Canterbury Tales.]]></dcterms:description>
</rdf:Description></rdf:RDF>