<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270672">
    <dcterms:title><![CDATA[Following the Leaf Through Part of Dryden&#039;s &#039;Fables&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Arguing that the sequence of tales in Dryden&#039;s &quot;Fables&quot; is significant and meaningful, Gelineau examines a sequence of tales in which Dryden &quot;uses the Chaucerian tales, with their Catholic love of order, to frame his critique of military brutality and to epitomize everything that [King] William has come to reject.&quot; The sequence opens with the pseudo-Chaucerian &quot;Flower and the Leaf&quot; and closes with Dryden&#039;s version of WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270689">
    <dcterms:title><![CDATA[Folly]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comments on Chaucer&#039;s combination of jest and earnest as it was admired by Thomas Heywood and Thomas More.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273111">
    <dcterms:title><![CDATA[Food and the Literary Imagination]]></dcterms:title>
    <dcterms:description><![CDATA[Examines production and reception of food in canonical literary works, including writings by Chaucer, Shakespeare, Keats, and George Eliot. Chapter 3, &quot;Chaucer&#039;s Pilgrims and a Medieval Game of Food,&quot; focuses on how issues of &quot;food security and anxieties of sustenance&quot; shape the actions and personalities of Chaucer&#039;s pilgrims. Also mentions RvT, NPT, and GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275622">
    <dcterms:title><![CDATA[Food Culture and Food Imagery in Chaucer&#039;s &quot;Canterbury<br />
Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies the variety of references to food and uses of food imagery in CT, especially GP, observing how they serve as indicators of social and moral conditions--particularly high status and the sin of lust--and aid in characterization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261984">
    <dcterms:title><![CDATA[Food, Laxatives, and the Catharsis in Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Many medieval sources describe food and purgation as having moral, theological, and metaphysical meanings.  In NPT the interrelationships between food, humors, emotions, free will, and divine foreknowledge point to a model of continuous intelligibility in the universe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275882">
    <dcterms:title><![CDATA[Fool&#039;s Errand: A Tale from Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Adapts PardT as a verse drama for seven roles: three rioters, three barmaids, and the Old Man who is revealed to be Death himself at the end of the rioters&#039; quest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272352">
    <dcterms:title><![CDATA[Fools, &#039;Folye&#039; and Caxton&#039;s Woodcut of the Pilgrims at the Table]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes woodcut of pilgrims seated at table in Caxton&#039;s second edition of CT. Argues that &quot;early editors&#039; interpretations of given literary works are thus reflected in their editorial choices.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272654">
    <dcterms:title><![CDATA[For Court, Manor, and Church: Education in Medieval Europe]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of readings that pertain to medieval education among various classes and institutions, with individual readings drawn from primary sources and modern analyses, and with brief sectional introductions by the editor. Among the 95 readings are the GP descriptions of the Clerk and the Physician, in Nevill Coghill&#039;s translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262989">
    <dcterms:title><![CDATA[For Hoolynesse or for Dotage--Januarie&#039;s Spiritual Blindness in &#039;The Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Ironically, the key-words &quot;hoolynesse&quot; and &quot;dotage&quot; suggest the gap between January&#039;s view of marriage and his actual married life.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in Keiko Hamaguchi, Chaucer and Women (Tokyo: Eihosha, 2005).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266426">
    <dcterms:title><![CDATA[For I Have Tools to Truss&#039; : Women, Work, and Professionalism in Late Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the rise of professionalism and women&#039;s efforts to achieve autonomy in fourteenth- and fifteenth-century England as represented in the mystery cycles, Chaucer&#039;s Wife of Bath, and Margery Kempe.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271984">
    <dcterms:title><![CDATA[For Love and Not For Hate: The Value of Virginity in Chaucer&#039;s &#039;Physician&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s additions to his sources in PhyT (Virginia&#039;s speech and the reference to Jephthah&#039;s daughter) convey a sense of masculine blindness to feminine reality--seeing only the &quot;transient conditions of beauty, youth, and virginity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269608">
    <dcterms:title><![CDATA[For the Birds]]></dcterms:title>
    <dcterms:description><![CDATA[The two portions of SqT align the cultural differences between the Mamluk emissary and the Mongol court with the species differences between the falcon and Canacee. Capitalizing on symbolic, metonymic connections between animals and humans and reflecting the Middle English dual meaning of kynde (denoting both species and compassionate), the bird section diminishes the orientalism of the court scene and poses possibilities for interspecies compassion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268770">
    <dcterms:title><![CDATA[Ford Madox Brown&#039;s Protestant Medievalism: Chaucer and Wycliffe]]></dcterms:title>
    <dcterms:description><![CDATA[Four historical paintings by Ford Madox Brown (1821-93) exhibit the interplay among literature, art, and religion in Victorian medievalism. Chaucer is the primary focus in The Seeds and Fruits of English Poetry (1845) and Chaucer at the Court of Edward III (1851, 1867-68).]]></dcterms:description>
    <dcterms:description><![CDATA[In addition, Chaucer is a witness to Wycliffe in Wycliffe Reading His Translation of the Bible to John of Gaunt, in the Presence of Chaucer and Gower (1847-48, 1859-61) and in Wycliffe on His Trial (1884-86). Brown saw Chaucer and Wycliffe, through their development of English poetry and prose respectively, as crucial to breaking the hold of the Catholic Church in England and establishing national identity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261987">
    <dcterms:title><![CDATA[Foreknowledge and Free Will: Three Theories in the &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In NPT, the thrust of the satire on the relation between foreknowledge and free will is that theories like Bishop Bradwardine&#039;s simple necessity, St. Augustine&#039;s paradox, and, most notably, Boethius&#039; conditional necessity are too abstract and artificial to account for the complexity of real life situations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263007">
    <dcterms:title><![CDATA[Foreswearing in Chaucer&#039;s &#039;Pardoner&#039;s&#039; and &#039;Franklin&#039;s Tales&#039;: A Recurring Motif of Tale and Teller]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer uses a medieval commonplace--vowing--as a function of genre:  tragedy, comedy, or fabliau.  In PardT, fashioning an illegitimate triple vow to eradicate Death, and bound by sworn brotherhood, three hoodlums effect upon themselves a grim, appropriate disaster.  In a joyful comic resolution, the Franklin eradicates the foolish highpriced vows for his none-too-wise but good-willed characters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269713">
    <dcterms:title><![CDATA[Foreword to the 2008 Edition]]></dcterms:title>
    <dcterms:description><![CDATA[Foreword to the reissue of the paperback version of The Riverside Chaucer, assessing the legacy of the Riverside text in light of editorial theory and modern computers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274046">
    <dcterms:title><![CDATA[Foreword: Medieval Science and Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Defines medieval science fiction and provides a survey of types of science appearing in medieval literature, including natural philosophy (in NPT and PF), alchemy (in CYT), herb lore (in GP), and astronomy. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270711">
    <dcterms:title><![CDATA[Forgetful Muses: Reading the Author in the Text]]></dcterms:title>
    <dcterms:description><![CDATA[Explores literary composition as &quot;cybertextuality,&quot; employing a fusion of cognitive theory, stylistic analysis, computer applications, and attribution studies. The goal is to uncover the compositional processes of writers by examining their verbal habits and their comments on authorship, including references to the muses and other remarks on literary creation. Lancashire examines the foul papers and stylistic habits of a wide range of poets and writers, medieval to modern. Discussion of Chaucer (pp. 116-33 and elsewhere) focuses on repeated phrases and on how patterns in repetition vary over the course of the composition of CT. Also comments on HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274565">
    <dcterms:title><![CDATA[Forging &quot;Medieval&quot; Identities: Fortini&#039;s &quot;Calendimaggio&quot; and Pasolini&#039;s &quot;Trilogy of Life.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly invokes Chaucer, noting Pasolini&#039;s 1971 film, &quot;The Canterbury Tales,&quot; and its adaptation of Chaucer&#039;s work to highlight increasing cultural degradation as works are transmitted.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276229">
    <dcterms:title><![CDATA[Forging Boethius in Medieval Intellectual Fantasies.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the &quot;influence of the thirteenth-century Pseudo-Boethian forgery &#039;De Disciplina Scolarium&#039; on medieval understandings of Boethius.&quot; Includes &quot;&#039;Bitwixen game and ernest&#039;: Contrary Boethianism in TC,&quot; which examines the &quot;contraries&quot; of the poem and emphasizes how they reflect a broader &quot;Boethianism&quot; than that found only in the &quot;De consolatione Philosophiae.&quot; Pandarus is a &quot;Boethian pander and pedagogue within the tradition&quot; comprising &quot;De disciplina,&quot; Boethian logic, commentaries on Boethius, and the characterization of Boethius in Maximian&#039;s &quot;Third Elegy&quot;--a tradition in which &quot;serious lessons&quot; are taught &quot;through counterintuitive means&quot; and male-male friendship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266979">
    <dcterms:title><![CDATA[Forlorn Hope : Mutability Topoi in Some Medieval Narratives]]></dcterms:title>
    <dcterms:description><![CDATA[Examines adaptations of conventional depictions of change in literary characters--in works by Chrétien de Troyes, Marie de France, and Benoît de Sainte-Maure. Contrasts the change in Benoît&#039;s Briseida with that in Chaucer&#039;s Criseyde, focusing on how quickly Criseyde falls in love with Diomede in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269679">
    <dcterms:title><![CDATA[Form]]></dcterms:title>
    <dcterms:description><![CDATA[Cannon summarizes medieval theories of literary form, including that of Geoffrey of Vinsauf, as adapted by Chaucer in TC. Applies the theories to various works in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277097">
    <dcterms:title><![CDATA[Form and Foreskin: Medieval Narratives of Circumcision.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Pauline &quot;theo-poetics of circumcision&quot; to explore circumcision and &quot;uncircumcision&quot; as hermeneutic tropes, focusing on allegoresis and amplification, and analyzing queerly Augustine&#039;s Boy with a Long Foreskin&quot; (from &quot;De Genesi ad litteram&quot;); &quot;Sir Gawain and the Green Knight&quot;; and, in Chapter 3, &quot;The Foreskin of Marriage,&quot; WBT. Identifies medieval association of marriage and &quot;the allegorical praeputium&quot; in the latter and suggests that the &quot;Wife vernacularizes and feminizes the &#039;Latinate praeputium&#039; in order to circumcise the marriage plot.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265943">
    <dcterms:title><![CDATA[Form and Interpretation in the &#039;Envoy&#039; to the &#039;Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[A close reading of the Envoy to ClT underscores Chaucer&#039;s brilliant ambiguity and makes the assigning of it to a single speaker impossible.]]></dcterms:description>
    <dcterms:description><![CDATA[Chaucer works with multiple strategies within ClT and ends it with a variety of interpretations as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264946">
    <dcterms:title><![CDATA[Form and Meaning of the Old French Love Vision: The &#039;Fableau dou Dieu d&#039;Amors&#039; and Chaucer&#039;s &#039;Parliament of Fowls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Structure and theme of the Vision are established not only by the &quot;Roman de la Rose&quot; but by Latin poems:  (1) visionary setting and (2) questing love-debate for a solution to the turmoil resolved (or unresolved) at (3) a Court of Love.  Chaucer&#039;s work deviates from the pattern, but it is also adumbrated by the tradition, even though there is no final resolution.  ]]></dcterms:description>
    <dcterms:description><![CDATA[Still &quot;we can perceive all too clearly (the dreamer&#039;s) desperate need for a marriage with the cosmic love that frightens him, and that makes plain the complete irrelevance of his cunning claim to innocence of love&#039;s &#039;myrakles and his crewel yre&#039;.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>
