<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276950">
    <dcterms:title><![CDATA[&quot;Thou shalt knowen of oure Privetee / Moore than a maister of dyvynytee&quot;: Devils and Damnation in Chaucer&#039;s &quot;Canterbury Tales&quot; and Marlowe&#039;s &quot;Doctor Faustus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues &quot;that Chaucer&#039;s treatment of devils, damnation, and hell&quot; in CT &quot;resonates&quot; in &quot;Doctor Faustus,&quot; focusing on the yeoman-devil and &quot;the force and binding implications of illocutionary acts&quot; in FrT, as well as on &quot;interesting parallels&quot; between the Pardoner and Faustus as &quot;vain characters&quot; who are &quot;master rhetoricians&quot; and &quot;contemptuous of conventional morality.&quot; Contrasts Chaucer&#039;s and Marlowe&#039;s views of penitence--comic and tragic respectively.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276949">
    <dcterms:title><![CDATA[&quot;The Winter&#039;s Tale&quot;: Decorum, Distinction, and Shakespeare&#039;s Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Shakespeare&#039;s title, &quot;The Winter&#039;s Tale,&quot; adapts a possessive form associated with Chaucerian narratives--the x&#039;s tale--&quot; and identifies similarities between the play and ManT. Focuses on the works&#039; attention to linguistic register--&quot;linguistic distinctions between people of different types and stations&quot;--and argues that Shakespeare asserts both &quot;similarity to Chaucer&quot; and &quot;independence from him.&quot; Appends a coda on &quot;lemman&quot; and &quot;ladies&quot; in early printings of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276948">
    <dcterms:title><![CDATA[&quot;Palamon and Arcite&quot;: Early Elizabethan Court Theatre.]]></dcterms:title>
    <dcterms:description><![CDATA[Extracts information about Richard Edwards&#039;s now-lost play &quot;Palamon and Arcite,&quot; from three extant contemporary accounts of the visit of Queen Elizabeth I to Oxford, where she attended a performance of the play in 1566. The accounts--by Miles Windsor, Nicholas Robinson, and John Bereblock--evince plot and details (with one quotation recorded), staging and performance (including accidental deaths), and some awareness of relations with KnT as source.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276947">
    <dcterms:title><![CDATA[The Day of the Serpent: A Brother Chandler Medieval Mystery.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical murder mystery set in 1400, in the months after Henry IV&#039;s usurpation of Richard II&#039;s throne. &quot;Master&quot; Chaucer and Adam are involved with copying Lollard treatises; Matilda, Chaucer&#039;s house-maid, is involved with friar-cum-sleuth Brother Chandler.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276946">
    <dcterms:title><![CDATA[Playing Chaucer at the Early Elizabethan Inns of Court.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses performance texts associated with the early Elizabethan Inns of Court (&quot;closet dramas, translations, masques, and orations&quot;), arguing that they reflect four Chaucerian &quot;paradigms of play&quot; (&quot;Chaucerian Self-Fashioning,&quot; &quot;Chaucerian Arraignments,&quot; &quot;Masques and Orations,&quot; and &quot;Staging The Canterbury Tales&quot;). Comments on Chaucer&#039;s putative legal associations and works by Barnabe Googe, Jasper Heywood, Thomas Pound, George Gascoigne, Gerard Legh, and more, identifying influences of TC, KnT, ClT, HF, and other Chaucerian poems.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276945">
    <dcterms:title><![CDATA[The Good Wife of Bath: A (Mostly) True Story.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical novel in which the setting, plot, and first-person protagonist, Eleanor (later Alyson) are based on WBPT, with many characters adapted from history and from CT, including Chaucer. Includes a glossary, list of historical characters, author&#039;s note on composition, and a series of study questions for book groups.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276944">
    <dcterms:title><![CDATA[Chaucer&#039;s Speech and Thought Representation in &quot;Troilus and Criseyde&quot;: Encoded Subjectivities and Semantic Extension.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers a technical linguistic analysis of STR (speech and thought representation) in TC, theorizing a hierarchical &quot;structure of subjectivities&quot; to examine samples from the poem, attending to nuances latent in diction, situation, point of view, manuscript context, editorial intervention, etc. Concludes with comments on the &quot;plasticity&quot; of Chaucer&#039;s STR, the &quot;varying subjectivities that are likely to be encoded&quot; in it, and how they &quot;allow for semantic extension.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276943">
    <dcterms:title><![CDATA[Chaucer and the Streams of Parnassus.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s &quot;polyphony and polyvocality&quot; are both &quot;modern&quot; and &quot;progressive&quot;--justification for dismantling the period boundary between medieval and Early Modern literatures. Surveys mixed, condescending praise by Early Modern critics of Chaucer as an ancient but indecorous writer, then demonstrates how Robert Greene&#039;s valuation of Chaucer in &quot;Greene&#039;s Vision&quot; (1592) offers a valid view of him as a up-to-date model of polyvocality. Comments on the Clerk&#039;s view of Petrarch, ClT 4.26-30.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276942">
    <dcterms:title><![CDATA[&quot;Tis More Ancient Than Chaucer Himself&quot;: Keats and Romantic Polyphony.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the polyphonies of John Keats&#039;s poetry (as identified by Helen Vendler) are attributable to his engagements with Chaucer&#039;s works and Chaucerian apocrypha, reflecting a particular kind of &quot;Englishness,&quot; underpinned by travel and encounters with French and Italian literatures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276941">
    <dcterms:title><![CDATA[Polyphony and the Modern.]]></dcterms:title>
    <dcterms:description><![CDATA[Raises questions about what it means to be modern in one own&#039;s time and about polyphony (including polyphonic music, polyvocality, and literary dialogism) as an index to modernity, collecting fourteen essays on relevant topics, most of them on medieval music and literature. For three essays that pertain to Chaucer, search for Polyphony and the Modern under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276940">
    <dcterms:title><![CDATA[Performing Generic Exhaustion: Implosive Households in Gavin Douglas&#039;s &quot;Palice of Honour.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the role of lists, themes of order and disorder, epistemology and poetics, and tensions between household economy and monetized mercantile accretion (chremastistics) in Douglas&#039;s &quot;Palice of Honour&quot; as a response to similar concerns in Chaucer&#039;s HF and his other dream poems. Argues that, especially in Venus&#039;s mirror, Douglas exceeds Chaucer&#039;s concern with excessiveness and destabilizes the &quot;genre of faculty allegory.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276939">
    <dcterms:title><![CDATA[Epic Lists: The Matter of Troy and the Catalogue Form in Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Chaucer&#039;s list of poets of Troy in HF 1460ff. as a &quot;vantage point&quot; to demonstrate how epic catalogs in Middle English Troy narratives are &quot;sites of scepticism towards established truths, questioning the Trojan War, the claims of epic, and poetry itself.&quot; Also considers these concerns in the &quot;Seege or Batayle of Troye,&quot; the &quot;Laud Troy Book,&quot; the &quot;&#039;Gest Hystoriale&#039; of the Destruction of Troy,&quot; and John Lydgate&#039;s &quot;Troy Book.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276938">
    <dcterms:title><![CDATA[Reformation Lists: Syntax, the Sacred, and the Production of Junk.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the syntax and rhetorical/literary functions of the &quot;open-ended list that forms part of a sentence,&quot; focusing on those composed during the &quot;cultural revolution&quot; at the beginning of the Reformation in sixteenth-century England, but framed by discussion of syntactical contrasts between apposition in the list in House of Rumour in HF 1951-76 and hypotaxis in the opening of Milton&#039;s &quot;Paradise Lost&quot; 1.1-10.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276937">
    <dcterms:title><![CDATA[The Epic Tree Catalogue from Chaucer to Spenser.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the &quot;Chaucerian tree catalogue[s]&quot; in Philip Sidney&#039;s &quot;Old Arcadia&quot; and Edmund Spenser&#039;s &quot;Faerie Queene,&quot; tracing the device as a &quot;subtype of epic catalogue&quot; in classical tradition and in KnT and PF, exploring its narrative, &quot;metareferential,&quot; and &quot;metapoetic&quot; functions as an act of &quot;self-insertion into the poetic tradition.&quot; Tabulates the trees, their epithets, and their significations shared by the three English poets.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276936">
    <dcterms:title><![CDATA[Enlistment: Lists in Medieval and Early Modern Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects ten essays by various authors that discuss lists and listing as epistemological, rhetorical, and poetic devices, with an introduction by the editors (&quot;Enlistment as Poetic Stratagem&quot;), and a comprehensive index. For four essays that pertain to Chaucer, search for Enlistment: Lists in Medieval and Early Modern Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276935">
    <dcterms:title><![CDATA[Queer Time, Queer Forms: Noir Medievalism and Patience Agbabi&#039;s &quot;Telling Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the &quot;circular and recursive form&quot; of Agbabi&#039;s poetic adaptations of CT in her &quot;Telling Tales&quot; (2015) &quot;showcases&quot; the &quot;queer time of medievalism and the queer form of adaptation.&quot; Focuses on Agbabi&#039;s versions of Mel (&quot;Unfinished Business&quot;), ClT (&quot;I Go Back to May 1967&quot;), and MLT (&quot;Joined-Up Writing&quot;).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276934">
    <dcterms:title><![CDATA[Speak like a Child: Caroline Bergvall&#039;s Medievalist Trilogy.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;inbetweenedness&quot; of language in Caroline Bergvall&#039;s poetic/performative &quot;trilogy--&quot;Meddle English&quot; (2011), &quot;Drift&quot; (2014), and &quot;Alisoun Sings&quot; (2019)--including discussion of her uses of forms of &quot;Chaucer&#039;s Middle English, as well as Old English and Old Norse.&quot; Assesses &quot;The Host&#039;s Tale&quot; (from &quot;Meddle English&quot;) as a &quot;mash-up&quot; of Chaucer that &quot;sets a tone &quot;for Bergvall&#039;s &quot;Chaucerian experiment,&quot; comparing it with the treatment of the Host in Lydgate&#039;s &quot;Siege of Thebes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276933">
    <dcterms:title><![CDATA[Postmodern Poetics and Queer Medievalisms: Time Mechanics.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes eight essays by various authors, an Introduction by the editor, and a comprehensive Index. For three essays that pertain to Chaucer, search for Postmodern Poetics and Queer Medievalisms: Time Mechanics under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276932">
    <dcterms:title><![CDATA[feeld Notes: Jos Charles&#039;s Chaucerian &quot;anteseedynts.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Jos Charles&#039;s &quot;transpoetics&quot; in &quot;feeld&quot; (2018), showing how the collection of poems capitalizes on the &quot;historical ruptures&quot; and other constitutive features of Middle English, mimicking its &quot;malleability and fluidity.&quot; Also suggests that Charles&#039;s technique is analogous to medieval musical &quot;hocket&quot; and explores how Charles&#039;s dramatic monologue &quot;reconceives&quot; the Wife of Bath&#039;s  in WBT, assessing several resonances.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276931">
    <dcterms:title><![CDATA[&quot;Think of All the Differences!&quot; Mixed Marriages in Transcultural Adaptations of Chaucer&#039;s &quot;Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the 2003 BBC adaptation of MLT and Patience Agbabi&#039;s &quot;Telling Tales&quot; (2004) &quot;respond to the xenophobic and imperialist ideology of the original,&quot; challenging the relationship that MLT &quot;posits between familial and national loyalties,&quot; reconfiguring &quot;racial, familial, and religious identity,&quot; and confronting audiences with the importance of remembering as well as interrogating the past. Links the narratives with representations of Thomas Jefferson&#039;s &quot;role as father and forebear&quot; and Chaucer&#039;s as &quot;father&quot; of English poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276930">
    <dcterms:title><![CDATA[Hoccleve and the Logic of Incompleteness.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;formal organising principle&quot; of Hoccleve&#039;s &quot;Series&quot; in light of that of CT (and LGW). Argues that CT is &quot;not just incomplete, but incompleteable&quot; (citing the additivity entailed in CYP), explaining it as Chaucer&#039;s response to the conditions of the material production of his work and the inevitability of his own death. Hoccleve&#039;s &quot;Series&quot; is also &quot;variable and open-ended&quot; but its incompleteness is constrained by &quot;the way the text presents authorship.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276929">
    <dcterms:title><![CDATA[Historicising Hoccleve&#039;s Metre.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;because Hoccleve&#039;s metre cannot persuasively be reconciled with any known metrical system, it must be allowed its own category.&quot; Details Chaucer&#039;s metrical &quot;template&quot; and shows how Hoccleve varies it to create his own, although influenced by that of John Walton in his verse translation of Boethius. Hoccleve&#039;s and Walton&#039;s verse &quot;prefigure modern iambic pentameter&quot; more clearly than does Chaucers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276928">
    <dcterms:title><![CDATA[Hoccleve&#039;&#039;s &quot;Series&quot; and the Unanticipated Woman Reader.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Hoccleve&#039;s uses of and attitudes toward Christine de Pizan and Chaucer, focusing on Ovidian notions of female readership and how in his&quot;Series&quot; Hoccleve positions Pizan to &quot;speak back to Chaucer&quot; and &quot;asks us to reflect on the Chaucerian defence of poetic wit and fictive play, even as we remain alert to its potential risks and limits.&quot; Comments on the apology to women&quot; in ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276927">
    <dcterms:title><![CDATA[A &quot;troubly dreme drempt al in wakynge&quot;: Hoccleve&#039;s Nearly-Dream Poem.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how the &quot;framed first-person narrative with which [Hoccleve&#039;s] &quot;Regiment&quot; begins is a reconfiguration rather than a straightforward rejection of Chaucer&#039;s dream poetry.&quot; While both authors use dream-vision conventions to engage previous authors and texts, Hoccleve is concerned with &quot;contemporary political and religious discourses&quot; and his &quot;distinctive self-authorising strategy . . . involves both an imitation and a pointed refusal of Chaucer&#039;s dream poems,&quot; especially their effacements of their narrators&#039; poetic skills.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276926">
    <dcterms:title><![CDATA[Thomas Hoccleve: New Approaches.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects eleven essays about Hoccleve&#039;s literary works, with an Introduction by the editors and a comprehensive Index. References to Chaucer&#039;s influences on Hoccleve and Hoccleve&#039;s attitudes toward Chaucer recur throughout the volume (see the Index). For four essays with sustained attention to Chaucer, search for Thomas Hoccleve: New Approaches under Alternative Title.]]></dcterms:description>
</rdf:Description></rdf:RDF>