<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267174">
    <dcterms:title><![CDATA[Father Chaucer and the Siege of Thebes : Literary Paternity, Aggressive Deference, and the Prologue to Lydgate&#039;s Oedipal Canterbury Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Details the strategy of &quot;obeisant self-authorization &quot; by which Lydgate places himself in Chaucer&#039;s debt, simultaneously embracing the older poet&#039;s influence and &quot;overthrowing&quot; his &quot;paternal presence.&quot; He does this by controlling the Host-figure and reconfiguring the Canterbury pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269393">
    <dcterms:title><![CDATA[Father Chaucer and the Vivification of Print]]></dcterms:title>
    <dcterms:description><![CDATA[Bishop assesses how the apparatus (&quot;peritext&quot;) in Speght&#039;s edition of Chaucer&#039;s Works evokes Chaucer as a living presence and situates his poetry in the midst of Tudor politics. Although Speght derives much of his peritext from Thynne and Stow, his additions intensify Chaucer&#039;s role as father and as living voice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275629">
    <dcterms:title><![CDATA[Father Chaucer: Generating Authority in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the role of paternal authority and the figure of the father and their use and depiction in CT. Interrogates the construction of &quot;Father Chaucer&quot; to show how widespread this motif of paternal authority is in discussions of Chaucer and his poetry, and how potentially unstable it remains.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267696">
    <dcterms:title><![CDATA[Fathers and Daughters in Gower&#039;s Confessio Amantis : Authority, Family, State, and Writing]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the incest motif in Confessio Amantis as a &quot;fundamental element&quot; in Gower&#039;s explorations of father-daughter relationships and the relationships of authority. In this context, Bullón-Fernández considers Chaucer&#039;s MLT and PhyT as analogues to Gower&#039;s versions of the tales of Constance and Virginia.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268661">
    <dcterms:title><![CDATA[Faux Semblants: Antifraternalism Reconsidered in Jean de Meun and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Reexamines antimendicancy in Jean de Meun&#039;s &quot;Roman de la Rose&quot; and in CT, suggesting that Jean&#039;s portraits of friars should be seen primarily as portraits of hypocrisy and that Chaucer&#039;s portrayals of friars (especially in SumT) are mediated by the opinions of narrators. Like Jean, Chaucer depicts hypocrisy in individualized portraits that are not merely antifraternal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269005">
    <dcterms:title><![CDATA[Fear and Instinct in Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Chauntecleer&#039;s responses to the fox in his dream and in his initial sighting of the beast are rooted in Aristotelian traditions of psychology and natural antipathy, here traced from their classical roots through their medieval adaptations. The presence of such erudite depictions of instinct and enmity in NPT heightens its &quot;contrast between the animal and human.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269168">
    <dcterms:title><![CDATA[Fear Chiefly in Old and Middle English]]></dcterms:title>
    <dcterms:description><![CDATA[Etymological and semantic exploration of &quot;fear&quot; and related words that indicates nuances lost in translation between early English and modern editions and adaptations; discusses two uses of &quot;no fere&quot; in TC (3.583 and 1144) and an emendation of &quot;thys fere&quot; to &quot;hys fere&quot; in HF 174.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262268">
    <dcterms:title><![CDATA[Fearing for Chaucer&#039;s Good Name]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer criticism divides into prefeminist, feminist, and postfeminist eras, postfeminist criticism often lapses into prefeminist exclusion of female readers and critics by assuming transhistorical categories of the masculine and feminine and by reaffirming the traditional adulation of the male canonical authorial and critical subjectivity as it relates to &quot;the absence of women and the textuality of Woman&quot; in Chaucer&#039;s poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271902">
    <dcterms:title><![CDATA[Feathering the Text]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the specific appearance of vellum, the types of quills used in creating a medieval manuscript, and animal-inflicted damage to manuscripts by mice, bugs, etc. Intersperses discussion of NPT with regard to Chauntecleer&#039;s appearance and animals&#039; desires for sex and for freedom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276932">
    <dcterms:title><![CDATA[feeld Notes: Jos Charles&#039;s Chaucerian &quot;anteseedynts.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Jos Charles&#039;s &quot;transpoetics&quot; in &quot;feeld&quot; (2018), showing how the collection of poems capitalizes on the &quot;historical ruptures&quot; and other constitutive features of Middle English, mimicking its &quot;malleability and fluidity.&quot; Also suggests that Charles&#039;s technique is analogous to medieval musical &quot;hocket&quot; and explores how Charles&#039;s dramatic monologue &quot;reconceives&quot; the Wife of Bath&#039;s  in WBT, assessing several resonances.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276645">
    <dcterms:title><![CDATA[feeld.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes sixty trans lyric poems, presented in a &quot;transliteration of English--Chaucerian in affect, but revolutionary in effect,&quot; with spelling reminiscent of Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275131">
    <dcterms:title><![CDATA[Feeling Bureaucratic: Political Poetry, Affective Rhetoric, and Parliamentary Process in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses CT and PF, among other texts, to examine the development and contemporary understanding of the concept of English Parliament.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273521">
    <dcterms:title><![CDATA[Feeling like Saints: Lollard Writings after Wyclif.]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive study of over 500 manuscripts containing Lollard writings from 1375 to 1530. Analyzes textual culture associated with Lollard movement. Brief references to MLT, PardT, PhyT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275652">
    <dcterms:title><![CDATA[Felony&#039;s Dark Imagining in Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies &quot;the literary, religious, and legal histories of felony procedure,&quot; focusing on literary depictions of felony, including those in ParsT and MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276554">
    <dcterms:title><![CDATA[Female Consent and Affective Resistance in Romance: Medieval Pedagogy and #MeToo.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers pedagogical strategies for confronting &quot;literary representations of sexual violence&quot; in a range of medieval romances and novelle within story collections, including KnT; FranT; and works by Malory, Boccaccio, Gower, and Marguerite de Navarre. Includes &quot;reading approaches, discussion prompts, assignments, and critical contexts&quot; intended &quot;to position students as critical co-investigators.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276006">
    <dcterms:title><![CDATA[Female Desire in Chaucer&#039;s &quot;Legend of Good Women&quot; and Middle English Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses LGW alongside Middle English romance and an &quot;hermeneutic tradition stretching from Jerome and Alan of Lille.&quot; Argues through these intersections for a mode of interpretation that centers on female desires, including silenced narratives of female desire, and opens up new avenues of interpretation for LGW, romances, and Latin texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277024">
    <dcterms:title><![CDATA[Female Friendship in Late Medieval Literature: Cultural Translation in Chaucer, Gower, and Malory.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes depictions of affective female friendship in works by Chaucer (TC and FranT), John Gower (Albinus and Rosamund in the &quot;Confessio Amantis&quot;), and Thomas Malory (portions of &quot;Le Morte Darthur&quot;), contrasting them with source materials and attributing their relatively positive portrayals to the rise of &quot;literate activity,&quot; including patronage, among women. Assesses the circles of friends who seek to console Criseyde and Dorigen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277162">
    <dcterms:title><![CDATA[Female Goodness for Geoffrey Chaucer: Misconception or Intention?]]></dcterms:title>
    <dcterms:description><![CDATA[Briefly summarizes LGWP and assesses in detail each of the legends, arguing that, generally, Chaucer&#039;s anti-misogynistic effort fails. Although his &quot;primary goal is to speak of good women as examples for the society and equal to men,&quot; his selection of women, his sources, his characterizations of women and men, and his &quot;&quot;of goodness&quot; are fundamentally patriarchal.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263735">
    <dcterms:title><![CDATA[Female Sexual Behavior in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Examines admonitory treatises on female sexual behavior and actual women&#039;s accounts.  Refers to Prioress, Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264859">
    <dcterms:title><![CDATA[Female Stereotypes in Medieval Literature: Androgyny and the Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[The Wife of Bath has served as an example of a medieval feminist.  However, it would be more accurate to describe her as an androgyne--a person possessing both male and female characteristics.  While it can be argued that she has liberated herself from certain societal constraints because of her dual character, one must consider the morality involved in her selection of experiences. ]]></dcterms:description>
    <dcterms:description><![CDATA[Though androgyny may have served as a practical survival technique in medieval society, the wife succeeds only in becoming &quot;spiritually corrupt&quot; in both sexist role systems.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276957">
    <dcterms:title><![CDATA[Femina: A New History of the Middle Ages, through the Women Written Out of It.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a brief summary of KnT and posits that the petitioning of Theseus by the Theban women may have inspired the &quot;final act&quot; of suffragette Emily Wilding Davison when she reached &quot;towards the king&#039;s horse&quot; at the Epsom Derby of 1913. Also notes that, as a child, Wilding Davison adopted the pen name &quot;Emelye.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265267">
    <dcterms:title><![CDATA[Feminea Medievalia I: Representations of the Feminine in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Sixteen essays by various authors.  For six essays that pertain to Chaucer, search for Feminea Medievalia I under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266846">
    <dcterms:title><![CDATA[Feminine Dialectic and the Problem of Salvation in Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[WBT, PrT, and SNT all confront the masculine authority of books, the nature of love and marriage, and the nature of feminine authority--issues of female identity and agency. They assert a feminine response to masculine discourse in CT, culminating in the balance between SNT and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261533">
    <dcterms:title><![CDATA[Feminine Responses to Masculine Attractiveness in Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Examines depictions of masculine attractiveness in medieval romances, including TC.  Influenced by rhetorical and courtly traditions, such depictions (and parallel cautions against seduction) emphasize moral and social qualities rather than personal beauty.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268389">
    <dcterms:title><![CDATA[Feminism and Spirituality in Chaucer: The Second Nun&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Revised version of &quot;The Second Nun&#039;s Tale,&quot; first published in C. David Benson and Elizabeth Robertson, eds. Chaucer&#039;s Religious Tales (Cambridge:  Brewer, 1990).]]></dcterms:description>
</rdf:Description></rdf:RDF>