<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261311">
    <dcterms:title><![CDATA[Faithful Translations: Love and the Question of Poetry in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[LGWP reflects concern with poetic art, especially the notions of translation and transformation, &quot;making&quot; and &quot;enditing.&quot; Cupid&#039;s accusations against Rom and TC privilege social over artistic meaning although Chaucer and Alceste subvert this &quot;social appropriation of poetry.&quot;  Edwards assesses the relations of social and artistic meaning in BD and KnT as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270569">
    <dcterms:title><![CDATA[Falconry and Fantasy in Guillaume de Machaut&#039;s &#039;Dit de l&#039;Alerion&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Machaut&#039;s knowledge of falconry and his depiction of the falconer/falcon relationship in &quot;Dit de l&#039;Alerion&quot; as an extended metaphor of love. Also explores the influence of Machaut&#039;s metaphor, including its impact on Chaucer (TC, LGW, WBP, and FrT) and Shakespeare]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269196">
    <dcterms:title><![CDATA[Falconry in Literature: The Symbolism of Falconry in English Literature from Chaucer to Marvell]]></dcterms:title>
    <dcterms:description><![CDATA[An illustrated guide to raptors in English literature (fourteenth century to seventeenth century), which explains their symbolic value in terms of historical training and hunting practices and rituals. Recurrent references to Chaucer&#039;s works, including PF, SqT, and WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269937">
    <dcterms:title><![CDATA[Fallible Authors: Chaucer&#039;s Pardoner and Wife of Bath]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the Pardoner&#039;s and Wife of Bath&#039;s &quot;deviancy&quot; in light of late medieval theological and academic discourses, particularly the commentaries and summas of the scholastics, Lollard treatises ,and reactions to Lollard writings and trials. Neither character embodies Lollardy or Wycliffite heterodoxy, but each is radically unorthodox. The authority of the Pardoner is &quot;fallible&quot; because of his shocking abuses of sacerdotal privileges; the Wife&#039;s failings are linked to her usurpation of the rhetoric of clerical authority.]]></dcterms:description>
    <dcterms:description><![CDATA[Topics include qualifications for preaching; administration and validity of the sacraments of baptism, penance ,the Eucharist,ordination, and marriage; indulgences; the role of intention; female clergy; the Pardoner&#039;s sexuality; the Wife&#039;s obscenity; and the loathly lady&#039;s discussion of gentility in relation to dominion. Though heterodox, the characters tell moral tales. Also comments on SNT, ClT, and Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273008">
    <dcterms:title><![CDATA[Falling in Love with the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Provides a landscape of medieval courtly love, particularly within the French tradition, and evaluates how Chaucer explores intricacies of love in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275769">
    <dcterms:title><![CDATA[Fals Eneas and Sely Dido.]]></dcterms:title>
    <dcterms:description><![CDATA[Adduces details and emphases in Virgil&#039;s &quot;Aeneid&quot; to suggest that Chaucer used it directly in composing his Dido legend in LGW, though perhaps in combination with parallel sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265210">
    <dcterms:title><![CDATA[Fals Felicite and Verray Blisfulnesse: Alfred and Chaucer Translate Boethius&#039;s &#039;Consolation of Philosophy&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[When King Alfred translated Boethius&#039; &quot;Consolation,&quot; he changed some of the materials so that it could be understood by his people whereas Chaucer tried to translate as accurately as his Middle English would allow.  The two translations are as different as the men who produced them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261741">
    <dcterms:title><![CDATA[False &#039;Rekenynges&#039;: Sharp Practice and the Politics of Language in Chaucer&#039;s &#039;Manciple&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The Manciple evinces linguistic fraud through his digression on language, his shaping of the crow fable, and his impersonation of his mother&#039;s voice arguing against speech (a mispresentation of Jean de Meun&#039;s discourse of Reason and a foil to the silenced Coronis of the traditional fable).  These devaluations of language mirror his corrupt mercantile practices and link ManT to the concerns with transformation in SNT, CYT, and ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269396">
    <dcterms:title><![CDATA[False and Sooth Compounded in Caxton&#039;s Ending of Chaucer&#039;s House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Haydock reads Caxton&#039;s spurious ending and epilogue to HF in the 1483 Book of Fame as a &quot;canny as well as sympathetic reaction to the poem&#039;s ubiquitous concern with the transmission of literature.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269929">
    <dcterms:title><![CDATA[False Care and the Canterbury Cure: Chaucer Treats the New Galen]]></dcterms:title>
    <dcterms:description><![CDATA[PhyT expresses its narrator&#039;s concern with &quot;fiduciary&quot; ethics and asserts the principle that &quot;responsible professionals abjure exploitation.&quot; Such concerns are part of the late medieval professionalization of medical practice, so the Tale is appropriate to its teller.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268769">
    <dcterms:title><![CDATA[False Fables and Exemplary Truth in Later Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Explores issues of exemplarity and applicability in examples of Middle English literature--&quot;Book of the Knight of the Tower,&quot; Gower&#039;s &quot;Confessio Amantis,&quot; Lydgate&#039;s &quot;Fall of Princes,&quot; Henryson&#039;s &quot;Testment of Cresseid,&quot; and CT and TC. Chaucerian topics include the function of the frame in ClT; history, fiction, and exemplarity in PhyT; Northumberland MS 455 and how the Canterbury Interlude (Tale of Beryn) reflects fifteenth-century audience reaction to PardT; and Criseyde&#039;s multivalent exemplarity in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271221">
    <dcterms:title><![CDATA[False Memories: The Dream of Chaucer and Chaucer&#039;s Dream in the Medieval Revival]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the role of two &quot;false memories&quot; of Chaucer&#039;s life in the formation of nineteenth-century attitudes toward the poet and his reputation.  The spurious incidents--Chaucer&#039;s exile and imprisonment and his &quot;retirement&quot; to a park at Woodstock--were repeated in biographical accounts and other popular materials, helping to create a romanticized idea of the poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265661">
    <dcterms:title><![CDATA[False Texts and Disappearing Women in the &#039;Wife of Bath&#039;s Prologue and Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Although WBP and WBT seem more disparate than similar, they are not.  The pairing of the two allows Alison to make a statement about how to love well and how to be happy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275048">
    <dcterms:title><![CDATA[Falstaff and Fox Fables: A New Source.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer&#039;s &quot;daun Russel the fox&quot; in NPT 7. 3334 belongs to a centuries-long cohort of foxes whose tastes and tendencies Shakespeare applies to his wily Falstaff.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263873">
    <dcterms:title><![CDATA[Falstaff, the Wife of Bath, and the Sweet Smoke of Rhetoric]]></dcterms:title>
    <dcterms:description><![CDATA[Falstaff and the Wife of Bath &quot;use remarkably similar grammatical and syntactical strategies to manipulate language,&quot; to create &quot;smokescreens&quot; that cover their &quot;nakedness,&quot; and &quot;to try to reshape the world in their own image.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263556">
    <dcterms:title><![CDATA[Fame&#039;s Fabrication]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Froissart&#039;s and Christine de Pisan&#039;s treatments of fame and the role of the poet in bestowing it.  Questioning this tradition in HF, &quot;Chaucer&#039;s art is to mask his own opinions and to reveal his readers&#039; to themselves.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273442">
    <dcterms:title><![CDATA[Fame&#039;s Penitent: Deconstructive Chaucer among the Lancastrians.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that fifteenth-century verbal and visual depictions of Chaucer as an &quot;aged penitent&quot; (in Gascoigne, Hoccleve, Gower, Scogan, and the Bedford Hours) reflect the Derridean (and Augustinian) gaps that are evident in Ret and elsewhere in Chaucer&#039;s poetry. Chaucer&#039;s persistent attention to &quot;textual mediation&quot; evokes &quot;the illusion of presence,&quot; or an &quot;absent presence&quot; whereas his followers employ echoes of him and his poetry to evoke a politically charged &quot;secular penance&quot; that has parallels with Lancastrian reforms.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270887">
    <dcterms:title><![CDATA[Fame&#039;s Untimeliness]]></dcterms:title>
    <dcterms:description><![CDATA[Uses HF--along with Langland&#039;s &quot;Piers Plowman,&quot; &quot;St. Erkenwald,&quot; and &quot;Sir Gawain and the Green Knight&quot;--as evidence in a discussion of the medieval understanding of the memorialization process, suggesting that fame &quot;becomes emblematic&quot; of the &quot;ruptures that divide the past from the present.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277595">
    <dcterms:title><![CDATA[Families, Fictions, and Seeing through Things: Re-reading Langland, Chaucer, and the &quot;Pearl&quot;-Poet.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the &quot;two models&quot; of &quot;genealogy and thing theory&quot; to explore &quot;the generation of meaning in medieval texts,&quot; addressing issues of differences between the &quot;Chaucerian&quot; tradition and the &quot;Piers Plowman&quot; tradition and the processes of their formulations. Explores how the &quot;Chaucerian tradition enabled a truly &#039;public voice&#039; or common identity among English writers&quot; and includes discussion of the presence of TC and &quot;Piers Plowman&quot; in both Huntington Library, San Marino MS HM 143 and HM 114. Also assesses relations between &quot;Pearl&quot; and &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268983">
    <dcterms:title><![CDATA[Family Values and the Boundaries of Christendom in Chaucer&#039;s Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses three topics - Ford Madox Brown&#039;s painting of Chaucer reading from MLT to a decadent court at a time of dynastic crisis, the current Middle Eastern situation, and the story of Noah&#039;s Flood - in relation to Chaucer&#039;s portrayal of Custance&#039;s wanderings between the extremes of Islamic &quot;heresy,&quot; to Northumbrian paganism and Christian apostasy, and to the portrayal of the triumph and continuity of Christianity in MLT, signified by water.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272485">
    <dcterms:title><![CDATA[Fantasies of the Other&#039;s Body in Middle English Oriental Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the body of the &quot;Other&quot; in various medieval romances. Chapter 1, &quot;Ethnic Difference and Body Marvelous: the Case of Chaucer&#039;s &#039;Squire&#039;s Tale&#039; and Sir Ferumbras,&quot; focuses on how SqT highlights Canace&#039;s ethnicity as a space for fantasy. Canace represents an exotic other, symbolizing a &quot;new world&quot; in the East that is attractive to the West. SqT ties together the wonder inimical to the genre of romance with the fear of the Eastern Other, revealing the competing ideologies at work in the text.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272822">
    <dcterms:title><![CDATA[Fantasy in the &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that January&#039;s foolish fantasy is MerT &quot;is a version&quot; of the Merchant&#039;s own, tracing the teller&#039;s &quot;increasingly ambivalent attitude&quot; toward his character &quot;from detachment to attack.&quot; In January, the Merchant &quot;tries to destroy his former self,&quot; repudiating all idealism in favor of harsh reality, and reflecting &quot;precisely the projective self-indulgence of which he accuses January.&quot; Focuses on the &quot;mirror of the mind&quot; image, the Merchant&#039;s apostrophes, and the Pluto and Proserpina episode.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269803">
    <dcterms:title><![CDATA[Fashioning Change: Wearing Fortune&#039;s Garments in Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Denny-Brown analyzes sartorial changes accompanying the figure of Fortune from the twelfth century through the late medieval period, considering (along with works by other authors) Chaucer&#039;s For, Bo, Form Age, Wom Unc, BD, and MerT. Chaucer&#039;s uses of Fortune  direct attention to goods in the feudal system, assess wonder elicited by Fortune&#039;s goods, and associate late medieval female &quot;consumer behavior&quot; with Fortune&#039;s stereotypical characteristics.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274153">
    <dcterms:title><![CDATA[Fate and Discipline: A Comparative Study of &quot;The Tale of Heike&quot; and Chaucer&#039;s &quot;The Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the idea of the &quot;servant-become-warrior&quot; in the Japanese &quot;Tale of Heike&quot; and in KnT, commenting on the etymological roots of &quot;samurai&quot; and &quot;knight&quot; and exploring how concepts of determinism, service, and Foucauldian disciplinary power underlie the actions and characterizations in these narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264387">
    <dcterms:title><![CDATA[Fate and Freedom in &#039;The Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Precise astrological material and medical details pertaining to the disease &quot;amor hereos&quot; support the theory that Saturn and the fury that startles Arcite&#039;s horse dramatize the consequences of human choice rather than fatalism.  Chaucer uses Boethius&#039;s &quot;Consolation&quot; to turn apparent contradictions between universal order and particular disorder into significant paradox.]]></dcterms:description>
</rdf:Description></rdf:RDF>