<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271870">
    <dcterms:title><![CDATA[English Poets in the Late Middle Ages: Chaucer, Langland and Others]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twenty-two of Burrow&#039;s essays on fourteenth- and fifteenth-century poetry, including several on Chaucer. Individual essays retain their original pagination.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265261">
    <dcterms:title><![CDATA[English Preaching in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the forms, styles, goals, and reception of late-medieval English sermons and sermon collections.  Examines attendance at sermons; allegorical and literal aspects of sermons; and relations between sermons and literacy, eduction, and proselytizing.  Explores the medieval concern for the differences between &quot;academic&quot; sermons and the simpler styles advocated by Wycliffe and the Lollards.]]></dcterms:description>
    <dcterms:description><![CDATA[Manuscript evidence reflects compilers&#039; familiarity with each other&#039;s work, a limited number of exemplars, dependence on Latin tradition, and the importance of Archbishop Arundel&#039;s &quot;Provincial Constitutions&quot; in encouraging sermons modeled on Mirk&#039;s &quot;Festial&quot; rather than Lollard Sunday gospel sermons. Spencer considers ParsT and PardT in light of sermon tradition and examines other portions of CT for evidence of attitudes toward sermons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271622">
    <dcterms:title><![CDATA[English Prosody from Chaucer to Wyatt]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the history of English meter from Chaucer to Wyatt, considering scansion, rhythm, pronunciation, and syllabification, assessing Chaucer&#039;s uses of tetrameter and pentameter, and the practices of Lydgate, Hoccleve, and Wyatt. Focuses on the topic of consonant-release in final syllables, surveying historical understanding of the practice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266143">
    <dcterms:title><![CDATA[English Secular and Ecclesiastical Music in the Fourteenth Century: Some Literary References]]></dcterms:title>
    <dcterms:description><![CDATA[Though not a practicing musician, Chaucer had a better-than-average knowledge of late-fourteenth-century French monodic and English polyphonic music.  This knowledge is evident in his specific and accurate use of musical terminology.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275237">
    <dcterms:title><![CDATA[English Society c. 1340–1400: Reform and Resistance.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the events and social impact of major historical events in fourteenth-century England: war with France, Black Death, the Uprising of 1381, Wycliffite reform, and their interrelations. Designed for classroom use.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264763">
    <dcterms:title><![CDATA[English Verse: Theory and History]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s own verses are interpreted, as are fourteenth-century pre-Chaucerian romances, according to two syllabic variants &quot;pre-Chaucerian,&quot; in which the final -&quot;e&quot; is counted, and &quot;Chaucerian,&quot; in which the final -&quot;e&quot; is counted only when required by the rhythmic-syllabic structure of the line.  Chaucer&#039;s poetry shows a new and better organization of syllabic material in a line, and even his early poetry can be called syllabo-tonic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263926">
    <dcterms:title><![CDATA[English Wycliffite Sermons]]></dcterms:title>
    <dcterms:description><![CDATA[Vol. 1.]]></dcterms:description>
    <dcterms:description><![CDATA[The first of four volumes includes fifty-four sermons on the Sunday gospels and fifty-five sermons on the Sunday Epistles, with introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262378">
    <dcterms:title><![CDATA[English Wycliffite Sermons, II]]></dcterms:title>
    <dcterms:description><![CDATA[Presents the 68 Sanctorale sermons, based on British Library Additional 40672 in collation with 25 other manuscripts, with modern punctuation and capitalization, as the second of four volumes on the 294 English Wycliffite sermons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277055">
    <dcterms:title><![CDATA[Englishing the Virgin: Enclosure, Dissemination, and the Early English Book.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies how &quot;the Virgin Mary and her followers, especially women living the enclosed life . . . occupied a central role in the development of the early English book,&quot; discussing works ranging from LGW, WBPT, and Mel to Richard Tottel&#039;s&quot; Songes and Sonnettes&quot; (1557). Argues that &quot;In his tales related to &#039;good women,&#039; Chaucer develops an authorial persona consistent with Marian devotional practices.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261625">
    <dcterms:title><![CDATA[Englishwomen as Pilgrims to Jerusalem: Isolda Parewastell, 1365]]></dcterms:title>
    <dcterms:description><![CDATA[Refers briefly to the Wife of Bath while discussing a document about a female English pilgrim, Isolde Parewastell, who journeyed to Jerusalem from England and who requested that the pope grant her the right to a chantry in England because of her sufferings in the holy places.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271255">
    <dcterms:title><![CDATA[Enjambment in Chaucer: A Tentative Study]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen, reported in MLA International Bibliography as a study of enjambment in relation to syntax in BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274115">
    <dcterms:title><![CDATA[Enlisting the Poet: The List and the Late Medieval Dream Vision.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on ways Chaucer&#039;s successors employed lists in dream visions, and refers to HF, BD, PF, LGW, KnT, and GP. Argues that by employing different listing techniques, medieval authors used lists as a way of legitimizing themselves as authors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274215">
    <dcterms:title><![CDATA[Enlisting Truth.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that medieval lists or catalogues point both to the necessary and to the excessive, and in doing so emphasize differing views of appropriate ownership and use of material goods. Includes brief mention of lists in HF and Form Age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276936">
    <dcterms:title><![CDATA[Enlistment: Lists in Medieval and Early Modern Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects ten essays by various authors that discuss lists and listing as epistemological, rhetorical, and poetic devices, with an introduction by the editors (&quot;Enlistment as Poetic Stratagem&quot;), and a comprehensive index. For four essays that pertain to Chaucer, search for Enlistment: Lists in Medieval and Early Modern Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271559">
    <dcterms:title><![CDATA[Enriching Friendship: Representations of Profitable Amity from Chaucer to Milton]]></dcterms:title>
    <dcterms:description><![CDATA[As part of a larger discussion of changing paradigms of friendship, considers TC, along with Shakespeare, Milton, Lanyer, and others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266435">
    <dcterms:title><![CDATA[Ensayos Chaucerienses]]></dcterms:title>
    <dcterms:description><![CDATA[Includes six essays about Chaucer by Leon Sendra and a summary-introduction by Jesus L. Serrano Reyes.  The first essay proposes a sociolinguistic approach to Chaucer&#039;s works, based on the textual-linguistic theory of M. A. K. Halliday, and the other essays apply some aspect of this approach.  In HF, the relation between sign and style encourages the audience to reach beyond interpretation.]]></dcterms:description>
    <dcterms:description><![CDATA[Critical responses to Criseyde reflect how ambiguities in TC promote the reader&#039;s participation.  In PardT, ClT, WBT, and FranT, the personal topic of love engages the audience.  Halliday&#039;s systemic-functional approach to style makes clear the various levels of discourse and the particularly English features of Th.  Chaucer&#039;s references to Spain in GP, MkT, PardT, HF, and Rom capitalize on common assumptions about Spain.]]></dcterms:description>
    <dcterms:description><![CDATA[In Spanish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269747">
    <dcterms:title><![CDATA[Ensnared by His Words: My Chaucer Obsession]]></dcterms:title>
    <dcterms:description><![CDATA[Narrative autobiography of the author&#039;s fascination with Chaucer, recounting the writing and publishing of three books on allegory in CT. Includes Cullen&#039;s thoughts about the reception of Chaucer among academic and popular audiences.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275748">
    <dcterms:title><![CDATA[Entendre des Voix: Réception et Perception dans Deux Lais Bretons Moyen-Englais (&quot;Lay le Freine,&quot; &quot;Sir Orfeo&quot;) et le &quot;Franklin&#039;s Tale&quot; de Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations among voice, genre, music, orality, and memorial transmission in &quot;Lay le Freine,&quot; &quot;Sir Orfeo,&quot; and FranT, including assessment of the ambiguities and Bahktinian polyphony of voices in the GP description of the Franklin&#039;s oral associations with food and in Sq-FranL and FranP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273033">
    <dcterms:title><![CDATA[Enter the Bedroom: Managing Space for the Erotic in Middle English Romance &#039;Amantis&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Includes brief consideration of sexuality in Chaucer&#039;s work, with specific mention of MilT, RvT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273560">
    <dcterms:title><![CDATA[Entre exegesis y adicion: El papel del Prologo al &quot;Cuento del erudite&quot; en la adaptacion de Chaucer del de insigni obedientia et fide uxoris.]]></dcterms:title>
    <dcterms:description><![CDATA[Evaluates Chaucer&#039;s strategies of adapting his Italian sources in ClT. He uses three paratexts to adjust the original story to the specific narratological and structural microcosm of CT: ClP, the conclusion explaining what Petrarch meant in Griselda&#039;s story, and the sarcastic epilogue questioning the validity of the Italian&#039;s purpose for an English context]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275265">
    <dcterms:title><![CDATA[Entries.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate that the volume includes a poem entitled &quot;On a Theme of Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275256">
    <dcterms:title><![CDATA[Environment, Landscape, and Nature in &quot;The Merchant&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;complications&quot; involved in defining &quot;environment,&quot; &quot;landscape,&quot; and &quot;nature&quot; in MerT, and views the narrative through an &quot;ecocritical&quot; lens, describing the critical method and showing that in the Tale &quot;literary devices revolving around water, stone, vegetation, and animals repeatedly undercut the meanings their speakers apparently intend.&quot; Designed for pedagogical use, includes several questions for discussion and suggestions for further reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270573">
    <dcterms:title><![CDATA[Environmental Protection: Solving Environmental Problems from Social Science and Humanities Perspectives]]></dcterms:title>
    <dcterms:description><![CDATA[College textbook designed to introduce undergraduate students to the &quot;ways that specialists in the social sciences and the humanities analyze environmental problems.&quot;  Chapter 4, &quot;Literature and the Environment,&quot; opens with a description of LGWP and includes commentary on the poem and its engagement with nature, more generally addressing how literature induces &quot;reflective perception&quot; on nature and the environment.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273099">
    <dcterms:title><![CDATA[Envy and Ethics: &#039;Plesaunce Leefful&#039; in &quot;The Parson&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Emphasizes an ironic view of Parson&#039;s &quot;exploration of &#039;lawful pleasure&#039;&quot; and contends that ParsT can be viewed as a &quot;psychological   experience of delight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261904">
    <dcterms:title><![CDATA[Epic Descent in the &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Though similarities have been found, Mercury&#039;s appearance to Arcite in KnT cannot be traced to a single specific source. One should view the scene in the broad context of the theme of epic descent from which Chaucer draws several effects.]]></dcterms:description>
</rdf:Description></rdf:RDF>