<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271277">
    <dcterms:title><![CDATA[English Literature from Chaucer to McEwan: An Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267726">
    <dcterms:title><![CDATA[English Literature in the Age of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys fourteenth- and fifteenth-century English and Middle Scots literature (excluding drama), with individual chapters dedicated to Chaucer, Gower, Langland, the Gawain poet, Lydgate and Hoccleve, the lyric, Middle Scots (James I, Robert Holland, Henryson, Dunbar, and Douglas), and Middle English prose (Mandeville&#039;s Travels, mystics, Margery Kempe, and Malory). Includes a timeline, bibliographies for each section, and a subject index. The treatment of Chaucer (pp. 8-59) emphasizes his adaptability and the open-ended vitality of his poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270373">
    <dcterms:title><![CDATA[English Literature of the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Literary history of England, from Caedmon to Malory, divided into seven chapters, although nearly half of the volume attends to Chaucer and his works. Chapter 4 (pp. 70-213) surveys Chaucer&#039;s early life and influences, the &quot;early poems,&quot; TC, and CT, and Chapter 5 (pp. 214-29) covers &quot;Chaucer&#039;s Friends and Followers.&quot; Chapter 6 (&quot;Popular Romance, Ballad and Lyric&quot;) and Chapter 7 (&quot;Middle English Prose&quot;) include discussion of appropriate works by Chaucer as well.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274523">
    <dcterms:title><![CDATA[English Literature: A Portrait Gallery.]]></dcterms:title>
    <dcterms:description><![CDATA[Reproduces in black and white the London National Portrait Gallery panel portrait of Chaucer (p. 2), preceded by a brief comment on Chaucer&#039;s life, with reference to William Dunbar&#039;s praise of him, mention of the TC frontispiece portrait (Cambridge, Corpus Christi College, MS 61), and the claim that the &quot;basis of the panel illustration&quot; is the illustration of Chaucer that accompanies Thomas Hoccleve &quot;Regement of Princes&quot; (British Library, MS Harley 4866, f. 88r).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277190">
    <dcterms:title><![CDATA[English Medieval Literature and Its Social Foundations.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the literatures of medieval England, with emphasis on origins, multilingualism, feudalism, developmental transitions, dominant themes, and social, political, and religious contexts. Includes chapters on the contemporaries of Chaucer, Chaucer&#039;s life and early works (through TC), and his CT (arranged by genre), with a section on his place as a writer and thinker that summarizes tensions among his conformity, his asceticism, and his &quot;conspicuous&quot; and &quot;abounding love of life and of people.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262299">
    <dcterms:title><![CDATA[English Medieval Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the nature of romance; the evolution of European romance; English romance; the &quot;matters&quot; of England, France, Rome, and Britain; derivatives; the diffusion of the genre; and &quot;The Tale of Gamelyn.&quot;]]></dcterms:description>
    <dcterms:description><![CDATA[Includes general, selective, and annual bibliographies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271278">
    <dcterms:title><![CDATA[English Philology and Stylistics: A Festschrift for Toshiro Tanaka]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat, where the summary of contents includes reference, without page numbers, to two essays that pertain to Chaucer:  &quot;Chaucer&#039;s &#039;Semely&#039; and Its Related Words from an Optical Point of View,&quot; by Yoshiyuki Nakao, and &quot;Lexicological Multiplicity in Chaucer: With Special Reference to Words Related to &#039;Heart&#039;,&quot; by Hideshi Ohno.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270591">
    <dcterms:title><![CDATA[English Poetry: A Poetic Record from Chaucer to Yeats]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology in two parts:  1) seventy-six examples of English verse &quot;reflections&quot; on the nature and features of poetry; 2) 318 examples of &quot;English poets&#039; responses&quot; to other English poets. Includes notes and indexes.  The Chaucer section of part 2 (pp. 72-83) includes two samples of Chaucer&#039;s commentary on his own verse, followed by commemorations of Chaucer by Hoccleve, Lydgate, Skelton, Spenser Samuel Daniel, Michael Drayton, Dryden, Mark Akenside, Blake, Wordsworth, Coleridge, and Hartley Coleridge, with additional allusions by Surrey, Ben Jonson, Milton, James Thomson, and Walter Savage Landor.]]></dcterms:description>
    <dcterms:description><![CDATA[Reprinted in 1994 as The Routledge Anthology of Poets on Poets: Poetic Responses to English Poetry from Chaucer to Yeats.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275457">
    <dcterms:title><![CDATA[English Poetry: A Short History.]]></dcterms:title>
    <dcterms:description><![CDATA[Praises Chaucer (pp. 17-31) as the first poet in English to be &quot;read for pleasure&quot; because he &quot;invented in English the pleasant habit of writing for the sake of writing.&quot; Commends Chaucer&#039;s innovative uses of French and Italian models and the &quot;wealth of observed character&quot; to be found in CT. Includes a summary of Chaucer&#039;s life and his &quot;natural genius.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271870">
    <dcterms:title><![CDATA[English Poets in the Late Middle Ages: Chaucer, Langland and Others]]></dcterms:title>
    <dcterms:description><![CDATA[Reprints twenty-two of Burrow&#039;s essays on fourteenth- and fifteenth-century poetry, including several on Chaucer. Individual essays retain their original pagination.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265261">
    <dcterms:title><![CDATA[English Preaching in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the forms, styles, goals, and reception of late-medieval English sermons and sermon collections.  Examines attendance at sermons; allegorical and literal aspects of sermons; and relations between sermons and literacy, eduction, and proselytizing.  Explores the medieval concern for the differences between &quot;academic&quot; sermons and the simpler styles advocated by Wycliffe and the Lollards.]]></dcterms:description>
    <dcterms:description><![CDATA[Manuscript evidence reflects compilers&#039; familiarity with each other&#039;s work, a limited number of exemplars, dependence on Latin tradition, and the importance of Archbishop Arundel&#039;s &quot;Provincial Constitutions&quot; in encouraging sermons modeled on Mirk&#039;s &quot;Festial&quot; rather than Lollard Sunday gospel sermons. Spencer considers ParsT and PardT in light of sermon tradition and examines other portions of CT for evidence of attitudes toward sermons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271622">
    <dcterms:title><![CDATA[English Prosody from Chaucer to Wyatt]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the history of English meter from Chaucer to Wyatt, considering scansion, rhythm, pronunciation, and syllabification, assessing Chaucer&#039;s uses of tetrameter and pentameter, and the practices of Lydgate, Hoccleve, and Wyatt. Focuses on the topic of consonant-release in final syllables, surveying historical understanding of the practice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266143">
    <dcterms:title><![CDATA[English Secular and Ecclesiastical Music in the Fourteenth Century: Some Literary References]]></dcterms:title>
    <dcterms:description><![CDATA[Though not a practicing musician, Chaucer had a better-than-average knowledge of late-fourteenth-century French monodic and English polyphonic music.  This knowledge is evident in his specific and accurate use of musical terminology.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275237">
    <dcterms:title><![CDATA[English Society c. 1340–1400: Reform and Resistance.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the events and social impact of major historical events in fourteenth-century England: war with France, Black Death, the Uprising of 1381, Wycliffite reform, and their interrelations. Designed for classroom use.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264763">
    <dcterms:title><![CDATA[English Verse: Theory and History]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s own verses are interpreted, as are fourteenth-century pre-Chaucerian romances, according to two syllabic variants &quot;pre-Chaucerian,&quot; in which the final -&quot;e&quot; is counted, and &quot;Chaucerian,&quot; in which the final -&quot;e&quot; is counted only when required by the rhythmic-syllabic structure of the line.  Chaucer&#039;s poetry shows a new and better organization of syllabic material in a line, and even his early poetry can be called syllabo-tonic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263926">
    <dcterms:title><![CDATA[English Wycliffite Sermons]]></dcterms:title>
    <dcterms:description><![CDATA[Vol. 1.]]></dcterms:description>
    <dcterms:description><![CDATA[The first of four volumes includes fifty-four sermons on the Sunday gospels and fifty-five sermons on the Sunday Epistles, with introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262378">
    <dcterms:title><![CDATA[English Wycliffite Sermons, II]]></dcterms:title>
    <dcterms:description><![CDATA[Presents the 68 Sanctorale sermons, based on British Library Additional 40672 in collation with 25 other manuscripts, with modern punctuation and capitalization, as the second of four volumes on the 294 English Wycliffite sermons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277055">
    <dcterms:title><![CDATA[Englishing the Virgin: Enclosure, Dissemination, and the Early English Book.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies how &quot;the Virgin Mary and her followers, especially women living the enclosed life . . . occupied a central role in the development of the early English book,&quot; discussing works ranging from LGW, WBPT, and Mel to Richard Tottel&#039;s&quot; Songes and Sonnettes&quot; (1557). Argues that &quot;In his tales related to &#039;good women,&#039; Chaucer develops an authorial persona consistent with Marian devotional practices.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261625">
    <dcterms:title><![CDATA[Englishwomen as Pilgrims to Jerusalem: Isolda Parewastell, 1365]]></dcterms:title>
    <dcterms:description><![CDATA[Refers briefly to the Wife of Bath while discussing a document about a female English pilgrim, Isolde Parewastell, who journeyed to Jerusalem from England and who requested that the pope grant her the right to a chantry in England because of her sufferings in the holy places.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271255">
    <dcterms:title><![CDATA[Enjambment in Chaucer: A Tentative Study]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen, reported in MLA International Bibliography as a study of enjambment in relation to syntax in BD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274115">
    <dcterms:title><![CDATA[Enlisting the Poet: The List and the Late Medieval Dream Vision.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on ways Chaucer&#039;s successors employed lists in dream visions, and refers to HF, BD, PF, LGW, KnT, and GP. Argues that by employing different listing techniques, medieval authors used lists as a way of legitimizing themselves as authors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274215">
    <dcterms:title><![CDATA[Enlisting Truth.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that medieval lists or catalogues point both to the necessary and to the excessive, and in doing so emphasize differing views of appropriate ownership and use of material goods. Includes brief mention of lists in HF and Form Age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276936">
    <dcterms:title><![CDATA[Enlistment: Lists in Medieval and Early Modern Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects ten essays by various authors that discuss lists and listing as epistemological, rhetorical, and poetic devices, with an introduction by the editors (&quot;Enlistment as Poetic Stratagem&quot;), and a comprehensive index. For four essays that pertain to Chaucer, search for Enlistment: Lists in Medieval and Early Modern Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271559">
    <dcterms:title><![CDATA[Enriching Friendship: Representations of Profitable Amity from Chaucer to Milton]]></dcterms:title>
    <dcterms:description><![CDATA[As part of a larger discussion of changing paradigms of friendship, considers TC, along with Shakespeare, Milton, Lanyer, and others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266435">
    <dcterms:title><![CDATA[Ensayos Chaucerienses]]></dcterms:title>
    <dcterms:description><![CDATA[Includes six essays about Chaucer by Leon Sendra and a summary-introduction by Jesus L. Serrano Reyes.  The first essay proposes a sociolinguistic approach to Chaucer&#039;s works, based on the textual-linguistic theory of M. A. K. Halliday, and the other essays apply some aspect of this approach.  In HF, the relation between sign and style encourages the audience to reach beyond interpretation.]]></dcterms:description>
    <dcterms:description><![CDATA[Critical responses to Criseyde reflect how ambiguities in TC promote the reader&#039;s participation.  In PardT, ClT, WBT, and FranT, the personal topic of love engages the audience.  Halliday&#039;s systemic-functional approach to style makes clear the various levels of discourse and the particularly English features of Th.  Chaucer&#039;s references to Spain in GP, MkT, PardT, HF, and Rom capitalize on common assumptions about Spain.]]></dcterms:description>
    <dcterms:description><![CDATA[In Spanish.]]></dcterms:description>
</rdf:Description></rdf:RDF>