<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265040">
    <dcterms:title><![CDATA[Doubting Thomas in Chaucer&#039;s &#039;Summoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In SumT Friar John and Thomas parody significant features in the life of St. Thomas the Apostle.  The probing of Thomas&#039;s body by the friar parodies the &quot;doubting Thomas&quot; legend.  The references to St. Thomas provide a foil by which the audience may judge the actions in the tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265445">
    <dcterms:title><![CDATA[Douleurs et joies du traducteur de textes medievaux]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses problems of translating medieval texts, especially CT and &quot;Sir Gawain and the Green Knight,&quot; treating problems of cultural distance and reception as well as linguistic aspects.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268307">
    <dcterms:title><![CDATA[Drama and the Culture of Commercial Hospitality in Early Modern England]]></dcterms:title>
    <dcterms:description><![CDATA[Clark mentions Chaucer in the context of conceptions of &quot;drinking-house culture.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268352">
    <dcterms:title><![CDATA[Drama, Narrative and Poetry in the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Fifteen essays by various authors examine ways of reading tales in CT in terms of relationships to a particular literary mode, whether theater, narrative, or poetry. The collection includes an introduction by the editor. For the individual essays, search for Drama, Narrative and Poetry in the Canterbury Tales under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268367">
    <dcterms:title><![CDATA[Drama, Theatricality and Performance: Radicals of Presentation in The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[CT accommodates apparently conflicting forms of address and confusions of narrative, dramatic, and expository genres. Chaucer manipulates a number of Northrup Frye&#039;s &quot;radicals of presentation,&quot; allowing perpetual reinterpretation through the overlay of what had usually been considered quite distinct radicals of presentation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261994">
    <dcterms:title><![CDATA[Dramatic Chronology in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Readers err in trying to define the time-scheme of TC too closely, since only a few days of the story&#039;s three years are narrated in detail.  One must distinguish, therefore, between historical and dramatic chronology, noting Chaucer&#039;s emphasis more on the intensity of experience than on its duration.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272754">
    <dcterms:title><![CDATA[Dramatic Elements in Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the five-act &quot;pyramidal&quot; structure, rising and falling action, clear-cut scene divisions, dialogue, three unities, courtly love conventions, balance and parallelism, and other dramatic elements in TC, commenting on similarities to classical and Shakespearean plays. Then argues that the climax and catastrophe of TC make it more a martyr play than a tragedy, and that the final fourteen stanzas have a pyramidal structure of their own.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262909">
    <dcterms:title><![CDATA[Dramatic Elements in Middle English Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Moore studies the influence of varied forms of dramatic presentation on Chaucer, Langland, and the &quot;Gawain&quot;-poet; significant use of voice and gesture is implied in their work although the poets were aware of a new audience of readers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266184">
    <dcterms:title><![CDATA[Dramatic Intertextuality in the &#039;Miller&#039;s Tale&#039;: Chaucer&#039;s Use of Characters from Medieval Drama as Foils for John, Alisoun, Nicholas and Absolon]]></dcterms:title>
    <dcterms:description><![CDATA[Six brief essays from a graduate seminar explore how select medieval plays of the Flood, Nativity, Annunication and Slaughter of the Innocents and Jean Bodel&#039;s &quot;Le jeu de Saint Nicholas&quot; illuminate Chaucer&#039;s characters in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262149">
    <dcterms:title><![CDATA[Dramatic Irony in Chaucer&#039;s &#039;The Franklin&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Dramatic irony in FranT and FranP results in incongruities between the characters&#039; appearances and their absurdities, also demonstrating the Franklin&#039;s ill-claimed eloquence and acquaintance with rhetoric.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274293">
    <dcterms:title><![CDATA[Dramatic Irony in the Canon&#039;s Yeoman&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the moral and intellectual &quot;failings&quot; of the priest in CYT, arguing that his greed, his gullibility, and his status as an &quot;annueleer&quot; make him a target of the Tale&#039;s satire by way of dramatic irony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267101">
    <dcterms:title><![CDATA[Dramatic Perspective in Chaucer&#039;s &#039;The Canterbury Tales&#039; and &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer expresses the dialectical tension between subject and history, between the inner and the outer self, between canon and parody in CT and TC. He represents this conflict through dramatic dialogue and theatrical performance, making the subjective characters-the &quot;dramatis personae&quot;-more relevant than are story and narrative.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273343">
    <dcterms:title><![CDATA[Dramatic Time, Setting, and Motivation in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts MerT, PrT, and PardT with their respective analogues, contending that Chaucer&#039;s Tales are inconsistent in time, setting, and character motivation, reflecting &quot;Chaucer&#039;s lack of concern for real people and real objects.&quot; Similarly in TC, Chaucer&#039;s characters operate &quot;within a framework of deliberate aesthetic stylization&quot; because he is more concerned with didactic persuasion than realistic depiction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274574">
    <dcterms:title><![CDATA[Dramatized Classics for Radio-Style Reading: A Collection of Short Plays Adapted from Great Literature for Royalty-Free Performance or Classroom Reading. Volume I.]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve short dramas for oral reading, including a Modern English prose adaptation of CT (pp. 161-83) that retells portions of GP, KnT, WBT, NPT, and PardT, with narrative transitions between them. Designed for juvenile audience; reading time approximately one-half hour.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271155">
    <dcterms:title><![CDATA[Drawbacks in the Process of Editing a Non-Canonical Chaucerian Text: The Case of Yonge Gamelyne of the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Vásquez describes her assumptions and practices in producing a scholarly edition of &quot;The Tale of Gamelyn,&quot; an outlaw narrative assigned to Chaucer&#039;s Cook in a number of manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273958">
    <dcterms:title><![CDATA[Drawing Out a Tale: Elisabeth Frink&#039;s Etchings Illustrating Chaucer&#039;s &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the British illustrator and sculptor Elisabeth Frink&#039;s 1972 illustrated version (with nineteen etchings on copper plates) of Nevill Coghill&#039;s 1951 translation of CT. Analyzes several engravings and provides modernist visual interpretation of CT. Brings artistic fascination with &quot;men, horses, and sex&quot; to bear on what is, and is not, present thematically in CT; includes emphasis on female encounters with male power. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271060">
    <dcterms:title><![CDATA[Drawings for Geoffrey Chaucer&#039;s &#039;The Reve&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-two b&amp;w drawings (plus two cover illustrations) by Armitage accompany Urry&#039;s 1721 text of RvPT, with same-page modern poetic translation in by Nevill Coghill (1951). Each drawing has a title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270920">
    <dcterms:title><![CDATA[Dream Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Although Chaucer scholarship generally exaggerates the poet&#039;s learning, it seems to have missed his use of Huon de Méri&#039;s &quot;Tornoiemenz&quot; in LGWP. Scholarship also overemphasizes the visionary features of Chaucer&#039;s dream poems, while underestimating the value of treating them as natural dreams, ripe with the &quot;delicious unpredictability of their forward movement&quot; that obviates thematic fatalism. Spearing invites explorations of dream poetry as a subgenre of the &quot;dit,&quot; expressive of life experienced in the first person.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271384">
    <dcterms:title><![CDATA[Dream Vision for Langland and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Lyric poem about a dream within a dream.  An accompanying note mentions that both Langland and Chaucer &quot;often described a dream within a dream.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269400">
    <dcterms:title><![CDATA[Dream Visions and Other Poems: Authoritative Texts, Contexts, Criticism]]></dcterms:title>
    <dcterms:description><![CDATA[Includes BD, HF, PF, LGW, Anel, ABC, Adam, MercB, Ros, Truth, Gent, Sted, Scog, Buk, and Purse, with a general preface, an introduction for each of the longer works, selected background works and critical assessments (focusing on the dream visions), a chronology, an introduction to Chaucer&#039;s Middle English, and a brief bibliography. Texts include marginal glosses and bottom-of-page notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276805">
    <dcterms:title><![CDATA[Dreamer Once More.]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the dreamer of BD as consistently stupid, a &quot;nonpareil of dullwittedness&quot;-- technically, psychologically, and allegorically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269201">
    <dcterms:title><![CDATA[Dreaming]]></dcterms:title>
    <dcterms:description><![CDATA[Kruger summarizes medieval dream theory and argues that Chaucer exploits &quot;the complexities, ambiguities, and uncertainties of dreams, their causes, and their interpretation.&quot; Dreams pose interpretive problems in NPT and TC. As dream visions, BD, HF, PF, and LGWP take up psychological or personal concerns and address philosophical and theological questions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266294">
    <dcterms:title><![CDATA[Dreaming and Speaking in &#039;The Parliament of Fowls&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Questions whether Chaucer&#039;s deviations from traditional literary standards disguise or disclose personal messages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261543">
    <dcterms:title><![CDATA[Dreaming in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes medieval theory of dreams, tracing development from late antiquity to the late Middle Ages.  In theory, in literature, and in life, dreams were regarded as both potentially deceptive and potentially illuminating.  The work concentrates on theorists of dreams and interpretation of real-life dreams but comments on and provides background for literary dream visions, including Chaucer&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276215">
    <dcterms:title><![CDATA[Dreaming of (Self-) Annihilation: Gendered Temporalities in Gavin Douglas&#039;s &quot;Palyce of Honour.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Gavin Douglas&#039;s construction of Honour and Venus in the &quot;Palyce of Honour,&quot; though misogynistic, constitutes a complex allegorical response to Chaucer&#039;s model of literary renovation in the HF.]]></dcterms:description>
</rdf:Description></rdf:RDF>