<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271432">
    <dcterms:title><![CDATA[The Production of Books in England, 1350-1500]]></dcterms:title>
    <dcterms:description><![CDATA[A collection of essays addressing the history of the book, manuscript studies, culture, and history of late medieval England. For two essays that pertain to Chaucer, search for Production of Books in England under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271431">
    <dcterms:title><![CDATA[Chaucer and Italian Textuality]]></dcterms:title>
    <dcterms:description><![CDATA[Studies how Chaucer&#039;s ClT may have been affected by the Italian textual tradition. The first part of the book concentrates on the Italian texts, particularly the Manelli codex of Boccaccio, &quot;Decameron&quot; X.10. The second part considers how the Hengwrt and Ellesmere manuscripts present ClT, its envoy, and WBP. Appendices compile the glosses from Manelli, Hengwrt, and Ellesmere.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271430">
    <dcterms:title><![CDATA[Voix de femmes au Moyen Âge: Actes du colloque du Centre d&#039;études médiévales anglaises de Paris-Sorbonne (26-27 mars 2010)]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven articles on medieval women and/or literature for them, especially works that are written by women authors. For one essay that pertains to Chaucer, see Piero Boitani, &quot;Marie de France and the Breton Lay in England,&quot; (pp. 211-26).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271429">
    <dcterms:title><![CDATA[&#039;The Clerkenwell Tales&#039; de Peter Ackroyd: Une persistance de la formule chaucérienne?]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on Ackroyd&#039;s use of Chaucer&#039;s &quot;formulism&quot; (Zumthor) and reflects on how successful the accumulation of medieval formulas and sayings really is.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271428">
    <dcterms:title><![CDATA[Documents and Books: A Case Study of Luket Nantron and Geoffrey Spirleng as Fifteenth-Century Administrators and Textwriters]]></dcterms:title>
    <dcterms:description><![CDATA[Background of Spirleng, a copyist of CT (Glasgow, Hunterian MS U.1.1).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271427">
    <dcterms:title><![CDATA[Editing Chaucer&#039;s Early Poems: A Rationale for Virtual Copy-Text]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that a &quot;computer facilitated re-spelling of a reconstructed archetype&quot; ought to be the basis for future editions of LGW, Anel, HF, PF, and BD because the textual situations of these poems are &quot;precarious.&quot; The reconstruction would use the &quot;standard of spelling represented by the Hengwrt manuscript&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271426">
    <dcterms:title><![CDATA[The 1807 Edition of the Poetical Works of Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Taking its editor&#039;s preface as a cue, an examination of this edition, which has heretofore been labeled a reprint of John Bell&#039;s 1782 edition, reveals that it is in fact &quot;a considerable re-evaluation of Chaucer&#039;s works.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271425">
    <dcterms:title><![CDATA[The Selected Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page poetic translation of GP, KnT, MilPT, RvPT, CkPT, WBPT, ClPT, MerPT, FranPT, PardPT, PrPT, Thop and prologues to Thop and Mel, NPPT, ParsP, and Ret. Follows Chaucer&#039;s verse forms. Includes biographical and cultural backgrounds (pp. xv-xlv), and occasional explanatory notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271424">
    <dcterms:title><![CDATA[Imagining the Book: Literary Folios in the Book Trade of Early Modern London]]></dcterms:title>
    <dcterms:description><![CDATA[Within the context of an examination of the English Renaissance, submits that the 1598 edition of Chaucer connects manuscripts and print culture, while lending Chaucerian authority and canonicity to print editions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271423">
    <dcterms:title><![CDATA[The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Chwast&#039;s humorous graphic novel of Chaucer&#039;s twenty-four tales depicts the pilgrims traveling to Canterbury by motorcycles.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271422">
    <dcterms:title><![CDATA[Palimpsestic Philomela: Reinscription in Chaucer&#039;s &#039;Legend of Philomela&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer rewrites his source in Ovid &quot;Metamaphorses&quot; 6 to show the strong bond between the sisters who provide solace to each other.  The same kind of bond is shown among the women who support the raped maiden in the WBT. The meaning of rape in medieval England sheds light on the relations between Tereus and Pandion and has implications for Pandarus&#039; role in TC in arranging Troilus&#039; affair with Criseyde.  Chaucer&#039;s obliteration of Procne&#039;s revenge allows him to stress the mutually sustaining bond of the sisters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271421">
    <dcterms:title><![CDATA[The Middle English Breton Lays and the Mists of Origin]]></dcterms:title>
    <dcterms:description><![CDATA[Awareness of generic ancestry offers evidence of the palimpsestuous nature of the &quot;true&quot; Middle English Breton lays. Reference is made to Chaucer&#039;s FranT among other so-called Breton lays.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271420">
    <dcterms:title><![CDATA[Vernacular Engravings in Late Medieval England]]></dcterms:title>
    <dcterms:description><![CDATA[Vernacular authors anxious about the fragility of texts due to the impermanence of the medium and scribal transmission called attention in their writing to forms of engraving in stone and wax.  As writing habits changed, the depiction of writing implements also changed. Mentions Chaucer&#039;s depiction of a poyntel in Bo and his anxieties about textual and scribal transmission in TC and Adam.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271419">
    <dcterms:title><![CDATA[Palimpsests and the Literary Imagination of Medieval England: Collected Essays]]></dcterms:title>
    <dcterms:description><![CDATA[This collection dedicated to André Crépin contains an introduction and eleven essays on different aspects of palimpsests, both in the technical and literary senses of the word. For three essays that pertain to Chaucer, search for  Palimpsests and the Literary Imagination of Medieval England under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271418">
    <dcterms:title><![CDATA[Ramona Bressie, the Study of Manuscripts, and the Chaucer Life-Records]]></dcterms:title>
    <dcterms:description><![CDATA[Biographical sketch of Bressie, focusing on her work with John M. Manly, Edith Rickert, and Lilian Redstone on the Chaucer life-records and her unsuccessful competition with Martin Crow to publish works related to Chaucer.  Bestul admires Bressie&#039;s dedication, lays clear her ambitiousness, and describes the conditions that contributed to her isolation, obsessiveness, and status as an &quot;oppressed female academic.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271417">
    <dcterms:title><![CDATA[New References to Chaucer, 1641-1660]]></dcterms:title>
    <dcterms:description><![CDATA[Adding to the work both of Spurgeon in &quot;Five Hundred Years of Chaucer Criticism and Allusion&quot; and of the author and Holton in &quot;Chaucer&#039;s Fame in England,&quot; this annotated bibliography presents forty-five new citations, including one to a hitherto unnoted seventeenth-century portrait]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271416">
    <dcterms:title><![CDATA[An Annotated Chaucer Bibliography, 2009]]></dcterms:title>
    <dcterms:description><![CDATA[Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 205 items, plus listing of reviews for 82 books. Includes an author index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271415">
    <dcterms:title><![CDATA[Canterbury 2100: Pilgrimages in a New World]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat as a collection of science fiction stories.  The online descriptions indicate eighteen stories, written by individual authors, set in a futuristic frame narrative involving a delayed nuclear-powered train headed to Canterbury.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271414">
    <dcterms:title><![CDATA[The Franklin&#039;s Tale: Chaucer or the Critics]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts the &quot;opposing principles of conduct&quot; that underlie the main characters in FranT and MerT, arguing that the &quot;values&quot; expressed there are &quot;dramatized and explored&quot; throughout CT. Moreover, the view of &quot;gentilesse&quot; expressed in FranT sums up the courtly ideals of honor, truth, courtesy, and freedom, which are corroborated in several of Chaucer&#039;s lyrics: Truth, Gent, and Sted,]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271413">
    <dcterms:title><![CDATA[The Stag of Love: The Chase in Medieval Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the varieties of the stag-hunt motif in the art and literature of the Middle Ages, including classical roots, considering hunting manuals, imagery and fictive presentations, and allegorical uses. Includes recurrent references to Chaucer&#039;s works and sustained discussion of BD (pp. 115-27), observing how the hunt of the hart functions structurally in the poem and how its play on &quot;hart&quot; and &quot;heart&quot; has thematic resonance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271412">
    <dcterms:title><![CDATA[Poetry of the Age of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of Middle English verse, with individual introductions and facing-page glosses and notes. The General Introduction (pp. 1-40) considers prosody and poetic techniques, genres, and various linguistic concerns. Includes FrT (discussed as both an exemplum and as a fabliau), Truth, and Ros. WorldCat reports that a sound recording of the contents (two cassettes; ca. 60 min.) was published to accompany the anthology.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271411">
    <dcterms:title><![CDATA[The Archwife and the Eunuch]]></dcterms:title>
    <dcterms:description><![CDATA[The Pardoner&#039;s interruption of the WBP causes shifts in her tone and subject, but also alerts us to parallels between the two characters: wide travels, sermon-like autobiographical prologues, and tales which feature central characters who are &quot;unconscious&quot; projections of their tellers (Old Man and Loathly Lady). The two pilgrims are &quot;exemplars of &#039;cupiditas&#039;,&quot; and the Wife&#039;s sterility is evident in her distortions of orthodoxy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271410">
    <dcterms:title><![CDATA[Renaissance World-Alientaion]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that &quot;purposeful&quot; alienation that was characteristic of humanist thinking between the twelfth and seventeenth centuries:  contempt for the world that belies an underlying fascination with it. Assesses the presence of the sentiment in several literary and philosophical works, including &quot;Sir Gawain and the Green Knight&quot; and the ending of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271409">
    <dcterms:title><![CDATA[Sidney in Samothea: A Forgotten National Myth]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests a possible &quot;echo&quot; of HF and PF in Philip Sidney&#039;s &quot;Old Arcadia,&quot; where &quot;philosophical reflections by the dreamer are partly burlesqued&quot; in the vision which follows.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271408">
    <dcterms:title><![CDATA[Chaucer, Sir John Mandeville, and the Alliterative Revival: A Hypothesis concerning Relationships]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the influence of Mandeville&#039;s &quot;Travels&quot; on SqT and on alliterative poetry including &quot;Pearl&quot; may have been due to the circulation of the work at the Lancastrian court of John of Gaunt.]]></dcterms:description>
</rdf:Description></rdf:RDF>