<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275016">
    <dcterms:title><![CDATA[Diverging Forms: Disability and the Monk&#039;s Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the tragedies that constitute MkT as disability narratives, exploring how formal strategies within stanzaic units interface with a thematic focus on bodily disorder. MkT enacts a &quot;symbiotic relationship between literary form and social attitudes toward human variance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266396">
    <dcterms:title><![CDATA[Divers Toyes Mengled: Essays on Medieval and Renaissance Culture in Honour of Andre Lascombes]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-eight essays by various authors addressing Chaucer, Langland, medieval drama (English, Spanish, and French), Malory, Thomas More, and Renaissance drama, especially Shakespeare. For four essays that pertain to Chaucer, search for Divers Toyes Mengled under Alternatve Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269093">
    <dcterms:title><![CDATA[Diverse folk diversely they seyde : Korean Translations of The Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[The authors critique several Korean translations of CT published since the early 1960s: those by J. Kim, B. Song, Dong-il Lee and Dongchoon Lee, and another attributed to J. Kim.]]></dcterms:description>
    <dcterms:description><![CDATA[In Korean, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277266">
    <dcterms:title><![CDATA[Diverse Folk Diversely They Seyde: A Study of the Figure of Medea in Medieval Literature. ]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;The focus of my discussion is on the presentation of Medea in late-fourteenth and early-fifteenth century English literature where her story is recounted by three historians of Troy . . . as well as by Chaucer, in the &#039;Legend of Good Women, and Gower, in the &#039;Confessio Amantis.&#039;&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272198">
    <dcterms:title><![CDATA[Diverse Melodies in Chaucer&#039;s &#039;General Prologue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Gauges the implications of the wide range of musical images in GP, exploring the exegetical roots of Chaucer&#039;s uses of these images, and assessing concord, discord, and silence as indicators of moral approval or censure. Chaucer&#039;s uses are not reductionist, but instead &quot;Gothic&quot; in their intricate variety.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275960">
    <dcterms:title><![CDATA[Diverse Pageants: Normative Arrays of Sexuality.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between Chaucer&#039;s and Spenser&#039;s depictions of ranges and varieties of love-relationships in PF; TC; CT; and &quot;The Faerie Queene,&quot; books III–IV. Introduced via allusion to FranT, Britomart is central to Spenser&#039;s collection of &quot;diverse pageants&quot; of love, here linked to the &quot;generative sexuality&quot; of Boethian, neoplatonic love, and recurrently resonant with Chaucer&#039;s similar &quot;normative array&quot; of female-focused love narratives, many with specific echoes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276066">
    <dcterms:title><![CDATA[Divided Loyalties: Family and Consent to Marriage in Late Middle English Literature, 1300–1500.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies tensions between family approval and the consent of marital couples in late medieval England and its literature, arguing that TC and LGW offer conflicting views of the tension while MLT resolves it.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264140">
    <dcterms:title><![CDATA[Divine Order and Human Freedom in Chaucer&#039;s Poetry and Philosophical Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s use of philosophy, classic and medieval, goes far beyond Boethius.  KnT explores order and disorder in terms of scholasticism; TC treats will and determinism in the light of views from Augustine to Bradwardine; and NPT subtly inverts scholastic orthodoxy on these themes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271538">
    <dcterms:title><![CDATA[Divine Ventriloquism in Medieval English Literature: Power, Anxiety, Subversion]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the tradition in which God speaks through humans and the proto-reformation implications of literary texts where the laity use speech usually reserved for priests. Chapter 4, &quot;Cursed Speakers,&quot; considers the carter&#039;s and old woman&#039;s curses in FrT as parodies of Eucharistic prayers. Chapter 5, &quot;Belly Speech,&quot; explores divine speech eminating from parts of the body other than the mouth, with discussion of the ailing man&#039;s fart in SumT as an instance of this non-vocal divine speech.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263681">
    <dcterms:title><![CDATA[Division and Connection: Mediation in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Polarities in Chaucer&#039;s work lead the reader to nonjudgmental acceptance of opposites through involvement with characters,triangular relationships, and language.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277550">
    <dcterms:title><![CDATA[Do Al Andalus a Dante Alighieri: A Receção do &quot;Livro da Escada de Maomé,&quot; de Afonso X, na Europa [From Al Andalus to Dante Alighieri: The Reception of the &quot;Book of the Ladder of Muhammad,&quot; by Alfonso X, in Europe].]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys &quot;the wide influence exerted by the Islamic eschatological narrative known as &#039;Mohamme&#039;s Ladder&#039; on European literary production until the 17th century.&quot; Discusses the possibility that Chaucer knew the work, and assesses correspondences between the &quot;Escada&quot; and HF (also &quot;Pearl&quot; and &quot;Paradise Lost&quot;), perhaps mediated by Dante&#039;s &quot;Commedia.&quot; In Portuguese,<br />
with an abstract in English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262377">
    <dcterms:title><![CDATA[Doctors and Medicine in Medieval England, 1340-1530]]></dcterms:title>
    <dcterms:description><![CDATA[A survey of the organization, theory, and practice of medicine and surgery from the Black Death until the founding of the Royal College of Physicians.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266834">
    <dcterms:title><![CDATA[Doctrine Embodied: Gender, Performance, and Authority in Late-Medieval Preaching]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the association of preaching and the preacher&#039;s body in medieval tradition, exploring the association through traditional identification of women and the body. Women preachers of hagiographic tradition and various exemplary women (including Constance of MLT, Griselda of ClT, and Philosophy of Bo) reflect the struggles of women to educate or preach.]]></dcterms:description>
    <dcterms:description><![CDATA[Elsewhere in CT, Chaucer&#039;s own body is a secular version of the struggle.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271428">
    <dcterms:title><![CDATA[Documents and Books: A Case Study of Luket Nantron and Geoffrey Spirleng as Fifteenth-Century Administrators and Textwriters]]></dcterms:title>
    <dcterms:description><![CDATA[Background of Spirleng, a copyist of CT (Glasgow, Hunterian MS U.1.1).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264027">
    <dcterms:title><![CDATA[Doer of the Word: The Epistle of St. James as a Source for Chaucer&#039;s &#039;Manciple&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In Chaucer&#039;s day the Epistle was regarded as canonical.  In James 3.3-10, the theme is the tongue, the use and abuse of language--the theme not only of the Manciple&#039;s mother&#039;s advice but of the tale itself.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272158">
    <dcterms:title><![CDATA[Does the Franklin Interrupt the Squire?]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer intended to complete SqT, evident in the fact that the Franklin&#039;s interruption is unjustified or inconsistent with the characterization of the Franklin in several ways.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271721">
    <dcterms:title><![CDATA[Does the Manciple&#039;s Prologue Contain a Reference to Hell&#039;s Mouth?]]></dcterms:title>
    <dcterms:description><![CDATA[Documents various &quot;medieval representations of Hell&#039;s Mouth,&quot; and suggests that the example in ManP (9.35-40) complements the concern with Last Judgment in ParsP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275371">
    <dcterms:title><![CDATA[Does the Nun&#039;s Priest&#039;s Epilogue Contain a Link?]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews and evaluates discussions of the authenticity of &quot;the six-line continuation and the final couplet of the Nun&#039;s Priest&#039;s epilogue,&quot; agreeing on textual grounds with the &quot;traditional judgment of scholars&quot; that the lines are &quot;inauthentic&quot; and that &quot;should not be admitted as Chaucer&#039;s in any discussion of the order&quot; of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271934">
    <dcterms:title><![CDATA[Does the Punishment Fit the Crime?: Chaucer&#039;s &#039;Physician&#039;s Tale&#039; and the Worlds of Judgment]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that PhyT not only addresses changes in the medieval social power structure, but also serves as a &quot;critique of masculine power&quot; within the medieval European court system.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266951">
    <dcterms:title><![CDATA[Doing What Comes Naturally : The &#039;Physician&#039;s Tale&#039; and the Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[The actions of the Host and the Pardoner in fragment 6 connect PhyT and PardT and their respective tellers, bringing &quot;the male body into view to an extent not seen elsewhere&quot; in CT. ]]></dcterms:description>
    <dcterms:description><![CDATA[The fragment&#039;s representation of gendered bodies sheds &quot;the harshest possible light [on] the oppressive force of the essentialized gender system lying behind medieval politics.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269302">
    <dcterms:title><![CDATA[Domestic Opportunities: The Social Comedy of the Shipman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Read in the light of late medieval letter collections and conduct manuals for women, the comedy of ShT springs from a recognition of the merchant&#039;s wife&#039;s &quot;clever manipulation of her roles: as hostess, social networker, housekeeper, business assistant, and status symbol.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262986">
    <dcterms:title><![CDATA[Domestic Treachery in the &#039;Clerk&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Associations of the home and domestic situation with &quot;ambiguity, insecurity, and women&#039;s vulnerability&quot; are most effective in TC and ClT.  In the medieval home, the hall was the domain of the male and open to public affairs; the chamber was the female&#039;s domain.  In ClT, Griselda loses all control, even over the chamber.  Domestic treachery is also a feature in MerT, PhyT, and WBT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268009">
    <dcterms:title><![CDATA[Domestic Violence in Medieval Texts]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays by various authors discuss the portrayal of domestic violence in medieval literary, iconographic, legal, religious, and dramatic texts, focusing on how the texts reflect the family as a microcosm of society. For essays that pertain to Chaucer, search for Domestic Violence in Medieval Texts under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268639">
    <dcterms:title><![CDATA[Domesticating Amazons in The Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;postcolonial uneasiness visible&quot; in KnT, particularly in Hippolyta&#039;s subversive mimicry in the face of efforts by Theseus and the Knight to westernize her &quot;Amazon-ness.&quot; Emelye&#039;s powerful gaze upon the victorious Arcite reveals similar slippage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270380">
    <dcterms:title><![CDATA[Domesticating the Dayraven in &#039;Beowulf&#039; 1801 (with Some Attention to Alison&#039;s &#039;Ston&#039;)]]></dcterms:title>
    <dcterms:description><![CDATA[Argues against over-ingenious readings of the dayraven in &quot;Beowulf&quot; and of the stone with which Alison threatens Absalon in MilT (3708, 3712), clarifying the commonplace nature of each.]]></dcterms:description>
</rdf:Description></rdf:RDF>