<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271608">
    <dcterms:title><![CDATA[Chaucer&#039;s Clerks]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s seven clerks (Nicholas and Absolon of MilT, John and Aleyn of RvT, the clerk of FranT, Jankyn of WBP, and the Clerk), describing the extent to which the characterizations accord with or echo what is known of &quot;fourteenth-century college men.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271607">
    <dcterms:title><![CDATA[An Interpretation of &#039;Alysoun&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Prosodic analysis of the Middle English lyric &quot;Alysoun&quot; that identiies several commonplace parallels with the description of Alisoun in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271606">
    <dcterms:title><![CDATA[Verbal Rhyming in Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that the use of verbs as rhyme words is ubiquitous in medieval (and later) poetry, and therefore not particularly Chaucerian as has been suggested. Suggests that rhyming with infinitives is especially prevalent because the form is &quot;syntactically flexible.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271605">
    <dcterms:title><![CDATA[Notes on Some Middle English Charms]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on charms in TC, ParsT, and MilT as an introduction to a general survey of medieval charms and the need to study them more extensively, especially those in medical manuscripts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271604">
    <dcterms:title><![CDATA[&#039;Abuse of Innocents&#039; as a Theme in The Canterbury Tales: Dorigen as an Instance]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Dorigen of FranT is educable and capable of philosophical speculation but, as a woman limited by her culture, &quot;she is unable to reason out ethical choices for herself.&quot; Through Dorigen (and other female characters), Chaucer criticizes the social conditions and practices that keep women innocent and obedient.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271603">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Parlement of Foules&#039; as a Valentine Fable: The Subversive Politics of Feminine Desire]]></dcterms:title>
    <dcterms:description><![CDATA[In PF Chaucer deconstructs antifeminist courtly conventions and appropriates power for women. The poem challenges the views of woman promulgated by courtly love by alluding to contemporary political events (marriage of Anne of Bohemia) and by depicting female desire as a form of power.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271602">
    <dcterms:title><![CDATA[Alys&#039;s Formulation of Intent--or Her Killing Us Softly with Her Siren Song]]></dcterms:title>
    <dcterms:description><![CDATA[Considers theories that Alison conspired with Jankyn to murder her fourth husband, assessing matters of criminal intent and liability, and exploring ways that WBP situates the reader as a victim of the Wife&#039;s special pleading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271601">
    <dcterms:title><![CDATA[Semiotic Perception and the Problem of Chaucer&#039;s &#039;Prejudice&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers strategies that have been used to accuse and excuse Chaucer (and others) of prejudice against women, homosexuals, and Jews, suggesting that medieval language theory and Chaucer&#039;s awareness of the semiotic gap between sign and signified (evident in NPT and elsewhere) encourages us to read the Wife of Bath, Pardoner, and Prioress as embodiments of semiotic awareness rather than prejudice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271600">
    <dcterms:title><![CDATA[Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Chaucer&#039;s poetic achievement in major and minor works with recurrent attention to relative chronology, the development of Chaucer&#039;s art, sources and analogues, and treatment of genres. Focuses on BD; Ven, Pity, and Mars as complaints; HF; LGW (especially LGWP); CT (structure and genres, narrative technique, KnT, MilT, fables, ManT, and ParsT); TC; and Scog and Buk as envoys. Includes an appendix titled &quot;Moderatio, Moderation and Measure&quot; (pp. 226-60) that addresses the concept of moderation in classical and medieval writers such as Boethius, Macrobius, Alain de Lille, and Jean de Meun, observing Chaucerian parallels. The volume includes a select bibliography and an index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271599">
    <dcterms:title><![CDATA[Chaucer&#039;s English]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to Chaucer&#039;s pronunciation, grammar, and prosody, followed by an extensive analysis of his lexicon that considers aspects of his syntax, prose vocabulary, colloquial language, oaths, scientific diction, characterization through various registers, etc. Includes an Index of Words studied as well as a General Index.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271598">
    <dcterms:title><![CDATA[The Doll&#039;s House]]></dcterms:title>
    <dcterms:description><![CDATA[Gothic fantasy graphic novel in which Chaucer makes a cameo appearance, discussing poetry in a tavern in 1389. One of the characters in the tavern seeks to avoid death, an echo of PardT. Originally published in magazine form as The Sandman 9.16 (1989).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271597">
    <dcterms:title><![CDATA[St. Dale]]></dcterms:title>
    <dcterms:description><![CDATA[A novel set in the contemporary U.S. that alludes to CT in sustained ways. The plot follows a group of racecar fans on the Dale Earnhardt Memorial Pilgrimage, and includes a tour organizer named Bailey; participants named Reverend Knight, Mr. Franklin, and Mr. Reeve; and chapter titles such as &quot;The Knight&#039;s Tale&quot; and &quot;The Bride&#039;s Tale.&quot; In a concluding note, the author mentions that she wanted to write &quot;a Canterbury Tales with a modern saint.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271596">
    <dcterms:title><![CDATA[Kantaberī monogatari shahongun to keitōgaku: Bāsu no nyōbō o meguru goshippu hōdō]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography, where it is described as concerned with the application of phylogenetic analysis of the stemmatics of WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271595">
    <dcterms:title><![CDATA[Belle Chose [episode of Dollhouse ]]]></dcterms:title>
    <dcterms:description><![CDATA[Episode from a science fiction series about memory erasure and personality manipulation via futuristic technology. Several scenes set in a classroom and teacher&#039;s office with references to Chaucer and the Wife of Bath, including a brief reading from a modern translation of the GP description of the Wife. Originally broadcast on Fox Network, October 9, 2009. Available on DVD.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271594">
    <dcterms:title><![CDATA[The Canterbury Tales: Adapted from Geoffrey Chaucer&#039;s Poem]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat as a play.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271593">
    <dcterms:title><![CDATA[The Female Man]]></dcterms:title>
    <dcterms:description><![CDATA[Feminist science-fiction novel; concludes with a colophon that echoes TC 5.1786-99.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271592">
    <dcterms:title><![CDATA[A Knight&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Feature-length film that includes a fictionalized version of Geoffrey Chaucer (played by Paul Bettany) who serves as herald to a would-be knight, William Thatcher (Heath Ledger). Released on DVD by Columbia Tristar.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271591">
    <dcterms:title><![CDATA[Cuentos de Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Spanish prose translation of CT (except Mel and ParsT), with Th and the Envoy to ClT in verse; translated by Ramón Sopena. Twelve color plates reproduce the sequence of the months from &quot;Les Très Riches Heures&quot; of Jean, Duke of Berry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271590">
    <dcterms:title><![CDATA[Shakespeare&#039;s Memory]]></dcterms:title>
    <dcterms:description><![CDATA[Fantasy story about the transmission of Shakespeare&#039;s memory from one man to another; includes several references and allusions to Chaucer. The story was first published in Spanish in a limited edition. &quot;La Memoria de Shakespeare&quot;  (Buenos Aires: &quot;Dos Amigos,&quot; 1982); item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271589">
    <dcterms:title><![CDATA[Kicking Tongues]]></dcterms:title>
    <dcterms:description><![CDATA[Interrelated fictional narratives told in poetry and prose by travelers in modern Nigeria; modeled on CT, with an opening General Prologue and tales told by various vocational types, e.g., the Air-hostess, the Journalist, the Female Petrol Attendant, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271588">
    <dcterms:title><![CDATA[O 31o Peregrino]]></dcterms:title>
    <dcterms:description><![CDATA[Fictional autobiography of Chaucer in which he recounts the arrival of a thirty-first Canterbury pilgrim, a woman who narrates how she has been impregnated by an extraterrestrial being. Illustrated by Giselda Leirner. In Portuguese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271587">
    <dcterms:title><![CDATA[Rymyng Craftily: Meaning in Chaucer&#039;s Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[A series of five case studies in cloxe reading that demonstrate Chaucer&#039;s skill with prosodic and rhetorical devices; includes an appendix that defines and exemplifies &quot;figures of style&quot; (pp. 236-42). Chapter 1 contrasts the stylistic virtuosity of PF with the &quot;unsatisfactory&quot; poetry of Anel. Chapter 2 assesses the stylistic differences between the narrator and various &quot;minor characters&quot; in TC; chapter 3, the stylistic variety of KnT; chapter 4, the &quot;poetic subtlety&quot; of FranT and the ways that it is more successfully integrated into CT than is ManT. Chapter 5 discloses how the stylistic &quot;pyrotechnics&quot; of NPT convey gentle mockery of rhetorical writing as a branch of learning.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271586">
    <dcterms:title><![CDATA[A Noble Heritage: The Ellesmere Manuscript of Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Reproduces in color the illustrations of the CT pilgrims from the Ellesmere manuscript, and comments on CT, Chaucer and his portrait, and the production and transmission of the manuscript.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271585">
    <dcterms:title><![CDATA[The Structure of Chaucer&#039;s Troilus and Criseyde]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a &quot;structural description&quot; of TC which anatomizes its five-book construction, its &quot;time units&quot; and their chronology, and its &quot;narrative units&quot; (signaled by shifts in narrative &quot;modes&quot;) and their patterning. The description of these various units in the poem is followed by an analysis of the arrangement of temporal and narrative units, and the volume concludes with charts of the data. This is a version of the author&#039;s 1969 dissertation which has with the same title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271584">
    <dcterms:title><![CDATA[The Condition of Creatures: Suffering and Action in Chaucer and Spenser]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the commonplace theme of &quot;agere et pati&quot; (to act and to suffer) in the works of Chaucer and Spenser, especially KnT and books 1-4 of Spenser&#039;s &quot;The Faerie Queene,&quot; exploring oppositions between deed and emotion, action and passion, and agency and patience. In KnT, the active Theseus learns to espouse sufferance, and the imagery of constraint enforces the need for human forbearance in the face of cosmic determinism. Generally, Chaucer&#039;s works emphasize patience, compromise, and other forms of acceptance without undue struggle (bargains, treaties, promises, and games), perhaps a reflection of his political life.]]></dcterms:description>
</rdf:Description></rdf:RDF>