<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268261">
    <dcterms:title><![CDATA[De l&#039;écrit au filmique: Métamorphoses. Des Canterbury Tales à I racconti di Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[There is more to Pier Paolo Pasolini&#039;s film version of CT than mere adaptation, for the shift from one semiotic system to another implies some puzzling metamorphoses. Yet, paradoxically, the spirit of the original is cleverly restored on the screen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270836">
    <dcterms:title><![CDATA[De la généalogie sexualle à la généalogie textuelle: L&#039;obscénité du &#039;Lidia&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the nature and constitutive motifs of obscenity in the twelfth-century &quot;Lidia,&quot; Boccaccio&#039;s &quot;Decameron&quot; 7.9, MerT, and the fifteenth-century &quot;Cent nouvelles nouvelles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270278">
    <dcterms:title><![CDATA[De Miseria Condicionis Humane]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page (English/Latin) edition of Innocent&#039;s treatise, &quot;De Miseria Condicionis Humane,&quot; unemended from British Library Manuscript Lansdowne 358, with extensive critical and textual information. including descriptions of the manuscripts and discussion of the influence of the work on medieval tradition.  Chaucer used Innocent&#039;s treatise as a source for portions of MLPT, PardT, and perhaps elsewhere, and he may have translated it. Lewis tabulates the influence of the treatise on Chaucer and argues that he indeed translated it as his (lost) &quot;Of the Wreched Engendrynge of Mankynde,&quot; identified in LGW G414-15.  Lewis also considers the date of Chaucer&#039;s translation and comments on the text that he may have used, exploring the evidence of the glosses to MLT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273574">
    <dcterms:title><![CDATA[De Odo a &quot;Canterbury&quot; y el &quot;Libro de los gatos.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores thematic parallels between Odo of Cheriton&#039;s &quot;Sermones&quot; and &quot;Fabulae&quot; and PardT. Though not intended to prove any direct influence of the former on the latter, shows how some topics that were widespread in ecclesiastical texts were adopted in literary texts for entertainment purposes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261268">
    <dcterms:title><![CDATA[De Ore Domini: Preacher and Word in the Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays survey topics in the history of medieval preaching from the Carolingian period to the fifteenth century, two focusing on fourteenth-century lives and Christ and Wycliffism respectively.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267946">
    <dcterms:title><![CDATA[De Vertellingen van de Pelgrims naar Kantelberg]]></dcterms:title>
    <dcterms:description><![CDATA[Reprint of Dutch verse translation of CT, with introduction and notes, first published 1930-33 (Haarlem: Tjeenk Willink) and reissued recurrently.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261223">
    <dcterms:title><![CDATA[De Vulgari Auctoritate: Chaucer, Gower and the Men of Great Authority]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer is a poet with a highly developed sense of the relative--someone who instinctively shies away from those absolutes necessary for the creation of &quot;auctoritas,&quot; who denies experience in love, and who claims to be a mere reporter.  This stance receives its finest and fullest expression in CT, but is also found in HF and TC.  Gower, on the other hand, implies that if one of his own poems were shown to be morally useful, it would have some claim on authority.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277505">
    <dcterms:title><![CDATA[De-Networking Iberia and England in the &quot;Constance&quot; Story Cluster.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the role of Iberia in Constance narratives by Trivet, Chaucer, Gower, and the Portuguese and Castilian translators of Gower&#039;s version. Accepts that the Anglo-Castilian politics of John of Gaunt&#039;s marriage to Constance of Castile undergird aspects of MLT, and indicates that, in the tale, &quot;erasing&quot; Iberia helps to construct a fantasy of &quot;Anglo-Roman Christian identity,&quot; while, simultaneously, &quot;alluding to&quot; it obliquely &quot;deconstruct[s] the logic of Iberia&#039;s erasure from a dynamic geopolitical world.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276581">
    <dcterms:title><![CDATA[De/Stabilizing Heterosexuality in the Pardoner&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that the &quot;Pardoner&#039;s atypical sexuality is subversive of the medieval gender matrix and that his challenge to heteronormativity is ultimately encompassed and disarmed.&quot; The descriptions of the Pardoner in GP and PardPT disrupt &quot;the medieval normative order,&quot; but his &quot;containment and silencing&quot; by the Host and Knight reinforce the status quo.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274131">
    <dcterms:title><![CDATA[Dearest Ladies: The Idea of Writing for Women in Late Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[In the course of examining changing ideas of female readers, considers Chaucer&#039;s self-definition as a &quot;writer of feminine genres&quot; (e.g., devotions, saints&#039; lives, and conduct literature).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277544">
    <dcterms:title><![CDATA[Death and Betrayal in &quot;The Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Questions claims that BD is a poem of consolation, arguing that it is instead a &quot;renewal of grief,&quot; focusing its three units of &quot;reading, dreaming, [and] remembering,&quot; attending to source materials, and suggesting that the Black Knight may have been forgetful or &quot;unfaithful to the memory of his love.&quot; Includes comments on &quot;the difficulty of sustaining an extremity of grief&quot; in FranT and on the fears that grief can engender.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269324">
    <dcterms:title><![CDATA[Death and Life in Chaucer&#039;s The Book of the Duchess: With Special Reference to &#039;Herte&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s varied and metaphorical use of &quot;herte&quot; in BD. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269306">
    <dcterms:title><![CDATA[Death and Life in The Prioress&#039;s Tale: A Child Martyrdom and Its Expression Through Senses]]></dcterms:title>
    <dcterms:description><![CDATA[Examines as ritual murder the death of the clergeon in PrT. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266809">
    <dcterms:title><![CDATA[Death and Purgatory in Middle English Didactic Poetry]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the development of the doctrine of purgatory in medieval art and literature, focusing on Middle English homiletic and didactic writings on death and the necessity of intercession for souls in purgatory.]]></dcterms:description>
    <dcterms:description><![CDATA[Such works encourage pragmatic, prudential preparation before death to alleviate postmortem suffering.]]></dcterms:description>
    <dcterms:description><![CDATA[Occasional references to Chaucer&#039;s works, particularly PardPT.650::Pardoner and His Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262980">
    <dcterms:title><![CDATA[Death and Staleness in the &#039;Son-Less&#039; World of the &#039;Summoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[In SumT 1851-53, the Friar smoothly transforms the mother&#039;s concern for her own dead child into his own self-aggrandizement.  Hints of the son&#039;s death appear throughout SumT to reinforce the Friar&#039;s failure with Thomas.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274819">
    <dcterms:title><![CDATA[Death and Texts: Finitude before Form.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in PardT &quot;allegory and form straddle the boundaries of finitude in order to raise the question of how finitude is constituted,&quot; thereby sharing or anticipating several concerns and questions raised by object-oriented, materialist philosophy. Paradoxically concerned with death and the mundane transcendence of relics, PardPT explores the boundaries and continuities between sign and signified, finitude and infinity, and singularity and form.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269559">
    <dcterms:title><![CDATA[Death and Violence in Old and Middle English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Gauges the degree of &quot;heroism&quot; in death scenes in a variety of narratives, considering in individual chapters &quot;The Battle of Maldon,&quot; &quot;Beowulf&quot; and &quot;Judith,&quot; Layamon&#039;s &quot;Brut,&quot; the &quot;Alliterative Morte Arthure,&quot; the death of Arcite in KnT, the &quot;near-death experience&quot; in &quot;Sir Gawain and the Green Knight,&quot; and several death scenes in Malory&#039;s &quot;Le Morte Darthur.&quot; The later works question the heroic ethos and reflect a particular horror of death. Foreword by Sarah L. Higley.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268124">
    <dcterms:title><![CDATA[Death Effects: Revisiting the Conceit of Franklin&#039;s Memoir]]></dcterms:title>
    <dcterms:description><![CDATA[Kennedy analyzes Benjamin Franklin&#039;s self-presentation in his Memoir, commenting on his validation of his surname by reference to Chaucer&#039;s GP sketch of the Franklin and other early sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276582">
    <dcterms:title><![CDATA[Death Hunters: An Adaptation of Geoffrey Chaucer&#039;s &quot;The Pardoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Citation derives from WorldCat record.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274011">
    <dcterms:title><![CDATA[Death in the Middle Ages and Early Modern Times: The Material and Spiritual Conditions of the Culture of Death.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects essays that focus on the theme of death from the later heroic era to the eighteenth century. For three essays that pertain to Chaucer, search for Death in the Middle Ages and Early Modern Times under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271661">
    <dcterms:title><![CDATA[Death is a Pilgrim: A Canterbury Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Murder mystery which features Chaucer, pilgrims from CT, and historical figures, cast as a series of narratives told while the pilgrims pause at the Priory of Saint Innocents.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275579">
    <dcterms:title><![CDATA[Death Is Money: Buying Trouble with the Pardoner.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers relations between PardPT and the Museum of London&#039;s carved wooden panel that depicts details of the tale. Calculates the &quot;absurdity of the hoard&quot; in the tale, and explores possible responses of the &quot;London economic elite&quot; to the differing depictions of avarice in the tale and on the panel. Includes a color photograph of the panel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277143">
    <dcterms:title><![CDATA[Death, Negation, and the Problem of Absence in Chaucer&#039;s &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Highlights that BD conveys the inevitability and incomprehensibility of death, offering a reading of the poem that moves beyond consolation of poetry and memory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261723">
    <dcterms:title><![CDATA[Death, Prudence, and Chaucer&#039;s &#039;Pardoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The Pardoner&#039;s pragmatic claims for salvation are part of a larger &quot;question of Christian worldly prudence&quot; in CT.  His &quot;response to his own tale . . . alerts us to the growth of a pragmatic attitude toward individual death and salvation.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271023">
    <dcterms:title><![CDATA[Death&#039;s Trick: Based on &quot;The Pardoner&#039;s Tale&quot; from Geoffrey Chaucer&#039;s &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Modern prose adaptation for staging of PartT (without PardP), designed for child or adolescent actors, with illustrations by Mike Spoor.  A simultaneously published pamphlet of &quot;Play Teaching Notes,&quot; also titled &quot;Death&#039;s Trick,&quot; by David Calcutt and Sue Calcutt (8 pp.), offers suggestions for teaching the play to cover NLS (National Literacy Strategy of the UK) objectives.]]></dcterms:description>
</rdf:Description></rdf:RDF>