<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275885">
    <dcterms:title><![CDATA[Cutaneous Time in the Late Medieval Literary Imagination.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers &quot;the special use that medieval writers made of skin as a metaphor for time,&quot; focusing on the &quot;structural patterns&quot; of &quot;Sir Gawain and the Green Knight&quot; and WBP--&quot;suspension, cessation, and repetition&quot;--and how these patterns &quot;imitate the forms of stretched, broken, or wrinkled skin.&quot; Also assesses how meetings between &quot;old and young people, in these texts,&quot; can be &quot;read allegorically . . . for the synchronicity of the past and the present.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275173">
    <dcterms:title><![CDATA[Cute Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Drawing on the superflat movement in Japanese contemporary art, argues that cuteness in Th effects a compression of the text&#039;s narrative layers and semiotic networks. Mirroring the horizontal, non-linear organization of the poem&#039;s layout in medieval manuscripts, desire moves sideways across Th. Reading Th through cuteness shifts critical attention to questions of aesthetics and affect. Claims that features such as infantilization and feminization trigger both tender caretaking and sadistic aggression; the cute object is paradoxically held gently and squeezed violently.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266452">
    <dcterms:title><![CDATA[Cyberspace, Theory, and Power in the Classroom: A Non-Techie Guinea Pig Tries Out the World Wide Web in His Undergraduate Chaucer Class]]></dcterms:title>
    <dcterms:description><![CDATA[Personal chronicle of problems in dealing with technology in teaching, including inadequate facilities, poor student preparation, and time-consuming searching and class preparation.  Includes two appendices: a &quot;Labyrinth&quot; assignment and student responses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269936">
    <dcterms:title><![CDATA[Cynicism and the Anal Erotics of Chaucer&#039;s Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[Stockton reads the Pardoner as a &quot;cynic&quot; in a Marxist context: one who &quot;submit[s] fully to an ideological structure despite knowing better.&quot; Contrasts the Pardoner&#039;s queerness with his cynicism, asking,&quot;how queer can the Pardoner be when he guards an ideological system he does not believe in?&quot; Psychoanalytically diagnoses the Pardoner as an anal erotic.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273572">
    <dcterms:title><![CDATA[Czytanie cudow w &quot;Panu Gawenie i Zielonym Rycerzu&quot; i Opowiesci Franklina&quot; (Reading Marvels in &quot;Sir Gawain and the Green Knight&quot; and &quot;The Franklin&#039;s Tale&quot;).]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the idea of the marvelous in the &quot;Gawain&quot;-poet&#039;s Arthurian romance and in FranT. Argues that the marvels in FranT are indispensable to the genre, producing the effect described by J. R. R. Tolkien as &quot;eucatastrophe.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267030">
    <dcterms:title><![CDATA[Da Cambridge a Saint-Denis, Passando per Pian di Mugnone: Un Itinerario Comico]]></dcterms:title>
    <dcterms:description><![CDATA[RvT and ShT are related to Boccaccio&#039;s Decameron 9.6 and 8.1, respectively, not so much thematically as in their uses of source material. In particular, in its balance of comedy and moral teaching, ShT is closer to the general features of the Decameron than are the other Tales in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274804">
    <dcterms:title><![CDATA[Da Dianora a Marietta: Metamorfosi di un&#039;illusione cortese.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the development of the relations between illusion and courtliness from Boccaccio to James Lasdun&#039;s story in the &quot;The Siege,&quot; including a discussion of FranT that focuses on the &quot;demande d&#039;amour&quot; that concludes the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268712">
    <dcterms:title><![CDATA[Da Lollio a Bochas, Boccace e Boccaccio : Boccaccio in Inghilterra]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the knowledge and recognition of Boccaccio in English literary tradition from his obscured status as &quot;Lollius&quot; in Chaucer&#039;s TC to clearer acknowledgment in Lydgate and Dryden.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271042">
    <dcterms:title><![CDATA[Dafydd ap Gwilym: Un Barde Gallois Contemporain de Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces Dafydd ap Gwilym as a contemporary of Chaucer, but provides no comparative analysis. Describes Dafydd&#039;s works and reception, and includes French translations of three of his poems.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265840">
    <dcterms:title><![CDATA[Daily Life in Chaucer&#039;s England]]></dcterms:title>
    <dcterms:description><![CDATA[Presents the social history of late-fourteenth-century England so readers may duplicate medieval food, clothing, entertainment, etc. ]]></dcterms:description>
    <dcterms:description><![CDATA[  The volume sketches in general terms the social context of Chaucerian England and offers practical instruction on how to re-create its details and atmosphere.]]></dcterms:description>
    <dcterms:description><![CDATA[  Mentions Chaucer&#039;s works when they support individual practices.]]></dcterms:description>
    <dcterms:description><![CDATA[  Includes numerous line drawings modelled on medieval artifacts and manuscript illuminations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270094">
    <dcterms:title><![CDATA[Daily Life in Chaucer&#039;s England]]></dcterms:title>
    <dcterms:description><![CDATA[Updates and expands the first edition (1995), adding &quot;primary source sidebars in all chapters&quot; and a guide to digital resources. This social history of late medieval England has as its goal the creative re-creation of the period, providing a wide-ranging commentary on history, society, household practice, time-keeping, clothing, costume, entertainment, food and drink, festivities, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277441">
    <dcterms:title><![CDATA[Daily Life of Women in Chaucer&#039;s England.]]></dcterms:title>
    <dcterms:description><![CDATA[Introductory survey of the conditions and experiences of women in fourteenth- and fifteenth-century England, designed for pedagogical use. Includes chapters on Marriage, Motherhood, Royal and Noblewomen, Urban and Rural Women, Sex and Sexuality, and Religion, each with a citational bibliography and suggestions for further reading. The preface opens with a brief description of Chaucer&#039;s life and works, and the index identifies numerous references to him, with a separate entry for the Wife of Bath, also with many references. Includes a glossary of terms and a timeline.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265226">
    <dcterms:title><![CDATA[Daisy&#039;s Iconology]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the symbolism of Chaucer&#039;s poetry with that of the Wilton Diptych, focusing on the iconic meaning of the daisy.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270353">
    <dcterms:title><![CDATA[Dal Moralista Al Poeta: Appunti per la Fortuna del Petrarca in Inghilterra]]></dcterms:title>
    <dcterms:description><![CDATA[Includes very brief mention of Chaucer&#039;s uses Petratrch in TC, ClT, and CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267307">
    <dcterms:title><![CDATA[Dalila, Misogyny and the &#039;De Casibus&#039; Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Milton&#039;s portrayal of Dalila in &quot;Samson Agonistes&quot; with earlier representations by Boccaccio, Chaucer, Lydgate, and Swetnam. Chaucer offers no analysis of her motives; Milton condemns her actions, not her gender.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275150">
    <dcterms:title><![CDATA[Damaged Goods: Merchandise, Stories and Gender in Chaucer&#039;s &quot;Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores medieval analogies between &quot;storytelling and merchandizing&quot; and how both relate to gender in MLT, clarifying connections between the travel narrative, its rhetoric, and the poverty prologue, and commenting on source and analogue relations. Also links the &quot;aversion to incest&quot; in MLP with &quot;anxieties about poetic property,&quot; attributing the latter to Chaucer  rather than to the Man of Law.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276135">
    <dcterms:title><![CDATA[Damaged Goods: Merchandise, Stories, and Gender in Chaucer&#039;s the &quot;Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how medieval travel writers &quot;imagine storytelling and merchandising as analogous enterprises,&quot; how they intersect with &quot;gender ideology&quot; wherein &quot;texts are imagined as both feminine corpora and feminized commodities,&quot; and how the Man of Law&#039;s aversion to incest can be linked with &quot;anxieties&quot; about poetic properties and succession. Shows that those anxieties are Chaucer&#039;s own, evident by contrast with Boccaccio&#039;s tale of Alatiel, and haunted by the critical fiction of Chaucer&#039;s rivalry with Gower.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264166">
    <dcterms:title><![CDATA[Dame Alice and the Nobility of Pleasure]]></dcterms:title>
    <dcterms:description><![CDATA[The idea that virtue is perfect only when it is enjoyable is corrected in WBT with the discourse on gentilesse.  The three main concepts regarding pleasure discussed in WBT are the equation of pleasure with perfection, the coexistence of pleasure and pain, and the results of bodily pleasure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276286">
    <dcterms:title><![CDATA[Dame Alice as Deceptive Narrator.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;important tensions&quot; in the characterization of the Wife of Bath, interpreting the &quot;larger subject&quot; of WBT as the &quot;grace of God,&quot; even though it concludes with the Wife&#039;s &quot;irreligious&quot; final curse. In WBP, her &quot;masking is predictable behavior&quot; and ultimately reveals her sufferings (especially in her fourth marriage), her awareness of her religious imperfections, and near-pathological desire to conceal her own virtues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272916">
    <dcterms:title><![CDATA[Dame Pertelote&#039;s Parlous Parle]]></dcterms:title>
    <dcterms:description><![CDATA[Uses late-medieval and Renaissance herbals to show that the ingredients for a remedy that Pertelote recommends to Chanticleer in NPT are all &quot;quite wrong for her patient&quot; and his condition: some unavailable, some inappropriate, and some deadly. The &quot;remedy&quot; is part of Chaucer&#039;s comic &quot;satire of women&quot; in the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272142">
    <dcterms:title><![CDATA[Dame Trot and her Progeny]]></dcterms:title>
    <dcterms:description><![CDATA[Provides historical evidence that females practiced medicine in medieval Europe, identifying several examples of their experience and tribulations, and presenting them as background to Chaucer&#039;s &quot;Trotula&quot; (WBP 3.677).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271969">
    <dcterms:title><![CDATA[Damyan&#039;s Wanton &#039;Clyket&#039; and an Ironic New &#039;Twiste&#039; to the &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the phallic imagery of MerT, particularly the innuendoes in &quot;clyket&quot; and &quot;twiste.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277539">
    <dcterms:title><![CDATA[Dancing Descriptions: Choreographing Middle English Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;how late-fourteenth and fifteenth-century [English] poets use dance to experiment and play with descriptions of motion.&quot; Includes discussion of Anel as well as Osbern Bokenham&#039;s &quot;Legend of Holy Women,&quot; Thomas Chestre&#039;s &quot;Sir Launfal,&quot; John Lydgate&#039;s &quot;Troy Book&quot; and &quot;Siege of Thebes,&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276952">
    <dcterms:title><![CDATA[Danger Lurks in the Darkness: The Ruskin/Burne-Jones Medieval Poetry Salon for Girls.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the activities and concerns of a Victorian &quot;salon&quot; conducted by John Ruskin and Edward Burne-Jones in which young women could &quot;engage in serious conversations about medieval poetry, about art, and about humanitarianism and virtue.&quot; Focuses on Ruskin and Burne-Jones&#039;s reception of LGW, with attention to Victorian depictions of Medea, Burne-Jones&#039;s tapestry of LGW and the Kelmscott Chaucer, and Ruskin&#039;s annotations in his copy of Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265696">
    <dcterms:title><![CDATA[Dangerous Innocence: Chaucer&#039;s Prioress and Her Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer uses the anti-Semitism of PrT to depict pernicous innocence.]]></dcterms:description>
</rdf:Description></rdf:RDF>