<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270353">
    <dcterms:title><![CDATA[Dal Moralista Al Poeta: Appunti per la Fortuna del Petrarca in Inghilterra]]></dcterms:title>
    <dcterms:description><![CDATA[Includes very brief mention of Chaucer&#039;s uses Petratrch in TC, ClT, and CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267307">
    <dcterms:title><![CDATA[Dalila, Misogyny and the &#039;De Casibus&#039; Tradition]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Milton&#039;s portrayal of Dalila in &quot;Samson Agonistes&quot; with earlier representations by Boccaccio, Chaucer, Lydgate, and Swetnam. Chaucer offers no analysis of her motives; Milton condemns her actions, not her gender.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275150">
    <dcterms:title><![CDATA[Damaged Goods: Merchandise, Stories and Gender in Chaucer&#039;s &quot;Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores medieval analogies between &quot;storytelling and merchandizing&quot; and how both relate to gender in MLT, clarifying connections between the travel narrative, its rhetoric, and the poverty prologue, and commenting on source and analogue relations. Also links the &quot;aversion to incest&quot; in MLP with &quot;anxieties about poetic property,&quot; attributing the latter to Chaucer  rather than to the Man of Law.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276135">
    <dcterms:title><![CDATA[Damaged Goods: Merchandise, Stories, and Gender in Chaucer&#039;s the &quot;Man of Law&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how medieval travel writers &quot;imagine storytelling and merchandising as analogous enterprises,&quot; how they intersect with &quot;gender ideology&quot; wherein &quot;texts are imagined as both feminine corpora and feminized commodities,&quot; and how the Man of Law&#039;s aversion to incest can be linked with &quot;anxieties&quot; about poetic properties and succession. Shows that those anxieties are Chaucer&#039;s own, evident by contrast with Boccaccio&#039;s tale of Alatiel, and haunted by the critical fiction of Chaucer&#039;s rivalry with Gower.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264166">
    <dcterms:title><![CDATA[Dame Alice and the Nobility of Pleasure]]></dcterms:title>
    <dcterms:description><![CDATA[The idea that virtue is perfect only when it is enjoyable is corrected in WBT with the discourse on gentilesse.  The three main concepts regarding pleasure discussed in WBT are the equation of pleasure with perfection, the coexistence of pleasure and pain, and the results of bodily pleasure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276286">
    <dcterms:title><![CDATA[Dame Alice as Deceptive Narrator.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;important tensions&quot; in the characterization of the Wife of Bath, interpreting the &quot;larger subject&quot; of WBT as the &quot;grace of God,&quot; even though it concludes with the Wife&#039;s &quot;irreligious&quot; final curse. In WBP, her &quot;masking is predictable behavior&quot; and ultimately reveals her sufferings (especially in her fourth marriage), her awareness of her religious imperfections, and near-pathological desire to conceal her own virtues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272916">
    <dcterms:title><![CDATA[Dame Pertelote&#039;s Parlous Parle]]></dcterms:title>
    <dcterms:description><![CDATA[Uses late-medieval and Renaissance herbals to show that the ingredients for a remedy that Pertelote recommends to Chanticleer in NPT are all &quot;quite wrong for her patient&quot; and his condition: some unavailable, some inappropriate, and some deadly. The &quot;remedy&quot; is part of Chaucer&#039;s comic &quot;satire of women&quot; in the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272142">
    <dcterms:title><![CDATA[Dame Trot and her Progeny]]></dcterms:title>
    <dcterms:description><![CDATA[Provides historical evidence that females practiced medicine in medieval Europe, identifying several examples of their experience and tribulations, and presenting them as background to Chaucer&#039;s &quot;Trotula&quot; (WBP 3.677).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271969">
    <dcterms:title><![CDATA[Damyan&#039;s Wanton &#039;Clyket&#039; and an Ironic New &#039;Twiste&#039; to the &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the phallic imagery of MerT, particularly the innuendoes in &quot;clyket&quot; and &quot;twiste.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277539">
    <dcterms:title><![CDATA[Dancing Descriptions: Choreographing Middle English Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;how late-fourteenth and fifteenth-century [English] poets use dance to experiment and play with descriptions of motion.&quot; Includes discussion of Anel as well as Osbern Bokenham&#039;s &quot;Legend of Holy Women,&quot; Thomas Chestre&#039;s &quot;Sir Launfal,&quot; John Lydgate&#039;s &quot;Troy Book&quot; and &quot;Siege of Thebes,&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276952">
    <dcterms:title><![CDATA[Danger Lurks in the Darkness: The Ruskin/Burne-Jones Medieval Poetry Salon for Girls.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces the activities and concerns of a Victorian &quot;salon&quot; conducted by John Ruskin and Edward Burne-Jones in which young women could &quot;engage in serious conversations about medieval poetry, about art, and about humanitarianism and virtue.&quot; Focuses on Ruskin and Burne-Jones&#039;s reception of LGW, with attention to Victorian depictions of Medea, Burne-Jones&#039;s tapestry of LGW and the Kelmscott Chaucer, and Ruskin&#039;s annotations in his copy of Chaucer&#039;s works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265696">
    <dcterms:title><![CDATA[Dangerous Innocence: Chaucer&#039;s Prioress and Her Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer uses the anti-Semitism of PrT to depict pernicous innocence.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264600">
    <dcterms:title><![CDATA[Daniel in the &#039;Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Chauntecleer&#039;s citation of Daniel (NPT 7.3128-29), frequently taken to refer to Daniel 7, more pertinently refers to Daniel 4 where Nebuchadnezzar relates a dream similar to Chauntecleer&#039;s and to the dreams Chauntecleer cites.  This dream and its aftermath show a fall from greatness and then a reversal like that in NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261630">
    <dcterms:title><![CDATA[Daniel Schiebeler and Chaucer Reception in Eighteenth-Century Germany]]></dcterms:title>
    <dcterms:description><![CDATA[Published in 1767-69, Schiebeler&#039;s thirty-six-page adaptation of John Campbell&#039;s article in Biographia Britannia is the earliest known German essay on Chaucer, a product of Enlightenment thought.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269419">
    <dcterms:title><![CDATA[Dante and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Jeffrey explores Chaucer&#039;s allusions to the Sermon on the Mount (Matthew 5-7), arguing that they reflect Chaucer&#039;s distrust of glossing and that the Sermon underpins theological themes of CT most evident in Mel and ParsT: peacemaking and obedience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262666">
    <dcterms:title><![CDATA[Dante and Difference: Writing in the &quot;Commedia&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Rejecting unity theories and reductive allegorization, Tambling draws on &quot;medieval theories of reading and understanding a text&quot; and compares them with Derridean critical theories and hermeneutics (with several references to Chaucer).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275920">
    <dcterms:title><![CDATA[Dante and the Author of the &quot;Decameron.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues &quot;that far from being occasional, accidental, or haphazard, Boccaccio&#039;s engagement with Dante structures the authorial interventions in the frame of the &quot;&#039;Decameron/.&quot; Traces Boccaccio&#039;s use of Dante to demonstrate how Chaucer uses Boccaccio in similar ways.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275927">
    <dcterms:title><![CDATA[Dante and the Medieval City: How the Dead Live.]]></dcterms:title>
    <dcterms:description><![CDATA[Maps out Dante&#039;s depiction of the infernal city and traces the &quot;infernal mode of representation of urban experience,&quot; by suggesting that Dante describes the city<br />
with an &quot;urban variation on the vertical cosmos of the Last Judgment.&quot; Documents the influence of this depiction of the infernal city on Boccaccio, Chaucer, François Villon, and Christine de Pizan.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266671">
    <dcterms:title><![CDATA[Dante and the Poetics of &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[An analysis of the end of TC that reads Troilus&#039;s ascent (itself inherently meaningless) as a stage in the progress of the narrator&#039;s recognition of the relations between Christian poetry and classical tradition.]]></dcterms:description>
    <dcterms:description><![CDATA[Dante mediates Chaucer&#039;s engagement with the classics; in particular, the transformation of Chaucer&#039;s narrator at the end of TC parallels Dante&#039;s transformation of Statius from pagan to Christian poet.]]></dcterms:description>
    <dcterms:description><![CDATA[Wetherbee provides close reading of parts of the end of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268706">
    <dcterms:title><![CDATA[Dante and Troilus]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies ways Dante influenced the invocations in TC, as well as TC&#039;s depictions of love and hell. Also explores the words that Chaucer invented to rhyme with &quot;Troie&quot; and with &quot;Criseyde.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276387">
    <dcterms:title><![CDATA[Dante En Angleterre: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[The first two in a series of essays Dédéyan published on Dante in England in Les Lettres Romanes, volumes 12-15 (1958-1961). The first surveys references, allusions, and uses of Dante in TC, PF, and HF. The second continues the discussion of HF, and also considers LGW and CT, addressing echoes in MLT, PrP, FrT, MerT, and SqT, along with more sustained resonances in MkT (Hugolino), WBT, and SNP. Includes discussion of Gent and comments on Dante&#039;s &quot;Canzone&quot; and &quot;Convivio&quot; as well as his &quot;Comedy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266073">
    <dcterms:title><![CDATA[Dante in English]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys engagement with Dante by writers in English, from Chaucer to Seamus Heaney.  Discusses Dantean influence on the Hugelyn section of MkT, and on other portions of CT, HF,Lady, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268904">
    <dcterms:title><![CDATA[Dante in English]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of selections from Dante&#039;s works adapted or translated into English, including several examples from Chaucer&#039;s works (WBT, MkT, SNT, HF, and TC). Focusing on the Commedia and arranged chronologically, the selections range from Chaucer to works of the late twentieth century, with about one hundred writers included. The extensive introduction addresses the challenges of translating Dante.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267556">
    <dcterms:title><![CDATA[Dante in Inghilterra]]></dcterms:title>
    <dcterms:description><![CDATA[Details the historical record of Chaucer&#039;s Italian connections and surveys the influence of Dante on English poetry from Chaucer to the twentieth century. Likens Dante&#039;s influence on English to a love story.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268905">
    <dcterms:title><![CDATA[Dante in Inglissh&#039;; What Il Convivio Really Did for Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[The Loathly Lady&#039;s lecture on &quot;gentilesse&quot; in WBT goes beyond sexual sovereignty to encompass dominium, a concept central to Wyclif&#039;s challenge to authority. Without naming his source, Chaucer channels orthodox, Boethian ideas about &quot;gentilesse&quot; through Dante&#039;s vernacular Convivio to allow for observations without the taint of Lollardy.]]></dcterms:description>
</rdf:Description></rdf:RDF>