<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271770">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Troilus and Criseyde: Astrology and the Transference of Power]]></dcterms:title>
    <dcterms:description><![CDATA[Reads TC allegorically, with sustained attention to astrological imagery, characterization, narrative structure, the biblical Book of Daniel, and the Augustinian theme of the transference of power.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271769">
    <dcterms:title><![CDATA[&#039;Translatio&#039;: &#039;Difficult Statement&#039; in Medieval Poetic Theory]]></dcterms:title>
    <dcterms:description><![CDATA[Traces commentaries on metaphor (&quot;translatio&quot;) among medieval classicizing poets and rhetoricians, especially Alan de Lille and Geoffrey of Vinsauf, and examines samples of metaphor in Chaucer&#039;s works that reflect these commentaries. Focuses on &quot;complex metaphors&quot; that guide episodes or complete narratives, e.g., the garden in MerT, pilgrimage in CT, etc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271768">
    <dcterms:title><![CDATA[Una &#039;Crux&#039; Chauceriana: I Sogni nella &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the terms used for varieties of dreams summarized in HF 1-12, comparing them with their source in Macrobius&#039;s &quot;Commentary on the Dream of Scipio,&quot; with Latin usage, and with Chaucer&#039;s uses of the terms elsewhere in his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271767">
    <dcterms:title><![CDATA[Chaucer Research in Progress: 1973-1974]]></dcterms:title>
    <dcterms:description><![CDATA[Reports 85 items.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271766">
    <dcterms:title><![CDATA[The Devil in the Garden: Pluto and Proserpine in Chaucer&#039;s &#039;Merchant&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the allegorization of Pluto and Proserpine in the &quot;Ovide Moralisé&quot; and argues that it discloses how as figures of &quot;earthly lust&quot; their episode is well integrated into MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271765">
    <dcterms:title><![CDATA[Sqeamishness and Exorcism in Chaucer&#039;s &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies associations of demons and scatology in folklore and early literature, arguing that they underlie Absolon&#039;s &quot;symbolic function as demon-villain&quot; in MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271764">
    <dcterms:title><![CDATA[Chaucer&#039;s Eagle and the Element Air]]></dcterms:title>
    <dcterms:description><![CDATA[Explains the association of the eagle and air (as the medium of sound) in HF by identifying a number of iconographic affiliations of eagles with air in medieval depictions of the four elements. Includes 6 b&amp;w illustrations]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271763">
    <dcterms:title><![CDATA[Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the NPT as a reflection of its narrator&#039;s moral sentiment, suggesting that the Nun&#039;s Priest is an intellectual, neither a stern moralist nor a modern relativist; he is a man content with &quot;aesthetic contemplation&quot; of the &quot;world&#039;s failings.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271762">
    <dcterms:title><![CDATA[A Chaucerian Allusion and the Date of the Alliterative &#039;Destruction of Troy&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Justifies dating the &quot;Destruction of Troy&quot; after TC (i.e., &quot;about 1400&quot;) by exploring echoes of the former in the latter.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271761">
    <dcterms:title><![CDATA[Middle English: Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1974.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271760">
    <dcterms:title><![CDATA[Chaucer at Oxford and at Cambridge]]></dcterms:title>
    <dcterms:description><![CDATA[A series of studies that focus on Chaucer&#039;s clerks, particularly their university backgrounds and the social conditions that serve as backdrop to their activities.  Includes four sections: &quot;Life and Learning in Rolls and Records,&quot; &quot;Town and Gown,&quot; &quot;The Men of Merton,&quot; and &quot;A Jolly Miller,&quot; with extended discussion of MilT, RvT, and WBP, and commentary on Chaucer&#039;s learning and the scholars he knew. Also includes notes and three appendices: &quot;Poor Scholars,&quot; &quot;Mills and Milling,&quot; and &quot;Merton and Cambridge.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271759">
    <dcterms:title><![CDATA[Poem After Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-line poem in five four-line stanzas, with possible echoes of GP, a reference to Chaucer in the title, and a quotation of GP lines 1.9-10 on the cover. This art edition is limited to 300 copies, designed as a holiday greeting, with a cover drawing by Robert Dunn.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271758">
    <dcterms:title><![CDATA[Source and Theme in the &#039;Shipman&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts ShT with analogous tales (Boccaccio&#039;s &quot;Decameron&quot; 8.1; Sercambi&#039;s &quot;Novelle&quot; 19) to demonstrate how the &quot;pervasive irony&quot; of the tale reveals moral censure of the characters and their actions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271757">
    <dcterms:title><![CDATA[Iz Canterburyjskih Zgodb [From the Canterbury Tales]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in Worldcat, which indicates that this is a Slovenian translation of GP, MilT, and PardT, with introduction and notes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271756">
    <dcterms:title><![CDATA[Troilus and Criseyde: English und Deutsch]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen, reported in WorldCat which indicates that this German translation of TC is accompanied by notes and an afterword by Walter F. Schirmer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271755">
    <dcterms:title><![CDATA[The Romaunt of the Rose]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat with the following note: &quot;Contains Fragment A of the Middle English Romaunt of the Rose, sometimes (as here) attributed to Chaucer, with the parallel section (verses 1-1670) of its Old French ancestor . . . .  &#039;A limited edition of seventy-five copies. The first twenty-five include seven original etchings and with the text are printed on T S Saunders white mould-made paper. The others with one original etching are printed on De Wint buff hand-made paper&#039;--Colophon. LC has copy no. 17.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271754">
    <dcterms:title><![CDATA[Cuentos para Chicos de Autores Grandes]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat, indicating that this collection of short stories adapted in Spanish for children includes PrT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271753">
    <dcterms:title><![CDATA[The Miller&#039;s Tale: A Complete Episode from the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Limited edition art-book version of MilT that uses the Nevill Coghill trans.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271752">
    <dcterms:title><![CDATA[Kantekleer en die Jakkals, deur Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Afrikaans translation of Barbara Cooney&#039;s adaptation of NPT for children (1958).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271751">
    <dcterms:title><![CDATA[Boccaccio, Chaucer and the International Popular Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the roles and methods of folklore study in literary criticism, arguing that international folktales are as important as elite narratives for understanding  and appreciating medieval literature. Discusses plots shared by Boccaccio and Chaucer (RvT, ClT, MerT, FranT, ShT) and assesses relations between FrT and an analogous Irish folktale. Also discusses the Proem to Book 4 of the &quot;Decameron&quot; and its analogues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271750">
    <dcterms:title><![CDATA[The Friar as False Apostle: Antifraternal Exegesis and the &#039;Summoner&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies allusions in SumT to biblical passages that were used by fraternal orders and criticized in antifraternal commentary. The allusions, which engage a &quot;theological controversy well known in Chaucer&#039;s time,&quot; satirize friars&#039; hypocritical claims to apostolic and Pentecostal associations, excoriated by William of St. Amour (&quot;De Periculus&quot;) and others; they help to integrate the fart-wheel scene with the rest of the tale and exemplify how Chaucer creates comedy through learned materials.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271749">
    <dcterms:title><![CDATA[Chaucerian Romance?]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses structural and stylistic features (rather than the subject matter) of medieval narratives classed as romance, analyzing the &quot;compositional structure&quot; of WBT, particularly its &quot;inorganic&quot; and &quot;additive&quot; incorporation of digressive materials. Also comments on TC, KnT, SqT, FranT, Thop, and works by Chretién de Troyes.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271748">
    <dcterms:title><![CDATA[Clandestine Marriage and Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Defines clandestine marriage and describes it as a widespread and well-known phenomenon in fourteenth-century England, even though condemned by the Church. Argues that because the lovers in TC are not Christian, their love is &quot;licit&quot; and not adulterous, exploring the features and implications of their marital contract. Also comments on aspects of clandestine marriage in RvT, WBT, KnT, and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271747">
    <dcterms:title><![CDATA[The Pardoner&#039;s Bid for Existence]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PardPT for the ways they reveal more about the Pardoner than he intends. The Old Man shows the pain of the Pardoner&#039;s &quot;joyless existence,&quot; even though he has attempted to disguise it in his Prologue; the rioters reveal his obsession with death and its &quot;moral consequences for him.&quot; Hungry for approval, the Pardoner is rejected by the Host who does not recognize his effort to &quot;replace morality with art,&quot; another indication of the Pardoner&#039;s failure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271746">
    <dcterms:title><![CDATA[Chaucer&#039;s Pardoner: Sex and Non-Sex]]></dcterms:title>
    <dcterms:description><![CDATA[Psychoanalyzes the oral imagery in PardPT (food, drink, swearing, the Eucharist, &quot;taking in,&quot; aggressive speech, phallic tongues, kissing), arguing that it indicates the Pardoner&#039;s unconscious search for pardon.]]></dcterms:description>
</rdf:Description></rdf:RDF>