<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271845">
    <dcterms:title><![CDATA[Medieval Monks and Friars: Differing Literary Perceptions]]></dcterms:title>
    <dcterms:description><![CDATA[Describes various depictions of monks and friars in late medieval English vernacular literature, observing that, despite prevalent anti-fraternal satire, friars &quot;retained considerable support&quot; in this literature. Because they were cloistered, monks generally &quot;receive less attention.&quot; Comments on Chaucer&#039;s Monk, Friar, and ShT, as well as other works of the English Middle Ages.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271844">
    <dcterms:title><![CDATA[Jack and John: The Plowman&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[This is a short story, told from the first-person point of view of Chaucer&#039;s Plowman, who describes his early life, his distaste for his brother the Parson, and their pilgrimage to Canterbury.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271843">
    <dcterms:title><![CDATA[The Medieval Python: The Purposive and Provocative Work of Terry Jones]]></dcterms:title>
    <dcterms:description><![CDATA[Eighteen essays comprise an &quot;&#039;Un&#039;festschrift&quot; that celebrates Terry Jones as a comedian, cinematographer, historian, and Chaucerian. For five contributions that pertain to Chaucer, search for Medieval Python under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271842">
    <dcterms:title><![CDATA[Another Medieval Scientific Manuscript Owned and Annotated by James Cobbes]]></dcterms:title>
    <dcterms:description><![CDATA[Cobbes&#039;s dense annotations of Nicholas of Lynn&#039;s &quot;Kalendarium&quot; in University of North Carolina, Chapel Hill, MS 522 may reflect this seventeenth-century book collector&#039;s familiarity with the British Library, MS Additional 23002 text of Astr.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271841">
    <dcterms:title><![CDATA[Story Kit]]></dcterms:title>
    <dcterms:description><![CDATA[Experimental retelling of the story of Dido and Aeneas that opens with references to HF and LGW, among other works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271840">
    <dcterms:title><![CDATA[Shakespeare Adapting Chaucer: &#039;Myn auctour shal I folwen, if I konne&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Shakespeare&#039;s adaptations relied not only on understanding and knowing Chaucerian texts, but on his &quot;memory of Chaucer &quot; and Chaucerian ideas and practices, particularly his mingling of &quot;sources and authorities&quot; in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271839">
    <dcterms:title><![CDATA[Playing the &quot;Canterbury Tales&quot;: The Continuations and Additions]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the &quot;post-Chaucer continuations and additions&quot; to CT, particularly so-called &quot;spurious&quot; links between tales, &quot;Siege of Thebes,&quot; &quot;Tale of Beryn,&quot; &quot;Canterbury Interlude,&quot; &quot;Ploughman&#039;s Tale,&quot; &quot;Plowman&#039;s Tale,&quot; &quot;Tale of Gamelyn,&quot; and alternative endings to CkT. Considers the Tales as interactive, dynamic, polyvocal, game-like, and &quot;ergodic,&quot; and argues that readers should appreciate the post-Chaucerian additions to CT as part of its reception history.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271838">
    <dcterms:title><![CDATA[John Lydgate and the Poetics of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Looks at fame in medieval texts and argues that although Lydgate was Chaucer&#039;s fifteenth-century successor, he &quot;diverges from Chaucer&#039;s treatment&quot; of fame by &quot;constructing a more confident model of authorship.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271837">
    <dcterms:title><![CDATA[The Midnight Man: The Physician&#039;s Tale of Mystery and Murder as He Goes on Pilgrimage from London to Canterbury]]></dcterms:title>
    <dcterms:description><![CDATA[Historical detective fiction set in the frame of CT, in which a doctor, modeled on Chaucer&#039;s Physician, tells a story to the rest of the pilgrims about sorcery, exorcism, and deaths involved with the mysterious figure of the Midnight Man.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271836">
    <dcterms:title><![CDATA[Inheriting the Legacy: Dekker Reading Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that playwright Thomas Dekker, influenced by John Stow, refashioned the Chaucer legacy in the theater.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271835">
    <dcterms:title><![CDATA[Black Gold: The Former and Future Age]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Form Age transcends its sources to offer &quot;its own glimmer of hope&quot; for new textual communities.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271834">
    <dcterms:title><![CDATA[The Light Has Lifted: Trickster Pandare]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that readers most identify with Pandarus in TC because he embodies the type of the folkloric trickster.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271833">
    <dcterms:title><![CDATA[Disconsolate Art]]></dcterms:title>
    <dcterms:description><![CDATA[Rejects conventional readings of BD as a demonstration that art can transcend suffering; instead shows how BD &quot;enacts . . . a disconsolate poetics, in which pain and suffering perdure.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271832">
    <dcterms:title><![CDATA[A Dark Stain and a Non-Encounter]]></dcterms:title>
    <dcterms:description><![CDATA[Concentrates on Ceyx and Alcyone&#039;s encounter in BD as a communication failure that aligns with a series of other failed attempts at communication throughout the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271831">
    <dcterms:title><![CDATA[Half Dead: Parsing Cecilia]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the anonymous executioner and the three strokes required to execute Cecilia in SNT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271830">
    <dcterms:title><![CDATA[The Dark Is Light Enough: The Layout of the Tale of Sir Thopas]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the textual layout of Th is authorial in the Ellesmere, Hengwrt, Cambridge MS Gg.II.27, and Dd.IV.24 copies of Th. Because other manuscripts do not adhere to this layout, they exemplify how scribes interpret texts rather than transmit them faithfully. Includes a diplomatic edition of the layout of Th as found in Oxford, Christ Church, MS 152.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271829">
    <dcterms:title><![CDATA[Suffer the Little Children; or, A Rumination on the Faith of Zombies]]></dcterms:title>
    <dcterms:description><![CDATA[Imagines the singing clergeon of PrT as a sort of zombie whose zombie faith is echoed by the Prioress.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271828">
    <dcterms:title><![CDATA[The Physician&#039;s Tale as Hagioclasm]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PhyT as a deliberate inversion of hagiography, seen particularly in its failure to end with any positive consequences of the martyrdom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271827">
    <dcterms:title><![CDATA[In the Event of the Franklin&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates how the resolution of FranT turns on so much semantic play with &quot;fre&quot; that the ending itself remains unresolved or &quot;fre.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271826">
    <dcterms:title><![CDATA[Kill Me, Save Me, Let Me Go: Custance, Virginia, Emelye]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Custance, Virginia, and Emelye as women who recognize they are characters in someone else&#039;s narratives. Also suggests that Chaucer was similarly constrained by his sources, leaving him too without freedom to be his own self.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271825">
    <dcterms:title><![CDATA[Unravelling Constance]]></dcterms:title>
    <dcterms:description><![CDATA[Meditates fictively on Custance and her loss of identity.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271824">
    <dcterms:title><![CDATA[Saturn&#039;s Darkness]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the contrast between Theseus and Saturn in KnT as a metaphor for the lives of modern academic Chaucerians.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271823">
    <dcterms:title><![CDATA[Black as the Crow]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews Chaucer&#039;s three uses of a crow (in ManT, PF, and as a &quot;metaphor for the very blackness of blood&quot; at the end of KnT) as a &quot;marker for silence, sterility, and death.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271822">
    <dcterms:title><![CDATA[Chaucerian Afterlives: Reception and Eschatology]]></dcterms:title>
    <dcterms:description><![CDATA[Claims that &quot;Chaucer is eschatological&quot; with a recurrent focus on &quot;death, judgment, hell, and heaven,&quot; but that he also anticipates in Ret how readers might associate Chaucer the author with Chaucer&#039;s texts, thus encouraging &quot;a dynamic of textual dispossession.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271821">
    <dcterms:title><![CDATA[L&#039;O de V: A Palimpsest]]></dcterms:title>
    <dcterms:description><![CDATA[Experimental juxtapositioning of Virginia&#039;s rape in PhyT, Chaucer&#039;s interaction with Cecily Chaumpaigne, and &quot;The Story of O&quot; (1954), presented as a text caught in the act of being edited, complete with palimpsests of strikeouts, text additions, and so forth.]]></dcterms:description>
</rdf:Description></rdf:RDF>