<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271394">
    <dcterms:title><![CDATA[Chusei Eigo, Eibungaku, aruiwa sono gendaisei]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography as a pedagogical discussion to Chaucer&#039;s self-representation in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272051">
    <dcterms:title><![CDATA[Chusei kara Mita Renaissance no Gengko to Hyogen--Chaucer to Shakespeare]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; a note in MLA International Bibliography online indicates that it pertains to Chaucer as a predecessor to the Renaissance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272049">
    <dcterms:title><![CDATA[Chusei kara Mita Renaissance to Hyohen--Chaucer no naka no Tenkaiteki na Mono]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; a note in MLA International Bibliography online indicates that it pertains to Chaucer as a predecessor to the Renaissance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274635">
    <dcterms:title><![CDATA[Cicero Refused to Die: Ciceronian Influence through the Centuries.]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors and an introduction by the editor that consider the influence of Cicero on western language and literature from late Antiquity to the early modern era. For two essays that pertain to Chaucer, search for Cicero Refused to Die under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270606">
    <dcterms:title><![CDATA[Cinematic Illuminations: The Middle Ages on Film]]></dcterms:title>
    <dcterms:description><![CDATA[The authors survey a range of popular and artistic films, analyzing uses and presentations of the Middle Ages and assessing the interactions of the modern medium and the ancient material. The book includes commentary on Brian Helgeland&#039;s A Knight&#039;s Tale, its depiction of Chaucer, and the role of theatricality in the film and in Chaucer&#039;s society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266067">
    <dcterms:title><![CDATA[Circling Back in Chaucer&#039;s &#039;Canterbury Tales&#039;: On Punctuation, Misreading, and Reader Response]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how modern punctuation obscures subtleties of Chaucer&#039;s poetry, drawing examples from CT.  Unpunctuated, Chaucer&#039;s verse has a rich poetic syntax, especially in the ways it compels readers to posit one meaning, adjust that meaning to a second meaning, and come away with a double sense.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270053">
    <dcterms:title><![CDATA[Citation and Allusion in the Lays of Guillaume de Machaut]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Machaut&#039;s allusions to earlier works in his lays (e.g., &quot;Roman de Fauvel&quot; and &quot;Remede de Fortune&quot;) and gauges Machaut&#039;s impact on English court poetry, using Chaucer and Froissart as examples.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277271">
    <dcterms:title><![CDATA[Cities Without Walls: The Politics of Melancholy from Machaut to Lydgate.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. From the abstract: &quot;argues that the pose of melancholy was a vital framing fiction in later medieval poetry . . . , investigate[s] the medical, philosophical and religious traditions of melancholy, and . . . trace[s] the political role of the melancholy narrator in vernacular poetry from Machaut to Lydgate.&quot; Includes comments on the &quot;political role&quot; of the Machaut-influenced melancholy narrator in BD and the influence of Mel and KnT on Lydgate&#039;s &quot;Siege of Thebes.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262673">
    <dcterms:title><![CDATA[City and Country in the Medieval Fabliaux]]></dcterms:title>
    <dcterms:description><![CDATA[Medieval comedy is class-based:  ridicule of the stupidity of country folk.  Modern comedy is psychological:  ridicule of the eccentricity of city dwellers.  Evolution from class-based to psychological comedy can be traced in the fabliaux and in Chaucer&#039;s RvT and MilT versus MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261449">
    <dcterms:title><![CDATA[City, Marriage, Tournament: Arts of Rule in Late Medieval Scotland]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 8 discusses differences between aristocratic and lower-class desire in PF, exploring how endless desire establishes sovereignty in the poem.  The essay also assesses the relations of the poem with Scots tradition, especially the version of the Selden Arch B.24 manuscript, which closes in unique fashion: A peacock recommends that the royal eagle win the formel eagle and that the other birds also choose permanent mates.]]></dcterms:description>
    <dcterms:description><![CDATA[  Nature concurs, the birds choose, and the poem returns to a &quot;still-reading dreamer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274911">
    <dcterms:title><![CDATA[City.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers cities as a &quot;mode of thought&quot; for critical analysis, describing a walk-through pedestrian perspective and a from-on-high omniscient perspective in late-medieval English works that include &quot;The Stores of the Cities,&quot; &quot;St. Erkenwald,&quot; and HF, the latter paralleled with Michel de Certeau&#039;s theorization in &quot;Marches dans la ville.&quot; Also comments on the critical tradition of absent London in CT. Explores how these perspectives and others capitalize on the complexities of cities to suggest new &quot;critical modes and processes&quot; across and between literary, historical, and theoretical boundaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269642">
    <dcterms:title><![CDATA[Civic Voices in English Fables: &#039;The Owl and the Nightingale&#039; and &#039;The Nun&#039;s Priest&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Compares &quot;The Owl and the Nightingale&quot; and NPT as the &quot;best beast fables&quot; in Middle English, examining how the diction of each poem helps to create &quot;voice&quot; and thereby engage an audience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263609">
    <dcterms:title><![CDATA[Civilization and Its Ambivalence: Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Through courtly love, Boethian philosophy, and Godly intervention, Oedipal fantasies of Freud are played out in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265694">
    <dcterms:title><![CDATA[Claiming the Pardoner: Toward a Gay Reading of Chaucer&#039;s Pardoner&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Through a historically situated investigation of the Pardoner&#039;s possible homeosexuality and its relation to language in PardPT, modern readers can resist Chaucer&#039;s (possibly) homophobic intentions, reclaiming and even celebrating the Pardoner&#039;s disruption of the heterosexual constructions of medeival society.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271748">
    <dcterms:title><![CDATA[Clandestine Marriage and Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Defines clandestine marriage and describes it as a widespread and well-known phenomenon in fourteenth-century England, even though condemned by the Church. Argues that because the lovers in TC are not Christian, their love is &quot;licit&quot; and not adulterous, exploring the features and implications of their marital contract. Also comments on aspects of clandestine marriage in RvT, WBT, KnT, and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262403">
    <dcterms:title><![CDATA[Clandestine Marriages in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Reviews civil and ecclesiastical thinking on clandestine marriage, which was frequent in the Middle Ages.  A pattern of this type appears in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265316">
    <dcterms:title><![CDATA[Clanvowe&#039;s Cuckoo]]></dcterms:title>
    <dcterms:description><![CDATA[Long considered a work by Chaucer, &quot;The Cuckoo and the Nightingale&quot; is probably by his friend, Sir John Clanvowe.  It is a work of considerable wit and subtlety, presenting a &quot;libidinous narrator,&quot; a virtuous cuckoo who embodies Christian truth, and a series of literary jokes that involve Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267667">
    <dcterms:title><![CDATA[Clare Priory, the London Austin Friars and Manuscripts of Chaucer&#039;s Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Names written in manuscripts of CT indicate associations between these manuscripts and a number of Austin friars who were scribes; they also indicate that exemplars of some manuscripts were at Clare Priory. Friars may have copied the manuscripts piecemeal when traveling, or the manuscripts may have circulated among fraternal locations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268317">
    <dcterms:title><![CDATA[Clashing Stress in the Metres of Old, Middle, and Renaissance English]]></dcterms:title>
    <dcterms:description><![CDATA[Cable traces a pattern of development in English stress &quot;clashing,&quot; affected by stress subordination and stress spacing. Chaucer&#039;s &quot;alternating metre has frequent stress subordination, but it is less clear that it makes systematic use of stress spacing,&quot; found more frequently in alliterative and Shakespearean meters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265528">
    <dcterms:title><![CDATA[Class and Gender in Early English Literature: Intersections]]></dcterms:title>
    <dcterms:description><![CDATA[Although criticism on gender and class has suggested their mutual exclusion, this collection of eight essays focuses on their intersections.  Three articles on Old English examine the elegies, &quot;Judith,&quot; and the &quot;Exeter Book,&quot; while those on Middle English include one essay on Middle English popular romances, two on Langland&#039;s &quot;Piers Plowman,&quot; and two on Chaucer. For the two essays that pertain to Chaucer, search for Class and Gender in Early English Literature under Alternative Title.]]></dcterms:description>
    <dcterms:description><![CDATA[For individual essays that pertain to Chaucer, search for Class and Gender in Early English Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273262">
    <dcterms:title><![CDATA[Class Distinction in Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates social status and social mobility in Chaucer&#039;s works, considering them in light of contemporaneous attitudes.  Focuses on Chaucer&#039;s uses of &quot;degree&quot; and the ladder of degree as a &quot;symbol of social mobility,&quot; inflected by Chaucer&#039;s comic worldly &quot;cynicism&quot; and his &quot;profound religious skepticism&quot; about such mobility. Also addresses the gentle / churl distinction in Chaucer&#039;s works as social and moral categories, as devices of characterization, and as reflections of Chaucer&#039;s own status.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274910">
    <dcterms:title><![CDATA[Class.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Middle English nuances of a set of related concepts: class, estate, identity, calling, and &quot;clayme,&quot; investigating them in light of Pauline distinctions between use and possession and between old and new, discussed by Giorgio Agamben. Focuses on &quot;how far social conditions are fixed or provisional&quot; in WBPT, and comments on parallel concerns in &quot;Piers Plowman&quot; and John Gower&#039;s &quot;Vox Clamantis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270923">
    <dcterms:title><![CDATA[Classic Animal Stories]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology for children of animal tales from Aesop, the Grimm brothers, etc., including a selection from NPT (pp. 51-56; excludes the dream commentary and philosophy), as &quot;retold by&quot; Stephen Corrin. Plates and illustrations by Angel Dominquez.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275279">
    <dcterms:title><![CDATA[Classic Crime Stories: The Criminal in Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of eighteen examples of short crime fiction, arranged chronologically from Chaucer to Ray Bradbury, with a general Introduction and brief comments introducing the tales. Includes PardT (pp. 3-12) in the prose translation of R. M. Lumiansky.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271218">
    <dcterms:title><![CDATA[Classic Love Poems]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of lyrics and excerpts, including lines from KnT (1.1074-1122) in Middle English. Earlier versions of the volume were published in 1994, 2001, 2006, and 2008.]]></dcterms:description>
</rdf:Description></rdf:RDF>