<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272096">
    <dcterms:title><![CDATA[Venus&#039; &#039;Citole&#039; and the Restoration of Harmony in Chaucer&#039;s &#039;Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the image of the &quot;citole&quot; in KnT 1959, instead of a &quot;concha&quot; also found in traditional sources, contributes to the theme of &quot;harmonious order&quot; in the poem that is temporarily disrupted by the Venus/Mars strife.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272095">
    <dcterms:title><![CDATA[Problemy Izucenija Poem Cosera [Problems of the Analysis of Chaucer&#039;s Poems]]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on aspects of convention, generic variety, and characterization in BD, PF, HF, LGW, and TC as evidence of Chaucer&#039;s status as a &quot;great representative of the mediaeval culture and a pioneer of Renaissance art.&quot; In Russian, with Lithuanian and English summaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272094">
    <dcterms:title><![CDATA[&#039;Amor Gloriae&#039; in Chaucer&#039;s &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the ambivalent treatment of fame in HF: as a sinful desire, as a goal for poets, and as an &quot;amoral record of the past.&quot; Argues that this ambivalence is rooted in Boethius&#039;s &quot;Consolation of Philosophy&quot; and that it reflects Chaucer&#039;s contemplations about his poetic career, perhaps in anticipation of writing TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272093">
    <dcterms:title><![CDATA[Chaucer, &#039;The Plowman&#039;s Tale&#039; and Renaissance Propaganda: The Testimonies of Thomas Godfray and &#039;I Playne Piers&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that &quot;The Plowman&#039;s Tale&quot; was published (ca. 1536) by Thomas Godfray with a &quot;calculated and propagandist purpose,&quot; part of Henry VIII&#039;s &quot;propagandist organization&quot; affiliated with Thomas Berthelet, Henry VIII&#039;s &quot;official printer.&quot; Demonstrates through evidence of its Prologue and through associations with &quot;I playne Piers&quot; that the tale was an &quot;anonymous fifteenth-century tract&quot; before being printed as part of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272092">
    <dcterms:title><![CDATA[&#039;Troilus and Criseyde&#039; and Chaucer&#039;s Dedication to Gower]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the depiction of Troilus in TC in light of Gower&#039;s castigation of knightly love in &quot;Vox Clamantis,&quot; arguing that both poets critique immoral love, even though Chaucer&#039;s poses ironically a &quot;sentimental&quot; view of his protagonist.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272091">
    <dcterms:title><![CDATA[The Pardoner and the Second Nun: A Defense of the Bradshaw Order]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the theme of idleness and the triads of characters in PardT and SNT encourage us to read these tales in sequence--a feature of the ordering of the fragments of CT proposed by Henry Bradshaw.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272090">
    <dcterms:title><![CDATA[Chaucer and a French Story of Thebes]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies details in TC and KnT that reflect the influence of the version of the Thebes legend found in the &quot;Ovide Moralisé.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272089">
    <dcterms:title><![CDATA[On Translating Chaucer&#039;s &#039;Troilus and Criseyde,&#039; Book III, Lines 12-14]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the possible meanings of the phrase &quot;in worth&quot; in the apostrophe to Venus in the Proem to Book 3 of TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272088">
    <dcterms:title><![CDATA[Chaucer and the History of Rome]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval understandings of Rome and its history as background to understanding Chaucer&#039;s allusions to Rome and Romans, especially his treatments of them in PhyT, SNT, the Caesar and Nero accounts in MkT, and the Lucrece legend of LGW. Concludes with a comparison of Chaucer&#039;s depictions with Gower&#039;s.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272087">
    <dcterms:title><![CDATA[Chaucer&#039;s Poetic Treatment of the Figure of Mars]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the interrelated astrological, mythographical, and allegorical traditions of Mars in the Middle Ages, and focuses on the myth of his adultery with Venus and its representations in the plots and allusions of Chaucer&#039;s Complaint of Mars, KnT, and TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272086">
    <dcterms:title><![CDATA[The Conflict between Art and Morality in Two Fourteenth-Century Poets: Juan Ruiz and Geoffrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses ambivalence, conventional morality, and the functions of art in CT and in Juan Ruiz&#039;s &quot;Libro de Buen Amor,&quot; commenting on the role of the narrator in Chaucer and the &quot;staging&quot; of multiple views on &quot;caritas&quot; and &quot;cupiditas&quot; in both works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272085">
    <dcterms:title><![CDATA[The Medieval Ceyx and Alcyone: Ovid&#039;s &#039;Metamorphoses&#039; XI, 407-750 and Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys criticism that considers the Ceyx and Alcyone story in BD, exegetical readings in particular, and edits a version of the tale found in fourteenth-century Ovidian manuscripts available in Chaucer&#039;s England, with full apparatus and with information about the various commentaries, especially that of Pierre Bersuire.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272084">
    <dcterms:title><![CDATA[The Draf of Storyes: Chaucer as Non-Narrative Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s rhetorical, &quot;inorganic,&quot; &quot;non-narrative&quot; structuring devices in various works: BD, Anel, selected lyrics, and TC, with comments on aspects of LGW and CT, especially Part 7 and ManT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272083">
    <dcterms:title><![CDATA[The Narrative of &#039;Sir Thopas&#039; and &#039;Melibeus&#039;: Parallels in the Vices and the Virtues]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Thop can be read as a didactic narrative that breaks off at the &quot;point most effective for developing the theme of salvation&quot; which is brought to conclusion in Mel. The tales share similar concerns with vice and with the world, the flesh, and the devil.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272082">
    <dcterms:title><![CDATA[Marriage in Old and Middle English Saints&#039; Legends]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys two medieval attitudes toward marriage (pro-matrimonial [Aquinas] and anti-matrimonial [Jerome] and their depictions in various tales of virgin martyrs, analyzing SNT most extensively.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272081">
    <dcterms:title><![CDATA[Medieval Rhetoric and Chaucer&#039;s Nun&#039;s Priest&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys rhetorical traditions in fourteenth-century England and assesses the impact of &quot;artes poetriae,&quot; &quot;grammaticae,&quot; and &quot;praedicandi&quot; on Chaucer&#039;s poetry generally and on NPT in particular. Includes appendixes of medieval rhetorical terms (with translations) and descriptions and locations of manuscripts of Latin rhetorical manuals.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272080">
    <dcterms:title><![CDATA[Chaucerian Narrative and Gothic Style: A Study of the &#039;Legend of Good Women,&#039; the &#039;Monk&#039;s Tale,&#039; and the &#039;House of Fame&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads LGW, MkT, and HF as structurally successful works when viewed in light of medieval &quot;Gothic&quot; aesthetics of &quot;inorganic&quot; structure, derived from visual tradition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272079">
    <dcterms:title><![CDATA[Edmund Spenser and Dan Chaucer: A Study of the Influence of &#039;The Canterbury Tales&#039; on &#039;The Faerie Queene&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the influence of CT on Spenser&#039;s &quot;Faerie Queene,&quot; especially the Renaissance version of Chaucer&#039;s work available to Spenser in Thynne&#039;s edition. Includes a list of Spenser&#039;s references and allusions to Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272078">
    <dcterms:title><![CDATA[Chaucer und die Armut: Zum Prinzip der Kontextuellen Wahrheit in den &quot;Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the depictions of poverty in the opening of NPT (7.2821-46) in light of the apparently contradictory attitudes expressed in MLP (2.99-133) and the gentility speech of WBT (3.1177-1206), finding &quot;contextualized&quot; truths. Also considers attitudes towards poverty in analogous passages from the &quot;Roman de la Rose,&quot; Pope Innocent&#039;s &quot;De Contemptus Mundi,&quot; and Langland&#039;s &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272077">
    <dcterms:title><![CDATA[Afrerword [Chaucer the love poet]]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the four papers included in this volume, with emphasis on how well they cohere.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272076">
    <dcterms:title><![CDATA[Panel Discussion [Chaucer the love poet]]]></dcterms:title>
    <dcterms:description><![CDATA[Panelists include Norman E. Eliason, Robert E. Kaske, Edmund Reiss, and James I. Wimsatt, exchanging views on Chaucer&#039;s love poetry and fielding questions from the audience at a symposium held at the University of Georgia, 1971. Recurrent concern with &quot;exegetical&quot; criticism of Chaucer and love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272075">
    <dcterms:title><![CDATA[Chaucer and the Canticle of Canticles]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the uses of the biblical Song of Songs in medieval secular love poetry as background to exploring Chaucer&#039;s uses of it in BD and TC, and his comic adaptations of it in MerT and MilT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272074">
    <dcterms:title><![CDATA[Chaucer&#039;s Marriage Group]]></dcterms:title>
    <dcterms:description><![CDATA[Restricts the &quot;marriage group&quot; to the four components originally proposed by George Lyman Kittredge (WBPT, ClT, MerT, FranT), disclosing the intricacies of their interconnections and considering in turn their various attitudes toward sex and mastery in marriage. Reads the attitudes as &quot;complementary,&quot; even though Chaucer&#039;s &quot;major emphasis falls finally&quot; on FranT as a &quot;presentation of an ideal, so far as it can be attained in a spectacularly imperfect world.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272073">
    <dcterms:title><![CDATA[Chaucer&#039;s Parodies of Love]]></dcterms:title>
    <dcterms:description><![CDATA[Treats parody as a technique that expresses the inadequacies of a given topic but also evokes its ideals, exemplifying how Chaucer achieves this dual perspective in BD, PF, TC, and Part 1 of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272072">
    <dcterms:title><![CDATA[Chaucer the Love Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the varieties of love in Chaucer&#039;s poetry (Christian, philosophic, courtly, and allegorical) and focuses on &quot;ordinary&quot; love in TC, where the personal experience of love is &quot;not merely displayed&quot; but probed with thoughtfulness, honesty, good sense, and sympathy.]]></dcterms:description>
</rdf:Description></rdf:RDF>