<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277076">
    <dcterms:title><![CDATA[Intervals of Grace: Shakespeare and Chaucer&#039;s Existential Romances and the Repair of the Past.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &#039;Augustine&#039;s theology allows us to see providence in romance as a doubled perspective that recognizes the existential smallness of individuals and their collective participatory power in a plural world,&quot; addressing KnT, ClT, and Shakespeare&#039;s &quot;Cymbeline&quot; and &quot;The Winter&#039;s Tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277075">
    <dcterms:title><![CDATA[The Medieval Borderline Identities: The Guildsmen in History and in Geoffrey Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Homi Bhabha&#039;s concepts of borderline community and mimicry (&quot;The Location of Culture&quot; [1994]) to investigate the descriptions of the guildsmen in GP, 361-78, as they relate to shifts and tensions in Chaucer&#039;s contemporary society, focusing on &quot;othering&quot; within traditional hierarchy and on sartorial mimicry. Includes historical and literary information about guildsmen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277074">
    <dcterms:title><![CDATA[Canterbury Masalları: Prolog / The Canterbury Tales: The Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page Middle English and lineated Turkish translation of GP, with introductions to Chaucer&#039;s life, his works, and this translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277073">
    <dcterms:title><![CDATA[Studying Chaucer through Physiognomy: A Study of Chaucer&#039;s Characters Can Lead Students to a Better Understanding of Themselves.]]></dcterms:title>
    <dcterms:description><![CDATA[Lesson plan for teaching GP in high school classes (senior level), introducing the four humors and using a personality test for students.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277072">
    <dcterms:title><![CDATA[Chaucer&#039;s General Prologue to the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page translation of GP into modern English iambic decasyllables; features illustrations of the pilgrims--reproductions of Caxton&#039;s woodcuts paired with original woodcut portraits--and an extensive glossary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277071">
    <dcterms:title><![CDATA[CantApp: The General Prologue. An Edition in an App.]]></dcterms:title>
    <dcterms:description><![CDATA[Electronic edition of GP, designed for download and web access on mobile devices, based on the Hengwrt manuscript (fully reproduced in color), with hyperlinked transcription, translation, glosses and notes, and an audio performance by Lina Gibbings in Middle English. Sidebar apparatus includes a life of Chaucer; a description of GP in relation to CT; and discussions of the date of GP, the Hengwrt MS, the text of this edition, and background to the performance of GP. Contributors include Claire Pascolini-Campbell, James Robinson, Vicky Symons, and Mari Volkosh.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277070">
    <dcterms:title><![CDATA[The Logic of Love in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Presents a &quot;new way to conjoin Chaucer&#039;s sophisticated engagement with philosophical thought and his obvious focus on amatory concerns&quot; in CT, arguing that the narrative &quot;authoritatively abandons authority&quot;--a paradox that recalls logical &quot;insolubilia,&quot; connects with the &quot;philosophical antinomy of realism and nominalism,&quot; and engages the Christian incarnational fusion of creator and created. Neither ironic nor inconsistent, the rigorously logical CT--insoluble rather than enigmatic or analogical--asserts the paradox of love, depicts efforts to accept or resolve paradox in each of the tales, and enjoins readers to accept paradox without judgment or resolution, leaving Chaucer&#039;s &quot;ultimate intention undecidable.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277069">
    <dcterms:title><![CDATA[Kunst und Religion zwischen Mittelalter und Barock: Von Dante bis Bach. Vol. 1, Spätmittelalter und Renaissance.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 7, &quot;Chaucer: Die &#039;Canterbury Tales,&#039; &quot; summarizes the individual tales of CT, following the Chaucer Society order, and provides brief explanations of religious backgrounds and details.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277068">
    <dcterms:title><![CDATA[Cadre et encadrement. Pour une approche politique du récit enchâssé: Des recueils de contes médiévaux au cinéma contemporain (le &quot;Pañcatantra,&quot; Somadeva, Boccaccio, Chaucer, Pasolini, Gomes).]]></dcterms:title>
    <dcterms:description><![CDATA[Theorizes &quot;the consequences of political discourse on bodies&quot; in literary and cinematic frame-narratives, including discussion of CT, along with the &quot;Pañcatantra,&quot; the &quot;Vetala&quot; of Somadeva, Boccaccio&#039;s &quot;Decameron,&quot; Pier Paolo Pasolini&#039;s &quot;Trilogy of Life,: and Miguel Gomes&#039;&#039;s &quot;Arabian Nights.&quot; Includes an abstract in English and in French]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277067">
    <dcterms:title><![CDATA[&quot;Lat Us Laughe and Pleye&quot;: Humor Structures in &quot;The Canterbury Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[A]pproaches the Canterbury Tales through the lens of humor theory, responding to a much-noted gap in existing scholarship by focusing primarily on the structures and mechanisms of humor in the text.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277066">
    <dcterms:title><![CDATA[Liturgical Time in Chaucer&#039;s &quot;Canterbury Tales&quot;: Meditated, Measured and<br />
Manipulated.]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates liturgical references within CT and argues that the poem depicts the secularization of liturgy and its appropriation for social control, while also presenting a carnivalesque celebration of the reversal of social hierarchy.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277065">
    <dcterms:title><![CDATA[Bodiam Castle and &quot;The Canterbury Tales&quot;: Some Intersections.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that CT (specifically GP, KnT, MilT, and RvT) and Bodiam Castle &quot;converge as ideological constructions,&quot; comparing the lives of Chaucer and Sir Edward Dallingridge (builder of Bodiam)--both witnessed at the Scrope vs. Grosvenor trial--and connecting &quot;the anxieties, tensions, gaps, silences and contradictions that lie below the surface of the formal, normative values&quot; of their works. Posits that Dallingridge may underlie aspects of the characterization of Chaucer&#039;s Knight.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277064">
    <dcterms:title><![CDATA[Medieval Feasts.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the social implications of food and dining practices in late medieval cookbooks, social records, and aesthetic literature, commenting on the culinary concerns associated with the Franklin, Prioress, Squire, and Cook in GP and similar material in CkP, PardT, and Ros, along with other works in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277063">
    <dcterms:title><![CDATA[Sound in the Landscape, a Study of the Historical Literature. Part 2: The Medieval Period--the Eleventh to Fifteenth Century (and Beyond).]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys literary representations of sounds in various landscapes found in late medieval literature, including mention of the tournament in KnT and description of the tale-telling, singing, and music-making among the Canterbury pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277062">
    <dcterms:title><![CDATA[Chaucer&#039;s &quot;Canterbury Tales&quot; as a Postpandemic Text.]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets CT as a &quot;compelling psychogram of a diverse community processing massive demographic shifts in the wake of recurrent epidemic waves.&quot; Explores disruptions of social and linguistic categories, PardT as an allegory of plague death, various &quot;satirical plague archetypes&quot; among the pilgrims, and tensions between &quot;egocentric coping mechanisms&quot; and &quot;visions of collaborative inclusivity.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277061">
    <dcterms:title><![CDATA[Chaucer&#039;s Vision of the British Past: Literary Inheritance and Historical Memory in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer favors the popular idea that Brittonic literature and history are primarily oral. By doing so, Chaucer distances his contemporary England, with its reliance on Latin textual and cultural authority, from the political reality of Welsh colonization and resistance, thus imposing a distance between English national history and the past of the Britons.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277060">
    <dcterms:title><![CDATA[Boccaccio, Chaucer, and Stories for an Uncertain World: Agency in the &quot;Decameron&quot; and the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Close comparative analysis of CT and Boccaccio&#039;s &quot;Decameron,&quot; arguing that they present &quot;pragmatic prudence&quot; or &quot;expediential calculation&quot; as essential forms of human agency in negotiating limited knowledge, faulty perception, and cultural turmoil. Assesses storytelling as a &quot;constitutive&quot; cultural force in the &quot;Decameron&quot; and as &quot;competitive&quot; social exchange in CT, concentrating on how characters in both collections &quot; &#039;deal with a chronically uncertain world, and with the formidable forces that create or perpetuate its uncertainty . . . to gain, maintain, or reclaim personal agency&#039;.&quot; (original emphasis). Particular attention to KnT, MilPT, RvPT, MLPT, WBPT, ClPT, MerPT, ShT, Mel, and ManT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277059">
    <dcterms:title><![CDATA[On the Road and in the Market: Chaucer&#039;s Mapping of 1381.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers documentary evidence that roads, markets, and taverns were &quot;conduits for and symbols of&quot; class mobility/motility and rebellious tidings in post-Uprising medieval England, especially in Kent and on the Canterbury road. Against this background, Chaucer&#039;s CT &quot;are expressions of individual agency . . . that cumulatively constitute a discourse of insurgency&quot; and engage the &quot;ideological space&quot; of the Uprising of 1381.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277058">
    <dcterms:title><![CDATA[In viaggio, &quot;Drive My Soul&quot;: Narrazioni condivise e restituzioni di senso.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;the special connection that exists between travel and narration,&quot; especially when traveling in a group, assessing international narratives of travel from CT to Haruki Murakami&#039;s &quot;Drive My Car.&quot; Includes an abstract in English and in Italian.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277057">
    <dcterms:title><![CDATA[The Canterbury Tales: Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[An edition of the complete CT, with selective foot-of-page glosses, and &quot;Extra Material&quot; that includes a life of Chaucer, and plot summaries of BD; HF; PF; TC; and, more extensively, each of the CT. No editor is identified, but a note says that the text is &quot;based on&quot; the Ellesmere manuscript, then claims confusingly that &quot;[m]isprints have been corrected.&quot; Punctuation has been &quot;modernized, but the spelling and inconsistencies of the original have been preserved.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277056">
    <dcterms:title><![CDATA[True Blue: The Connection between Colour and Loyalty in the Later Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Outlines &quot;the significance of blue in the medieval period,&quot; and &quot;examines this connection between colour and virtue in literature, heraldic treatises and works of art,&quot; including brief comments on blue and female fidelity in SqT and Wom Unc.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277055">
    <dcterms:title><![CDATA[Englishing the Virgin: Enclosure, Dissemination, and the Early English Book.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies how &quot;the Virgin Mary and her followers, especially women living the enclosed life . . . occupied a central role in the development of the early English book,&quot; discussing works ranging from LGW, WBPT, and Mel to Richard Tottel&#039;s&quot; Songes and Sonnettes&quot; (1557). Argues that &quot;In his tales related to &#039;good women,&#039; Chaucer develops an authorial persona consistent with Marian devotional practices.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277054">
    <dcterms:title><![CDATA[&quot;Chaucer&#039;s World&quot; Study Days in Oxford for Post-16 Students: Enhancing Learning and Encouraging Wonder.]]></dcterms:title>
    <dcterms:description><![CDATA[Collaborative reflection on the presentation and value of a study-days enhancement program called &quot;Chaucer&#039;s World,&quot; designed both to help UK secondary education students prepare for the A-level English Literature exam and to increase appreciation of Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277053">
    <dcterms:title><![CDATA[Writing Plague: Language and Violence from the Black Death to COVID-19]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the &quot;psychological continuities between the Black Death and COVID-19&quot; in a series of four essays, arranged chronologically, with an introduction, conclusion, and comprehensive index. Chapter 2, titled &quot;The Pardoner, the Prioress, and the Pandemic: Jews and Other Scapegoats in Fourteenth-Century European Culture,&quot; identifies &quot;anti-Semitism as a generic feature of plague writing in the late fourteenth century,&quot; including but not limited to PardT and PrT, with consistent associations between Jews and heretics, pollution, and filth. Connects Chaucer&#039;s works with a range of visual and verbal texts; includes 17 color illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277052">
    <dcterms:title><![CDATA[The Book Lover&#039;s Bucket List: A Tour of Great British Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Illustrated tourist information pertaining to British writers and their works, arranged by geographical area, including introductions to sites associated with Chaucer: his tomb in Poets&#039; Corner, his window in Southwark Cathedral, the Tabard Inn, and Canterbury Cathedral.]]></dcterms:description>
</rdf:Description></rdf:RDF>