<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270791">
    <dcterms:title><![CDATA[Chōsā no shizen: Shigatsu no ame ga fureba [Chaucer&#039;s Nature: When It Rains in April]]]></dcterms:title>
    <dcterms:description><![CDATA[Considers Chaucer&#039;s idea of nature in CT, assessing its relationship to Renaissance humanism, to scholarship and various arts, and to conceptions of the celestial world and natural science. Also gauges the influence of Chaucer&#039;s view of nature on Shakespeare and Spenser.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271399">
    <dcterms:title><![CDATA[Chosa to &#039;teien&#039; no imeji [ Images of Gardens in Chaucer ]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in MLA International Bibliography, where it is described as concerned with the garden imagery and sources in Chaucer.  In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272311">
    <dcterms:title><![CDATA[Chosa-Kenkya [Studies in Chaucer]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274396">
    <dcterms:title><![CDATA[Chosa. [Chaucer.]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Information derived from a WorldCat record.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272325">
    <dcterms:title><![CDATA[Chōsaa no toroirasu ron [A Study of Chaucer&#039;s Troilus]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; cited in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271372">
    <dcterms:title><![CDATA[Choser Srednevekovyĭ [Chaucer&#039;s Medieval]]]></dcterms:title>
    <dcterms:description><![CDATA[Critical discussion of Chaucer&#039;s life and each of his major works, including a section concerned with the resonances of his poetry in later literature, including Russian literature. Considers social and religious conditions of Chaucer&#039;s age, his narrative point of view, and his realism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277154">
    <dcterms:title><![CDATA[Chrematistische Poetik: Mentale Haushaltsführung in Geoffrey Chaucers &quot;Traumvisionen.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that HF depicts a journey through the mental operation of using traditional classical material to generate new literature (tidings) and, in doing so, reflects aspects of late medieval understanding of psychology and economics. Crucial to the latter is a shift from the model of household maintenance to that of chresmatistic mercantile expansion, which depends upon dislocation, multiplication, even unnatural usury--in various ways analogous to imagination rather than memory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272456">
    <dcterms:title><![CDATA[Christening Women, Men and Monsters: Images of Baptism in Middle English Hagiography and Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the use of baptism as a symbol and source of identity in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/268407">
    <dcterms:title><![CDATA[Christian Adornment in The Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[The absence of details of physical dress or adornment applied to Custance in MLT coincides with the presentation of her as a virtuous, Christian heroine. Though descriptive details are conventional in romances, their relative absence here is consistent with exemplary religious narratives.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272938">
    <dcterms:title><![CDATA[Christian Affirmation in &#039;The Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Rejects exegetical readings of BD that construe the poem as a wholesale Christian allegory, but argues that Christian consolation is nevertheless conveyed through resurrection imagery (birds, horns, harts, etc.) and details of &quot;sleeping, dreaming, and awaking&quot; in the Ceyx and Alcyone episode as well as the major plot.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276732">
    <dcterms:title><![CDATA[Christian Implications of Knighthood and Courtly Love in Chaucer&#039;s &quot;Troilus.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses TC as a &quot;peculiar combination of church, chivalry, and courtly love,&quot; exploring the history of the amalgamation of the &quot;system of knighthood,&quot; the church&#039;s influence on the &quot;chivalric code,&quot; and the &quot;idealization of woman.&quot; Then examines &quot;ecclesiastical and Christian passages&quot; in TC, showing how they reflect Chaucer&#039;s &quot;spiritualizing of pagan love&quot; through uses of Boccaccio&#039;s &quot;Filostrato&quot; and adding &quot;ecclesiastical terms,&quot; references to Christian Diety, and Biblical references.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270972">
    <dcterms:title><![CDATA[Christian Literature: An Anthology]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of selections and excerpts, arranged chronologically, from Clement of Rome to Garrison Keillor, each example accompanied by a brief biographical introduction and study questions.  Includes a translation of PardP (6.329-462).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269063">
    <dcterms:title><![CDATA[Christian Revelation and the Cruel Game of Courtly Love in Troilus and Criesyde]]></dcterms:title>
    <dcterms:description><![CDATA[Pugh explores the &quot;performative cruelties&quot; of TC--the ways the three major characters are willing to &quot;resort to tactics of cruelty to advance their individual agendas&quot; and the way the narrative itself displays the &quot;pleasures of salvation&quot; that are unavailable to the pagan characters.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262130">
    <dcterms:title><![CDATA[Christian Tragedy/Tragedy of Christianity]]></dcterms:title>
    <dcterms:description><![CDATA[Treats the concept of tragedy in the Middle Ages and Renaissance, touching on TC and MkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266504">
    <dcterms:title><![CDATA[Christian-Islamic Relations in Dante and Chaucer: Reflections on Recent Catholicism]]></dcterms:title>
    <dcterms:description><![CDATA[Unlike modern thinkers who pose Islam as an &quot;Other&quot; in opposition to Christianity, Dante and Chaucer depict the continuities of the two religions.  In &quot;Divine Comedy,&quot; Dante disapproves of Islam but incorporates it into his cosmic scheme.  In MLT, CHaucer presents Islam and Anglo-Saxon paganism as &quot;paired marginalities,&quot; bridging the two in his use of the name &quot;Alla.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269237">
    <dcterms:title><![CDATA[Christianity and the Church]]></dcterms:title>
    <dcterms:description><![CDATA[Hirsh summarizes how religious concepts, contexts, and developments in the politico-religious situation in Ricardian and Lancastrian England bear on our understanding of CT. Discusses the Great Schism, pilgrimage, mysticism, and the shared themes of travel, suffering, and reward in MLT, ClT, PrT, and SNT. Although changed since the time of Augustine, the notion of the common good informs the description of pilgrimage in ParsP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262284">
    <dcterms:title><![CDATA[Christine de Pizan&#039;s &quot;Letter of Othea to Hector&quot;: With introduction, notes, and interpretative essay]]></dcterms:title>
    <dcterms:description><![CDATA[In her introduction, Chance treats the life and works of Christine de Pizan, the origins of Pizan&#039;s &quot;gynocentric mythography&quot; and the debate over the &quot;Rose,&quot; medieval genealogy of the gods, and the &quot;Letter of Othea&quot; as a mythographic text, with references to Chaucer and his TC and LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261906">
    <dcterms:title><![CDATA[Christmas Games in Chaucer&#039;s &#039;The Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[The tale includes several oblique references to Christmas.  At once comic and suggestive of serious religious ideas, these features may mark the work as an actual bawdy Christmas tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271258">
    <dcterms:title><![CDATA[Christmas Poems]]></dcterms:title>
    <dcterms:description><![CDATA[Eighty-four brief poems or excerpts from longer ones, including lines 36-56 of SNP in Middle English (pp. 68-69), with indication of Chaucer&#039;s debt to Dante, whose version of &quot;St. Bernard&#039;s Hymn to the Virgin&quot; is given in Italian and English translation later in the volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264022">
    <dcterms:title><![CDATA[Christus Gallinaceus: A Chaucerian Enigma: or the Cock as Symbol of Christ]]></dcterms:title>
    <dcterms:description><![CDATA[Pre-Christian and Christian traditions connecting &quot;gallus&quot; and &quot;deus&quot; bear on NPT, especially hymns of Jerome and Prudentius, iconography, and popular equations of the cock with Christ in apocrypha, devotionals, folklore, and slang. As antagonist of the Iscariot fox, Chauntecleer is a Christ figure.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264113">
    <dcterms:title><![CDATA[Chronicle, Chivalric Biography and Family Tradition in Fourteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Deals with the interrelations between the chivalry of literature and chivalric actualities, chronicles, biographical accounts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275430">
    <dcterms:title><![CDATA[Chronicles of Old London: Exploring England&#039;s Historic Capital.]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty vignettes of London and its citizens arranged chronologically, with nine recommended walking tours and an Index. Chapter 7, &quot;Geoffrey Chaucer is Appointed Comptroller of the Port of London: 8 June, 1374&quot; (pp. 46-51; 4 figs.), briefly describes aspects of Chaucer&#039;s biography and comments appreciatively on his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274057">
    <dcterms:title><![CDATA[Chronicling the Fortunes of Kings: John Hardyng&#039;s Use of Walton&#039;s &quot;Boethius,&quot; Chaucer&#039;s &quot;Troilus and Criseyde,&quot; and Lydgate&#039;s &quot;King Henry VI&#039;s Triumphal Entry into London.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how in the first version of his &quot;Chronicle&quot; John Hardyng was influenced by Lydgate in his descriptions of royal power and social harmony--moments of &quot;great joy and triumph&quot;--while depending upon Chaucer and Walton for his concern with &quot;great tragedy, loss, and change.&quot; He also followed others in using Chaucer&#039;s rhyme royal stanzas to write &quot;commemorative&quot; verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265692">
    <dcterms:title><![CDATA[Church Office, Routine, and Self-Exile in Chaucer&#039;s Pardoner]]></dcterms:title>
    <dcterms:description><![CDATA[Reads PardPT psychoanalytically and in light of Max Weber&#039;s theory of charisma, commenting on how words and details of the Pardoner&#039;s performance reflect his attraction to salvation and his fearful distortion of it.  Institutionalized and rhetorically routinized, the performance inverts the methods of genuine charismatic transformation, perverting rather than converting the Pardoner and threatening the other pilgrims, especially the Host, a figure of corporation and institutionalization.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263632">
    <dcterms:title><![CDATA[Chusei bungaku ni okeru yodi (Fairies in Medieval European Literature)]]></dcterms:title>
    <dcterms:description><![CDATA[Using &quot;elf, dwarf&quot; and &quot;fairy, fay&quot; as key words, analyzes the meaning of fairies in literature from Old English through the fifteenth century in England.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese.]]></dcterms:description>
</rdf:Description></rdf:RDF>