<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273305">
    <dcterms:title><![CDATA[Chaucers &quot;Squire&#039;s  Tale&quot;: &quot;The knotte of the tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the sources of SqT and explores its relations with KnT and Anel, focusing on the narrator&#039;s clumsy concerns with the &quot;knotte&quot; or major point of the Tale and arguing that this and other shortcomings  indicate ironically the Squire&#039;s naïve, impoverished view of love, chivalry, and human nature.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276799">
    <dcterms:title><![CDATA[Chaucers &quot;Troilus&quot; und die Höfische Liebe.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that TC is a psychological &quot;novel&quot; insofar as it explores how the lovers&#039; uses of courtly language and conventions disguise their &quot;urgent sensuality&quot; (&quot;drängende Sinnlichkeit&quot;), even from themselves. Compares and contrasts Chaucer&#039;s and Boccaccio&#039;s versions to show how the English poet amplifies Troilus&#039;s and Criseyde&#039;s dependency on Pandarus and on the contingencies of Fortune.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275203">
    <dcterms:title><![CDATA[Chaucers Klang(t)räume: Chaucer, Boethius und die Harmonie.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s depictions of music, poetry, sound, noise, cacophony, and harmony in PF; MilT; and, most extensively, HF, exploring how he adapted notions derived from Boethius&#039;s &quot;Consolation of Philosophy&quot; and his &quot;De musica,&quot; medieval perception theory, and the concept of the harmony of the spheres.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273281">
    <dcterms:title><![CDATA[Chaucers Mönch und die &quot;Reule of Seint Maure or of Seint Beneit.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Reads the GP description of the Monk as strongly critical of the cleric&#039;s worldliness, particularly in light of &quot;St. Benedicti Regula Monochorum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264430">
    <dcterms:title><![CDATA[Chaucers Pardoner: das Charakterproblem und die Kritiker]]></dcterms:title>
    <dcterms:description><![CDATA[All attempts by critics to ascribe psychological implications to conventional self-revelations of a fictional character such as Chaucer&#039;s Pardoner lead to a false evaluation.  The text does not contain the slightest suggestion that the Pardoner is a sexual deviate whose offer to the Host disguises a coarse jest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275408">
    <dcterms:title><![CDATA[Chaucers Persische Zenobia.]]></dcterms:title>
    <dcterms:description><![CDATA[Maintains that Chaucer corrected Boccaccio arbitrarily when he claims at MkT 7.2248 that Persians wrote about Zenobia.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272873">
    <dcterms:title><![CDATA[Chaucers Sprichwortpraxis: Eine Form und Funktionanalyse]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; WorldCat record indicate that this is the author&#039;s dissertation from the University of Bonn, pertaining to Chaucer&#039;s uses of proverbs.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277208">
    <dcterms:title><![CDATA[Chaucers Stellung in der Mittelalterlichen Literatur.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys courtly virtues in Chaucer (&quot;courtoisie,&quot; &quot;franchise,&quot; &quot;gentillesse,&quot; &quot;honour,&quot; &quot;joie,&quot; &quot;pitie,&quot; etc.) and the vices which are grounded in pride and the pursuits of fortune. Focuses on KnT when examining the virtues and on the fabliaux for the vices, recurrently comparing Chaucer&#039;s materials with their sources. Includes a survey of courtliness in high medieval literature and a comparison of Chaucer&#039;s courtliness, humor, and humanness and those of later English writers up to and including Dickens.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261914">
    <dcterms:title><![CDATA[Chaucers Verhaal van de Molenaar]]></dcterms:title>
    <dcterms:description><![CDATA[Intended for an upper-class public, MilT has high literary value owing to its structure, motivation, style, and place in CT (especially the contrast with the preceding KnT), consistency with the Miller&#039;s personality, and also characterization, whereby Alisoun&#039;s portrayal ridicules either common women or conventional love poetry]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274266">
    <dcterms:title><![CDATA[Chauntecleer and Deduit.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies in NPT echoes of the &quot;Roman de la Rose,&quot; particularly in the characterizations of Chaunticler and Pertelote.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276424">
    <dcterms:title><![CDATA[Chauntecleer and Medieval Natural History.]]></dcterms:title>
    <dcterms:description><![CDATA[Exemplifies how several features of the characterization of Chaunticleer in NPT are &quot;firmly grounded in medieval natural history,&quot; particularly his &quot;uxoriousness, regal pride, and choleric temperament,&quot; as well as his connections with preaching, all of which are found in popular medieval encyclopedias by Bartholomeus Anglicus, Alexander Neckham, and others.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274295">
    <dcterms:title><![CDATA[Chauntecleer and Taurus.]]></dcterms:title>
    <dcterms:description><![CDATA[Attributes the reference to Taurus in NPT 7.3194-95 to the medico-astrological tradition of associating Taurus with necks and throats, part of a pattern of imagery in the Tale that may reflect the influence of Bartholomeus Anglicanus&#039;s &quot;De Proprietatibus Rerum.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/265095">
    <dcterms:title><![CDATA[Chauntecleer and the Eagle]]></dcterms:title>
    <dcterms:description><![CDATA[The rhetorical devices disavowed by the eagle in HF are NPT&#039;s substance which mocks badly used rhetoric:  misapplied or mechanical or out of place.  This mockery lies behind the Nun&#039;s Priest&#039;s anti-feminism, induced by the airs and graces of the Prioress.  The same irritating qualities are illustrated in her tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272856">
    <dcterms:title><![CDATA[Chauntecleer and the Mermaids]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the comparison between Chauntecleer&#039;s and mermaid&#039;s singing in NPT (7.3269-72) is an &quot;ironic joke&quot; as well as being an &quot;ironic anticipation&quot; of the rooster&#039;s fate, connected with the theme of predestination in the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276394">
    <dcterms:title><![CDATA[Chauntecleer as Mock-Hero of the &quot;Nun&#039;s Priest&#039;s Tale.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Describes how, as protagonist of NPT, Chauntecleer is the &quot;mock-hero&quot; of Chaucer&#039;s burlesque, engaging in three &quot;battles&quot; and failing because of his own vanity, the target of Chaucer&#039;s satire. His &quot;avisioun&quot; was no vision at all, a result of disordered bodily humours.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272764">
    <dcterms:title><![CDATA[Chauntecleer, the Mermaid, and Daun Burnel]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the allusions in NPT to mermaids as sirens and to Burnel the ass help to indicate Chauntecleer&#039;s own culpability in his temporary downfall as well as contributing comedy to the Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264899">
    <dcterms:title><![CDATA[Chauntecleer&#039;s &#039;Sisters&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Evidence from several sources indicates that &quot;susters&quot; in NPT 7.4057 may be a triple-entendre:  sibling sisters, nuns, and paramours.  This heightens the implied parallel between Chauntecleer and the Nun&#039;s Priest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274833">
    <dcterms:title><![CDATA[Chauntecleer&#039;s &quot;Small Latin&quot; and the Meaning of &quot;Confusio&quot; in the &quot;Nun&#039;s Priest&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that when Chauntecleer &quot;purposely mistranslates&quot; the proverb about women being man&#039;s &quot;confusio&quot; (NPT, 7.3163-65), he puns on &quot;the two possible connotations of the word . . . and mischievously discard[s] the negative one.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274987">
    <dcterms:title><![CDATA[Chauntecleer&#039;s &quot;Venymous&quot; Cathartics.]]></dcterms:title>
    <dcterms:description><![CDATA[Observes that Chauntecleer&#039;s description of laxatives as &quot;venymous&quot; [var. &quot;venymes&quot;] in NPT 7.3155 parallels a similar connection in Roger Bacon, and suggests that Chaucer&#039;s use carries &quot;antifeminist irony.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261659">
    <dcterms:title><![CDATA[Chauntecleer&#039;s Bad Latin]]></dcterms:title>
    <dcterms:description><![CDATA[Etymological puns reveal MkT, NPT, and SNT to be a trilogy concerned with the common themes of marriage, sexuality, and decline of the church.  The tales dramatize a confrontation among the three pilgrims in which the Priest discloses the Monk&#039;s hypocrisy, and the Nun outdoes both the Monk and the Priest.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273711">
    <dcterms:title><![CDATA[Chauntecleer&#039;s Paradise Lost and Regained.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies patterns, details, images, and wording in NPT that direct the &quot;reader&#039;s attention not only to basic biblical narrative of Adam and Eve, but also to the theological commentary on the Fall.&quot; The overall moral of the Tale is the universality of the fall and the &quot;possibility for salvation also inherent in that fall.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/274312">
    <dcterms:title><![CDATA[Chautecleer and the Monk, Two False Knights.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chauntecleer&#039;s character in NPT &quot;reflects not only the victims in the Monk&#039;s tragedies but the Monk himself,&quot; focusing on &quot;echoes and parallels&quot; between NPT and MkT, their concern with fortune, and the Nun&#039;s Priest&#039;s warning to the Monk.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269192">
    <dcterms:title><![CDATA[Cheapside in the Age of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Processions and spectacles were attempts to contain rivalries between and within the official and unofficial hierarchies of late medieval London (city and crown, wards, crafts, and trades). Recurrently depicting a stable city, Chaucer also depicts urban tensions at times: in the House of Rumor of HF, the description of the Guildsmen in GP, and CkT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270596">
    <dcterms:title><![CDATA[Chep&#039;ŭri Ch&#039;osŏ ŭi Ch&#039;aent&#039;ik&#039;ŭlliŏ wa yŏu [Geoffrey Chaucer&#039;s &quot;Chanticleer and the Fox&quot;]]]></dcterms:title>
    <dcterms:description><![CDATA[Korean translation of Barbara Cooney&#039;s &quot;Chanticleer and the Fox&quot; (1958), with her original illustrations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267851">
    <dcterms:title><![CDATA[Chess, Clocks, and Counsellors in Chaucer&#039;s Book of the Duchess]]></dcterms:title>
    <dcterms:description><![CDATA[The &quot;remedia&quot; for the Black Knight&#039;s loss is achieved in two parts: the &quot;reshaping&quot; of the Black Knight&#039;s imaginative metaphor (chess representing the art of love) and the sounding of the castle bell, which awakens the poet and &quot;ends both hunt and dream.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>