<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272321">
    <dcterms:title><![CDATA[Chaucer and Medicine]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the medical knowledge evident in CT, commenting on Chaucer&#039;s breadth of learning. Includes a glossary of medical terms found in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272320">
    <dcterms:title><![CDATA[Das Fabliau in der Mittelenglischen Literatur]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the genre of the fabliau and discusses &quot;Dame Sirith,&quot; MilT, RvT, SumT, MerT, and ShT as examples in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272319">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (V)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of verbs in Chaucer, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272318">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (VI)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of Chaucer&#039;s adverbs, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272317">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (VII)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of Chaucer&#039;s prepositions, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272316">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (VIII)]]></dcterms:title>
    <dcterms:description><![CDATA[Grammatical description of Chaucer&#039;s syntactical patterns and omissions, with examples. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272315">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (IX)]]></dcterms:title>
    <dcterms:description><![CDATA[Phonetic description of Chaucer&#039;s pronunciation in Japanese, with transcription of MilT in the International Phonetic Alphabet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272314">
    <dcterms:title><![CDATA[Geoffrey Chaucer&#039;s English (X)]]></dcterms:title>
    <dcterms:description><![CDATA[Transcribes PardPT into the International Phonetic Alphabet, with introductory comments in Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272313">
    <dcterms:title><![CDATA[Chaucer&#039;s Use of Courtly Love Terms PART I]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys Chaucer&#039;s uses of courtly notions in his poetry, focusing on courtesy, service, connections with feudalism and Christianity, and the lady&#039;s grace and mercy; also comments on the negative qualities of somnolence and gluttony. Draws examples from a range of works, including Rom, KnT, LGWP, BD, Mars, John Gower&#039;s &quot;Confessio Amantis,&quot; and &quot;A Hymn to the Virgin.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272312">
    <dcterms:title><![CDATA[Kantaberi monogatari sen&#039;yakushū [Canterbury Tales Selections]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record of this item indicates that it is a translation of selections from CT into Japanese poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272311">
    <dcterms:title><![CDATA[Chosa-Kenkya [Studies in Chaucer]]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen; reported in WorldCat.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272310">
    <dcterms:title><![CDATA[Chaucer, Wyclif and the Court of Apollo]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the extract/summary of the &quot;Plowman&#039;s Tale&quot; in Henry Vaughn&#039;s &quot;The Golden Fleece&quot; (1626, under the pseudonym &quot;Orpheus Junior&quot;) and explores his claim that Chaucer influenced Wycliff through this spurious tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272309">
    <dcterms:title><![CDATA[The Phillipps Manuscript of Chaucer&#039;s &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Corrects R. K. Root&#039;s listing of a TC manuscript: should be Phillips 8252 (now Huntington Library HM 114), rather than 8250.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272308">
    <dcterms:title><![CDATA[Undoing Substantial Connection: The Late Medieval Attack on Analogical Thought]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the roots of analogical thinking and late-medieval critiques of its methods and assumptions, exploring the background to understanding &quot;Chaucer&#039;s curious neglect of the allegorical mode.&quot; As with nominalists, Chaucer is consistently concerned with the &quot;ambivalence of human will.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272307">
    <dcterms:title><![CDATA[Henryson&#039;s &#039;Testament of Cresseid, 188]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Mars&#039;s rusty sword in Henryson&#039;s &quot;Testament&quot; recalls Chaucer&#039;s Reeve (GP 1.618).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272306">
    <dcterms:title><![CDATA[The Lark in Chaucer and Some Later Poets]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses various topoi of the lark (including its etymology in Latin) to explore and explain details in a variety of medieval and Renaissance poems, including KnT where the lark is &quot;bisy&quot; and a welcomer of dawn (1.1491-92).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272305">
    <dcterms:title><![CDATA[The Imposition of Order: A Measure of Art in the Man of Law&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the artistic development of the Constance story from its roots in the accused queen legend through Trevet&#039;s adaptation, Gower&#039;s version, and MLT, arguing that only in Chaucer does the narrative achieve &quot;comprehensive artistic unity&quot; of characterization, various motifs, verse form, and allegory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272304">
    <dcterms:title><![CDATA[The Genesis of &#039;The Plowman&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Revises and adds to Henry Bradshaw&#039;s discussion of the origins of the &quot;Plowman&#039;s Tale,&quot; examining chronological and regional features of vocabulary, allusions to contemporary fashion and events, and Lollard ideology to argue that the poem was written no later than 1450, with several later revisions and interpolations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272303">
    <dcterms:title><![CDATA[The Anatomy of Compassion: Chaucer&#039;s &#039;Book of the Duchess&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Charts the development of the dreamer in BD from concern with abstract grief to concern with real grief and from selfishness to concern for others; this progress effects &quot;a detailed anatomy of compassion&quot; that encourages compassion in Chaucer&#039;s readers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272302">
    <dcterms:title><![CDATA[Chaucer and &#039;Sir Thopas&#039;: Irony and Concupiscence]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the characterization of Chaucer&#039;s pilgrim-narrator in CT, focusing on the scene in ThP where the Host requests a tale from this narrator and exploring the ironies of the Host&#039;s expectations, the readers&#039; knowledge of earlier Chaucerian personae, echoes of Dante&#039;s &quot;Purgatorio&quot; and &quot;Inferno,&quot; sexual imagery in the tale of Thopas, and the shift to the tale of Melibee. The Th-Mel sequence satirizes the Host&#039;s expectations and those of the reader.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272301">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims and Cather&#039;s Priests]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the characterizations in Willa Cather&#039;s &quot;Death Comes for the Archbishop&quot; were influenced by Chaucer&#039;s GP descriptions, particularly those of his ecclesiastical characters. The two authors also share a tendency to avoid rigid schemata of vice and virtue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272300">
    <dcterms:title><![CDATA[Chaucerian Final -&#039;e&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that pronounced Chaucerian final -&#039;e&#039; is generally conservative and grammatical (rather than rhetorical or colloquial), identifying parallels in Old English usage and Middle English scribal practice, and commenting on the loss of final -&#039;e&#039; among Chaucer&#039;s later followers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272299">
    <dcterms:title><![CDATA[Avoiding Women in Times of Affliction: An Analogue for the &#039;Miller&#039;s Tale&#039;,]]></dcterms:title>
    <dcterms:description><![CDATA[Connects John&#039;s separation from Alison in the tubs of the MilT with enjoinders to remain sexually separate in the Noah mystery plays and Mirk&#039;s &quot;Festial.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272298">
    <dcterms:title><![CDATA[Chaucer, Grandson and the &#039;Turtil Trewe&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies connections between words and details of PF and Oton de Grandson&#039;s &quot;Le Songe St. Valentin&#039;.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272297">
    <dcterms:title><![CDATA[The Pagan Setting of the &#039;Franklin&#039;s Tale&#039; and the Sources of Dorigen&#039;s Cosmology]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Dorigen&#039;s lament is &quot;not necessarily Christian,&quot; derived as it is from Boethius&#039;s &quot;Consolation of Philosophy&quot; and &quot;spiced with reminiscences&quot; of Ovid&#039;s &quot;Metamorphoses.&quot; Reads the lament as &quot;completely consonant with what Chaucer regarded as pagan philosophy.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>