<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277101">
    <dcterms:title><![CDATA[Griselda&#039;s Afterlife, or the Relationship between Shakespeare&#039;s &quot;The Winter&#039;s Tale, Chaucer&#039;s &quot;The Clerk&#039;s Tale&quot; and the &quot;Tale of Magic.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Offers &quot;folkloric analysis&quot; of several motifs--slaughtered wives, lost and restored children, and incest--in ClT and in &quot;The Winter&#039;s Tale&quot; (and other Shakespearean plays), arguing that such analysis allows us &quot;to see these texts in connection with particular archetypal patterns that make certain crucial elements of their plots stand out in relief.&quot; The female protagonist in each plot &quot;may . . . be said to have saved&quot; her husband from himself.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277100">
    <dcterms:title><![CDATA[Stories Said and Not: Patience and Accommodation in the &quot;Clerk&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the frequent mention of Griselda&#039;s face in ClT, as compared to his sources, and simultaneously argues that Chaucer&#039;s version highlights Griselda&#039;s interiority and how she maintains her patience.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277099">
    <dcterms:title><![CDATA[Patience, Exemplarity, and the Affective Didactics of Middle English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Traces the theme of patience in Middle English verse exempla amid the proliferation of exemplary works in late medieval England to examine the sociality of feeling within narratives of individual virtue,&quot; including a chapter pertaining to ClT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277098">
    <dcterms:title><![CDATA[The Wife of Bath: A Biography.]]></dcterms:title>
    <dcterms:description><![CDATA[Combines personal appreciation and critical analysis of the Wife of Bath as a character; Chaucer&#039;s art in creating her and WBPT; and the voluminous historical reception and impact of the Wife from early scribal glosses to international modern adaptations in poetry, drama, fiction, opera, film, children&#039;s literature, poster-art, and more. Includes commentary on source study of the Wife; cultural and socioeconomic backgrounds to her in post-plague England; close reading of passages of WBPT; and assessments of adaptations by Shakespeare, Dryden, Pope, Voltaire, Percy MacKaye, James Joyce, Vera Chapman, Caroline Bergvall, Jean &quot;Binta&quot; Breeze, Patience Agbabi, Zadie Smith, and more.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277097">
    <dcterms:title><![CDATA[Form and Foreskin: Medieval Narratives of Circumcision.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Pauline &quot;theo-poetics of circumcision&quot; to explore circumcision and &quot;uncircumcision&quot; as hermeneutic tropes, focusing on allegoresis and amplification, and analyzing queerly Augustine&#039;s Boy with a Long Foreskin&quot; (from &quot;De Genesi ad litteram&quot;); &quot;Sir Gawain and the Green Knight&quot;; and, in Chapter 3, &quot;The Foreskin of Marriage,&quot; WBT. Identifies medieval association of marriage and &quot;the allegorical praeputium&quot; in the latter and suggests that the &quot;Wife vernacularizes and feminizes the &#039;Latinate praeputium&#039; in order to circumcise the marriage plot.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277096">
    <dcterms:title><![CDATA[Is Ugliness Only Skin Deep? Middle English Gawain Romances and the &quot;Wife of Bath&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;the socioeconomic significance of the ugly, monstrous figures in the Gawain romances&quot; and in WBT, arguing that Chaucer &quot;bifurcates&quot; the &quot;ugly antagonist&quot; of the romances into the &quot;crude, social-climbing Wife . . . and the loathly lady of her tale&quot; while amplifying criticism of the &quot;old aristocracy&quot; and highlighting &quot;tensions and ugliness&quot; among the parvenu Canterbury pilgrims.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277095">
    <dcterms:title><![CDATA[&quot;Sche evyr desyryd mor and Mor&quot;: The Appropriation of Mercantile Language and Practice in Fifteenth to Seventeenth-Century English Women&#039;s Writing.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses briefly the Wife of Bath&#039;s use of mercantile language to help launch an assessment of such language in women&#039;s writing from Margery Kempe and the Paston women to Aphra Behn.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277094">
    <dcterms:title><![CDATA[Desiring Women: Pleasure and Power in Late Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Studies &quot;representations of women&#039;s desire and . . . its intersections with eroticism, pleasure, and power&quot; in WBPT, Robert Henrysons&#039; &quot;Testament of Cresseid,&quot; &quot;The Book of Margery Kempe,&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277093">
    <dcterms:title><![CDATA[100 Poets: Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects selections from western poets, from Homer forward, including WBP, 587–608, translated by Carey, with a brief introduction that characterizes the Wife as having a &quot;good claim to be the first feminist in literature.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277092">
    <dcterms:title><![CDATA[Becoming England: The Northumbrian Conversion in Trevet, Gower, and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;temporally heterogeneous portrayals of an emerging sense&quot; of &quot;Engelond&quot; in the scenes of Saxon conversion in the Constance narratives of Trevet&#039;s &quot;Cronicles,&quot; Gower&#039;s &quot;Confessio Amantis,&quot; and MLT. These scenes are &quot;sites where the power of linguistic difference to form community becomes a central concern.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277091">
    <dcterms:title><![CDATA[Romance Repetitions and the Sea: Brendan, Constance, Apollonius.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;repetition should be included among the family resemblances that trigger the imaginative response that signals &#039;romance&#039;.&quot; &quot; Includes discussion of MLT and the analogous accounts in Nicholas Trevet&#039;s &quot;Chronicles&quot; and John Gower&#039;s &quot;Confessio Amantis,&quot; as well as other works in which repetition signals &quot;romance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277090">
    <dcterms:title><![CDATA[World History in the Tumultuous 1330s: A Study of Nicholas Trevet&#039;s Anglo-Norman &quot;Cronicles.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comments on how study of Chaucer&#039;s and Gower&#039;s Constance narratives have affected the study and understanding of Trevet&#039;s &quot;Cronicles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277089">
    <dcterms:title><![CDATA[Old Pies, Stray Flies, and Possibly Poisonous Parsley in the &quot;Cook&#039;s Prologue and Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates details in the GP description of the Cook, CkPT, and ManP, exploring their physical and moral implications for characterization, &quot;food safety&quot; in Chaucer&#039;s London, and hygiene among its victuallers--cooks, innkeepers, and manciples.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277088">
    <dcterms:title><![CDATA[[Un]Licensed Riot: Prodigality, Hypocrisy, and Guild Discourse in Chaucer&#039;s &quot;Cook&#039;s Tale&#039;.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the social and economic dynamics of CkT and the GP descriptions of the Cook and the guildsmen, arguing that the tale &quot;indicts both the laterally mobile prodigal apprentice and the decadent hypocrisy&quot; of his master &quot;through the linked subversion of license and guild authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277087">
    <dcterms:title><![CDATA[Writing the North of England in the Middle Ages: Regionalism and Nationalism in Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;the North as a regional concept in the literature of medieval England,&quot; considering a range of texts from Bede&#039;s &quot;Historia ecclesiastica gentis Anglorum&quot; to the Towneley plays. Chapter 4, &quot;Chaucer&#039;s Northern Consciousness in the &#039;Reeve&#039;s Tale&#039;,&quot; surveys the presence of northern England in CT and focuses the use of northern dialect in RvT as &quot;symptomatic of a larger engagement with the region&#039;s long-standing cultural identity as an uncanny presence in England&#039;s national story.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277086">
    <dcterms:title><![CDATA[Response to Leah Schwebel and Jennifer Alberghini.]]></dcterms:title>
    <dcterms:description><![CDATA[Responds to two essays concerned with sexual consent in medieval literature, including Leah Schwebel, &quot;Chaucer and the Fantasy of Retroactive Consent.&quot; SAC 44 (2022): 337–45. Suggests that we might read RvT &quot;as an incel revenge fantasy.&quot;<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277085">
    <dcterms:title><![CDATA[Chaucer and the Fantasy of Retroactive Consent.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores aspects of sexual consent and non-consent in RvT--particularly Malyne&#039;s romanticizing of Aleyn&#039;s assault--linking them with Augustine&#039;s comments on Lucretia in &quot;De civitate Dei,&quot; modern notions of &quot;retroactive consent,&quot; and the Chaucer life records that pertain to Cecily Chaumpaigne. For response, see Lynn Shutters&quot;Response to Leah Schwebel and Jennifer Alberghini.&quot; SAC 44 (2022): 359-60.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277084">
    <dcterms:title><![CDATA[Tolkien and Rape: Sexual Terror, Sexual Violence, and the Woman&#039;s Body in Middle-Earth.]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the &quot;gendered terror&quot; of female sexuality and the &quot;evasiveness&quot; of J. R. R. Tolkien&#039;s treatment of sexual violence against women in his Middle-Earth narratives, and assesses suppression of rape in Tolkien&#039;s 1939 bowdlerized version of RvT in light of this evasiveness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277083">
    <dcterms:title><![CDATA[Speaking Survival: Chaucer Studies and the Discourses of Sexual Assault.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on RvT and argues that newly discovered documents allow scholars to move beyond Chaucer&#039;s individual blame and address structural issues and concerns with language describing and depicting sexual assault in late medieval texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277082">
    <dcterms:title><![CDATA[Emotions and War in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the restless &quot;emotional movement&quot; of &quot;roaming&quot; in KnT, as expression of both confined frustration and openness to new adventures enacted by Palamon, Emelye, and Arcite. Compares Chaucer&#039;s depictions of these movements and emotions with those found in Boccaccio&#039;s &quot;Teseida,&quot; and compares Emelye&#039;s roaming with Dorigen&#039;s in FranT, Constance&#039;s in MLT, and Hypsipyle&#039;s in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277081">
    <dcterms:title><![CDATA[From Imprisonment to Liberation: Chaucer&#039;s &quot;Knight&#039;s Tale&quot; as a Multilayered Exploration of a Paradigm for Prison Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;unique aspect&quot; of the depiction of imprisonment in KnT is that the &quot;only liberation that can happen is apparently at the end of this life, which is seen as a prison,&quot; hence &quot;hardly a liberation at all.&quot; Comments on Chaucer&#039;s likely knowledge of material prisons and on how the tale exerts pressure to read imprisonment allegorically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277080">
    <dcterms:title><![CDATA[Violent Compassion in Late Medieval Writing.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the theme of knightly and royal pity (and related concepts, such as mercy, compassion, and resulting actions) in literary representations of war in a range of late medieval English texts, with particular attention to the Alliterative &quot;Morte Arthure,&quot; Malory&#039;s adaptation of it, and KnT, addressing Theseus&#039;s &quot;compassionate pity&quot; in the latter, along with its ironies and the physiology of pity as liquid.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277079">
    <dcterms:title><![CDATA[Infinite Sorrows: Catastrophic Forms in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses trauma theory to read KnT as a &quot;meditation on catastrophe and survival.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277078">
    <dcterms:title><![CDATA[Playing an Epic Game: Games and Genre in Boccaccio&#039;s &quot;Teseida delle nozze d&#039;Emilia.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Attends to the source relations between KnT and Boccaccio&#039;s &quot;Teseida&quot; to examine the latter in light of game theory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277077">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is an adaptation of KnT for early readers.]]></dcterms:description>
</rdf:Description></rdf:RDF>