<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272372">
    <dcterms:title><![CDATA[Chaucer&#039;s Ethical Poetic in the &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues for an &quot;ethical&quot; reading of Chaucer&#039;s view of poetry in CT distinct from didacticism, examining Chaucer&#039;s engagement with sententiae of Plato and St. Paul and suggesting that, for Chaucer, poetry&#039;s value is in the process of interpretation it asks of the reader. Learning and &quot;doctrine&quot; arise from this activity, and so the aesthetic and instructive values of poetry are inseparable.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272371">
    <dcterms:title><![CDATA[Chaucer and the Sun-God: King and Poet]]></dcterms:title>
    <dcterms:description><![CDATA[Examines Chaucer&#039;s use of sun-king imagery and references to Apollo in a variety of works. Compiles historical connections among Chaucer&#039;s allusions and Richard II and other political figures&#039; iconography, suggesting a multivalent portrayal of kingship involving both &quot;fear&quot; and &quot;splendour.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272370">
    <dcterms:title><![CDATA[Chaucer&#039;s Metrical Landscape]]></dcterms:title>
    <dcterms:description><![CDATA[Questions the idea that Chaucer&#039;s relationship with the alliterative verse of his contemporaries, such as the &quot;Gawain&quot;-poet and Langland, was antagonistic. Instead, suggests that the alliterative and the London poets participate in a shared metrical phonology and a range of metrical choices far more complex than a simple binary between long-line alliterative and decasyllabic verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272369">
    <dcterms:title><![CDATA[Chaucer in the Twenty-First Century: Some Thoughts on Digital Afterlives]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;afterlives&quot; of Chaucer created by post-medieval scholars using digital tools. Argues for attention to digital engagements with Chaucer, such as &quot;Geoffrey Chaucer Hath a Blog,&quot; as having significant existences separate from a historical Chaucer.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272368">
    <dcterms:title><![CDATA[William Morris Interrupted Interrupting Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the significance of William Morris&#039; direct engagement with Chaucer&#039;s works. The illustrations and intricate frames of his Kelmscott Chaucer are complex and communicative, serving as creatively productive interruptions to the act of reading.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272367">
    <dcterms:title><![CDATA[Chaucer&#039;s Poetry: Words, Authority and Ethics]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays about Chaucer and his works that form, in the words of its editors, a &quot;general&quot; rather than a &quot;thematically unified&quot; collection. Threads that run through multiple chapters include rhetoric, ethics, and poetic form. For individual essays, seach under the title of this volume.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272366">
    <dcterms:title><![CDATA[Gamelyn&#039;s Place among the Early Exemplars for Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Applying ANOVA/Tukey&#039;s Range Test on nine early CT manuscripts, the author finds that none of them is based on exemplars written in more than three hands. Attributes the final ordering in the first manuscripts of CT to &quot;the poem&#039;s first two scribes, probably working after Chaucer&#039;s death and spuriously adding the Tale of Gamelyn.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272365">
    <dcterms:title><![CDATA[Medieval Habit, Modern Sensation: Reading Manuscripts in the Digital Age]]></dcterms:title>
    <dcterms:description><![CDATA[Examines what is lost when we look at a digitized manuscript instead of the material book, which invokes the senses of touch, smell, and taste and the habits of the medieval reader. Mentions the graphic tail-rhyme in Th as a type of habit that invokes particular perceptions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272364">
    <dcterms:title><![CDATA[Hoccleve&#039;s Hands: The &#039;Mise-en-Page&#039; of the Autograph and Non-Autograph Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[Compares Chaucer&#039;s and Hoccleve&#039;s manuscripts in terms of authorial control, contrasting the &quot;muddle of disparate exemplars&quot; of CT with Hoccleve&#039;s detailed attention to format. Specifically contrasts Hoccleve&#039;s &quot;mid-stanza paraph&quot; in his autograph manuscripts with the mid-stanza paraph&#039;s complete absence from manuscripts of TC in the same period.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272363">
    <dcterms:title><![CDATA[Scribes and the City: Guildhall Clerks and the Dissemination of Middle English Literature, 1375-1425]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive study of scribes from the London Guildhall responsible for copying Chaucer&#039;s earliest manuscripts, including Adam Pinkhurst, Guildhall scrivener from 1378-1410.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272362">
    <dcterms:title><![CDATA[Compiling the Canterbury Tales in Fifteenth-Century Manuscripts]]></dcterms:title>
    <dcterms:description><![CDATA[Focusing on the MerE-SqH, argues that what has been seen as evidence of authorial revision in the manuscripts may simply be reflecting problem areas encountered by the scribes, including problems in accessing exemplars and linking passages, which often circulated on single leaves.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272361">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;The Wife of Bath&#039;s Prologue&#039; in &#039;The Canterbury Tales.&#039; The Wife&#039;s Personality, Language and Life: Revisiting Feminism]]></dcterms:title>
    <dcterms:description><![CDATA[A feminist reading of the Wife of Bath&#039;s personality and behavior, focusing on her married life, her sexual attitudes, and linguistic usage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272360">
    <dcterms:title><![CDATA[Medievalism in E. E. Cummings&#039; Works: Dante, Chaucer and the Troubadours among the Modern]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes E. E. Cummings&#039; recovery and revision of medieval themes, models, and authors, including Chaucer, who inspired him to express the exaltation of beauty. Both authors&#039; use of language is considered revolutionary for their times.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272359">
    <dcterms:title><![CDATA[Religious &#039;in itinere&#039; Frame Stories: Roles in Sercambi&#039;s &#039;Novelle&#039; and Chaucer&#039;s &#039;Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Studies Sercambi&#039;s &quot;Novelle&quot; and CT against the background of historical writing, and classical and medieval traditions of &quot;narratio brevis,&quot; including the oriental models, in particular the frame stories &quot;in itinere.&quot; Analyzes features of short stories from the perspective of the Sociocritic School, which sees them as a subversion of the macro-story of religious pilgrimage and the morals and religion of the late fourteenth century.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272358">
    <dcterms:title><![CDATA[Chaucer Manuscripts and the &#039;Middle English Dictionary&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Studies the treatment of manuscripts in the MED, especially those containing Chaucer&#039;s works. Detects potential for confusion in the use of the double-dating system (manuscript and composition dates, not always consistently cited), and in the combined use of manuscript sources and modern editions. Chaucer&#039;s works are treated differently from other authors, following the commonplace that Chaucer was crucial for the development of English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272357">
    <dcterms:title><![CDATA[Focus on Old and Middle English Studies]]></dcterms:title>
    <dcterms:description><![CDATA[Includes four articles related to Middle English manuscripts, CT, and medievalisms. For essays that pertain to Chaucer, search for Focus on Old and Middle English Studies under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272356">
    <dcterms:title><![CDATA[The Social Life of Illumination: Manuscripts, Images, and Communities in the Late Middle Ages]]></dcterms:title>
    <dcterms:description><![CDATA[Interdisciplinary anthology focusing on interplay of social and political interactions and medieval French and English illuminated manuscripts produced between the thirteenth and sixteenth centuries. For one essay that pertains to Chaucer, search for Social Life of Illumination under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272355">
    <dcterms:title><![CDATA[The First Presentation Miniature in an English-Language Manuscript]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the argument that the lack of Chaucerian presentation miniatures suggests that Chaucer did not write for wealthy patrons. Identifies the first presentation miniature in an English-language manuscript as the 1409 incipit image in John Trevisa&#039;s &quot;Governance of Kings and Princes,&quot; reviews the history of presentation miniatures in French-language manuscripts, and shows that, in both languages, presentation miniatures seem to be reserved for &quot;serious&quot; literature, such as national chronicles and translations of learned Latin material.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272354">
    <dcterms:title><![CDATA[Manuscripts and Printed Books in Europe 1350-1550: Packaging, Presentation, and Consumption]]></dcterms:title>
    <dcterms:description><![CDATA[Foreward by Derek Pearsall. Essays address issues of packaging, presentation, and consumption of manuscripts. Also discusses producers, owners, and readers of manuscripts and early printed books. For two  essays that pertain to Chaucer, search for Manuscripts and Printed Books in Europe 1350-1550 under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272353">
    <dcterms:title><![CDATA[Anxieties at Table: Food and Drink in Chaucer&#039;s Fabliaux tales and Heinrich Wittenwiler&#039;s&#039; Der Ring&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes Chaucer and Wittenwiler from the &quot;perspective of anxiety at the table.&quot; Explores how &quot;food- and drink-conveyed class anxieties are used as plot devices&quot; to develop action in MlT, RvT, and &quot;Der Ring.&quot; Also mentions possible connections between MerT and &quot;Der Ring.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272352">
    <dcterms:title><![CDATA[Fools, &#039;Folye&#039; and Caxton&#039;s Woodcut of the Pilgrims at the Table]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes woodcut of pilgrims seated at table in Caxton&#039;s second edition of CT. Argues that &quot;early editors&#039; interpretations of given literary works are thus reflected in their editorial choices.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272351">
    <dcterms:title><![CDATA[Two Revolutionary Periods for the Text: The Fifteenth and the Twenty-First Centuries]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how the presentation of texts, as well as the reader&#039;s response to them, might be influenced by new textual forms, focusing on the manuscript (MS Glasgow University Library, Hunter 197), printed (William Thynne&#039;s edition), and electronic versions of Rom.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272350">
    <dcterms:title><![CDATA[Medieval English Manuscripts: Form, Aesthetics, and the Literary Text]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces a special issue on manuscript studies and history of the book in relation to critical theory; also, summarizes the issue&#039;s articles. Discusses CT, TC, and Th.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272349">
    <dcterms:title><![CDATA[Western Illuminated Manuscripts: A Catalogue of the Collection in Cambridge University Library]]></dcterms:title>
    <dcterms:description><![CDATA[Comprehensive catalog of western European illuminated manuscripts in the Cambridge University Library. Includes several indices of iconography, scribes, artists, binders, and authors (with Chaucer listed under &quot;G&quot; for Geoffrey), along with provenance, descriptions, and bibliographic information of early Chaucer manuscripts in the collection. Entries include CT, Astr, LGW, PF, TC, ABC, For, and Form Age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272348">
    <dcterms:title><![CDATA[Chaucer and His French Readers: Eighteenth-Century Copies in the Bibliothèque Nationale de France]]></dcterms:title>
    <dcterms:description><![CDATA[Rebinding and rearrangement of John Dart&#039;s biography of Chaucer in one of the six seventeenth- and eighteenth-century editions of his work held in Paris, effectively reframe it as having been modeled &quot;culturally and linguistically from French materials.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>