<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272623">
    <dcterms:title><![CDATA[Criseyde&#039;s Brows Once Again]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on Chaucer&#039;s interest in the physiognomic implications of Criseyde&#039;s joined eyebrows in relation to his sources.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272622">
    <dcterms:title><![CDATA[The &#039;Shipman&#039;s Tale&#039;: The Italian Analogues]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders relations among ShT, Sercambi&#039;s &quot;Novelle&quot; no. 31, and Boccaccio&#039;s &quot;Decameron&quot; nos. 8.1 and 8.2, suggesting that it is &quot;not unreasonable&quot; to think that Chaucer &quot;might have known all three of the analogues.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272621">
    <dcterms:title><![CDATA[Chaucer&#039;s Zanzis and a Possible Source for &#039;Troilus and Criseyde,&#039; IV, 407-413]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes that Cicero&#039;s &quot;De Inventione&quot; is the source of TC 4.407-13; the subsequent reference (4.414-15) to &quot;Zanzis&quot; is Chaucer&#039;s corruption of &quot;Zeuxis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272620">
    <dcterms:title><![CDATA[&#039;Troilus and Criseyde,&#039; Book III, Stanza 251, and Boethius]]></dcterms:title>
    <dcterms:description><![CDATA[Critiques editorial decisions in punctuating and glossing TC 3.1751-57, comparing the passage with its original in Boethius&#039;s &quot;Consolation of Philosophy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272619">
    <dcterms:title><![CDATA[Wyatt and Chaucer&#039;s &#039;Lusty Leese&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Cites TC 2.752 as the source of Sir Thomas Wyatt&#039;s use of &quot;lusty leese&quot; in &quot;Myne owne John Poyntz,&quot; line 83.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272618">
    <dcterms:title><![CDATA[Chaucer&#039;s Influence on the Prose &#039;Sege of Troy&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that the characterization of Calchas in TC influenced the fifteenth-century &quot;Sege of Troy.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272617">
    <dcterms:title><![CDATA[The Unity of &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates what makes TC &quot;so alive for us today,&quot; assessing the poem&#039;s psychologically rich depictions of the characters&#039; (including the narrator&#039;s) engagements with their own experiences and their detachments from them. Tinged with ironies--ironies of tone as well as ironies of fact--and underscored by the &quot;pathos of time,&quot; the poem dramatizes Chaucer&#039;s &quot;wise passiveness&quot; in the face of human struggles toward limited knowledge and partial self-consciousness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272616">
    <dcterms:title><![CDATA[Jean of Angoulême: A Fifteenth-Century Reader of Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Records the generally positive view of Chaucer as a &quot;compilator&quot; of CT found in Bibliothèque Nationale Paris MS, fonds anglais 39, once owned by John of Angoulême. The rubrics of the manuscript, executed by the scribe Duxworth, record particular favor for the KnT, with less favorable views of several Tales, perhaps reflecting the aristocratic tastes of the owner.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272615">
    <dcterms:title><![CDATA[Chaucer Research in Progress, 1970-1971]]></dcterms:title>
    <dcterms:description><![CDATA[Reports 125 items.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272614">
    <dcterms:title><![CDATA[Chaucer: An Introduction]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces Chaucer&#039;s life and works to the modern reader, summarizing the plots of individual works and explaining medieval practices and details that underlie them, and attending to their relative chronology, sources, innovations, genres, and aesthetic highlights. Includes discussion of Chaucer&#039;s major narrative poems, CT most extensively, and concludes with a chapter on the relations between Chaucer&#039;s poetry and that of his contemporaries, particularly John Gower and William Langland.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272613">
    <dcterms:title><![CDATA[The &#039;Doppelgängers&#039; in Chaucer&#039;s &#039;Troilus&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Finds three kinds of character doubling in TC:  Hector is an &quot;echoic or reflective doubling&quot; of Troilus, Pandarus and Troilus double as complementary portions of one lover, and Diomedes is Troilus&#039;s &quot;dramatically opposing&quot; double.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272612">
    <dcterms:title><![CDATA[Physiognomy and Characterization in the &#039;Miller&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Interprets details of physiognomy in the characterizations of Alison and Absolon in MilT; hers indicate her &quot;availability&quot;; his, his timidity and foppishness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272611">
    <dcterms:title><![CDATA[The Bartenders in Eliot and Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that T. S. Eliot&#039;s &quot;The Wasteland&quot; echoes RvT 1.3889-3898, where Chaucer &quot;personifies Death as a bartender.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272610">
    <dcterms:title><![CDATA[The Polylithic Romance: With Pages of Illustrations]]></dcterms:title>
    <dcterms:description><![CDATA[Proposes a &quot;taxonomy&quot; of medieval romance, which is epitomized by &quot;chivalric romance,&quot; but ranges widely in mode, tone, and motif from &quot;proto-romance&quot; to &quot;counter-romance.&quot; Characterizes various forms and sub-forms and includes tabular anatomies of &quot;Modes and Aspects&quot; in TC, the variety of &quot;Emerging Aspects&quot; of KnT, and the &quot;Genre Patterns&quot; of &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272609">
    <dcterms:title><![CDATA[A Metrical and Stylistic Study of &#039;The Tale of Gamelyn&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes and analyzes the versification of &quot;The Tale of Gamelyn,&quot; arguing that its &quot;prosodic system . . . falls somewhere between&quot; those of Chaucer and of &quot;Piers Plowman.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272608">
    <dcterms:title><![CDATA[Studies in Medieval Renaissance American Literature: A Festschrift [Honoring Troy C. Crenshaw, Lorraine Sherley, Ruth Speer Angell]]]></dcterms:title>
    <dcterms:description><![CDATA[Includes three essays that pertain to Chaucer, one previously printed. For the two new essays, search for Studies in Medieval Renaissance American Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272607">
    <dcterms:title><![CDATA[Hodge of Ware and Geber&#039;s Cook: Wordplay in the &#039;Manciple&#039;s Prologue&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates details and images of the Cook in ManP to argue for a &quot;three-fold elaboration&quot;: the besotted Cook is a &quot;victim of obsession with drink&quot; who exhibits the pallor of the love-lorn knight which is also the paleness of the alchemical fire-tender of CYP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272606">
    <dcterms:title><![CDATA[January, Knight of Lombardy]]></dcterms:title>
    <dcterms:description><![CDATA[Summarizes the plot of French fabliau &quot;Bérenger au long cul&quot; and suggests that it helps to &quot;explain the background upon which Chaucer was drawing when he decided to make January a knight of Lombardy&quot; in MerT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272605">
    <dcterms:title><![CDATA[The Rule and the Norm: Halle and Keyser on Chaucer&#039;s Meter]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges Morris Halle and Samuel J. Keyser&#039;s theory of Chaucer&#039;s iambic pentameter (particularly their application of the notion of &quot;stress-maximum&quot;), and poses a theoretical distinction between &quot;norms&quot; and &quot;rules&quot; in discussing prosodic practice, especially as modified by actual reading performance. Reprinted with a &quot;Discussion of Wimsatt&#039;s Paper&quot; by various unnamed commentators in Seymour Chatman, ed. Literary Style: A Symposium (London: Oxford University Press, 1971), pp. 197-220.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272604">
    <dcterms:title><![CDATA[Chaucer&#039;s Daun Piers and the Rule of St. Benedict: The Failure of an Ideal]]></dcterms:title>
    <dcterms:description><![CDATA[Characterizes the Monk as the &quot;satiric consummation of all possible monastic faults,&quot; analyzing him in light of the &quot;seven points of disciple&quot; of the Rule of St. Benedict (obedience, poverty, celibacy, propertylessness, labor, claustration, and proper diet) and showing where details and nuances in his character contrast with monastic strictures.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272603">
    <dcterms:title><![CDATA[The Source for the &#039;Remedia&#039; of the Parson&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates that Chaucer&#039;s source for the remedial virtues offered as antidotes to the vices in ParsT is a Latin treatise here titled &quot;Postquam&quot; that often appears with material from Peraldus&#039;s &quot;Summa de Vitiis,&quot; the major source of the Tale. Describes the treatise, identifies known manuscripts, and offers in flanking columns parallel materials from it and from ParsT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272602">
    <dcterms:title><![CDATA[The &#039;Locus Amoenus&#039; and Eschatological Lore in the &#039;Parliament of Fowls,&#039; 204-10]]></dcterms:title>
    <dcterms:description><![CDATA[Shows that Chaucer&#039;s description of the garden in PF 204-10, part of the tradition of &quot;locus amoenus,&quot; also &quot;engages the conventional elements and rhetorical style of medieval pictures of heaven or paradise.&quot; Such adjustments to Boccaccio&#039;s description in his &quot;Teseida&quot; add spiritual dimension.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272601">
    <dcterms:title><![CDATA[Imprisoning and Ensnarement in &#039;Troilus&#039; and &#039;The Knight&#039;s Tale&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the imagery and diction of hunting, snaring, imprisoning, and entrapment in TC and KnT, showing how it informs the concern with destiny, freedom, and interpersonal manipulation in the poems.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272600">
    <dcterms:title><![CDATA[The &#039;Moral&#039; Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Gauges Chaucer&#039;s attitude toward &quot;reason and revelation,&quot; and argues that &quot;one of the structural principles&quot; of CT is the &quot;pursuit of moral wisdom,&quot; particularly in movement from KnT to ParsT and in the image of pilgrimage.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272599">
    <dcterms:title><![CDATA[&#039;Storie,&#039; &#039;Spelle,&#039; &#039;Geste,&#039; &#039;Romaunce,&#039; &#039;Tragedie&#039;: Generic Distinctions in the Middle English Troy Narratives]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies the ways in which various genre terms are used in Middle English narratives about Troy, including TC where &quot;tragedie&quot; is consistently applied to the narrative. Comments on Latin and French usage and on terms applied to Chaucer&#039;s other works to help clarify nuances of the various individual labels.]]></dcterms:description>
</rdf:Description></rdf:RDF>