<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263200">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician and Fourteenth-Century Medicine: A Compendium for Students]]></dcterms:title>
    <dcterms:description><![CDATA[This guide for undergraduates treats astrology, the zodiac, humors, therapies, Chaucer&#039;s authorities, medieval attitudes toward medicine, and the GP Physician.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272164">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician as Storyteller and Moralizer]]></dcterms:title>
    <dcterms:description><![CDATA[Compares PhyT with its sources in Livy and the &quot;Roman de la Rose&quot; to argue that Chaucer&#039;s retelling characterizes the Physician as amoral, consistent with the GP description.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264882">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician: An Uncollected Allusion 1611]]></dcterms:title>
    <dcterms:description><![CDATA[In his &quot;Physicall and approved Medicines...&quot; (London, 1611) Edmund Gardiner cites Galfridus Chaucer as one of his authorities and quotes a version of GP, I (A), 443-44:  &quot;For Gold in Physicke is a cordiall:  / Wherefore he loved Golde in speciall.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272630">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician: Medicine and Literature in Fourteenth-Century England]]></dcterms:title>
    <dcterms:description><![CDATA[Describes fourteenth-century medical training and practice in England and documents physicians who were contemporary with Chaucer, suggesting that John de Middelton is the &quot;perhaps most probable&quot; candidate for a real-life model of Chaucer&#039;s Physician. Reads the GP description of the Physician as straightforward rather than ironic or satiric, and finds PhyT to be wholly appropriate to a man who is, in accord with medieval medical training, &quot;first a clerk and only secondly a physician,&quot; comparing and contrasting PhyT with other Tales (most extensively ManT) that invite &quot;moral reflection.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263752">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician: The Teller and the Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Applies portrait of the Physician in GP to a close reading of PhyT; the imperfect Physician is Chaucer&#039;s criticism of medical doctors.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263255">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician&#039;s Tale and the Tenth Satire of Juvenal]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer quotes Juvenal&#039;s Tenth Satire in TC and WBT.  The satire also provides suggestions for the three substantial additions he made to PhyT--on Virginia&#039;s beauty, her chastity, and the duty of governesses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/271548">
    <dcterms:title><![CDATA[Chaucer&#039;s Physician&#039;s Tale: Authority, Sovereignty, and Power]]></dcterms:title>
    <dcterms:description><![CDATA[Analysis of PhyT and its connection with the storyteller through the notions of authority, sovereignty and power. In the post-plague context, when doctors had become broadly distrusted, a story that stresses these aspects would help to restore the confidence in them.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/273525">
    <dcterms:title><![CDATA[Chaucer&#039;s Physicians: Raising Questions of Authority.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores interconnection among medicine, religion, and gender, as well as Chaucer&#039;s engagement with Marian doctrine, in PrPT and PhyT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/270190">
    <dcterms:title><![CDATA[Chaucer&#039;s Physicians: Their Texts, Contexts, and the Canterbury Tales]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s depictions of physicians, focusing on how they exemplify the tension between &quot;medici corporals&quot; (bodily medicine) and &quot;spirituals&quot; (spiritual medicine). None of Chaucer&#039;s physicians exhibit an ideal balance; Chaucer explores a contemporary debate without seeking to resolve it.  Skerpan considers the Physician, the Pardoner, and the physicians of Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275124">
    <dcterms:title><![CDATA[Chaucer&#039;s Physics: Motion in &quot;The House of Fame.&quot; ]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses &quot;Chaucer&#039;s engagement with the concept of movement&quot; in HF, exploring how three scenes of motion (the eagle&#039;s descent, the eagle&#039;s lecture on movement and sound, and the whirling House of Rumor) engage with William of Ockham&#039;s &quot;Brevis summa libri physicorum&quot; and his &quot;Expositio in libros physicorum Aristotelis.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/276487">
    <dcterms:title><![CDATA[Chaucer&#039;s Pie Chart (to Philani Amadeus Nyoni).]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-seven-line poem in which the appearance of Chaucer in a classroom triggers an epiphany.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275751">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrimage Device of the Fabliau Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the techniques of characterization in CT, with particular attention to the range of social classes and the assigning of fabliaux to particular tellers. Comments on the gender of individual tellers and on the likelihood of class and gender variety and hierarchy in his contemporary audience and in his works.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/267374">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims : The Allegory]]></dcterms:title>
    <dcterms:description><![CDATA[Cullen&#039;s third volume on CT claims the work is an allegory reflecting Chaucer&#039;s preoccupation with astronomy/astrology. The Pilgrims, who congregate at sunset, correspond to the constellations and planets-celestial &quot;pilgrims&quot; traveling across the sky. The Canon appears later and departs like a comet. Chaucer was concerned with the end of time, although he shows that the date of the final day &quot;cannot be discovered by the mind of man; it&#039;s a waste of time.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272301">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims and Cather&#039;s Priests]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the characterizations in Willa Cather&#039;s &quot;Death Comes for the Archbishop&quot; were influenced by Chaucer&#039;s GP descriptions, particularly those of his ecclesiastical characters. The two authors also share a tendency to avoid rigid schemata of vice and virtue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272031">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims as Artists]]></dcterms:title>
    <dcterms:description><![CDATA[Gauges the performances of the Canterbury pilgrims by their relative balance between self-will and common will, basing the distinction on patristic notions of pilgrimage and successful progress toward God, as well as Horace&#039;s aesthetic criteria of teaching and delight.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/263877">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims in Fifteenth-Century Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Chaucer&#039;s pilgrims reappear in the prologues of &quot;The Tale of Beryn&quot; (ca. 1410) and Lydgate&#039;s &quot;Seige of Thebes&quot; (1422) as &quot;metafictions,&quot; or comments on Chaucer&#039;s GP; &quot;Beryn&quot; criticizes implicitly the lack of realism in Chaucer, and Lydgate portrays the end of medieval culture.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/266159">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims: An Historical Guide to the Pilgrims in &quot;The Canterbury Tales&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Thirty-two essays by various authors who define and describe the professions, vocations, and avocations of Chaucer&#039;s pilgrims.  Individual essays pertain to each of the pilgrims mentioned in GP--including the five guildsmen, the Host (innkeeper), and the narrator (writer and pilgrim)--and to  the pilgrims who approach the pilgrimage late--the Canon (canon and alchemist) and the Canon&#039;s Yeoman. The guide includes an index and a selected bibliography in addition to the selected bibliographies that accompany each essay. For individual essays that pertain to Chaucer, search for Chaucer&#039;s Pilgrims: An Historical Guide under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/275287">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims: The Artistic Order of the Portraits in the Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the aesthetic success of the techniques and devices used to characterize and arrange the pilgrims in GP, treating them in &quot;five successive groups&quot; and commenting on degrees of naturalism, pairings, significant details, and various &quot;gamuts in tone and humour and satire,&quot; from the &quot;purely typical to the much more individualized,&quot; also tracing patterns from high to low in moral and social standing.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/277200">
    <dcterms:title><![CDATA[Chaucer&#039;s Pilgrims: Three Studies in the Real and the Ideal.]]></dcterms:title>
    <dcterms:description><![CDATA[Studies &quot;historical background&quot; to Chaucer&#039;s Monk, Clerk, and Physician, comparing their characterizations with historical personages. Argues that the Monk is &quot;probably either Benedictine or Cistercian,&quot; and &quot;primarily realistic&quot; rather than satiric. Suggests five personages upon whom the Clerk may have been modeled, and characterizes him as a &quot;remarkable blend of the real and the ideal.&quot; Also assesses historical models for the &quot;primarily realistic&quot; Physician whose tale is &quot;strikingly appropriate&quot; to its teller.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/262525">
    <dcterms:title><![CDATA[Chaucer&#039;s Plan of &#039;The Legend of Good Women&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Jean de Meun&#039;s view of love and nature in the &quot;Roman de la Rose&quot; had a deep influence on Chaucer when, under the pretense of writing pitiful stories of good women who sacrificed themselves to Love, he wrote about impudent women who were foresaken by false lovers and eventually committed suicide.]]></dcterms:description>
    <dcterms:description><![CDATA[(In Japanese.)]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/269852">
    <dcterms:title><![CDATA[Chaucer&#039;s Play on Numbers]]></dcterms:title>
    <dcterms:description><![CDATA[Cast as a dialogue between Chaucer and Nohara, the article reconsiders the discrepancy  between &quot;nyne and twenty&quot; (GP 24) and the number of pilgrims in CT.]]></dcterms:description>
    <dcterms:description><![CDATA[In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264481">
    <dcterms:title><![CDATA[Chaucer&#039;s Play on the Word &#039;Beere&#039; in &#039;Troilus and Criseyde&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English &quot;beere&quot; could mean &quot;bear,&quot; &quot;bier,&quot; or &quot;pillow.&quot; The first of these is impossible in the context of TC 2.1638, but both other meanings are probably there:  Pandarus ironically foreshadows Troilus&#039;s death, and he also foresees the hero in bed with Criseyde, his &quot;pillow.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/272771">
    <dcterms:title><![CDATA[Chaucer&#039;s Playful Pandarus]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the sexual connotations of &quot;deth&quot; (death) in TC (3.63 and 1577), both instances helping to characterize Pandarus as unscrupulous and the latter encouraging us to see incestuous relations between Pandarus and Criseyde.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/261434">
    <dcterms:title><![CDATA[Chaucer&#039;s Poetic Adventure: Elegy of Love, Beauty, and Death]]></dcterms:title>
    <dcterms:description><![CDATA[Examines how BD was influenced by the conventions of French and Latin literature.  Concludes that the poet found novelty in classical authors and created his own imaginary love poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/items/show/264145">
    <dcterms:title><![CDATA[Chaucer&#039;s Poetic Alchemy: A Study of Value and Transformation in &#039;The Canterbury Tales&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Addesses &quot;Chaucer&#039;s interest in and exploration of the problem of determining value . . . . The question is central to Chaucer&#039;s own concerns with the ethical and artistic value of his poetry throughout &#039;The Canterbury Tales&#039;,&quot; with particular focus on WBPT, ShT, and CYPT.  A reprint of the author&#039;s dissertation: Dissertation Abstracts International 43 (1982): 1977A.]]></dcterms:description>
</rdf:Description></rdf:RDF>